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TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
(A Major) Ravel
avancé
Piano seul
Partitions à imprimer
16 partitions trouvées
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1
Roadtrip on a Motorway
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1028770 Composed by L.J Harding. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by L.J Harding (A0.1028770). This composition is a piano piece written in A major in the common time signature 4/4. The story behind ‘Roadtrip on a Motorway’ is from a personal experience of travelling to Galway from Dundalk to go to Pink Training, a national and life-changing weekend. The original phrase represents the rising hope of what the weekend could become and how exciting it is to be outside of college. This is quickly interrupted as during the journey the car breaks down on the motorway one hour away from Galway city. This is represented by fast, irregular rhythms with counterpoint to represent the disorientation, panic and fear from not knowing where we are or how we are going to get to Galway on time. The return of the original motif symbolises hope coming back to us as a woman stopped on the motorway and offered to drive us to Galway. A sense of panic and disorientation returns in the music as we begin to become stressed about whether we will meet the deadline for registration. The song finally resolves to the original theme, but developed as a nod to the journey that we had while we finally make it to registration on time.
$6.99
6.36 €
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Piano seul
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L
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Roadtrip on a Motorway
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L.J Harding
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SheetMusicPlus
Ravel "Minuet" (2nd mvt) from Sonatine. Solo Piano Simplified version.
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.785746 Composed by M Ravel. Arrange…
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Piano Solo - Level 4 - Digital Download SKU: A0.785746 Composed by M Ravel. Arranged by Grant Horsley. 20th Century,Contemporary,Romantic Period,Wedding. Score. 6 pages. Grant Horsley #6066877. Published by Grant Horsley (A0.785746). This minuet from the fabulous sonatine by Ravel, has been carefully arranged for pianist who would like a slightly easier version to play.It has been arranged in D major from the original D flat for ease of reading. Some large chords have been compromised but all essential harmony is present. Finally, I have re-voiced a few areas where hands collide in the original to make it easier to negotiate.It is advanced Intermediate is level although a competent Intermediate pianist may be ok with it. Best to look at the youtube to judge which has the whole score. It is 5 pages and roughly 3 mins 15 in length.It really is a wonderful piece- especially used for concert's weddings, recitals, encore, incidental, recitals etc.
$5.50
5.01 €
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Piano seul
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M Ravel
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Grant Horsley
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Ravel "Minuet"
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Grant Horsley
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SheetMusicPlus
Ravel : Pavane pour une infante défunte (piano d'accompagnement en sol majeur)
Piano seul
Téléchargez la partition Piano Pavane pour une infante défunte de Rav…
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Téléchargez la partition Piano Pavane pour une infante défunte de Ravel. Partition pour Duo -- Classique
6.99 €
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Piano seul
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Ravel
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Pavane pour une infante défun
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Tomplay
Flowers for Dorothy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.63 €
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Piano seul
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Norwegian Memories for Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.986068 Composed by David E. Harris.…
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Piano Solo - Level 4 - Digital Download SKU: A0.986068 Composed by David E. Harris. Concert,Contemporary,Instructional,World. Score. 7 pages. LLB Music Publishing (ASCAP) #5308825. Published by LLB Music Publishing (ASCAP) (A0.986068). Beautiful piano music in three sections inspired by the composer's travels to Norway. Duration 3:49.I. Waltz (1:19) II. Waterfalls (1:26) III. Evening Snowflakes (1:04)Keys: E minor, A minor, G minor, D minor, A major, C major.David E. Harris is a composer in the Nashville, Tennessee area with a Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-25846163882
$3.99
3.63 €
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Piano seul
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David E
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Norwegian Memories for Piano
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LLB Music Publishing
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SheetMusicPlus
Sonata Hymnica No. 3
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.65 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Minimalist Tribute to Darius Milhaud for Piano Solo from Three Minimalist Tributes
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862537 Composed by Michael Bomier. …
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Piano Solo - Level 4 - Digital Download SKU: A0.862537 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2033827. Published by Michael Butkus-Bomier (A0.862537). Darius Milhaud was NOT a member of the insider's group of Old Guard French composers, epitomized by Debussy and Ravel. Ravel had usupred Debussy's place as the pre-eminent modernist, and he rightly understood it was the duty of the next generation to rebel against his own work, and find their own ways and voices. Hence, Les Six was formed to accomplish this, just as Ravel's Les Apaches, ( not a Native American meaning, but a general reference to being musical warriors) had, by turns, admired, undermined, and then surpassed Debussy. The music here uses Milhaud's best-known contribution to modernity, bi-tonality. It takes the form of arpeggiated augmented major 7th chords played against each other: as the relationship between the chords comes to the tritone, each iteration slows down, but only to De-Emphasize the stark contrast, rather than bring it out. A second section uses mirrored, symmetrical patterns in each hand. The finale concludes with plain triads juxtaposed in a bi-tonal fashion, with the same contrary motion towards the tritone using a ritard and diminuendo. Approx. running time is 4 mins 30 secs. Easy to play, easy to read, not as easy to hear! Pedaling is fully indicated throughout. Debussy never used bi-tonality, and Ravel hinted at it a few times, but it was Milhaud's stock-in-trade. We'll see you on the Roof, with the Cows! Thanks for listening to ( and buying, and playing?! )these three updated French bon-bons. MBB.
$2.50
2.28 €
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Piano seul
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Michael Bomier
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Minimalist Tribute to Darius Milhaud for Piano Solo from Three Minimalist Tributes
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Michael Butkus-Bomier
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SheetMusicPlus
Introspection 1
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte.…
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
3.63 €
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Piano seul
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the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Concert Etude for the Left Hand, "Descent into Darkness"
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1441861 Composed by Sal Haddad. 21s…
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Piano Solo - Level 4 - Digital Download SKU: A0.1441861 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Sal Haddad #1021849. Published by Sal Haddad (A0.1441861). A lively piece dominated by rapid semiquavers, it has a dark atmosphere. Ravel's D major piano Concerto for the left hand is an influence here, particularly the two cadenzas. I feel it is an effective concert study for the single hand, and a valuable addition to this repertoire. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@salhaddadmusic/about
$2.00
1.82 €
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Piano seul
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Sal Haddad
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Concert Etude for the Left Hand, "Descent into Darkness"
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Sal Haddad
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SheetMusicPlus
Concert Etude for the Left Hand Alone, "Descent into Darkness"
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1412121 Composed by Samuel Hadden. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1412121 Composed by Samuel Hadden. 19th Century,21st Century,Classical,Contemporary. Score. 7 pages. Samuel Hadden #994354. Published by Samuel Hadden (A0.1412121). A lively piece dominated by rapid semiquavers, it has a dark atmosphere. Ravel's D major piano Concerto for the left hand is an influence here, particularly the two cadenzas. I feel it is an effective concert study for the single hand, and a valuable addition to this repertoire. Recorded by the composer.
$2.00
1.82 €
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Piano seul
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Samuel Hadden
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Concert Etude for the Left Hand Alone, "Descent into Darkness"
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Samuel Hadden
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SheetMusicPlus
Concert Etude for the Left Hand, "Descent into Darkness"
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1373860 Composed by Salim Haddad. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.1373860 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Salim Haddad #958334. Published by Salim Haddad (A0.1373860). A lively piece dominated by rapid semiquavers, it has a dark atmosphere. Ravel's D major piano Concerto for the left hand is an influence here, particularly the two cadenzas. I feel it is an effective concert study for the single hand, and a valuable addition to this repertoire. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@Haddad.Composer/about
$2.00
1.82 €
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Piano seul
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Salim Haddad
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Concert Etude for the Left Hand, "Descent into Darkness"
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Salim Haddad
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SheetMusicPlus
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99
4.54 €
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Piano seul
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'God save the King', WoO78
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Flavio Regis Cunha
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SheetMusicPlus
Stories from Portugal Piano Solo Songbook
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.977404 By Suzanne Herman. By Suzann…
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Piano Solo - Level 4 - Digital Download SKU: A0.977404 By Suzanne Herman. By Suzanne Herman. 21st Century,Classical,Contemporary,Contest,Festival,New Age. Score. 58 pages. Suzanne Herman Music #6453797. Published by Suzanne Herman Music (A0.977404). Stories from Portugal is a thoughtful collection of original piano solos for late-intermediate and early-advanced pianists. During her travels throughout Portugal, Suzanne was inspired by the country's rich traditions, welcoming people, and natural beauty. Exploring the landscape and mingling with locals served as a reminder that everyone has a unique story. We carry our personal stories with us wherever we go. Likewise, wherever we venture in this world becomes part of our personal stories. These enchanting compositions explore contrasting moods and emotions. The alluring harmonies, delightful rhythms, and captivating melodies of Stories from Portugal create an engaging musical adventure. Stories from Portugal can be found worldwide on all major listening platforms including Spotify, Apple Music, Pandora, SoundCloud, etc.
$19.99
18.2 €
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Piano seul
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Suzanne Herman
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Stories from Portugal Piano Solo Songbook
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Suzanne Herman Music
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SheetMusicPlus
Flight
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.950944 Composed by Lynn Tredeau. Ar…
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Piano Solo - Level 4 - Digital Download SKU: A0.950944 Composed by Lynn Tredeau. Arranged by Lynn Tredeau. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Lynn Renee Tredeau #3375649. Published by Lynn Renee Tredeau (A0.950944). Key of G Major- A fanciful melody that imagines what flight must feel like. From the CD Echoes of Life - Original solo piano, contemporary classical / new age. Nominated for Solo Piano Album of the Year at One World Music Radio. This debut album tells stories that reflect life experiences. Hiking in the mountains, playing with grandchildren, the adventure of travel and comforting loved ones during times of loss. It is a deep hope that this music allows you to reflect on your life and revisit those memories that mean the most to you. Echoes of the Life is a sublime debut album that has all the hallmarks of a confident and passion filled opener, that has to be a total must for all lovers of the solo piano genre, but the care, calmness of pace and professionalism in this release, is rare in a debut album. ~ Steve Sheppard, One World Music Radio Learn more about Lynn Tredeau at www.lynntredeau.com
$5.25
4.78 €
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Piano seul
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Lynn Tredeau
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Lynn Tredeau
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Flight
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Lynn Renee Tredeau
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SheetMusicPlus
Distant Storms
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1358191 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1358191 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 3 pages. Suzanne Herman Music #942675. Published by Suzanne Herman Music (A0.1358191). From the beach shoreline, in the distance, storms can sometimes be spotted on the Gulf of Mexico horizon. Dark clouds and rain falling from the sky, move across the water, sometimes traveling parallel to the coast, and sometimes advancing straight toward the shore. It is an extraordinary display that can be compared to our life's journey. Life's storms will come and go. This is the inspiration behind Distant Storms.In the key of C minor, Distant Storms is expressive and provides the opportunity for the use of rubato. The thoughtful and mysterious mood is truly alluring. The soft but deep left-hand, with the resonant right-hand melody, creates layers of musical color. Distant Storms, from the solo piano album and songbook A Seaside View, can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.For more information about Suzanne Herman visit:Website FacebookInstagram YouTube ChannelRegister for Newsletter
$5.50
5.01 €
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Piano seul
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Suzanne Herman
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Distant Storms
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Suzanne Herman Music
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SheetMusicPlus
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