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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.8 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.25 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.8 €
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Piano seul
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Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
La calle del pecado - Tango por Roberto Rufino y Lambertucci
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.958800 Composed by Roberto Lambertu…
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Piano Solo - Level 4 - Digital Download SKU: A0.958800 Composed by Roberto Lambertucci - Roberto Rufino. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 4 pages. Juan Carlos Cortés Aguirre #6873167. Published by Juan Carlos Cortés Aguirre (A0.958800). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en el tango vocalizado por el cantante chileno Antonio Prieto con el acompañamiento de la orquesta de Juan D´arienzo, con letra del cantante Roberto Rufino y música de Roberto Lambertucci. LA CALLE DEL PECADOLetra: Roberto Lambertucci.Música: Roberto Rufino.Introducción Orquesta:No hace falta que me cuentes tu pasado, aunque tengas mil pecados en tu haber,hoy tan solo me interesa tu presente y el valor de tu futuro proceder.No hagas caso, no hagas caso a lo que digan, que la envidia nunca puede hacemos mal.Piensa solo que hay un alma que te adora, y eso si, que lo tendrás que respetar.La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón,No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Orquesta:La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón.No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.
$7.99
7.14 €
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Piano seul
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Roberto Lambertucci - Roberto Rufino
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Juan Carlos Cortés A
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La calle del pecado - Tango por Roberto Rufino y Lambertucci
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE…
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Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       Â
$6.99
6.24 €
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Piano seul
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ROBERT VAN HORNE
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AMOUR LOINTAIN
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White Piano International Publishing
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SheetMusicPlus
O Sing A Song of Bethlehem (O God, O God, Why Have You Forsaken Me) - Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1342167 Composed by Kingsfold. Arra…
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Piano Solo - Level 4 - Digital Download SKU: A0.1342167 Composed by Kingsfold. Arranged by Pamela M Robertson. Advent,Christian,Christmas,Lent,Sacred. Score. 3 pages. Pamela M. Robertson #927689. Published by Pamela M. Robertson (A0.1342167). This contemplative and poignant setting of KINGSFOLD is commonly associated with several hymn texts: O Sing A Song of Bethlehem; I Heard the Voice of Jesus Say; O God, O God, Why Have You Forsaken Me; (and other hymn texts).Arranged by Pam Robertson for the early advanced pianist, this piece is well suited for use in worship services or recitals, and is approximately 2:30 in length.
$4.99
4.46 €
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Piano seul
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Kingsfold
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Pamela M Robertson
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O Sing A Song of Bethlehem
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Pamela M. Robertson
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SheetMusicPlus
Bring A Torch, Jeannette, Isabella
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.874302 Composed by Traditional Fren…
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Piano Solo - Level 4 - Digital Download SKU: A0.874302 Composed by Traditional French Carol. Arranged by Pamela M. Robertson. Christian,Christmas,Concert,Sacred,Standards. Score. 2 pages. Pamela M. Robertson #4850813. Published by Pamela M. Robertson (A0.874302). This gentle and beautiful arrangement of the French carol tune BRING A TORCH works well as a meditative selection for worship services or recitals. This flexible arrangement is slightly over a minute in length, but can be lengthened by taking the optional repeats indicated in the score. Advanced intermediate in level.
$4.99
4.46 €
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Piano seul
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Traditional French Carol
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Pamela M
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Bring A Torch, Jeannette, Isabella
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Pamela M. Robertson
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SheetMusicPlus
A Shelter in the Time of Storm (with Rock of Ages) - Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1093411 Composed by Ira Sankey and …
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Piano Solo - Level 4 - Digital Download SKU: A0.1093411 Composed by Ira Sankey and Thomas Hastings. Arranged by Pamela M. Robertson. Praise & Worship,Sacred,Traditional. Score. 4 pages. Pamela M. Robertson #697491. Published by Pamela M. Robertson (A0.1093411). This gently rolling setting of the hymn A Shelter in the Time of Storm is paired beautifully with the beloved hymn Rock of Ages in an arrangement well-suited for use in worship services, recitals, or other occasions. Length: 2:30.
$4.99
4.46 €
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Piano seul
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Ira Sankey and Thomas Hastings
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Pamela M
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A Shelter in the Time of Storm
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Pamela M. Robertson
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.57 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Lo, a Risen Lord-Theme and Variations (Piano Solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.833480 Composed by Robert Lowry. Ar…
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Piano Solo - Level 4 - Digital Download SKU: A0.833480 Composed by Robert Lowry. Arranged by Cathy Stamegna. Easter,Instructional,Praise & Worship,Sacred. Score. 8 pages. Cathy Stamegna #438749. Published by Cathy Stamegna (A0.833480). This late Intermediate/Advanced Piano Solo encompasses three verses of the hymn. Although there are slight variations, the melody is recognizable. A glorious Robert Lowry/Robert Offord composition appropriate for the Easter season, Christian worship, or concert repertoire. A wonderful Prelude or Postlude which can be adapted to organ.
$4.99
4.46 €
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Piano seul
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Robert Lowry
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Cathy Stamegna
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Lo, a Risen Lord-Theme and Variations
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Cathy Stamegna
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SheetMusicPlus
Variations on a Motive
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1106714 By Nathalie Fortin. By Robe…
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Piano Solo - Level 4 - Digital Download SKU: A0.1106714 By Nathalie Fortin. By Robert H. Davis. Arranged by Robert H. Davis. Classical. Score. 3 pages. Robert H. Davis #709651. Published by Robert H. Davis (A0.1106714). Classics style piano music.
$9.99
8.92 €
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Piano seul
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Nathalie Fortin
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Robert H
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Variations on a Motive
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Robert H. Davis
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SheetMusicPlus
A Kiss As Sweet As Yours
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.797023 Composed by Robert James Tho…
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Piano Solo - Level 4 - Digital Download SKU: A0.797023 Composed by Robert James Thoms. Classical. Score. 5 pages. Robert James Thoms #388938. Published by Robert James Thoms (A0.797023). A somewhat innocent piano waltz.
$2.99
2.67 €
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Piano seul
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Robert James Thoms
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A Kiss As Sweet As Yours
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Robert James Thoms
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SheetMusicPlus
With A Little Help From My Friends
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.948604 By The Beatles. By John Lenn…
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Piano Solo - Level 4 - Digital Download SKU: A0.948604 By The Beatles. By John Lennon and Paul McCartney. Arranged by Robert Blond. Contemporary. Score. 3 pages. Robert blond #5954851. Published by robert blond (A0.948604). 1967 Beatles hit from the Sgt. Pepper eraPiano solo adheres throughout to melody, suitable for sing-a-longsMelody alternates between right hand and left handHarmony includes rootless, 9th and sus4 chords.
$4.99
4.46 €
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Piano seul
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The Beatles
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Robert Blond
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With A Little Help From My Friends
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robert blond
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SheetMusicPlus
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
9.25 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
For The Love Of A Princess
Piano seul
Composed by James Horner (1953-2015). Arranged by Robert Newth. Contemporary, Film/T…
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Composed by James Horner (1953-2015). Arranged by Robert Newth. Contemporary, Film/TV. Score. 3 pages. Robert Newth #6035895. Published by Robert Newth
$4.99
4.46 €
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Piano seul
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James Horner (1953-2015)
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Robert Newth
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For The Love Of A Princess
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Robert Newth
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SheetMusicPlus
Feed The Birds (Tuppence A Bag)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1456515 Composed by Richard M. Sher…
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Piano Solo - Level 4 - Digital Download SKU: A0.1456515 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by My Sheet Music Transcriptions - mysheetmusictranscriptions.com. Broadway,Film/TV,Musical/Show. Score. 3 pages. My Sheet Music Transcriptions - mysheetmusictranscriptions.com #1035589. Published by My Sheet Music Transcriptions - mysheetmusictranscriptions.com (A0.1456515). Piano solo transcription for Robert B. Sherman & Richard M. Sherman Feed The Birds (Tuppence A Bag).
$12.99
11.6 €
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Piano seul
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Richard M
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Richard M
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Feed The Birds
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My Sheet Music Transcriptions - mysheetmusictranscriptions.com
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SheetMusicPlus
The Robert E. Lee (Monarch of the Mississippi) - piano solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.700740 Composed by Kevin G. Pace (A…
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Piano Solo - Level 4 - Digital Download SKU: A0.700740 Composed by Kevin G. Pace (ASCAP). Blues,Jazz,Standards. Score. 4 pages. Kevin G. Pace #553331. Published by Kevin G. Pace (A0.700740). This is a fun piano solo for intermediate pianists.
$2.95
2.64 €
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Piano seul
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Kevin G
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The Robert E. Lee
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Kevin G. Pace
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SheetMusicPlus
Outdoors a suite for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.991557 Composed by Robert Dusek. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.991557 Composed by Robert Dusek. Concert,Contemporary,Standards. Score. 16 pages. DaCapo, LLC #3012517. Published by DaCapo, LLC (A0.991557). Outdoors is a suite of 5 movements: 1. playful, 2. reflective, 3. lively, 4. serious, 5. playful again. This suite for solo piano is appropriate for the advanced intermediate pianist. .
$10.00
8.93 €
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Piano seul
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Robert Dusek
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Outdoors a suite for piano
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DaCapo, LLC
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SheetMusicPlus
Feed The Birds (tuppence A Bag)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.997615 Composed by Richard M. Sherm…
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Piano Solo - Level 4 - Digital Download SKU: A0.997615 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Daniel Fitzgerald. 20th Century,Broadway,Children,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Summerisle MPC #603262. Published by Summerisle MPC (A0.997615). Romantic solo piano version of this famous song from 'Mary Poppins' with a full and rich arrangement that makes use of most of the piano compass. Perfect for piano recitals and concert performances.
$4.99
4.46 €
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Piano seul
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Richard M
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Daniel Fitzgerald
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Feed The Birds
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Summerisle MPC
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SheetMusicPlus
Feed The Birds (tuppence A Bag)
Piano seul
Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Catherine Wilson. …
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Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Catherine Wilson. 20th Century, Broadway, Film/TV, Musical/Show. Score. 6 pages. Catherine Wilson #6630549. Published by Catherine Wilson
$5.99
5.35 €
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Piano seul
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Richard M
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Catherine Wilson
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Feed The Birds
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Catherine Wilson
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SheetMusicPlus
Let's Go Fly A Kite
Piano seul
Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Catherine Wilson. …
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Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,Music al/Show. Score. 4 pages. Catherine Wilson #6789129. Published by Catherine Wilson
$5.99
5.35 €
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Piano seul
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Richard M
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Catherine Wilson
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Let's Go Fly A Kite
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Catherine Wilson
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SheetMusicPlus
I Had A Farm In Africa (theme from "Out of Africa") (Piano Solo)
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By John Barry. Arranged by Sy…
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Piano Solo - Advanced Intermediate - Digital Download By John Barry. Arranged by Sylvina Tilbury. Individual Part, Sheet Music Single, Solo Part. 3 pages. Published by Sylvina Tilbury
An arrangement of the beautiful title theme from the film "Out of Africa", which starred Meryl Streep and Robert Redford. This is the same theme that accompanies the famous flight sequence over the plains of Kenya. The piece started life as an arrangement for solo violin with piano accompaniment, but why should the violinist have all the fun?! Perfect music for a summer wedding or garden party, or indeed a cold, wet winter evening at home.
$4.99
4.46 €
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Piano seul
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John Barry
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Sylvina Tilbury
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I Had A Farm In Africa
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Sylvina Tilbury
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SheetMusicPlus
Schumann : Sonate pour violon n°1 en la mineur, Op. 105 - II. Allegretto
Piano seul
Téléchargez la partition Piano Sonate pour violon n°1 en la mineur, Op. …
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Téléchargez la partition Piano Sonate pour violon n°1 en la mineur, Op. 105 - II. Allegretto de Schumann (Robert). Partition pour Duo -- Classique
5.99 €
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Piano seul
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Schumann
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Sonate pour violon n°1 en la
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Tomplay
The Haunted Woods
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.998871 Composed by Robert A. Howard…
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Piano Solo - Level 4 - Digital Download SKU: A0.998871 Composed by Robert A. Howard. 21st Century,Classical,Halloween,Instructional,Thriller. Score. 5 pages. Robert A. Howard #6348475. Published by Robert A. Howard (A0.998871). This work evokes the unsettling atmosphere of haunted woods. The juxtaposition of (unrelated) parallel triads and fifths, often over a pedal point, provides the key musical material. The piece develops over an arch form. The introductory parallel chordal motifs, with answering phrases, return alone at the end as the work turns full circle. A main second section (returning slightly modified as the penultimate passage) explores turning motifs of semitones and tones over an ostinato of parallel fifths. The apex central section is a series of textural variations of parallel major chords and arpeggios over a theme based mainly on a pedal point. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players.Duration: 5 minutes 10 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$3.49
3.12 €
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Piano seul
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Robert A
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The Haunted Woods
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Robert A. Howard
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SheetMusicPlus
Ascension
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.998892 Composed by Robert A. Howard…
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Piano Solo - Level 4 - Digital Download SKU: A0.998892 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Instructional,Religious. Score. 8 pages. Robert A. Howard #6572655. Published by Robert A. Howard (A0.998892). Ascension was originally conceived as a wind quintet. This second version was arranged for solo piano. This music gradually ascends in pitch, though a central chorale section suggests a deeper, religious meaning of ascent. The work conveys a 'procession' in which couples, represented by the dominant two-part texture, gradually make their way upwards. Crowds line the route. The scene evokes Christ's ascent to the crucifixion. The piece is highly accessible and is appropriate for more advanced pianists, including students and professionals. Duration: 7 minutes 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.14 €
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Piano seul
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Robert A
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Ascension
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Robert A. Howard
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SheetMusicPlus
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