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791
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139
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117
Piano Facile
83
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Orgue
45
1 Piano, 4 mains
24
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
12
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Piano Trio: piano, violon, violoncelle
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Piano (partie séparée)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
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Chorale SATB
246
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84
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41
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35
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9
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7
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5
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5
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5
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3
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3
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2
Voix moyenne, Piano
2
Voix basse, Piano
1
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1
Chorale
1
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VENTS
Flûte traversière et Piano
84
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83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
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63
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53
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52
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52
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38
2 Saxophones (duo)
37
Saxophone Soprano et Piano
36
Clarinette
35
Quintette de Saxophone: 5 saxophones
35
2 Flûtes traversières (duo)
32
Flûte traversière
32
Saxophone Tenor et Piano
32
2 Clarinettes (duo)
31
Saxophone Alto
31
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24
Saxophone Tenor
21
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21
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19
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16
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15
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13
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12
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12
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11
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11
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10
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9
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9
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8
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7
2 Hautbois (duo)
7
Hautbois, Flûte
7
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7
Flûte à Bec
6
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6
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6
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6
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5
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5
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5
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4
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4
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3
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3
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Hautbois
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3
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1
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1
Cor Anglais
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1
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1
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1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Trombone et Piano
45
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40
Trompette
39
Trompette, Piano
35
Cor et Piano
29
Cor
22
Trombone (partie séparée)
22
Tuba et Piano
21
Trombone
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
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15
Cor anglais, Piano
13
Tuba
11
Trompette, Saxophone (duo)
11
2 Trompettes (duo)
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trombones
5
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trombones
4
2 Cors (duo)
4
Trompette, violon (duo)
3
Ensemble de Trompettes
3
Cor anglais, Guitare (duo)
3
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
Cor et Harpe
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Tuba et Orgue
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Trompette, Harpe
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3 Trombones (trio)
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Tuba (partie séparée)
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Cor Anglais
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon et Piano
93
Violoncelle, Piano
74
Alto, Piano
66
Violon
54
Violoncelle
46
Harpe
43
2 Violons (duo)
28
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
25
Contrebasse, Piano (duo)
20
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
14
2 Violoncelles (duo)
12
Contre Basse
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto (partie séparée)
9
2 Altos (duo)
9
Contrebasse (partie séparée)
6
Violon (partie séparée)
5
2 Harpes (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Basse continue
1
Alto et Basson
1
Harpe, Voix
1
Alto et Harpe
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Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
229
Orchestre
121
Orchestre à Cordes
92
Cloches
69
Ensemble Jazz
69
Ensemble de cuivres
60
Orchestre de chambre
27
Jazz combo
17
Ensemble de Percussions
11
Batterie
9
Fanfare
6
Batterie (partie séparée)
4
Xylophone, Piano
2
Vibraphone
1
Piano et Orchestre
1
Marimba
1
3 Percussions
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
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AUTRES
Vous avez sélectionné:
Turn It Down!
Voix Baryton, Piano
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Jump Right In! (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Compo…
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
3.64 €
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Voix Baryton, Piano
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Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
My Soul has Grown Deep (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Compo…
(+)
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
3.64 €
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Voix Baryton, Piano
#
Gwyneth W
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My Soul has Grown Deep
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Troubled Water (Downloadable)
Voix Baryton, Piano
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Compo…
(+)
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
2.73 €
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Voix Baryton, Piano
#
Gwyneth W
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Troubled Water
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
The Torn Fields
Voix Baryton, Piano
Baritone and ensemble - difficult - Digital Download For baritone and large ensemble.…
(+)
Baritone and ensemble - difficult - Digital Download For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Downloadable. Duration 26 minutes. Schott Music - Digital #Q5954. Published by Schott Music - Digital
English.<br> <br> Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. . Mark-Anthony Turnage's 'The Torn Fields' sets the words of Rudyard Kipling, Wilfred Owen, Isaac Rosenberg and Charles Sorley. the latter two of whom were killed in the trenches. .Despite the dark nature of the work, it concludes with a symbol of humanity and hope, the music from the prologue returns with the poem Everyone Sang to creating a unified transcendence away from the fears and desolation of the torn fields.English.<br> <br> Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. . Mark-Anthony Turnage's 'The Torn Fields' sets the words of Rudyard Kipling, Wilfred Owen, Isaac Rosenberg and Charles Sorley. the latter two of whom were killed in the trenches. .Despite the dark nature of the work, it concludes with a symbol of humanity and hope, the music from the prologue returns with the poem Everyone Sang to creating a unified transcendence away from the fears and desolation of the torn fields.
$33.99
30.95 €
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Voix Baryton, Piano
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Mark- Anthony Turnage
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The Torn Fields
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Schott Music - Digital
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
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