English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Give It All
Non classifié
207
Piano & claviers
Piano seul
98
Piano, Voix
21
Piano, Voix et Guitare
11
Instruments en Do
6
Orgue
6
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
6
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
1
Basse electrique
1
Ukulele
1
2 Dulcimers (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale SSAA
8
Voix Soprano, Piano
6
Chorale TTBB
6
Chorale 3 parties
2
Voix Alto, Piano
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Voix seule
1
Chorale SSATTB
1
Chorale 2 parties
1
Chorale Unison
1
Voix Tenor, Piano
1
+ 8 instrumentations
Retracter
Vents
Ensemble de saxophones
36
Quintette de Saxophone: 5 saxophones
20
Quatuor de Saxophones: 4 saxophones
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Ensemble de Clarinettes
11
Ensemble de Flûtes
7
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Clarinette et Piano
5
2 Flûtes traversières (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor et Piano
2
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
2 Saxophones (duo)
2
Clarinette Basse, Piano
2
Saxophone, Clarinette (duo)
2
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Tenor
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
Clarinette
1
Flûte, Violon et Violoncelle
1
5 Flûtes à bec
1
Saxophone Tenor
1
Saxophone
1
+ 28 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
6
Ensemble de Trompettes
6
Ensemble de Cors
4
Trompette
3
Tuba
2
Trombone et Piano
2
Cor et Piano
2
Cor et Orgue
1
Trombone
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
2 Trompettes (duo)
1
Trompette, Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Trio à Cordes: violon, alto, violoncelle
13
Violon et Piano
7
Violon, Violoncelle (duo)
6
Harpe
6
Alto, Piano
5
Violon, Alto (duo)
4
2 Violons (duo)
3
Violoncelle, Piano
3
Ensemble d'Altos
2
Violon
2
Harpe, Voix
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
27
Orchestre d'harmonie
21
Orchestre à Cordes
15
Ensemble de cuivres
13
Orchestre de chambre
6
Cloches
5
Ensemble Jazz
5
Jazz combo
4
Marimba
2
Vibraphone
2
Fanfare
2
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
5
Partitions Numériques
98
Librairie Musicale
36
Matériel de Musique
1 321
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Give It All
avancé
Piano seul
Partitions à imprimer
98 partitions trouvées
<
1
26
51
76
All Creatures of our God and King Late Intermediate Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1417376 Composed by Lasst Uns Erfre…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
5.51 €
#
Piano seul
#
Lasst Uns Erfreuen
#
Amanda Tero
#
eighth notes vs
#
All Creatures of our God and King Late Intermediate Piano Solo
#
Amanda Tero
#
SheetMusicPlus
Rocket Man (i Think It's Gonna Be A Long Long Time)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.866023 By Piano Tribute Players. By…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.866023 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Kevin P. Holt. Contemporary. Score. 4 pages. Kevin P. Holtg #5325609. Published by Kevin P. Holtg (A0.866023). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This version took it's inspiration from the Elton John Biopic 'Rocketman', released in 2019 and impressively portrayed by Taron Edgerton. I've tried to capture the essence of Elton's rhythmic playing, which was a challenge as he sings the melody while we as solo pianists have to spread all features of the song between our two hands. I'm pleased with the result and for anyone that has played my arrangements of Your Song and Tiny Dancer I think you will find this an equally nice addition to your library. Dynamic and phrasing are left to the performers discretion but have added a few to get you started. Have Fun.
$4.99
4.59 €
#
Piano seul
#
Piano Tribute Players
#
Kevin P
#
Rocket Man
#
Kevin P. Holtg
#
SheetMusicPlus
Ballade No. 4 in F minor Op. 58 No. 4
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.987696 Composed by E.F.J. Fagan. Co…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.987696 Composed by E.F.J. Fagan. Contemporary,Romantic Period. Score. 13 pages. Erin Fagan #19217. Published by Erin Fagan (A0.987696). My Ballade in F minor remains one of my largest works for piano in terms of scope. A single theme dominates the work in a Romantic style which returns throughout the work amid other sub themes that bolster the piece and heighten the Romantic flair I tried to capture throughout. The work is a 13 pages in length and around 9-10mins in performance. All directions on the score are in standard Italian but I leave the pedaling open to the performer's interpretation, it is however a rather heavy work so do not worry about over indulging in the sustain pedal. I give no metronome marks as I believe strongly in the artistic licence one can take with the Italian directions, also that if one follows them well enough that they will be more than adequate.
$10.00
9.2 €
#
Piano seul
#
E
#
Ballade No. 4 in F minor Op. 58 No. 4
#
Erin Fagan
#
SheetMusicPlus
Ballade of Tenacity
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874459 Composed by Music by Gavin K…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874459 Composed by Music by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 11 pages. Gavin Koh #4623975. Published by Gavin Koh (A0.874459). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the ninth one has been given the moniker of Tenacity . This is a very challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Music by Gavin Koh
#
Ballade of Tenacity
#
Gavin Koh
#
SheetMusicPlus
Ballade of Youthfulness
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874460 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874460 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 11 pages. Gavin Koh #4623977. Published by Gavin Koh (A0.874460). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the tenth one has been given the moniker of Youthfulness. This is a very challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Youthfulness
#
Gavin Koh
#
SheetMusicPlus
Ballade of Exuberance
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874452 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874452 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 7 pages. Gavin Koh #4411325. Published by Gavin Koh (A0.874452). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the second one has been given the moniker of Exuberance. This is quite a challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Exuberance
#
Gavin Koh
#
SheetMusicPlus
Ballade of Angst
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874456 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874456 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 9 pages. Gavin Koh #4593069. Published by Gavin Koh (A0.874456). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the sixth one has been given the moniker of Angst. This is a very challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Angst
#
Gavin Koh
#
SheetMusicPlus
Ballade of Contemplation
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874450 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874450 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 9 pages. Gavin Koh #4409771. Published by Gavin Koh (A0.874450). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the first one has been given the moniker of Contemplation. This is quite a challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Contemplation
#
Gavin Koh
#
SheetMusicPlus
Ballade of Love
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874457 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874457 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 9 pages. Gavin Koh #4593073. Published by Gavin Koh (A0.874457). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the seventh one has been given the moniker of Love. This is a very challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Love
#
Gavin Koh
#
SheetMusicPlus
Ballade of Nostalgia
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874453 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874453 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 8 pages. Gavin Koh #4413173. Published by Gavin Koh (A0.874453). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the third one has been given the moniker of Nostalgia. This is quite a challenging piece to play. I hope you enjoy it.Follow the composer at https://www.facebook.com/gavinkoh1970
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Nostalgia
#
Gavin Koh
#
SheetMusicPlus
Ballade of Imagination
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874458 Composed by Gavin Koh. 20th …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874458 Composed by Gavin Koh. 20th Century,Concert,New Age,Standards. Score. 9 pages. Gavin Koh #4623963. Published by Gavin Koh (A0.874458). Here's a series of Ballades that I shall be composing over the month of April and May 2019 - the eighth one has been given the moniker of Imagination. This is a very challenging piece to play. I hope you enjoy it.
$4.49
4.13 €
#
Piano seul
#
Gavin Koh
#
Ballade of Imagination
#
Gavin Koh
#
SheetMusicPlus
Still Shall We Rise
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874514 Composed by Gavin Koh. Conce…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.874514 Composed by Gavin Koh. Concert,Contemporary,Standards. Score. 7 pages. Gavin Koh #5968253. Published by Gavin Koh (A0.874514). Still Shall We Rise is an original composition by myself. In all this turmoil taking place on a global level, surely humanity will never give up. Don't ever lose hope! For Still Shall We Rise to overcome all adversity placed before us. I hope you love this piece as much as I enjoyed composing it.Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99
3.67 €
#
Piano seul
#
Gavin Koh
#
Still Shall We Rise
#
Gavin Koh
#
SheetMusicPlus
Please Forgive Me
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.835231 By Bryan Adams. By Bryan Ada…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.835231 By Bryan Adams. By Bryan Adams and Robert John Mutt Lange. Arranged by Claudio Porstmann. Contemporary,Pop. Score. 5 pages. Claudio Porstmann #4403586. Published by Claudio Porstmann (A0.835231). Please Forgive me is a beautiful ballad by Bryan Adams from the year 1993. This piano arrangement captures the essence of the song while at the same time leaving a little space for dynamical interpretation. It's not too difficult to play, so advanced intermediate players should be fine with this. This is a great song for all fans of Bryan Adams' slower songs. See also my arrangements of Heaven and (Everything I Do) I Do it For You by Bryan Adams here.
$4.99
4.59 €
#
Piano seul
#
Bryan Adams
#
Claudio Porstmann
#
Please Forgive Me
#
Claudio Porstmann
#
SheetMusicPlus
All Of Me
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.866025 Composed by Gerald Marks and…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.866025 Composed by Gerald Marks and Seymour Simons. Arranged by Kevin P. Holt. Contemporary. Score. 2 pages. Kevin P. Holtg #5361113. Published by Kevin P. Holtg (A0.866025). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This arrangement takes it's inspiration from the version Michael Bublé released in 2009 and is a popular song and jazz standard written by Gerald Marks and Seymour Simons. This arrangement also includes the full piano solo intro as featured in the Bublé version. Have Fun!
$4.99
4.59 €
#
Piano seul
#
Gerald Marks and Seymour Simons
#
Kevin P
#
All Of Me
#
Kevin P. Holtg
#
SheetMusicPlus
Let It Go
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.866040 By Idina Menzel. By Kristen …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.866040 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Kevin P. Holt. Musical/Show. Score. 4 pages. Kevin P. Holtg #6501249. Published by Kevin P. Holtg (A0.866040). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.Here arranged for solo piano, enjoy this great arrangement of Frozen's iconic song Let It Go, sung by the amazing Idina Menzel. Have fun!
$4.99
4.59 €
#
Piano seul
#
Idina Menzel
#
Kevin P
#
Let It Go
#
Kevin P. Holtg
#
SheetMusicPlus
It Must Be Love
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.865928 By Madness. By Labi Siffre. …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.865928 By Madness. By Labi Siffre. Arranged by Kevin P. Holt. Oldies. Score. 3 pages. Kevin P. Holtg #4366068. Published by Kevin P. Holtg (A0.865928). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.
$4.99
4.59 €
#
Piano seul
#
Madness
#
Kevin P
#
It Must Be Love
#
Kevin P. Holtg
#
SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.69 €
#
Piano seul
#
Ludwig van Beethoven, Cees Nieuwenhuizen
#
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
#
Upstream Music
#
SheetMusicPlus
It Came Upon the Midnight Clear
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1291688 Composed by Richard Storrs …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1291688 Composed by Richard Storrs Willis. Arranged by David Lantz. Christmas,Classical,Contest,Festival,Sacred. Score. 4 pages. Lantz Choral Publications #882293. Published by Lantz Choral Publications (A0.1291688). Taken from the solo piano collection entitled Celebrated Carols for Christmas, this neo-classical arrangement gives the solo artist a chance to utilize the scales that they spent so many hours perfecting. Surprising harmonies, pleasing sequential development, surprise key changes, and tender moments combine together to create a really effective offering. Fun to play, too! Duration: approx. 3:00.
$4.99
4.59 €
#
Piano seul
#
Richard Storrs Willis
#
David Lantz
#
It Came Upon the Midnight Clear
#
Lantz Choral Publications
#
SheetMusicPlus
Gettn' Home Boogie
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1197405 By John, Johnny B., Bushell…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1197405 By John, Johnny B., Bushell. By John, Johnny B., Bushell. Arranged by John, Johnny B., Bushell. Blues,Broadway,Contemporary,Instructional,Jazz,Musical/Show. Score. 4 pages. John Bushell #796576. Published by John Bushell (A0.1197405). Excited to get home after a long, exciting road trip, composer Johnny B. pulled over on the side of the road and wrote this song. Give it all you've got. Once you've mastered the straight eighths common bass line, the world of boogie-woogie will be yours forever. Johnny B.'s music can be heard at www.AlaskaJohnnyB.com.
$4.99
4.59 €
#
Piano seul
#
John, Johnny B
#
John, Johnny B
#
Gettn' Home Boogie
#
John Bushell
#
SheetMusicPlus
Piano Sonata in F Minor - III. Funeral March
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabrie…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99
4.59 €
#
Piano seul
#
Gabriel Lagos
#
Gabriel Lagos
#
Piano Sonata in F Minor - III. Funeral March
#
Lagos Music
#
SheetMusicPlus
Smoke Gets In Your Eyes
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1398326 By The Platters. By Jerome …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1398326 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Film/TV,Jazz,Pop,Standards. Score. 7 pages. Martyn Johnson #981602. Published by Martyn Johnson (A0.1398326). This tune was written in 1933 by Jerome Kern with words by Otto Harbach for the musical 'Robera'. It has been recorded by so many great artists but perhaps most famously by 'The Platters'. I have arranged it for piano in the key of F which and then modulated into Ab second time round. It has further key changes within the tune during the bridge. I have reharmonised it significantly to give it a jazz feel. I have given it a semi-quaver/sixteenth note feel rather than a swing beat which I felt suited it as a ballad.Please note it is a piano solo and doesn't include the bass line that is on my YouTube recording. I write all my arrangements as piano solos first so it sounds perfect as such. I don't include pedal markings, fingerings or dynamics and prefer to leave this to the discretion of the individual pianist as you will get no two piano teachers to agree on these issues.It's a wonderful tune and I hope you have as much fun playing my arrangement as I had writing it.
$4.99
4.59 €
#
Piano seul
#
The Platters
#
Smoke Gets In Your Eyes
#
Martyn Johnson
#
SheetMusicPlus
Yuki-Onna (piano solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.51 €
#
Piano seul
#
Philip Le Bas
#
Yuki-Onna
#
Philip Le Bas
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.85 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.85 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Waltz-Fantasy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1031550 Composed by Andrew Kierszen…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1031550 Composed by Andrew Kierszenbaum. 20th Century,Contemporary,Romantic Period. Score. 12 pages. Andrew Kierszenbaum #3447521. Published by Andrew Kierszenbaum (A0.1031550). My first score of 2018! It lasts about 6 minutes and is of about intermediate/advanced difficulty. It is the result of many hours, drafts, ideas, scribbles, and edits, BUT- above all, it is a labor of love and I hope THAT shines through the music the most... For this piece, I was inspired by dances and fantasies of the romantic period, especially those by Chopin and Schumann. However, I believe the piece doesn't feel trapped in an imitation of the music of a specific era. It uses the romantic and classical traditions as baselines and, in my opinion, transcends them. A major work I was inspired by is the Polonaise-Fantasy by Chopin. I wanted to create a dreamy, ballade-like, somewhat freeform/improvised landscape of texture and feeling that explores the waltz form but also infuses some elements of sonata form and theme and variations.I would put the piece at an intermediate/advanced level, but would definitely recommend this to teachers and students alike (I have already given it to a few in my own circle).The fee for this piece goes directly to me, so I can continue following my passion by composing and teaching students the wonderful gift that is piano playing!Please enjoy, and I would love to hear what you think of this one!Sincerely,Andrew
$4.99
4.59 €
#
Piano seul
#
Andrew Kierszenbaum
#
Waltz-Fantasy
#
Andrew Kierszenbaum
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
