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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
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Non classifié
601
Piano & claviers
Piano seul
1 306
Piano, Voix
338
Piano Facile
287
Orgue
125
Piano, Voix et Guitare
94
Accordéon
47
1 Piano, 4 mains
20
Instruments en Do
20
Clavecin
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
4
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3
Piano grosses notes
3
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2
Piano (partie séparée)
2
Clavier
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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1
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1
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1
Tous Les Instruments
1
2 Pianos, 4 mains
1
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249
Guitare
94
Guitare notes et tablatures
57
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17
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7
2 Guitares (duo)
4
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2
Dulcimer
2
Piano, Guitare (duo)
2
Paroles et Accords
2
Dobro
1
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1
3 Guitares (trio)
1
Guitare Pedal Steel
1
+ 12 instrumentations
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Voix
Chorale SATB
215
Chorale TTBB
125
Chorale 3 parties
76
Chorale SSAA
48
Voix seule
32
Chorale Unison
16
Chorale 2 parties
15
Voix Soprano, Piano
8
Chorale
8
Chorale SSATB
5
Voix duo, Piano
5
Voix haute
4
Chorale SSAATTBB
3
Voix Alto, Piano
2
Pack Instrumental pour Chorale
2
Voix Baryton, Piano
2
Chorale SSAB a cappella
2
Voix basse, Piano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Voix duo
1
+ 16 instrumentations
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Vents
Flûte traversière et Piano
65
Flûte traversière
27
Quatuor de Saxophones: 4 saxophones
27
Clarinette et Piano
26
Saxophone Soprano et Piano
25
Clarinette
25
Saxophone Tenor et Piano
24
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone (partie séparée)
20
Saxophone Alto et Piano
19
Clarinette (partie séparée)
15
Saxophone
14
Saxophone Baryton, Piano
13
2 Flûtes traversières (duo)
12
2 Clarinettes (duo)
11
Flute (partie séparée)
11
Quintette de Saxophone: 5 saxophones
11
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Flûtes : 4 flûtes
11
Harmonica
11
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette Basse, Piano
9
Cor anglais, Piano
9
Quintette de Clarinettes: 5 clarinettes
9
Saxophone Alto
8
Ensemble de Flûtes
8
Ensemble de saxophones
7
Ensemble de Clarinettes
7
Saxophone Tenor
7
Hautbois
7
Hautbois, Basson (duo)
6
Trio de Flûtes: 3 flûtes
5
Flûte à Bec
4
Clarinette, Guitare (duo)
3
2 Saxophones (duo)
3
5 Flûtes à bec
3
Hautbois (partie séparée)
3
Flûte, Violoncelle
2
3 Saxophones (trio)
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle (duo)
2
Ensemble De Flûte à bec
2
Saxophone et Guitare
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
Clarinette, Violon (duo)
2
2 Flûte à bec (duo)
2
Flûte, Alto (duo)
2
Flûte, Trombone (duo)
1
Instruments en Mib
1
2 Clarinettes, Piano
1
Saxophone Soprano
1
2 Hautbois (duo)
1
Flûte de Pan
1
Hautbois et alto (duo)
1
Clarinette, Trompette (duo)
1
Hautbois, Violoncelle
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Tuba (duo)
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Flûte traversière, Basse continue
1
Flûte traversière, Orgue (duo)
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Flûte irlandaise
1
Flûte, Hautbois (duo)
1
Hautbois, trombone (duo)
1
Cornemuse
1
Hautbois, Clarinette (duo)
1
Clarinette, Tuba
1
+ 69 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trombone et Piano
19
Trompette
17
Cor et Piano
16
Trompette (partie séparée)
16
Euphonium, Piano (duo)
16
Trombone (partie séparée)
15
Trombone
13
Trompette, Piano
11
Cor
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor anglais, Piano
9
Quatuor de Cuivres
6
Tuba et Piano
6
Quatuor de cuivres: 4 cors
5
2 Trompettes (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium
4
Tuba
4
Cor (partie séparée)
4
Tuba (partie séparée)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
2
Trompette, Tuba (duo)
1
2 Trombones (duo)
1
Tuba et Orgue
1
Clarinette, Cor (duo)
1
3 Trombones (trio)
1
Instruments en Sib
1
Ensemble de Trompettes
1
Ensemble de Cors
1
Trombone, Violon (duo)
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
70
Violon
50
Violon et Piano
45
Violoncelle, Piano
32
Alto, Piano
28
Violoncelle
19
Harpe
17
Alto seul
13
Violon (partie séparée)
12
2 Violons (duo)
10
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
2 Altos (duo)
7
2 Violoncelles (duo)
7
Flûte, Contrebasse (duo)
5
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Alto (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle (partie séparée)
3
Contre Basse
3
4 Violoncelles
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
2
Quatuor à cordes: 4 violons
1
Autoharp
1
Violon, Clarinette, Piano (trio)
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
Violon, Tuba (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
+ 30 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
129
Ensemble Jazz
119
Orchestre à Cordes
44
Orchestre
20
Ensemble de cuivres
18
Marimba
15
Batterie
13
Cloches
9
Orchestre de chambre
5
Ensemble de Percussions
4
Percussion (partie séparée)
4
Fanfare
4
Percussion
3
Jazz combo
3
Vibraphone
3
Quintette à Vent
1
Timbales
1
Batterie (partie séparée)
1
Xylophone
1
Xylophone ou Marimba ou Vibraphone
1
Timbales (partie séparée)
1
+ 16 instrumentations
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Autres
Formation musicale - Solfège
126
Théorie de la musique
53
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Voix Baryton, Piano
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Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
So Let Us Live - Really Live! for baritone and piano
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
25.81 €
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Voix Baryton, Piano
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Robert M
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So Let Us Live - Really Live! for baritone and piano
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Robert M. Greenberg
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SheetMusicPlus
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