With this sheet music, you can play "La Foule" by Édith Piaf on piano!

It's an accurate, carefully created piano arrangement of the full song.

The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.

Originally, "La Foule" was an Argentine song titled "Que nadie sepa mi sufrir" ("Let no one know my suffering"). It was composed by tango legend Ángel Cabral, with lyrics
by Enrique Dizeo.
The original Spanish version of the song has been recorded by many artists, including Alberto Castillo, Julio Iglesias and María Dolores Pradera.

Édith Piaf recorded a French version of the song in 1957, with new lyrics by Michel Rivgauche. Under its new title "La Foule", it became one of her most famous chansons!

The combination of Spanish tango rhythms and the softness of French chansons makes "La Foule" a timeless classic.

It's also a wonderful piece to play on the piano!

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Avec cette partition, vous pouvez jouer "La Foule" par Édith Piaf au piano!

C'est un arrangement pour piano précis et soigneusement créé de la chanson complète.

La mélodie entière est incluse dans la partie piano, ce qui en fait une parfaite reprise de solo instrumental / piano.

À l'origine, "La Foule" était une chanson argentine intitulée "Que nadie sepa mi sufrir" ("Ne laissez personne connaître ma souffrance"). Il a été composé par la légende du tango Ángel Cabral, avec des paroles
par Enrique Dizeo.
La version espagnole originale de la chanson a été enregistrée par de nombreux artistes, dont Alberto Castillo, Julio Iglesias et María Dolores Pradera.

Édith Piaf a enregistré une version française de la chanson en 1957, avec de nouvelles paroles de Michel Rivgauche. Sous son nouveau titre "La Foule", elle est devenue l'une de ses chansons les plus célèbres!

La combinaison des rythmes du tango espagnol et de la douceur des chansons françaises fait de "La Foule" un classique intemporel.

C'est aussi une pièce magnifique à jouer au piano!

For pianists who enjoy playing the time-tested hymns of the faith, I am delighted to present to you this collection, ?Classic Hymns for Piano.? In this book, you will discover eleven beloved hymns artfully arranged for solo piano. I have crafted these solos by capturing the essence of each hymn yet infusing them with my personal style. It is my hope that these arrangements will offer you the opportunity to bring these timeless, cherished hymns to life through your fingertips.

Contents:
Great Is Thy Faithfulness
Near the Cross
All Creatures of Our God and King
O Worship the King
It Is Well with My Soul
What a Friend We Have in Jesus
Near to the Heart of God
He Hideth My Soul
The Old Rugged Cross
This Is My Father?s World
The Love of God

An arrangement for solo piano of the classic song from the film Breakfast at Tiffany's. Performance duration is about 3 minutes, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

Several passages feature significant melodic material in both hands. In some of these (bars: 9-12, 17-24, 41-43, 55-59) the performer can explore which part to make more prominent. In other passages (bars: 37-40, 45-48, 73-80) the prominence should definitely be in the left hand part.

Fingering suggestions have been included.

This is a transcription of Jacob Collier's Fix You cover.

An arrangement of the timeless classic song that combines the rich harmonic palette of the jazz idiom with some keyboard techniques of the 19th century romantic composers. Performance duration is about 3 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

A six bar introduction hints at the bridge of the song before the first two verses are presented; the first with chordal writing and the second introducing some left hand arpeggios. The first appearance of the bridge stays close to the original. This is followed by two more verses where the right hand takes flight with figurations that at first outline the famous melody, before the roulades of notes lose sight of the melody and instead weave around the harmonic changes. At bar 48 the bridge reappears with the melody incorporated into a right hand figuration inspired by passages from a Chopin etude (Op. 25, No. 11). However, the much slower tempo makes this section far more approachable than Chopin's fearsome etude. At bar 56 an earlier version of the verse is repeated, which then leads to the close.

A flexible tempo should be used, with generous rubato in appropriate places. In particular, bar 41 should not sound rushed and tempo can be held back significantly here. Fingering suggestions are given in many places, but these will not suit all hands. The closest attention to fingering is required in bars 48-49 and 52-54. The dynamic markings should be viewed as a rough guide and the performer is encouraged to find their own interpretation.

This compilation includes "My Country, 'Tis of Thee", "The Star Spangled Banner", and "America the Beautiful" arranged for solo piano. These pieces have all been arranged in peaceful, rich settings and would be fitting for Memorial Day services.
Composers: "My Country, 'Tis of Thee" - By Samuel Francis Smith (text)Set to the tune "God Save the Queen";"The Star Spangled Banner" - By Francis Scott Key (text) andJohn Stafford Smith (music);"America the Beautiful" - By Katharine Lee Bates (text) and Samuel A. Ward (music)

An arrangement of Errol Garner's classic melody for solo piano in a relaxed jazz ballad style. Performance duration is about 4 minutes, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

The first two verses (bars 1-16) and the first appearance of the bridge (bars 17-24) are presented with little change to the original melody. Rich harmonies are used along with some substitutions of the original chord changes. Two more verses are then presented (bars 25-39) where the tempo remains the same but shorter note values in the right hand are used to explore aspects of the melody and the harmonic changes. Here the left hand mostly moves in quarter notes and maintains the pulse of the music. The highly ornamented approach in the right hand continues in the second appearance of the bridge (bars 40-47). The piece then returns to the more simple presentation of the main melody with a repeat of the first 14 bars, followed by a brief coda to close.

Pianist, Joseph Nimoh brings his creative harmonic approach, improvisational spirit, and delicate soulful touch to these ten beautifully crafted time-honored hymn arrangements. This collection highlight the expressive nature of Joseph Nimoh?s piano writing. Perfect for church services and personal worship, these selections will serve well as preludes and offertories, as well as quiet meditations and reflections on faith. 49 pages.

An arrangement for solo piano of the much loved song from the 1971 film Willy Wonka and the Chocolate Factory. A performance can be viewed at youtube.com/c/rupertaustin/videos.

The song is first presented in a gentle jazz ballad style (bars 1-24). The tempo then picks up for a swing exploration, at a relaxed tempo, of the song in bars 25-74. During bars 70-74 the tempo slows and the mood changes in preparation for a very different dream-like presentation of the song, where the melody is mostly played by the left hand with the right hand providing a rippling accompaniment that gently splashes across a wide range of the keyboard. In this section the accent marks in the score do not indicate strong accents, but indicate where moderate emphasis is required to bring out the melody above the surrounding accompaniment. In bars 99-115 the arrangement returns to the style of the opening. From bar 116 a coda takes the opening three notes of the melody and wistfully explores them in a chromatic and richly harmonized descent towards a peaceful close.

Performance duration is about 6 minutes, but shorter versions of the arrangement are possible such that the swing section or the dream section (or both) can be omitted, with directions for this marked in the score in bars 25 and 74.

Fingering suggestions are provided in many places, but these will not suit all hands and alternative effective fingerings are possible.

This is an original piano arrangement of the classic inspirational song, "You Raise Me Up,' which was made famous by Josh Groban and others. James Michael Stevens is a prolific composer residing in Nashville, TN https://youtu.be/3WNYlSVMt0s

A timeless classic, arranged in a reflective style. Excellent choice for patriotic performances of all kinds. https://www.youtube.com/watch?v=3IwarQop0C0
Please feel free to contact me for arrangement requests or other information at christistillsmusic@gmail.com

From the album, "Elegant Piano Covers", a unique piano arrangement of the classic Kansas rock ballad, blending excerpts of the classical piece, a well known Bach Prelude #1, intertwined seamlessly for a beautiful rendition.

Top quality musicalarrangements. I'm a professional pianist and piano teacher. Iteach piano both from absolute beginner to highly advanced. MyArrangements are appropriate for schools and students. .

Best Collection for Adult Piano Students: 30 of the most important and beloved classical piano pieces

Why this collection?

These are the editions I created and use for myself and my adult piano students. They are not "arrangements" or simplifications in any way. They are better described as "clarifications" with clean page layouts and comprehensive fingering.

These editions enable students to encounter the composers "face to face" by stripping away antiquated publishing conventions. Traditional editions, especially the economical older ones, prevent students from being able to prepare and perform the beloved music, rather than enabling and supporting successful performance.

Traditional piano music publications suffer from two fatal flaws: (1) the economic need to "save paper" resulting in page layouts that are too dense, and which compound the problem by obfuscating the natural 2 and 4 bar structures of music, and (2) the absence of technical solutions (fingering).

The exception in this collection is the arrangement of the Pachelbel Canon in D, because it was not originally composed for keyboard.

Contents

1 Canon in D and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Pachelbel

2 Prelude No. 1 in C Major, BWV 846 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach

3 Prelude No. 2 in C minor, BWV 847 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach

4 Prelude No. 21 in Bb Major, BWV 866 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach

5 Aria from the Goldberg Variations, BWV 988 and#8195;and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach

6 Invention No. 1 in C Major, BWV 772 and#8195; and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach

7 Menuet No. 2 from French Suite No. 1, BWV 812 and#8195;and#8195;and#8195; Johann Sebastian Bach

8 Menuet No. 2 from English Suite No. 4, BWV 809 and#8195;and#8195;and#8195;Johann Sebastian Bach

9 Menuet from French Suite No. 2, BWV 813 and#8195; and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach

10 ?Jesu, Joy of Man?s Desiring?, from Cantata, BWV 147 and#8195;Johann Sebastian Bach

11 Sarabande from Suite in D minor, HWV 437 and#8195;and#8195;and#8195;and#8195;and#8195; George Frideric Handel

Sonata in A, K. 331 ?Rondo alla Turca? and#8195; and#8195; and#8195;and#8195;and#8195;and#8195; Wolfgang Amadeus Mozart

12and#8195;and#8195;III. Allegretto

Sonata in C, K. 545 and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Wolfgang Amadeus Mozart

13and#8195;and#8195;I. Allegro

14 II. Andante

15 Für Elise and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven

Sonata No. 14 ?Moonlight? Sonata and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Ludwig van Beethoven

16and#8195;and#8195;I. Adagio sostenuto (transposed to D minor)

and#8195;and#8195; I. Adagio sostenuto (original key C# minor)

Sonata Op. 13, No. 2 ?Pathetique? and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven

17and#8195;and#8195;I. Grave/Allegro

18and#8195;and#8195;II. Adagio

19 Impromptu, Op. 90, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert

20 Prelude in E minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin

21 Prelude in C minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin

22 Nocturne No. 20 in C# minor and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin

23 Nocturne in Eb, Op. 9, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin

24 Träumerei Op. 15, No. 7 from ?Scenes from Childhood? Robert Schumann

25 Ständchen (?Serenade?) D. 957/S. 560 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert/Franz Liszt

26 Rêverie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy

27 La fille aux cheveux de lin (?The Girl with the Flaxen Hair?) Claude Debussy

28 Arabesque No. 1 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy

29 Clair de Lune and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Claude Debussy

30 Gymnopedie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Erik Satie

Based upon a traditional hymn tune in the public domain, ?Amazing Grace? is one of ten such original solo piano improvisations recorded and released in 2017 by Dan Chadburn on his album, Held in the Light. Three additional improvisations on the album are original compositions. Recorded at Piano Haven in Sedona, Arizona in June, 2017, the album was awarded "Solo Piano Christian Album of the Year" by SoloPiano.com.

In her review published at NewAgeCD.com, Dyan Garris wrote, "The love emanating from this album will stay in your soul long after the music stops playing. In my opinion, Dan Chadburn is one of the most important solo piano artists of our time. Held in the Light is outstanding and definitely not to be missed. Exceptionally beautiful solo piano."

Note that this improvisation based upon "Amazing Grace" is entirely different than the one recorded and released by Dan Chadburn on his album, Reflections, in 1999.

More information about Dan Chadburn and his music can be found at his website, www.DanChadburn.com

ISBN 9780787771522.

Gary Norian takes us on a jazz-influenced tour of the seasons, with hymns appropriate for all times of the year. His creative approach to melody and inventive, tasteful harmonies will have you returning to these pieces again and again for your own enjoyment, as well as that of your congregation.

An advanced piano solo arrangement of the 18th variation from Rhapsody on a Theme of Paganini by Rachmaninoff.