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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
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FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Triton
Non classifié
5
Piano & claviers
Piano seul
11
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1
Piano, Voix
1
Guitares
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1
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3 Clarinettes (trio)
1
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1
Hautbois, Piano (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Trombone et Piano
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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Triton
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Piano seul
Partitions à imprimer
11 partitions trouvées
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1
The Tritone Rondo
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Piano seul
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AVANCÉ
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J
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The Tritone Rondo
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J. Jeffrey Richardson Compositions
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987981 Composed by J. Jeffrey Richardson. Concert,Contemporary. Score. 4 pages. J. Jeffrey Richardson Compositions #30053...
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Piano Solo - Level 5 - SKU: A0.987981 Composed by J. Jeffrey Richardson. Concert,Contemporary. Score. 4 pages. J. Jeffrey Richardson Compositions #3005325. Published by J. Jeffrey Richardson Compositions (A0.987981). Classical piano in sonata allegro/rondo style. Advanced. Explores tension vs. repose and unity vs. variety. Tension is established by introducing the tritone interval in the first measure which does not fully resolve until the last measure (m.56). Unity if provided by the development of the introductory motif throughout. Variety is provided by transitional passages introducing and returning from remote key signature. Duration 4:03 min. ASCAP. Contact richardsonjj@earthlink.net.
$2.99
Ascending Tritone - for Willa Meyers 05/04/2024
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Piano seul
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AVANCÉ
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Christine Donkin
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Ascending Tritone - for Willa
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Chrisitne Donkin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1431919 Composed by Christine Donkin. 21st Century,Contemporary,Contest,Festival. Score. 6 pages. Chrisitne Donkin #10123...
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Piano Solo - Level 5 - SKU: A0.1431919 Composed by Christine Donkin. 21st Century,Contemporary,Contest,Festival. Score. 6 pages. Chrisitne Donkin #1012392. Published by Chrisitne Donkin (A0.1431919). This is from a set of what will be 25 pieces, all based on the sounds of specific melodic intervals.The sound of the ascending tritone is favoured throughout this piece. It contains many other intervals as well, as you'll hear, but the ascending tritones are the ones that are guiding my decisions about where the music is going.Ascending Tritone is dedicated with gratitude to Willa Meyers, my first piano teacher.
$3.99
Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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AVANCÉ
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Michael Bomier
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Etude 2.5 + 3.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034473. ...
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Piano Solo - Level 5 - SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034473. Published by Michael Butkus-Bomier (A0.862555). When using the intervals of a 4th and a tritone as material for a non-jazz piece, one has to be careful not to make the music sound like jazz, as this particular interval set comprises the essential dominant chord voicing for most jazz pianists. G-C#-F#, for instance, as a representation of A13 or A7. So, this piece uses complete symmetry, mirroring and topographically equivalent fingerings throughout, so as to avoid this problem. Admittedly, the spellings are not easy to decipher. They often use the flatted form of a note in one clef, and the sharped form of that same musical alphabet letter in the other. This is to avoid endless naturals, as the half-step motion, so typical of movement between 4ths and tritones, necessitates. Arpeggiated figures, block chords, and even some delicious chimes at the close make this piece more than a mere display of intervallic and pianistic options. It has a feeling all its own, as the sequential chromatic meandering up from the lower end of the keyboard to the upper shows each color in turn, all the while keeping to the strict rules that these etudes were constructed under.This is the last of the groups of two interval pieces. Running time is just under 3 mins. MBB.
$2.25
Satanic Dance, op. 49
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Piano seul
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AVANCÉ
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Michael A Yenny
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Satanic Dance, op. 49
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Michael A Yenny
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.938794 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Michael A Yenny #56039. ...
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Piano Solo - Level 5 - SKU: A0.938794 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Michael A Yenny #56039. Published by Michael A Yenny (A0.938794). A character piece descriptive of the title. Bb minor, ending in B minor. Features octatonic scales and clusters, tritone-based melodic lines, rhythmic motor devices, arpeggio flourishes and syncopated interjections. Duration: 1 minute 30 seconds. C) 2005. Level: Advanced.
$1.99
Closure for solo piano
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Piano seul
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AVANCÉ
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Contemporain
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Tom Swafford
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Closure for solo piano
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Tom Swafford
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914145 Composed by Tom Swafford. 20th Century,Contemporary. Score. 2 pages. Tom Swafford #3575251. Published by Tom Swaff...
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Piano Solo - Level 5 - SKU: A0.914145 Composed by Tom Swafford. 20th Century,Contemporary. Score. 2 pages. Tom Swafford #3575251. Published by Tom Swafford (A0.914145). Introspective, evocative jazz-influenced modern classical piece for solo piano. I wrote it at the close of a chapter of my life that was wonderful in many ways, but bittersweet because I lost some people dear to me during that period of time. The piece uses a lot of parallel 0-6-11 chords (tritone with a perfect fourth stacked on top of it) in the left hand, but I think it still works quite well in conveying the feeling I had when I was writing it, which, I imagine, is something that many people can relate to. Duration: 1.5 minutes. www.tomswafford.com ASCAP .
$2.00
Hommage an Ursula [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
Etude 2.0 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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AVANCÉ
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Michael Bomier
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Etude 2.0 + 3.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862554 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034471. ...
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Piano Solo - Level 5 - SKU: A0.862554 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034471. Published by Michael Butkus-Bomier (A0.862554). A major third and a tritone together create a quintessentially modern-sounding cluster. And so, this unit is used in its unadulterated state throughout. The rhythm is divided into groups of three, deliberately set within a 4/4 time signature, so as to create an effect of hemiola and of syncopation that would not be evident were it set in a triple meter. The clusters play as solid blocks, then divide into two parts, then three. Then the note-values are made twice as small, and the music really takes off ! This is by FAR the most typically modern of all the etudes in the set, as far as rhythmic complexity, percussiveness, and a lack of traditional melody. Running time is just over 2 mins. MBB.
$2.00
Melody in F# from 12 Diatonic Melodies
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Piano seul
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AVANCÉ
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Michael Bomier
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Melody in F# from 12 Diatonic
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862580 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 4 pages. Michael Butkus-Bomier #436663...
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Piano Solo - Level 5 - SKU: A0.862580 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 4 pages. Michael Butkus-Bomier #436663. Published by Michael Butkus-Bomier (A0.862580). 2015 Piano Contest This piece is in the rather unusual time signature of 15/8. One can divide these eighth-note groups into five sets of three, or three sets of five. The piece does both, and each transition is clearly marked. The melody is slow-moving, and the main rhythmic driver is the accompaniment, with tritonic arpeggios through. Advanced level simply due to the unusual features. Not really adaptable to an Intermediate level unless the student has the mindset for the rhythmic challenges. Short duration. MP3 MJIDI audio. MBB.
$2.50
Fortress, op. 41
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Piano seul
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AVANCÉ
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Michael A Yenny
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Fortress, op. 41
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Michael A Yenny
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.938795 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Michael A Yenny #57233. ...
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Piano Solo - Level 5 - SKU: A0.938795 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Michael A Yenny #57233. Published by Michael A Yenny (A0.938795). A character piece. Features tritone-based descending chromatic passages in a faux canon or contrapuntal style. Also features quartale chords, double octaves, rapid scales, and arpeggios. The musical effect is that of climbing higher yet falling lower - an illusion. Duration: 3 minutes. C) 2004. Level: Advanced.
$1.99
Quirky Tunes in Unique Keys for Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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Kevin G
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Quirky Tunes in Unique Keys fo
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.702243 Composed by Kevin G. Pace (ASCAP). 20th Century,Contemporary. Score. 43 pages. Kevin G. Pace #5984083. Published b...
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Piano Solo - Level 5 - SKU: A0.702243 Composed by Kevin G. Pace (ASCAP). 20th Century,Contemporary. Score. 43 pages. Kevin G. Pace #5984083. Published by Kevin G. Pace (A0.702243). Quirky Tunes in Unique Keys for Piano Solo is a collection of 22 really fun, unique piano solos of moderate to advanced difficulty. Each piece is based in a unique and uncommon key such as the Ionian b2, Aeolian b4, Major Locrian, Two Semitone Tritone, Mixolydian b2, Octatonic, etc. Very fun, unique, accessible piano solos for the moderately advanced pianist.
$7.95
Impromptu, op. 101
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Piano seul
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AVANCÉ
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Michael A Yenny
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Impromptu, op. 101
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Michael A Yenny
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.938757 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 7 pages. Michael A Yenny #41375. ...
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Piano Solo - Level 5 - SKU: A0.938757 Composed by Michael A Yenny. 20th Century,Concert,Contemporary,Standards. Score. 7 pages. Michael A Yenny #41375. Published by Michael A Yenny (A0.938757). Scary, suspenseful, icy music. Features tremolos, chromatic scales, rapid repeated notes, extreme registers, and tritone/augmented/diminished harmonies. Duration: 3 minutes. Copyright 2015. Contact: myenny@angelo.edu.
$1.99
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Triton