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ACCORDEON
ALTO
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BANJO
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CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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Non classifié
301
Piano & claviers
Piano seul
137
Orgue
45
Piano, Voix
43
Piano, Voix et Guitare
31
Piano Facile
18
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
4
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2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
22
2 Guitares (duo)
9
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
1
3 Guitares (trio)
1
+ 1 instrumentations
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Voix
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92
Chorale 3 parties
21
Chorale TTBB
10
Chorale 2 parties
7
Chorale SSAA
7
Chorale Unison
6
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3
Voix Tenor, Piano
2
Voix Tenor
2
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1
Voix Soprano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
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63
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61
Quatuor de Saxophones: 4 saxophones
25
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22
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de saxophones
12
Clarinette et Piano
12
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11
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
10
Hautbois, Piano (duo)
7
Saxophone Soprano et Piano
7
3 Saxophones (trio)
5
Quatuor de Clarinettes: 4 clarinettes
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
Clarinette
5
Quintette de Flûte : 5 flûtes
5
2 Saxophones (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Trio de Flûtes: 3 flûtes
4
3 Clarinettes (trio)
3
5 Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette Basse, Piano
3
Flûte traversière
3
2 Flûtes traversières (duo)
3
Hautbois (partie séparée)
3
2 Clarinettes (duo)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
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2
Flûte, Clarinette (duo)
2
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2
Clarinette, Harpe (duo)
1
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1
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Saxophone Alto
1
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1
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1
Harmonica
1
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1
Flûte à bec Soprano
1
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1
Saxophone Tenor
1
Flûte à Bec
1
Flûte, Violon et Violoncelle
1
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1
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1
Flûte irlandaise
1
3 Flûtes à bec (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois
1
+ 49 instrumentations
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44
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25
Trombone et Piano
9
Ensemble de Trombones
8
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Cor anglais, Piano
5
Cor et Piano
5
Cor
4
Trompette
4
Trompette, Piano
4
Ensemble de Cors
3
Tuba et Piano
3
Quatuor de Cuivres
3
Tuba
3
Trombone
2
2 Trombones (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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1
4 Tubas
1
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1
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Euphonium
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
14
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Violon
9
Alto, Piano
8
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6
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5
Ensemble de Violons
5
Ensemble d'Altos
5
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3
Violoncelle
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Harpe
2
Trio à Cordes: 3 violoncelles
2
2 Violons (duo)
2
Alto (partie séparée)
2
2 Altos (duo)
1
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1
Violon, Clarinette, Piano (trio)
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4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Quatuor à cordes : 4 altos
1
Alto seul
1
Contre Basse
1
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110
Orchestre
35
Ensemble de cuivres
21
Orchestre à Cordes
16
Orchestre de chambre
10
Ensemble Jazz
8
Cloches
8
Ensemble de Percussions
8
Fanfare
6
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
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Voix Baryton, Piano
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1 partition trouvée
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
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