Here's how to play "Sunflower" by Post Malone & Swae Lee on piano (from "Spider-Man: Into the Spider-Verse")!

With this piano sheet music, you can play the entire song on piano.

It's not easy to create a "Sunflower" piano arrangement that actually sounds great - I worked hard on piano version, and must say I'm pretty happy with the result!

The full melody is included in the piano part, and these sheets come with the song's full lyrics.

"Sunflower" is a song from the soundtrack to the 2018 superhero film "Spider-Man: Into the Spider-Verse".

The film received a Golden Globe ("Best Animated Feature Film") and an Academy Award nomination.

Here are the full lyrics to the song:

[Intro: Swae Lee]
Ayy, ayy, ayy, ayy (Ooh)
Ooh, ooh, ooh, ooh (Ooh)
Ayy, ayy
Ooh, ooh, ooh, ooh

[Verse 1: Swae Lee]
Needless to say, I keep it in check
She was a bad-bad, nevertheless (Yeah)
Callin' it quits now, baby, I'm a wreck (Wreck)
Crash at my place, baby, you're a wreck (Wreck)
Needless to say, I'm keeping in check
She was a bad-bad, nevertheless
Callin' it quits now, baby, I'm a wreck
Crash at my place, baby, you're a wreck
Thinkin' in a bad way, losin' your grip
Screamin' at my face, baby, don't trip
Someone took a big L, don't know how that felt
Lookin' at you sideways, party on tilt
Ooh-ooh, some things you just can't refuse
She wanna ride me like a cruise and I'm not tryna lose

[Chorus: Swae Lee]
Then you're left in the dust, unless I stuck by ya
You're a sunflower, I think your love would be too much
Or you'll be left in the dust, unless I stuck by ya
You're the sunflower, you're the sunflower

[Verse 2: Post Malone]
Every time I'm leavin' on ya (Ooh)
You don't make it easy, no (No, no)
Wish I could be there for ya (Ooh)
Give me a reason to, oh (Oh)
Every time I'm walkin' out (Oh)
I can hear you tellin' me to turn around (Oh, oh)
Fightin' for my trust and you won't back down (No)
Even if we gotta risk it all right now, oh (Now)
I know you're scared of the unknown (-Known)
You don't wanna be alone (Alone)
I know I always come and go (And go)
But it's out of my control

[Chorus: Post Malone]
And you'll be left in the dust, unless I stuck by ya
You're the sunflower, I think your love would be too much
Or you'll be left in the dust, unless I stuck by ya
You're the sunflower, you're the sunflower (Yeah)

With this piano sheet music, you can play "Home" by Michael Bublé. It's an accurate transcription of the whole piece, not too hard to play, and it sounds fantastic!

The whole melody is included in the piano part, so it sounds great as an instrumental solo version - but of course, you can also use these sheets to accompany a singer, or sing along yourself!

"Home" is a song from Michael Buble's fourth studio album "It's Time" (released in February 2005).

The song served as the album's first single and became one of Michael Bublé's most popular songs.
"Home" is a beautiful ballad, and great for piano!

Here are the full lyrics to "Home" by Michael Buble:

Another summer day
Has come and gone away
In Paris and Rome
But I wanna go home, mmm

May be surrounded by
A million people I
Still feel all alone
I just wanna go home
Oh, I miss you, you know

And I've been keeping all the letters
That I wrote to you
Each one a line or two
I'm fine baby, how are you?

Well I would send them but I know
That it's just not enough
My words were cold and flat
And you deserve more than that

Another aeroplane
Another sunny place
I'm lucky I know
But I wanna go home
Mmm, I got to go home

Let me go home
I'm just too far
From where you are
I wanna come home

And I feel just like
I'm living someone else's life
It's like I just stepped outside
When everything was going right

And I know just why you could not
Come along with me
That this was not your dream
But you always believed in me

Another winter day
Has come and gone away
In even Paris and Rome
And I wanna go home
Let me go home

And I'm surrounded by
A million people I
I still feel alone
Oh, let me go home
Oh, I miss you, you know

Let me go home
I've had my run
Baby, I'm done
I gotta go home
Let me go home
It'll all be all right
I'll be home tonight
I'm coming back home

Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.

"I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."

The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.

In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.

Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.

Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.

Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."

Christoph Schluren

Translation: John Patrick Thomas and W. Richard Rieves