Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
BASS BEAT
Non classifié
154
Piano & claviers
Piano seul
20
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
1
Piano, Voix et Guitare
1
Guitares
Basse electrique
8
Guitare notes et tablatures
4
Guitare
3
4 Guitares (Quatuor)
2
2 Dulcimers (duo)
1
Voix
Chorale TTBB
35
Chorale SATB
21
Chorale SSAA
6
Voix Tenor, Piano
2
Voix duo, Piano
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Chorale 3 parties
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de Clarinettes
7
Ensemble de Flûtes
6
Hautbois, Basson (duo)
5
Quatuor de Saxophones: 4 saxophones
5
2 Clarinettes (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor et Piano
2
Ensemble de saxophones
2
Flûte, Clarinette et Basson
2
Hautbois, Piano (duo)
2
Saxophone Alto et Piano
2
Clarinette et Piano
2
Flûte, Hautbois, Basson
2
2 Flûte à bec (duo)
2
Clarinette, Basson (duo)
2
Clarinette (partie séparée)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
3 Saxophones (trio)
1
Flûte à bec Tenor
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
+ 21 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
2
Trombone et Piano
2
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: violon, alto, violoncelle
5
4 Violoncelles
3
Violoncelle, Contrebasse (duo)
3
Violon, Violoncelle (duo)
3
Violon et Piano
3
Violoncelle, Piano
2
Alto, Piano
2
Contre Basse
1
Ensemble de Violoncelles
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
35
Orchestre d'harmonie
29
Batterie
25
Orchestre
11
Fanfare
10
Jazz combo
5
Orchestre à Cordes
4
Orchestre de chambre
4
Ensemble de cuivres
4
Cloches
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
20
Librairie Musicale
1
Matériel de Musique
917
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
BASS BEAT
avancé
Piano seul
Partitions à imprimer
20 partitions trouvées
<
1
Prelude on Terra Beata ('This Is My Father's World')
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
John Burkett
#
John Burkett
#
Prelude on Terra Beata
#
John Burkett
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1376555 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 6 pages. ...
(+)
Piano Solo - Level 4 - SKU: A0.1376555 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 6 pages. John Burkett #961084. Published by John Burkett (A0.1376555). My Prelude on the hymn tune Terra Beata (This Is My Father's World) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. It is one of two settings for piano of Terra Beata that I have written. In this setting there are two statements of the melody. The first places the melody in the soprano register with a repeated-note pattern serving as the accompaniment in the left hand. The second places the melody in the bass register moving at half the previous speed and accompanied by a downward moving arpeggiation pattern played by the right hand. The second half of the melody returns to the soprano, harmonized with 4-note chords, and accompanied by rapid downward moving scales played by the left hand. In the final phrase, the pace slows, leading inconclusively to a chord of the 13th on G-flat at mid-phrase, before resuming in the main key of E-flat and ending triumphantly with a repeated-note trumpet-like pattern. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Let It Be
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Kris Allen, The Beatles
#
Noriko W
#
Let It Be
#
NORIKO W.DODO
#
SheetMusicPlus
Piano Solo, Easy Piano - Advanced Intermediate - By Kris Allen, The Beatles. Arranged by Noriko W.D. Score. 2 pages. Published by NORIKO W.DODO...
(+)
Piano Solo, Easy Piano - Advanced Intermediate - By Kris Allen, The Beatles. Arranged by Noriko W.D. Score. 2 pages. Published by NORIKO W.DODO
Piano solo for late Intermediate level. Left hand plays simple bass line. Right hand has some chords with Melody.
$4.99
ENCHANTING DARKNESS (Sombra Encantadora)
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
ROBERT VAN HORNE
#
ROBERT VAN HORNE
#
ENCHANTING DARKNESS
#
White Piano International Publishing
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1432657 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,Wo...
(+)
Piano Solo - Level 4 - SKU: A0.1432657 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 8 pages. White Piano International Publishing #1012487. Published by White Piano International Publishing (A0.1432657). ENCHANTING DARKNESS (Sombra Encantadora)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1992Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)8 pagesDuration approximately 4 minutesIn 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. ENCHANTING DARKNESS is a captivating rhumba with a moderate tempo, featuring three distinct themes. The initial theme oscillates between half-step harmonies of F and G-flat, evoking an eerie atmosphere. Transitioning into the second theme of A minor, a sense of suspense permeates the music. Finally, the third theme reverts to the major key of F, exuding a serene and resolved ambiance. Throughout, ENCHANTING DARKNESS employs quarter-note triplets in its melody, set against a steady Latin beat. Like many tracks on the album, it hints at the possibility of narrating a love tale through the evocative use of imaginary Spanish words.The piano sheet music for ENCHANTING DARKNESS is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
Sonata Hymnica No. 1
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
#
Sonata Hymnica No. 1
#
James Siddons Music and Writings
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
(+)
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
#
Sonata Hymnica No. 2
#
James Siddons Music and Writings
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
(+)
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Hallelujah
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Lee DeWyze
#
Tarah Schoell
#
Hallelujah
#
Tarah Schoell
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1033156 By Lee DeWyze. By Leonard Cohen. Arranged by Tarah Schoell. Pop. Score. 4 pages. Tarah Schoell #6233237. Publishe...
(+)
Piano Solo - Level 4 - SKU: A0.1033156 By Lee DeWyze. By Leonard Cohen. Arranged by Tarah Schoell. Pop. Score. 4 pages. Tarah Schoell #6233237. Published by Tarah Schoell (A0.1033156). A friend of mine, Chad Walker, came to me with the standard sheet music to this piece and asked me to make it harder, fit the hands better, and fill it out. Much to his delight and chagrin, this is the final result.This piece would be perfect for playing in church, especially during Easter or Pentecost. It would also be nice for the last Sunday in Epiphany when many liturgical churches say, Goodbye to the word, Hallelujah.The first verse is relatively simple, with a bassline arpeggio that fits the hand nicely. The chord inversions in the interludes are supposed to represent the angels on Jacob's Ladder. The second verse is a little more full with some ornamentation. The third verse culminates in block chords in the right hand with a bassline that alternates between a heartbeat and running feet.www.thequarternotes.com
$4.99
Chega De Saudade (No More Blues)
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Latin/Musique du monde
#
Antonio Carlos Jobim, Jessie C
#
Deborah Levy
#
Chega De Saudade
#
Deborah Levy
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1491912 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Deborah Le...
(+)
Piano Solo - Level 4 - SKU: A0.1491912 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Deborah Levy. Jazz,Latin. Score. 3 pages. Deborah Levy #1068595. Published by Deborah Levy (A0.1491912). Classic bossa nova written for piano, where the left hand brings the predominant rhythm of the bossa nova beat. Arrangement ready to play solo, in a trio with bass and drums accompaniment and learn the rhythms of bossa nova.
$10.00
All Creatures of our God and King Late Intermediate Piano Solo
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Lasst Uns Erfreuen
#
Amanda Tero
#
All Creatures of our God and K
#
Amanda Tero
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
(+)
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
Smoke Gets In Your Eyes
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
The Platters
#
Smoke Gets In Your Eyes
#
Martyn Johnson
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1398326 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th...
(+)
Piano Solo - Level 4 - SKU: A0.1398326 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Film/TV,Jazz,Pop,Standards. Score. 7 pages. Martyn Johnson #981602. Published by Martyn Johnson (A0.1398326). This tune was written in 1933 by Jerome Kern with words by Otto Harbach for the musical 'Robera'. It has been recorded by so many great artists but perhaps most famously by 'The Platters'. I have arranged it for piano in the key of F which and then modulated into Ab second time round. It has further key changes within the tune during the bridge. I have reharmonised it significantly to give it a jazz feel. I have given it a semi-quaver/sixteenth note feel rather than a swing beat which I felt suited it as a ballad.Please note it is a piano solo and doesn't include the bass line that is on my YouTube recording. I write all my arrangements as piano solos first so it sounds perfect as such. I don't include pedal markings, fingerings or dynamics and prefer to leave this to the discretion of the individual pianist as you will get no two piano teachers to agree on these issues.It's a wonderful tune and I hope you have as much fun playing my arrangement as I had writing it.
$4.99
Nojoqui Falls - for Solo Piano
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Emily Nafius
#
Nojoqui Falls - for Solo Piano
#
Emily Nafius Music
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #599514...
(+)
Piano Solo - Level 4 - SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #5995145. Published by Emily Nafius Music (A0.918243). A modern, meditative original composition, suitable for students and advanced musicians alike.Composer’s Note:Nojoqui Falls (pronounced NAW-ho-wee) is a seasonal waterfall in Santa Barbara County, California, in the interior foothills of the Santa Ynez Mountains. It is the subject of stories from the Chumash, a Native American people who have lived along California’s central coast for thousands of years. When the area experiences extreme drought, sometimes the waterfall reduces to a trickle. But it is a beautiful, shady place with a magical quality, and the water always returns.For interested students or teachers, here are a few pedagogical notes:Pedal ad lib is appropriate for this piece. Unless a player has very large hands, the right hand will need to cover most of the top notes in the bass clef (the C ostinato). This can be a welcome challenge for students, as they will need to balance this with sustaining and shaping the top melody notes. Some of the middle C ostinato notes are indicated as optional, since they are already struck as melody notes during the same beat. (But they are still notated in case another instrument plays the melody.) It might feel awkward to strike some of the other C ostinato notes that are rhythmically nearby, but it can also be a good way to practice leaving that sustained melodic note ringing while striking the same note soon after with a much quieter dynamic, which requires both control and skilled use of the pedal.About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of singer-songwriters and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99
Angels We Have Heard On High
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional French Carol, Jame
#
Jake Smolowe
#
Angels We Have Heard On High
#
ArrangeMe
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. A...
(+)
Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. ArrangeMe #6904239. Published by ArrangeMe (A0.1035856). This is the lead sheet version of Jake Smolowe's recording of Angels We Have Heard on High, from his 2021 album Christmas Solo: Informal, Improvised. The chart includes the lead melody line, detailed chord symbols throughout, and a notated piano intro/interlude. Length: 2 pages Notes from Jake: This arrangement of Angels We Have Heard on High is kind of an ode to Brad Mehldau’s many jazz waltz arrangements over the years (for example, She’s Leaving Home, from Day is Done). I wanted to capture the feel of Mehldau’s classic trio waltzes, not just the piano but the drums and bass too. The A sections feature a constantly rising chord progression, with slight differences in chord quality between the first two A’s, and then the B sections highlight some more dramatic reharmonizations as well as a dichotomy between straight-eighths/behind the beat melody and swung accompaniment. The intro, which also serves as the outro vamp as well as an interlude between choruses, includes a bell-like theme that I hope instantly conjures up the Christmas/holiday spirit. Tips for Performance: The intro/interlude/outro can be tricky! I encourage watching the YouTube video and or/listening to the mp3 to get a sense of the timing for the fingering switches and pedaling. Also, in the B sections, the LH is often swinging while the right hand plays straight eighths; as with the intro, the best way to lock down this feel is to check out the YouTube video.------Visit me on the web: http://www.jakesmolowe.comYouTube: https://www.youtube.com/jakesmoloweInstagram: http://www.instagram.com/jakesmolowejazz Facebook: http://www.facebook.com/jakesmolowejazz
$3.00
Cupid's Home
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Carrie Jacobs-Bond
#
Phil Beaman
#
Cupid's Home
#
Phil Beaman
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1149736 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 4 pages. Phil Beaman #749895. ...
(+)
Piano Solo - Level 4 - SKU: A0.1149736 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 4 pages. Phil Beaman #749895. Published by Phil Beaman (A0.1149736). Cupid's Home is a piano solo arrangement of the 1898 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have freely arranged this into a pulsing light jazz piece with an Intro, three sections, and a Coda; which each build in volume and rhythmic intensity. The Intro is straight from the Jacobs-Bond piece; it is the only part of the song that is. For section 1 I rhythmically augment (double the note values) of the melody and add a pulsing drone beat in the LH. In section 2 I double time the melody and syncopate it, then reharmonize it, and add harmonic movement to the still pulsing bass line. Section 3 adds syncopation and stride to the LH. The Coda is an extended riff and cadence. Pure fun! 4 page score; 1:55 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
$2.99
Head Like A Hole
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Nine Inch Nails
#
Whimsically Macabre (ASCAP)
#
Head Like A Hole
#
Stacy Fahrion
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy ...
(+)
Piano Solo - Level 4 - SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy Fahrion #4633863. Published by Stacy Fahrion (A0.851104). This solo piano arrangement was inspired by the version on Black Mirror. It's arranged by Stacy Fahrion/Whimsically Macabre Music (ASCAP).I get really excited when music can carry multiple contradictory meanings, and spend a lot of time thinking about how I can mess with my audience by making things sound familiar but wrong. When I saw the Rachel, Jack, and Ashley Too episode of Black Mirror, I recognized the melody of the oddly upbeat pop song Ashley O was singing but couldn't quite place it because unconsciously I knew something was really off, and then slowly it dawned on me that it was a NIN cover, and I flipped out with utter joy that someone had just done something to me that I'm constantly trying to do to them. Every time the song played throughout the episode, I couldn't stop laughing, not just at the lyrics, but especially at a certain trite & upbeat sounding bassline and all of the different musical elements that completely changed the feel of the original. So of course I needed to write my own arrangement of that arrangement. I hope you enjoy it. You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/
$4.99
(i Can Recall) Spain
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Latin/Musique du monde
#
Chick Corea
#
Popnroll 1976
#
(i Can Recall) Spain
#
Popnroll 1976
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. S...
(+)
Piano - Level 4 - SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. Score (Chords/Lyrics). 4 pages. Popnroll 1976 #881260. Published by Popnroll 1976 (A0.1290542). Spain (I Can Recall) - Al Jarreau (Vocal/Synthesizer Solo/Scat Solo)This is a lead sheet with a complete copy of the synthesizer solo and scat solo of the vocal version of Chick Corea's famous song Spain from the album This Time released in 1980 by Al Jarreau, a jazz fusion singer known for his singing percussion.PDF format, 4 pages.Lyrics：Al Jarreau, Arthur J. Maren Composer：Chick Corea, Joaquin Vidre RodrigoVocal：Al Jarreau Synthesizer & Rhodes Electric Piano：Larry Williams Bass: Abraham Laboriel Drums: Steve Gadd Produced by Jay GraydonSong Description 　This is a jazz fusion classic from Chick Corea's 1972 Return To Forever album, Light As A Feather, with lyrics by Al himself. 　The synthesizer solo was played by Larry Williams, a keyboardist and saxophonist of the fusion band Seawind, who skillfully used upper structure triad arpeggios to drive the song in a wide range. 　Al's scat solo in the latter half of the song is a highlight. It starts with a relaxed phrase, moving in a close range in the first half, and shows a sign of excitement with flutter tangling in D (a technique unique to wind instruments that makes the sound tremble by fine movements of the tongue) at the beginning of the second half. The last four bars of the song are a perfect blend of alternating scales and blue notes, folding in exquisite ups and downs, and finally resolving to B major at the end. 　In the chord progression, the second half of [B] and Gmaj7 (two beats after Dmaj7) in [E] and [M] are not Chick Corea's original, but he seems to use them in this arrangement.
$9.99
Toccata in G major for late intermediate solo piano
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Sibylle Kuder
#
Toccata in G major for late in
#
Sibylle Kuder
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1264625 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional,Romantic Period,Traditional. Score. 3 pages. ...
(+)
Piano Solo - Level 4 - SKU: A0.1264625 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional,Romantic Period,Traditional. Score. 3 pages. Sibylle Kuder #857454. Published by Sibylle Kuder (A0.1264625). Toccata in G major RH continuous eighth note triplets in 3/4 time except that most measures start with an eighth rest. RH has a hidden melody on beats two and three. LH has mostly dotted half notes that move in a walking bass pattern, some quarter notes, a few octaves. As is typical for a Toccata, the rhythm is simple. This particular Toccata is also harmonically simple: in the key of G major with a modulation to D major and back to G major. It would be perfect for someone with fast fingers who is not a strong reader. Level 7-8, due to the very fast tempo. https://compositions.sibyllekuder.com/late-intermediate-and-early-advanced/toccata-in-g-major/
$1.99
ASH GROVE (jazz piano harmonization)
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional Welsh Melody
#
Gabriel Ruiz-Bernal
#
ASH GROVE
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1494509 Composed by Traditional Welsh Melody. Arranged by Gabriel Ruiz-Bernal. Christian,Religious,Sacred,Traditional. Sc...
(+)
Piano Solo - Level 4 - SKU: A0.1494509 Composed by Traditional Welsh Melody. Arranged by Gabriel Ruiz-Bernal. Christian,Religious,Sacred,Traditional. Score. 6 pages. Gabriel Ruiz-Bernal #1071095. Published by Gabriel Ruiz-Bernal (A0.1494509). The hymn tune Ash Grove, (Llwyn Onn) famously known for hymns like Let All Things Now Living is here reimagined as a jazz-style solo piano piece. This arrangement features lush jazz chords, surprising resolutions, upbeat syncopated rhythms with walking bass on the left hand, making it an ideal choice for a short prelude or an interlude during a liturgical service.
$5.99
The Christmas Song (chestnuts Roasting On An Open Fire)
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
John Denver
#
Summerisle MPC
#
The Christmas Song
#
Summerisle MPC
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.511045 By John Denver. By Mel Torme and Robert Wells. Arranged by Summerisle MPC. Contemporary. Score. 7 pages. Summerisl...
(+)
Piano Solo - Level 4 - SKU: A0.511045 By John Denver. By Mel Torme and Robert Wells. Arranged by Summerisle MPC. Contemporary. Score. 7 pages. Summerisle MPC #6202445. Published by Summerisle MPC (A0.511045). This wonderful Christmas favorite gets a quick upbeat jazz makeover here with a walking bass, extended piano solo, jazz idioms and complex harmonies. It's also a lot of fun to play! Guaranteed to bring a smile to you and your listeners. For advanced players.
$4.99
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS, piano solo
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Frank Sinatra
#
Amy J
#
Have Yourself A Merry Little C
#
Amy J. Snyder
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Frank Sinatra. Arranged by Amy J. Snyder. Sheet Music Single. 5 pages. Published by Amy J. Snyder...
(+)
Piano Solo - Advanced Intermediate - Digital Download By Frank Sinatra. Arranged by Amy J. Snyder. Sheet Music Single. 5 pages. Published by Amy J. Snyder
"Have Yourself a Merry Little Christmas" has got to be one of the most classic Christmas songs of all time. It was written by Hugh Martin and Ralph Blane for the 1944 movie "Meet Me in St. Louis", starring Judy Garland. According to an interview with the writers in 1989, when Judy first read the words she refused to sing it because the words were too depressing. Martin and Blane revised it, and that version was used in the movie. This piano solo is written for advanced intermediate level, and begins with a beautiful, flowing style, full of rich chording, and changes into a "piano bar" style, with a single line melody in the R.H. and bass and chords in the L.H. The melody is written using many triplets and a swing rhythm that is similar to the way it is sung by many famous artists. There is lots of helpful fingering, making many passages flow with ease. Pedal this song about every 2 beats to maintain a clean sound. Arranged by Amy J. Snyder. Visit AmyJoMusic at www.facebook.com/amyjsnyder7and#65279;. Copyright (c) 1943 (Renewed) METRO-GOLDWYN-MAYER INC. (c) 1944 (Renewed) EMI FEIST CATALOG INC. All Rights Controlled and Administered by EMI FEIST CATALOG INC. (Publishing) and ALFRED MUSIC (Print) All Rights Reserved.
$5.25
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
BASS BEAT
