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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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J.S. Bach - SINFONIA
Non classifié
65
Piano & claviers
Piano seul
46
Orgue
6
Clavecin
2
Piano Trio: piano, violon, violoncelle
1
Guitares
Guitare
22
Guitare notes et tablatures
11
Banjo
2
Ukulele
1
2 Guitares (duo)
1
Orchestre à Plectres
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
3
Chorale 2 parties
1
Voix duo
1
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1
Vents
2 Clarinettes (duo)
13
3 Saxophones (trio)
12
Quatuor de Clarinettes: 4 clarinettes
12
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12
2 Saxophones (duo)
5
Saxophone Alto
5
2 Flûtes traversières (duo)
5
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4
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4
3 Clarinettes (trio)
3
Saxophone Tenor
3
Quintette de Saxophone: 5 saxophones
3
Flûte traversière
3
Flûte, Clarinette et Basson
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Clarinette et Piano
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Saxophone (partie séparée)
2
Clarinette
2
Hautbois (partie séparée)
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Ensemble de Clarinettes
2
Saxophone Tenor et Piano
2
Trio de Flûtes: 3 flûtes
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone
1
Saxophone, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette Basse, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
3 Hautbois
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Clarinette (trio)
1
2 Hautbois (duo)
1
+ 31 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trombone
12
Tuba
5
Trompette
5
Ensemble de Trombones
4
Cor
3
Euphonium
3
Trombone basse
3
Quatuor de cuivres: 4 trombones
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Trombones (trio)
2
2 Trombones (duo)
2
Trombone et Piano
2
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
Trompette, Piano
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Trompette (partie séparée)
1
3 Tubas (trio)
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 19 instrumentations
Retracter
Cordes
Violon
20
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle
8
Alto seul
5
Violon, Alto (duo)
4
Violon et Piano
4
Violoncelle, Piano
3
Alto, Violoncelle (duo)
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
2 Altos (duo)
1
4 Violoncelles
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
23
Ensemble de cuivres
6
Orchestre à Cordes
3
Orchestre de chambre
2
Jazz combo
1
Orchestre
1
Xylophone
1
Ensemble Jazz
1
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▽ INSTRUMENTS
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--INSTRUMENTS--
ACCORDEON
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Crtitères actifs :
J.S. Bach - SINFONIA
expert
Piano seul
Partitions à imprimer
46 partitions trouvées
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1
26
Bachiana Dodecafonica - 6 Preludes and Fugues for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Richard St
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Bachiana Dodecafonica - 6 Prel
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.939695 Composed by Richard St. Clair and Richard St. Clair. 20th Century,Contemporary. Score. 31 pages. Richard St. Clair...
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Piano Solo - Level 5 - SKU: A0.939695 Composed by Richard St. Clair and Richard St. Clair. 20th Century,Contemporary. Score. 31 pages. Richard St. Clair #3000997. Published by Richard St. Clair (A0.939695). 6 preludes and fugues, each set of prelude and fugue based on a twelve-tone row derived from preludes of J. S. Bach in the Well-Tempered Clavier. Thus, the music has both tonal and atonal features. Total duration: 19 minutes. The MP3 Audio Clip is a computer-generated soundfile.
$18.99
Toccata and Fugue in D Minor,BWV 565,J.S.Bach,Original Edition,With Fingering
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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poon
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Toccata and Fugue in D Minor,B
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poon
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1129738 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by poon. Classical. Score. 15 pages. Poon #730148. P...
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Piano Solo - Level 5 - SKU: A0.1129738 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by poon. Classical. Score. 15 pages. Poon #730148. Published by poon (A0.1129738). Toccata and Fugue in D Minor,BWV 565,J.S.Bach,Original Edition,With Fingering.
$1.99
ALLEMANDE by J.S. BACH - Piano Solo
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ellen Macpherson
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ALLEMANDE by J.S. BACH - Piano
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Ellen Macpherson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.740885 Composed by Johann Sebastian Bach. Arranged by Ellen Macpherson. Baroque,Hip-Hop,Holiday,Wedding. Score. 5 pages. ...
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Piano Solo - Level 5 - SKU: A0.740885 Composed by Johann Sebastian Bach. Arranged by Ellen Macpherson. Baroque,Hip-Hop,Holiday,Wedding. Score. 5 pages. Ellen Macpherson #6352857. Published by Ellen Macpherson (A0.740885). ALLEMANDE by J.S. BACH - Piano Solo.
$1.99
Salvatore Passantino: VARIAZIONI CRONOLOGICHE SU UN TEMA DI J. S. BACH (ES-21-036)
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Piano seul
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AVANCÉ
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Contemporain
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Salvatore Passantino
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Salvatore Passantino: VARIAZIO
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Sconfinarte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1176062 Composed by Salvatore Passantino. Classical,Contemporary. Score. 19 pages. Sconfinarte #776189. Published by Scon...
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Piano Solo - Level 5 - SKU: A0.1176062 Composed by Salvatore Passantino. Classical,Contemporary. Score. 19 pages. Sconfinarte #776189. Published by Sconfinarte (A0.1176062). VARIAZIONI CRONOLOGICHE SU UN TEMA DI J. S. BACH (ES-21-036)Organico: Pianoforte.
$20.00
J.S.Bach - Orchestral Suite no.3 in D major BWV 1068 - 1. Ouverture - Piano version
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Piano seul
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AVANCÉ
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Classique
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Bach Johann Sebastian
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Santino Cara
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J.S.Bach - Orchestral Suite no
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.516612 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 11 pages. Santino Cara #35289. Publis...
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Piano Solo - Level 5 - SKU: A0.516612 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 11 pages. Santino Cara #35289. Published by Santino Cara (A0.516612). First movement Ouverture of the Orchestral Suite no.3 in D major BWV 1068 for 2 oboes, 3 trumpets, timpani, strings and B.C. by Johann Sebastian Bach, transcribed for piano solo by Santino Cara.
$8.40
J.S.Bach - Violin Concerto in E major BWV 1042 - Piano solo - 1° mov. Allegro
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Piano seul
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AVANCÉ
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Classique
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Bach Johann Sebastian
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Santino Cara
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J.S.Bach - Violin Concerto in
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.516531 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #19499. Publish...
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Piano Solo - Level 5 - SKU: A0.516531 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 8 pages. Santino Cara #19499. Published by Santino Cara (A0.516531). First movement (Allegro) of the Violin Concerto in E major BWV 1042 for violin solo, two violins viola and B.C by Johann Sebastian Bach, transcribed for solo piano by Santino Cara in Rome, in February 2007.
$8.24
J. S. Bach: Largo from Double Violin Concerto in D minor (for 2 violins and Piano Accompaniment)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Flavio Regis Cunha
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J. S. Bach: Largo from Double
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FRC Music
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SheetMusicPlus
By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Flavio Regis Cunha. Baroque, Easter, Instructional, Sacred, Wedding. Score...
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By Johann Sebastian Bach. By Johann Sebastian Bach (1685- 1750). Arranged by Flavio Regis Cunha. Baroque, Easter, Instructional, Sacred, Wedding. Score. 16 pages. FRC Music #723164. Published by FRC Music
$5.99
Variations on a theme by Bach, op. 67
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Piano seul
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AVANCÉ
#
Adrian Gagiu
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Variations on a theme by Bach,
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Adrian Gagiu
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1004687 Composed by Adrian Gagiu. 20th Century,Baroque,Contemporary. Score. 20 pages. Adrian Gagiu #4297891. Published by...
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Piano Solo - Level 5 - SKU: A0.1004687 Composed by Adrian Gagiu. 20th Century,Baroque,Contemporary. Score. 20 pages. Adrian Gagiu #4297891. Published by Adrian Gagiu (A0.1004687). Ten Variations for piano in G major on the bass of the Aria from J. S. Bach's Goldberg Variations, beginning directly with the first variation, which includes the theme in the bass. Neoclassical composition, with some Neo-baroque hints due to the theme, and some subtle allusions to the other great variation cycle, Beethoven's Diabelli Variations. Most of the variations are treated in invertible counterpoint (of course made easier by a more relaxed harmonic language) and, while including all the notes of the theme, transform it a lot through various moods.
$10.95
Fugue 1 - C Major - Bach
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Paulo Henrique
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Fugue 1 - C Major - Bach
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Paulo Henrique
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1043454 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Paulo Henrique. Baroque,Classical,Instructional,M...
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Piano Solo - Level 5 - SKU: A0.1043454 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Paulo Henrique. Baroque,Classical,Instructional,Multicultural,World. Score. 4 pages. Paulo Henrique #648135. Published by Paulo Henrique (A0.1043454). Fugue 1, C Major, The Well Tempered-Clavier, J. S. Bach, Baroque, Piano, Instructional, Piano Students, Piano School.
$3.50
Et Resurrectix - Piano Transcription - Bach/Usman
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Piano seul
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AVANCÉ
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Bach/Usman
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Usman Anees
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Et Resurrectix - Piano Transcr
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Usman Anees
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1283902 By Bach/Usman. By Bach/Usman. Arranged by Usman Anees. Baroque,Classical,Religious. Score. 11 pages. Usman Anees ...
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Piano Solo - Level 5 - SKU: A0.1283902 By Bach/Usman. By Bach/Usman. Arranged by Usman Anees. Baroque,Classical,Religious. Score. 11 pages. Usman Anees #875086. Published by Usman Anees (A0.1283902). Et Resurrectix from Mass in B minor by J. S. Bach.A virtuoso concert performance arrangement by Usman Anees.
$10.00
Bach - St.Matthäus - Passion, BWV 244 Kommt, ihr Töchter, helft mir klagen - For Piano Solo Original
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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poon
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Bach - St.Matthäus - Pass
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poon
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1363082 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Score. 8 pages. Poon #947468. Published by poon (...
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Piano Solo - Level 5 - SKU: A0.1363082 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Score. 8 pages. Poon #947468. Published by poon (A0.1363082). J.S.Bach - St.Matthäus - Passion, BWV 244 Kommt, ihr Töchter, helft mir klagen - For Piano Solo Original With Fingered.
$1.99
(Syncopated) Bach: Preludes and Fugues in C minor and B-flat Major WTC 1, op. 60
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Piano seul
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AVANCÉ
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J
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Sam Post, composer/pianist
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(Syncopated) Bach: Preludes an
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Sam Post, composer/pianist
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.947071 Composed by J.S. Bach, Sam Post. Arranged by Sam Post, composer/pianist. Baroque,Contemporary,Jazz. Score. 12 page...
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Piano Solo - Level 5 - SKU: A0.947071 Composed by J.S. Bach, Sam Post. Arranged by Sam Post, composer/pianist. Baroque,Contemporary,Jazz. Score. 12 pages. Sam Post, composer/pianist #6135335. Published by Sam Post, composer/pianist (A0.947071). Two Preludes and Fugues from the Well-Tempered Clavier, Book 1, arranged in syncopated style.
$17.00
Jesu, Joy of Man's Desiring
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Piano seul
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AVANCÉ
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J
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Roxana Belibou
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Jesu, Joy of Man's Desiring
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SheetMusicPlus
Piano Solo - Advanced - Composed by J. S Bach. Arranged by Roxana Belibou. Christian. 5 pages. Published by Roxana Belibou ...
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Piano Solo - Advanced - Composed by J. S Bach. Arranged by Roxana Belibou. Christian. 5 pages. Published by Roxana Belibou
$4.99
Gavotte en Rondeau
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach and Olli
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Gavotte en Rondeau
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q21932 Paraphrase of the 3 movements from the Partita in E Major for Violin solo. Composed by Johann Sebastian Bach a...
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Piano - difficult - SKU: S9.Q21932 Paraphrase of the 3 movements from the Partita in E Major for Violin solo. Composed by Johann Sebastian Bach and Olli Mustonen. This edition: Sheet music. Hommage - piano - paraphrase. The Virtuoso Piano Transcription Series. Der finnische Pianist und Komponist Olli Mustonen nimmt das Bachsche Anfangsmotiv und formt daraus ein knappes, harmonisch stark verfremdetes, brillantes und hoch virtuoses Kabinettstück. Downloadable. Op. 8. Duration 1' 15. Schott Music - Digital #Q21932. Published by Schott Music - Digital (S9.Q21932). Key: E major.Ich schrieb diese kleine Paraphrase der Gavotte aus Bachs Partita in E-dur vor zwanzig Jahren. Eigentlich ist sie eine Art doppelte Hommage: auf der einen Seite ist es natürlich ein Tribut an J. S. Bach, dessen wundervolle, geniale Musik sicherlich als eine der höchsten Errungenschaften der Menschheit gelten muss. Auf der anderen Seite – etwas näher zu unserer Zeit hin – wollte ich meine Bewunderung für die virtuosen Pianisten des frühen 20. Jahrhunderts zeigen, deren unglaubliche Aufnahmen mich in den Bann gezogen hatten. Diese Meister der Tastatur – Josef Lhevinne, Sergej Rachmaninov and Josef Hofmann, um nur einige zu nennen – waren Magier und Hexenmeister, die ihr Publikum mit einer nicht enden wollenden Vielfalt an Zaubertricks in Staunen versetzen konnten, zuweilen als wenn sie die Zeit zwischen ihren Fingerspitzen anhielten und dabei die Zuhörer in eine andere Realität hinführten. (Olli Mustonen).
$11.99
Toccata and Fuga in D Minor
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Yo Matsumoto
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Toccata and Fuga in D Minor
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Yo Matsumoto
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1390481 Composed by Johann Sebastian Bach. Arranged by Yo Matsumoto. Baroque,Classical,Historic,Instructional,Traditional...
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Piano Solo - Level 5 - SKU: A0.1390481 Composed by Johann Sebastian Bach. Arranged by Yo Matsumoto. Baroque,Classical,Historic,Instructional,Traditional. Score. 7 pages. Yo Matsumoto #974010. Published by Yo Matsumoto (A0.1390481). I tried to arrange J.S. Bach's masterpiece Toccata and Fugue in D minor for solo piano. This work has already been arranged for piano by Busoni, Cortot, Tausig, Reger, and many great predecessors. On top of that, I am trying to distance myself from excessive virtuosos and use my experience of playing old instruments to reproduce the majesty of organ playing and the religious spirituality of J.S. Bach to the maximum extent possible on the piano. It's a full-fledged work!
$15.00
Hybrid Studies
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Piano seul
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AVANCÉ
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Classique
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Hakan Ali Toker
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Hakan Ali Toker
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Hybrid Studies
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Hakan Ali Toker
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1285388 By Hakan Ali Toker. By Frederic F. Chopin. Arranged by Hakan Ali Toker. 19th Century,20th Century,Classical,Roman...
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Piano Solo - Level 5 - SKU: A0.1285388 By Hakan Ali Toker. By Frederic F. Chopin. Arranged by Hakan Ali Toker. 19th Century,20th Century,Classical,Romantic Period. Score. 106 pages. Hakan Ali Toker #876505. Published by Hakan Ali Toker (A0.1285388). A set of 12 etudes, all based on music by Chopin. The first 10 etudes are created by cross-breeding music by Chopin with the work of another composer. The texture of one work has been applied to the harmony of another. The last two are created by a different approach: work by one composer has been recreated in the style of another. All based on ideas of Prof. Douglas HofstadterNo. 1: Texture of J. S. Bach's C Major Prelude BWV 846 from book I of the Well-tempered Clavier applied to the harmony of F. F. Chopin's C Major Etude Op. 10 no. 1No. 2: Vice versaNo. 3: Texture of J. S. Bach's ce minor Prelude BWV 847 from book I of the Well-tempered Clavier applied to the harmony of F. F. Chopin's c minor Etude Op. 25 no. 12Â No. 4: Vice versaNo. 5: Texture of F. F. Chopin's Etude Op. 10 No. 6 applied to the harmony of the composer's own Prelude in A Major Op. 28 no. 7No. 6: Variations on F. F. Chopin's Prelude in c minor Op. 28 no. 20, each variation based on a different etude by Chopin himselfNo. 7: Texture of F. F. Chopin's Etude in A Flat Major Op. 25 no.1 applied to the harmony and melody of F. Loewe's song I Could Have Danced All Night from My Fair LadyNo. 8: Texture of F. F. Chopin's Etude in C Major Op. 10 no.1 applied to the harmony of the the composer's own Etude in c minor Op. 25 no. 12No. 9: Vice VersaNo. 10: Texture of F. F. Chopin's Prelude in f# minor Op. 28 no. 8 and his Fantaisie-Impromptu in c# minor Op. 66 applied to the harmony and melody of A. DvorÌŒaÌk's Humoresque Op. 101 no. 7No. 11: S. S. Prokofiev's Waltz Op. 65 no. 6 in the style of F. ChopinNo. 12: F. F. Chopin's Waltz in f#minor Op. 69 no. 2 in the style of S. S. Prokofiev.
$20.00
Ich hatte viel Bekümmernis (from Cantata BWV 21) As played by Víkingur Ólafsson
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Piano seul
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AVANCÉ
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Johann Sebastian Bach and Vík
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Flavio Regis Cunha
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Ich hatte viel Bekümmerni
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FRC Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1499366 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroq...
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Piano Solo - Level 5 - SKU: A0.1499366 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Sacred. Score. 4 pages. FRC Music #1075421. Published by FRC Music (A0.1499366). Discover the Soul of Bach with Ich hatte viel BekümmernisFor pianists who live and breathe the profound beauty of music, this is an invitation to transcend the ordinary and step into the sublime. Presenting the sheet music for J. S. Bach: Ich hatte viel Bekümmernis from Cantata BWV 21, as interpreted by the masterful Víkingur Ólafsson.This arrangement isn’t just notes on a page—it’s a conversation with the divine, a journey through the depths of human emotion, brought to life through Bach’s timeless genius. Víkingur Ólafsson’s interpretation has captured the hearts of audiences worldwide, and now, you have the chance to bring this exquisite piece to your own fingertips.Whether you're performing in the grandeur of a concert hall, the intimate setting of a church, or the creative environment of a school, this sheet music offers a gateway to the profound. Each phrase, each nuance, crafted with care, allows you to channel Bach’s intricate emotions and touch the hearts of your listeners.Let your piano become the voice of a story centuries old, yet eternally relevant. Embrace the challenge, the beauty, and the emotional depth of this masterpiece.Bring Bach’s soul to life with your performance. Secure your copy today.Advanced Level4 pagesDuration: 3 min.
$7.99
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 5 in Bb Major Lydian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 13 in F# Major Ionian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 8 in C Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude in G Major, WTC Book 2, No. 15 (BWV 884)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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ed
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Prelude in G Major, WTC Book 2
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.879519 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Concert,Standards,World. Score...
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Piano Solo - Level 5 - SKU: A0.879519 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Concert,Standards,World. Score. 4 pages. Presto! It's Music Magic Publishing #6873607. Published by Presto! It's Music Magic Publishing (A0.879519). Prelude in G Major, from the Well-Tempered Clavier (WTC) Book 2, No. 15 (BWV 884) by Johann Sebastian Bach (1685-1750). This music is one of J.S. Bach’s most beautiful preludes and can make a perfect audition piece or recital selection. Includes helpful fingering suggestions.
$3.99
Fugue in G Major, WTC Book 2, No. 15 (BWV 884)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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ed
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Fugue in G Major, WTC Book 2,
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.879518 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Concert,Standards,World. Score...
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Piano Solo - Level 5 - SKU: A0.879518 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Concert,Standards,World. Score. 5 pages. Presto! It's Music Magic Publishing #6873591. Published by Presto! It's Music Magic Publishing (A0.879518). Fugue in G Major, from the Well-Tempered Clavier (WTC) Book 2, No. 15 (BWV 884) by Johann Sebastian Bach (1685-1750). This music is one of J.S. Bach’s most beautiful fugues and can make a perfect audition piece or recital selection. Includes helpful fingering suggestions.
$3.99
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J.S. Bach - SINFONIA