Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
T Baroque
Non classifié
7
Piano & claviers
Piano seul
11
Piano, Voix
2
Guitares
Guitare
4
Ensemble de guitares
1
Voix
Chorale SATB
3
Vents
Flûte traversière et Piano
1
Clarinette
1
Flûte à bec Tenor
1
Cor anglais, Piano
1
2 Hautbois (duo)
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 1 instrumentations
Retracter
Cordes
Violon
3
Violon, Alto (duo)
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Contre Basse
1
Orchestre & Percussions
Orchestre à Cordes
7
Orchestre d'harmonie
1
Orchestre de chambre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
11
Librairie Musicale
0
Matériel de Musique
184
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
T Baroque
expert
Piano seul
Partitions à imprimer
11 partitions trouvées
<
1
Bach,Couperin (François),Daquin,Händel,Rameau : Les plus belles musiques baroques pour piano, Difficile, Vol. 2
#
Piano seul
#
AVANCÉ
#
Classique
#
Bach,Couperin (François
#
Les plus belles musiques baroq
#
Tomplay
Telechargez la partition Piano Les plus belles musiques baroques pour piano, Difficile, Vol. 2. Partition pour Piano seul -- Classique...
(+)
Telechargez la partition Piano Les plus belles musiques baroques pour piano, Difficile, Vol. 2. Partition pour Piano seul -- Classique
15.99€
Bach,Pachelbel,Vivaldi : Les plus belles musiques baroques pour piano, Difficile, Vol. 1
#
Piano seul
#
AVANCÉ
#
Classique
#
Bach,Pachelbel,Vivaldi
#
Les plus belles musiques baroq
#
Tomplay
Telechargez la partition Piano Les plus belles musiques baroques pour piano, Difficile, Vol. 1 de Bach. Partition pour Piano seul -- Classique...
(+)
Telechargez la partition Piano Les plus belles musiques baroques pour piano, Difficile, Vol. 1 de Bach. Partition pour Piano seul -- Classique
19.99€
Claude Bolling : Suite for Flute and Jazz Piano Trio - I. Baroque and Blue
#
Piano seul
#
AVANCÉ
#
Claude Bolling
#
Suite for Flute and Jazz Piano
#
Tomplay
Téléchargez la partition Piano Suite for Flute and Jazz Piano Trio - I. Baroque and Blue de Claude Bolling. Partition pour Piano avec accomp. orchestre -- Cla...
(+)
Téléchargez la partition Piano Suite for Flute and Jazz Piano Trio - I. Baroque and Blue de Claude Bolling. Partition pour Piano avec accomp. orchestre -- Classique,Jazz et blues
5.99€
Feu follet
#
Piano seul
#
AVANCÉ
#
Contemporain
#
1909, Landowska and her husban
#
Wanda Landowska
#
Zellev
#
Feu follet
#
Zellev Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
(+)
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79
Jesus Shall Reign Where'er the Sun
#
Piano seul
#
AVANCÉ
#
John Hatton
#
Paul Thurmond
#
Jesus Shall Reign Where'er the
#
Paul Thurmond
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
(+)
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Ich hatte viel Bekümmernis (from Cantata BWV 21) As played by Víkingur Ólafsson
#
Piano seul
#
AVANCÉ
#
Johann Sebastian Bach and Vík
#
Flavio Regis Cunha
#
Ich hatte viel Bekümmerni
#
FRC Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1499366 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroq...
(+)
Piano Solo - Level 5 - SKU: A0.1499366 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Sacred. Score. 4 pages. FRC Music #1075421. Published by FRC Music (A0.1499366). Discover the Soul of Bach with Ich hatte viel BekümmernisFor pianists who live and breathe the profound beauty of music, this is an invitation to transcend the ordinary and step into the sublime. Presenting the sheet music for J. S. Bach: Ich hatte viel Bekümmernis from Cantata BWV 21, as interpreted by the masterful Víkingur Ólafsson.This arrangement isn’t just notes on a page—it’s a conversation with the divine, a journey through the depths of human emotion, brought to life through Bach’s timeless genius. Víkingur Ólafsson’s interpretation has captured the hearts of audiences worldwide, and now, you have the chance to bring this exquisite piece to your own fingertips.Whether you're performing in the grandeur of a concert hall, the intimate setting of a church, or the creative environment of a school, this sheet music offers a gateway to the profound. Each phrase, each nuance, crafted with care, allows you to channel Bach’s intricate emotions and touch the hearts of your listeners.Let your piano become the voice of a story centuries old, yet eternally relevant. Embrace the challenge, the beauty, and the emotional depth of this masterpiece.Bring Bach’s soul to life with your performance. Secure your copy today.Advanced Level4 pagesDuration: 3 min.
$7.99
Canon in D (Pachelbel's Canon)
#
Piano seul
#
AVANCÉ
#
Classique
#
Johann Pachelbel
#
Judith L
#
Canon in D
#
Maggs
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1470659 Composed by Johann Pachelbel. Arranged by Judith L. Maggs. Baroque,Early Music,Traditional,Wedding. Score. 5 page...
(+)
Piano Solo - Level 5 - SKU: A0.1470659 Composed by Johann Pachelbel. Arranged by Judith L. Maggs. Baroque,Early Music,Traditional,Wedding. Score. 5 pages. Maggs #1048312. Published by Maggs (A0.1470659). Pachelbel’s Canon has become known and loved, and there are many arrangements out there. I’ve found that finding a piano arrangement that is both playable, but doesn’t sound all watered down has been a challenge. So this is my own attempt to make a satisfying and playable arrangement that is easily accessible to any advanced level pianist.Note: This arrangement is also available as part of my collection: “The Wedding Pianist,” which is available on this site. This collection contains 10 Processionals/Recessionals, as well as a bonus arrangement of the hymn “O Perfect Love.”.
$2.99
Prelude from “Te Deum”
#
Piano seul
#
AVANCÉ
#
Marc-Antoine Charpentier
#
Judith L
#
Prelude from “Te Deum&rd
#
Maggs
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1470658 Composed by Marc-Antoine Charpentier. Arranged by Judith L. Maggs. Baroque,Classical,Wedding. Score. 3 pages. Mag...
(+)
Piano Solo - Level 5 - SKU: A0.1470658 Composed by Marc-Antoine Charpentier. Arranged by Judith L. Maggs. Baroque,Classical,Wedding. Score. 3 pages. Maggs #1048311. Published by Maggs (A0.1470658). Charpentier’s Prelude from “Te Deum” isn’t overly well known, but it makes a lovely processional or recessional march for any occasion, particularly a wedding. It is in the key of C major, and easily playable by an advanced level pianist.Note: This arrangement is also available as part of my collection: “The Wedding Pianist,” which is available on this site. This collection contains 10 Processionals/Recessionals, as well as a bonus arrangement of the hymn “O Perfect Love.”.
$2.49
Two Sonatas in C, Kp 308 & 309 (ARSM Diploma syllabus)
#
Piano seul
#
AVANCÉ
#
Classique
#
Domenico Scarlatti
#
Philip R Buttall
#
Two Sonatas in C, Kp 308 &
#
PRB Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1382421 Composed by Domenico Scarlatti. Arranged by Philip R Buttall. Baroque. Score. 8 pages. PRB Music #742660. Publish...
(+)
Piano Solo - Level 5 - SKU: A0.1382421 Composed by Domenico Scarlatti. Arranged by Philip R Buttall. Baroque. Score. 8 pages. PRB Music #742660. Published by PRB Music (A0.1382421). The two sonatas are set for the Associated Board of the Royal Schools of Music (UK) ARSM Diploma (Post Grade 8). Both sonatas MUST be included in the 30-minute programme, but they can be played in either order, and don't have to be performed consecutively. They have a couple of trickier moments, but they are among the easiest pieces set for the Diploma. Contact the ABRSM website for further details.
$8.95
Coming to a Close (Level 4 piano solo)
#
Piano seul
#
AVANCÉ
#
Rhonda Bradley
#
Coming to a Close
#
Miss Rhonda’s Piano Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Musi...
(+)
Piano Solo - Level 5 - SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Music #2907497. Published by Miss Rhonda’s Piano Music (A0.876864). Coming to a Close from the piano solo CD Where Everything is MusicAdvanced piano solo by Rhonda Bradley5 pages (including cover)This crowd-pleaser is worth every moment of your efforts because you'll continue playing it for a lifetime. Built on a strong and unforgettable melody, this song shines thanks to its' backdrop of busy and relentless harmony in the key of C minor. It's a combination of the Baroque, Classical, and New Age genres that never fails to stop passersby from asking What song is that?This piece does not include finger numbers but instead leaves them up to the choice of the performer. There are a handful of finger numbers written into the first two measures as a suggestion.Please check out the MP3 sample above -- it's listed just below the smaller thumbnail underneath the words look inside.Tips for learning this piece:- Write in the finger numbers as you choose them. Determining which finger numbers you'll use is the greatest challenge.- Memorize as you go. It won't be possible to read and perform this song at a professional level. Your hands will be all over the keyboard and you'll need your eyes to be there, too!Please let me know if there's any way I can help you in learning this piece. Enjoy!
$3.99
Bach - Fugue in C - Level E - (Key Map Tablature)
#
Piano seul
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
John M
#
6 Pages
#
Bach - Fugue in C - Level E -
#
Music Innovators Workshop
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Worksh...
(+)
Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Workshop #4356271. Published by Music Innovators Workshop (A0.984695). This is a very interesting 4 voice fugue. I like a lot - but I can't play it on this tablature - even though I can play it on traditional notation. I wonder if it's because I learned to play it first on the traditional notation, or if the complexity of the piece makes the tablature less effective than it is on less complex pieces. Actually, i'm fascinated by the way it looks on the tablature. The weaving of the melody lines is very interesting. It really is a visual work of art! 6 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
<
1
T Baroque