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--INSTRUMENTS--
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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DEEJAY
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Vous avez sélectionné:
Für Tim
expert
Piano seul
Partitions à imprimer
15 partitions trouvées
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Karel Svoboda : Drei Haselnüsse für Aschenbrödel (Trois Noisettes pour Cendrillon) (niveau difficile, piano solo)
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Piano seul
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AVANCÉ
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Film/TV
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Karel Svoboda
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Drei Haselnüsse für Aschenbr
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Tomplay
Telechargez la partition Piano Drei Haselnüsse für Aschenbrödel (Trois Noisettes pour Cendrillon) (niveau difficile, piano solo) de Karel Svoboda...
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Telechargez la partition Piano Drei Haselnüsse für Aschenbrödel (Trois Noisettes pour Cendrillon) (niveau difficile, piano solo) de Karel Svoboda. Partition pour Piano seul -- Musique de film
5.99€
Schubert : Le Chant du Cygne S560/R245 – N° 7 Sérénade (Ständchen) (Arr. F. Liszt, niveau difficile)
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Piano seul
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AVANCÉ
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Classique
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Schubert
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Le Chant du Cygne S560/R245 â€
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Tomplay
Telechargez la partition Piano Le Chant du Cygne S560/R245 – N° 7 Serenade (Ständchen) (Arr. F. Liszt, niveau difficile) de Schubert. Partition pour ...
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Telechargez la partition Piano Le Chant du Cygne S560/R245 – N° 7 Serenade (Ständchen) (Arr. F. Liszt, niveau difficile) de Schubert. Partition pour Piano seul -- Classique
3.99€
Bach : Partita pour violon n° 2 en ré mineur, BWV 1004 - V. Chaconne (arr. F. Busoni)
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Piano seul
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AVANCÉ
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Classique
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Bach
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Partita pour violon n° 2 en r
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Tomplay
Telechargez la partition Piano Partita pour violon n° 2 en re mineur, BWV 1004 - V. Chaconne (arr. F. Busoni) de Bach. Partition pour Piano seul -- Classiqu...
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Telechargez la partition Piano Partita pour violon n° 2 en re mineur, BWV 1004 - V. Chaconne (arr. F. Busoni) de Bach. Partition pour Piano seul -- Classique
7.99€
Liszt : Requiem en ré mineur, K. 626 - Séquence n° 5: Confutatis maledictis (Arr. F. Liszt)
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Piano seul
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AVANCÉ
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Classique
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Liszt
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Requiem en ré mineur, K. 626
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Tomplay
Telechargez la partition Piano Requiem en re mineur, K. 626 - Sequence n° 5: Confutatis maledictis (Arr. F. Liszt) de Liszt. Partition pour Piano seul -- Cl...
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Telechargez la partition Piano Requiem en re mineur, K. 626 - Sequence n° 5: Confutatis maledictis (Arr. F. Liszt) de Liszt. Partition pour Piano seul -- Classique
5.99€
Beethoven : Symphonie n° 2 en ré majeur, S464/R128 – II. Larghetto (Arr. F. Liszt)
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Piano seul
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AVANCÉ
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Classique
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Beethoven
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Symphonie n° 2 en ré majeur,
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Tomplay
Telechargez la partition Piano Symphonie n° 2 en re majeur, S464/R128 – II. Larghetto (Arr. F. Liszt) de Beethoven. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Symphonie n° 2 en re majeur, S464/R128 – II. Larghetto (Arr. F. Liszt) de Beethoven. Partition pour Piano seul -- Classique
4.99€
Beethoven : Symphonie n° 2 en ré majeur, S464/R128 – III. Scherzo. Allegro - Trio (Arr. F. Liszt)
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Piano seul
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AVANCÉ
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Classique
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Beethoven
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Symphonie n° 2 en ré majeur,
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Tomplay
Telechargez la partition Piano Symphonie n° 2 en re majeur, S464/R128 – III. Scherzo. Allegro - Trio (Arr. F. Liszt) de Beethoven. Partition pour Piano se...
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Telechargez la partition Piano Symphonie n° 2 en re majeur, S464/R128 – III. Scherzo. Allegro - Trio (Arr. F. Liszt) de Beethoven. Partition pour Piano seul -- Classique
3.99€
Bach : Le Clavier bien tempéré, Livre I – Prélude et Fugue n° 12 en fa mineur, BWV 857
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Piano seul
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AVANCÉ
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Classique
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Bach
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Le Clavier bien tempéré, Liv
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Tomplay
Telechargez la partition Piano Le Clavier bien tempere, Livre I – Prelude et Fugue n° 12 en fa mineur, BWV 857 de Bach. Partition pour Piano seul -- Class...
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Telechargez la partition Piano Le Clavier bien tempere, Livre I – Prelude et Fugue n° 12 en fa mineur, BWV 857 de Bach. Partition pour Piano seul -- Classique
3.99€
Bach : Le Clavier bien tempéré, Livre I – Prélude et Fugue n° 14 en fa dièse mineur, BWV 859
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Piano seul
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AVANCÉ
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Classique
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Bach
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Le Clavier bien tempéré, Liv
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Tomplay
Telechargez la partition Piano Le Clavier bien tempere, Livre I – Prelude et Fugue n° 14 en fa dièse mineur, BWV 859 de Bach. Partition pour Piano ...
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Telechargez la partition Piano Le Clavier bien tempere, Livre I – Prelude et Fugue n° 14 en fa dièse mineur, BWV 859 de Bach. Partition pour Piano seul -- Classique
3.99€
Bach : Le Clavier bien tempéré, Livre II – Prélude et fugue n° 14 en fa dièse mineur, BWV 883
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Piano seul
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AVANCÉ
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Classique
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Bach
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Le Clavier bien tempéré, Liv
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Tomplay
Telechargez la partition Piano Le Clavier bien tempere, Livre II – Prelude et fugue n° 14 en fa dièse mineur, BWV 883 de Bach. Partition pour Piano...
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Telechargez la partition Piano Le Clavier bien tempere, Livre II – Prelude et fugue n° 14 en fa dièse mineur, BWV 883 de Bach. Partition pour Piano seul -- Classique
3.99€
Beethoven : Sonate pour piano n° 24 en fa dièse majeur 'Sonate à Thérèse', Opus 78 - II. Allegro vivace
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Piano seul
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AVANCÉ
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Classique
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Beethoven
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Sonate pour piano n° 24 en fa
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Tomplay
Telechargez la partition Piano Sonate pour piano n° 24 en fa dièse majeur 'Sonate à Therèse', Opus 78 - II. Allegro vivace de...
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Telechargez la partition Piano Sonate pour piano n° 24 en fa dièse majeur 'Sonate à Therèse', Opus 78 - II. Allegro vivace de Beethoven. Partition pour Piano seul -- Classique
3.99€
Studies on Chopin's Etudes
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Piano seul
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AVANCÉ
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Classique
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Frederic Chopin
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Leopold Godowsky
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Studies on Chopin's Etudes
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q562845 Composed by Frederic Chopin. Arranged by Leopold Godowsky. Downloadable, Tune book. Op Band 2 No. 13-20. Musikverlag...
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Piano - difficult - SKU: S9.Q562845 Composed by Frederic Chopin. Arranged by Leopold Godowsky. Downloadable, Tune book. Op Band 2 No. 13-20. Musikverlag Robert Lienau - Digital #Q562845. Published by Musikverlag Robert Lienau - Digital (S9.Q562845). German • English • French.Mit diesen 53 Studien, die in souveräner Werkkenntnis auf Chopins op. 10 und op. 25 aufgebaut sind, verfolgte Godowsky einen dreifachen Zweck: die mechanischen, technischen und musikalischen Möglichkeiten des Klavierspiels zu bereichern, die eigentümliche, der polyphonen, polyrhythmischen und polydynamischen Arbeit zugängliche Natur des Instruments weiter zu entwickeln, die Möglichkeiten der Tonkoloristik zu vermehren. Von den Studien sind 22 für die linke Hand allein bestimmt. Die inhaltliche verändert neu aufgelegte Sammlung ist als vollkommene Meisterschule der Klaviertechnik weltweit berühmt.
$16.99
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79
Aria for Piano
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Piano seul
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AVANCÉ
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Rocco Di Pietro
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Aria for Piano
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Rocco Di Pietro
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 25 pages. ...
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Piano Solo - Level 5 - SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 25 pages. Rocco Di Pietro #900839. Published by Rocco Di Pietro (A0.1311946). The Left hand plays the note first, while the right hand bounces off the same note in a ricochet.Use the right-forte pedal lightly and constantly, but do not blur, the pedal must be used in accordance with each rubato and phrase, as in Chopin but subtly enough to render Molto Cantabile e Brilliante. Constantly, means up and down frequently, do not hold pedal down, a cluster blur is not desired, in this first part of the score. Later on, pedal markings will indicate a blend of the sound, when  wanted.The first performance was by the composer at The Darmstadt Ferienkurse für Neue Musik in 1978. The work was part of the piano seminar of Herbrt Hencke and was considered unplayable by one pianist.The American premire took place by the composer in 1979 on Julius Eastman's Festival at the The Third Street Music School in New York.The local premiere took place once again by the composer on a Creative Associates concert in Baird Hall at SUNY Buffalo in 1979 on a program of works by Giacinto Scelsi.The Ohio premeire took place in 1995 at the Wexner Center for the Arts at The Ohio State University played by the composer for the last time where it was danced by the Vicki Uris Dance Company.
$16.00
Funf Klavierstucke I sehr langsam
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Piano seul
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AVANCÉ
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Contemporain
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Stephen R Dalrymple
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Funf Klavierstucke I sehr lang
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs)...
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Instrumental Solo - Level 5 - SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). 20th Century. Individual part. 8 pages. Stephen R Dalrymple #4979561. Published by Stephen R Dalrymple (A0.818287). Fünf Klavierstücke I Sehr Langsam (Opus 23 Number 1) (Five Piano Pieces) by Arnold Schönberg (1874-1951). ♫ This opus was written in 1923. Piece # 1 is written in Schoenberg's atonal style, but is a precursor to his 12 tone pieces. Number 5 in the series was Schönberg’s first published 12 tone composition. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Etude "Three Hands"
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Piano seul
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AVANCÉ
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Peter Saltzman
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Etude "Three Hands"
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Salt Muse, Inc
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. 8 pages. Duration 196. Salt Muse, Inc #4nxW5iY27ChHy497Z90vlj. Published by Salt Muse, Inc (A0.1162887). Key: F minor.No, it's not really for three hands; it just feels and (at times) sounds like it. This etude was supposed to be an R&B tune. When I first came up with the melody (1992), I tried to write lyrics. But nothing worked. I then tried to make it a band instrumental, with electric guitar taking the lead. Nah, too corny sounding. But I liked the tune. So I persisted and tried it as a solo piano piece. The thing is this: it retains its provenance as a piece for band because the two hands are basically acting as the band. Nothing unusual about that with regard to solo piano: it's always kind of a band or orchestra. What's different here is the left hand is usually playing both the tune and bass line. The right hand, when it joins the party at measure nine, acts like the backup singer (or maybe the guitar that was supposed to take the lead.) Remember that the bottom staff, as indicated, is always 8vb, except for the last measure. And should you take up the challenge to learn this, it is fatiguing but worth the effort.
$4.95
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