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--INSTRUMENTS--
ACCORDEON
ALTO
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TUBA
UKULELE
VIBRAPHONE
VIOLON
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XYLOPHONE
Waltz - Woodwind Trio
Non classifié
44
Piano & claviers
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7
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1
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+ 6 instrumentations
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14
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6
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Violoncelle
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Crtitères actifs :
Waltz - Woodwind Trio
avancé
Piano seul
Partitions à imprimer
5 partitions trouvées
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1
Waltz
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Tomasz Kowalczyk
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Waltz
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Tomasz Kowalczyk
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.546780 By Tomasz Kowalczyk. By Tomasz Kowalczyk. Classical,Contemporary,New Age,Patriotic,Romantic Period. Score. 6 pages...
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Piano Solo - Level 4 - SKU: A0.546780 By Tomasz Kowalczyk. By Tomasz Kowalczyk. Classical,Contemporary,New Age,Patriotic,Romantic Period. Score. 6 pages. Tomasz Kowalczyk #156713. Published by Tomasz Kowalczyk (A0.546780). One of my neo-romantic compositions. A waltz in the key of E minor with a theme which is my tribute to the 19th century. The entire waltz, however, has a contemporary flavor. It has many complex rhythms, changes in meter or complementary dissonant and consonant courses. The perfect piece for sensitive souls who live their dreams and other dimensions.
$3.00
Waltz in B minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Tomasz Kowalczyk
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Waltz in B minor
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Tomasz Kowalczyk
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.546782 Composed by Tomasz Kowalczyk. Classical,Contemporary,New Age,Patriotic,Romantic Period. Score. 4 pages. Tomasz Kow...
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Piano Solo - Level 4 - SKU: A0.546782 Composed by Tomasz Kowalczyk. Classical,Contemporary,New Age,Patriotic,Romantic Period. Score. 4 pages. Tomasz Kowalczyk #156715. Published by Tomasz Kowalczyk (A0.546782). Waltz in B minor. A combination of modernity and tradition. A piece that contains deep neosymbolic chromatics, reminiscences of neo-romanticism, but also moments of darkness and anxiety. The whole piece ends with a very innovative approach to chromatics.
$6.00
Tchaikovsky : La Belle au bois dormant - Valse
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tchaikovsky
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La Belle au bois dormant
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Tomplay
Telechargez la partition Piano La Belle au bois dormant - Valse de Tchaikovsky. Partition pour Trio -- Classique...
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Telechargez la partition Piano La Belle au bois dormant - Valse de Tchaikovsky. Partition pour Trio -- Classique
5.99€
Flowers for Dorothy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofon...
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Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
Angels We Have Heard On High
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional French Carol, Jame
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Jake Smolowe
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Angels We Have Heard On High
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ArrangeMe
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. A...
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Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. ArrangeMe #6904239. Published by ArrangeMe (A0.1035856). This is the lead sheet version of Jake Smolowe's recording of Angels We Have Heard on High, from his 2021 album Christmas Solo: Informal, Improvised. The chart includes the lead melody line, detailed chord symbols throughout, and a notated piano intro/interlude. Length: 2 pages Notes from Jake: This arrangement of Angels We Have Heard on High is kind of an ode to Brad Mehldau’s many jazz waltz arrangements over the years (for example, She’s Leaving Home, from Day is Done). I wanted to capture the feel of Mehldau’s classic trio waltzes, not just the piano but the drums and bass too. The A sections feature a constantly rising chord progression, with slight differences in chord quality between the first two A’s, and then the B sections highlight some more dramatic reharmonizations as well as a dichotomy between straight-eighths/behind the beat melody and swung accompaniment. The intro, which also serves as the outro vamp as well as an interlude between choruses, includes a bell-like theme that I hope instantly conjures up the Christmas/holiday spirit. Tips for Performance: The intro/interlude/outro can be tricky! I encourage watching the YouTube video and or/listening to the mp3 to get a sense of the timing for the fingering switches and pedaling. Also, in the B sections, the LH is often swinging while the right hand plays straight eighths; as with the intro, the best way to lock down this feel is to check out the YouTube video.------Visit me on the web: http://www.jakesmolowe.comYouTube: https://www.youtube.com/jakesmoloweInstagram: http://www.instagram.com/jakesmolowejazz Facebook: http://www.facebook.com/jakesmolowejazz
$3.00
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