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7
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48
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
#
Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy and Satie Piano Favorites Collection - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arr…
(+)
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arranged by Debussy, Satie. 20th Century, Romantic Period, Contemporary Classical, Impressionistic, Recital. 47 pages. Published by Diamond S Music
Debussy and Satie Piano Favorites Collection- Piano Solo. This is a collection of 9 popular Piano Solos by Claude Debussy and Erik Satie. The contents are: SATIE: Gymnopédie No. 1-3 DEBUSSY: Claire de Lune, Arabesques No. 1 and 2, Rêverie, and 2 pieces from ?The Children?s Corner? - Doctor Gradus ad Parnassum, and Golliwog?s Cakewalk. Also contains a short bio of each composer, Debussy and Satie. 41 pages of music.
$14.99
13.76 €
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Piano seul
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Claude Debussy, Erik Satie
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Debussy, Satie
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Debussy and Satie Piano Favorites Collection - Piano Solo
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.5 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Published by Diamond S Music
DOCTOR GRADUS AD PARNASSUM from ‘Children’s Corner Suite’ by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus”. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.<br> <br> Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99
4.58 €
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Piano seul
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Claude Debussy (1862-1918)
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DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
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Diamond S Music
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.89 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.59 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Golliwog's Cakewalk (Grade 8) DEBUSSY Advanced Piano with note names
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1241154 By Claude Debussy. By Claud…
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Piano Solo - Level 4 - Digital Download SKU: A0.1241154 By Claude Debussy. By Claude Debussy. Arranged by Teacher Valarie. 19th Century,20th Century,Children,Instructional,Romantic Period. Score. 6 pages. Published Harmony Valarie #836548. Published by Published Harmony Valarie (A0.1241154). Great for performances, videos, shorts, recitals and concerts. Easy for students to learn and also easy for teachers to teach either in person or online lessons.
$3.99
3.66 €
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Piano seul
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Claude Debussy
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Teacher Valarie
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Golliwog's Cakewalk
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Published Harmony Valarie
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SheetMusicPlus
Rêverie - Debussy (Piano with Chords & Lead Sheet)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1290509 Composed by Claude Debussy.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1290509 Composed by Claude Debussy. Arranged by Toshihiko Tsuru. Classical,Pop. Score. 7 pages. Popnroll 1976 #881224. Published by Popnroll 1976 (A0.1290509). This is a piano score (with lead sheet) with chords for the solo piano piece Rêverie (Dreaming) by Claude Debussy, a French composer active from the late 19th century to the beginning of the 20th century.The lead sheet is in single-step notation with the main melody and the same chord notation as in jazz and popular music, allowing those who know chords to play freely with chord expressions and making it easy to accompany the single melody melody instrument with a chord instrument such as guitar.PDF format, 7 pages in total. Contents: 4 pages of piano notation with chords, 3 pages of lead sheets.Translated with www.DeepL.com/Translator (free version).
$4.99
4.58 €
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Piano seul
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Claude Debussy
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Toshihiko Tsuru
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Rêverie - Debussy
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Popnroll 1976
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SheetMusicPlus
REVERIE by Claude Debussy - PIANO SOLO
Piano seul
Piano Solo - Digital Download SKU: A0.790106 Composed by Claude Debussy. Arranged b…
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Piano Solo - Digital Download SKU: A0.790106 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 8 pages. Diamond S Music #3621591. Published by Diamond S Music (A0.790106). RÊVERIE by CLAUDE DEBUSSY for PIANO SOLO. Rêverie is one of the most popular pieces of Debussy. Debussy's genius shines throughout this piece. The stillness and meditative calm of these lines are evoked with great beauty at the opening of the piece. That simplicity, even sparseness of texture, surrounds a central section of gently undulating passages. Rêverie is treasured for its ethereal beauty and sense of mystery. This edition also includes a short biography of Debussy and some facts about the piece. $4.95 Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99
4.58 €
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Piano seul
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Claude Debussy
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Diamond S Music
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REVERIE by Claude Debussy - PIANO SOLO
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Diamond S Music
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SheetMusicPlus
Le Petit Negre The Little Nigar (Grade 5) DEBUSSY Intermediate Piano with note names
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1241169 Composed by Claude Debussy.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1241169 Composed by Claude Debussy. Arranged by Teacher Valarie. 19th Century,20th Century,21st Century,Children,Contemporary. Score. 4 pages. Published Harmony Valarie #836563. Published by Published Harmony Valarie (A0.1241169). Easy for students to learn and also easy for teachers to teacher, in person or online lessons. Grear for performances, videos, shorts, recitals, concerts and competitions. Added note names, performances details and meanings.
$4.99
4.58 €
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Piano seul
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Claude Debussy
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Teacher Valarie
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Le Petit Negre The Little Nigar
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Published Harmony Valarie
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SheetMusicPlus
ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century. Score. 9 pages. Diamond S Music #3622501. Published by Diamond S Music (A0.790109). ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.13 €
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Piano seul
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Claude Debussy
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Diamond S Music
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No
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ARABESQUE No.2
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Diamond S Music
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SheetMusicPlus
ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Diamond S Music #3622487. Published by Diamond S Music (A0.790108). ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.13 €
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Piano seul
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Claude Debussy
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Diamond S Music
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No
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ARABESQUE No.1 in E Major
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Diamond S Music
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SheetMusicPlus
Arabesque No. 1 (Debussy) with piano fingering
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.553102 Composed by Claude Debussy. …
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Piano Solo - Level 3 - Digital Download SKU: A0.553102 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Standards,Wedding. Score. 10 pages. Scott Camp #4303545. Published by Scott Camp (A0.553102). Beautiful piano music by Claude Debussy. This edition includes fingering so that students can spend their time reinforcing proper technique, rather than struggling to figure out the correct fundamental technique of fingering and hand positions. This edition will not enable a beginner to play a beautiful performance of Debussy. However, this edition will enable the appropriate Intermediate Level pianist who knows and loves the sound of this piece to succeed. This student needs to reinforce the proper fingering and technique, not figure it out. This student know this piece is legato throughout, and understands how to apply the damper pedal appropriately. This student is motivated by the beauty of this piece, and Impressionism in general. The editing principle is to present and clarify the information that the student does not already know for themselves. For this reason, traditional slurs are not included. This is not Mozart, Beethoven, or Bach. This is Impressionism. Debussy requires harmonic clarity by means of the damper (sustain) pedal and smooth (legato) melodic execution by means of the proper fingering. Pedal indications are not included because this piece is not appropriate for use as the introduction to the pedal. Slurs are not included because, with the correct fingering included, students will automatically achieve a legato performance.
$3.99
3.66 €
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Piano seul
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Claude Debussy
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Scott Camp
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Arabesque No. 1
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Scott Camp
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SheetMusicPlus
CLAIR DE LUNE from 'Suite Bergamasque' by CLAUDE DEBUSSY. PIANO SOLO
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.790099 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790099 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Diamond S Music #3618867. Published by Diamond S Music (A0.790099). CLAIR DE LUNE from SUITE BERGAMASQUE by CLAUDE DEBUSSY for PIANO SOLO. Clair de Lune is considered one of the most beautiful pieces of music ever written. Debussy's genius shines throughout this piece. Clair de Lune is French for light of the moon, or moonlight. The stillness and meditative calm of these lines are evoked with great beauty at the opening of the piece. That simplicity, even sparseness of texture, surrounds a central section of gently undulating passages. Clair de Lune is treasured for its ethereal beauty and sense of mystery. This edition also includes a short biography of Debussy and some facts about the piece.Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.95
4.55 €
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Piano seul
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Claude Debussy
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Diamond S Music
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CLAIR DE LUNE from 'Suite Bergamasque' by CLAUDE DEBUSSY. PIANO SOLO
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Diamond S Music
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SheetMusicPlus
DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano seul
Piano Solo - Digital Download SKU: A0.790107 Composed by Claude Debussy. Arranged b…
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Piano Solo - Digital Download SKU: A0.790107 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 16 pages. Diamond S Music #3622481. Published by Diamond S Music (A0.790107). DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains both Arabesque No.1 & No.2 as a set. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.50
7.81 €
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Piano seul
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Claude Debussy
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Diamond S Music
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No
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DEUX ARABESQUES
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Diamond S Music
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SheetMusicPlus
Arabesque No. 1 - Debussy (Intermediate Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1397215 By Claude Debussy. By Claud…
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Piano Solo - Level 3 - Digital Download SKU: A0.1397215 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 19th Century,Classical,Romantic Period. Score. 7 pages. PianoForEveryone #980530. Published by PianoForEveryone (A0.1397215). An intermediate piano arrangement of Debussy's 'Arabesque No. 1.' The voicing has been reduced whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99
1.83 €
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Piano seul
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Claude Debussy
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PianoForEveryone
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Arabesque No. 1 - Debussy
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PianoForEveryone
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SheetMusicPlus
Clair de Lune - Debussy (Intermediate Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1107499 By Claude Debussy. By Claud…
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Piano Solo - Level 3 - Digital Download SKU: A0.1107499 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 20th Century,Classical. Score. 4 pages. PianoForEveryone #710165. Published by PianoForEveryone (A0.1107499). An intermediate piano arrangement of Claude Debussy's 'Clair de Lune.' The key has been transposed down a semitone to simplify, and voices reduced whilst still retaining the original melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99
1.83 €
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Piano seul
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Claude Debussy
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PianoForEveryone
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Clair de Lune - Debussy
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PianoForEveryone
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SheetMusicPlus
The Girl With the Flaxen Hair - Debussy (Intermediate Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1197453 By Claude Debussy. By Claud…
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Piano Solo - Level 3 - Digital Download SKU: A0.1197453 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 20th Century,Classical. Score. 4 pages. PianoForEveryone #796625. Published by PianoForEveryone (A0.1197453). An intermediate piano arrangement of Debussy's 'The Girl With the Flaxen Hair.' The key has been transposed, and some voicing removed, whilst still retaining the melody, bass and important harmony from the original. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99
1.83 €
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Piano seul
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Claude Debussy
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PianoForEveryone
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The Girl With the Flaxen Hair - Debussy
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PianoForEveryone
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SheetMusicPlus
Claude Debussy: Le Roi Lear Suite for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534681 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534681 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period. Score. 23 pages. Musik Fabrik Music Publishing #6133653. Published by Musik Fabrik Music Publishing (A0.534681). A seven-movement suite for piano solo, completed from Debussy's Sketches by Robert Orledge. With full program notes by Dr. Orledge. Recorded by Nicolas Horvath on The Unknown Debussy (GP822, distributed by Naxos)
$16.95
15.56 €
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Piano seul
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Claude Debussy/Robert Orledge
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With full program notes by Dr
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Claude Debussy: Le Roi Lear Suite for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
9.5 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Les Accords du Septième regrettent!!!
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.534656 Composed by Claude Debussy. …
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Piano Solo - Level 3 - Digital Download SKU: A0.534656 Composed by Claude Debussy. Arranged by Robert Orledge. 20th Century,Concert,Standards. Score. 3 pages. Musik Fabrik Music Publishing #5732659. Published by Musik Fabrik Music Publishing (A0.534656). Les accords de septième regrettent!!! was the first of the birthday gift Debussy wrote for his second wife-to-be Emma Barda on 4 June 1905. It consists of only nine bards, inscribed as follows: ‘But see how successfully the chords of the 9th, equipped with all their harmonies, send the regrettable 7th [in bars 1-4] about their business and borrow from the colour of the sky some godlike gleams in order to celebrate your birthday, dear “petite mienneâ€â€™ [‘Mais voici qu’heureusement des accords de 9me armés de tous leurs harmoniques te nous envole promener les regrettable 7èmes et emprunte à la couleur de ciel des lueurs d’apothéose pour célébrer ta chère fête de chère petite mienne’] Which shous how much their initially idyllic relationship was founded on Emma’s sympathetic understanding of Debussy’s musical language, something that had proved impossible for his first wife Lilly.
$1.99
1.83 €
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Piano seul
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Claude Debussy
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Robert Orledge
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Claude Debussy: Les Accords du Septième regrettent!!!
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clair de Lune by Debussy - Piano Solo - Original Version
Piano seul
Composed by Claude Debussy (1862-1918). Arranged by César Madeira. 19th Century…
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Composed by Claude Debussy (1862-1918). Arranged by César Madeira. 19th Century, 20th Century, Children, Film/TV, Romantic Period. Score. 7 pages. Sheet Music To Play Editions #779167. Published by Sheet Music To Play Editions
$5.99
5.5 €
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Piano seul
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Claude Debussy (1862-1918)
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César Madeira
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Clair de Lune by Debussy - Piano Solo - Original Version
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Sheet Music To Play Editions
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SheetMusicPlus
Ivory Palaces with First Arabesque by Claude Debussy
Piano seul
Piano Solo - Digital Download SKU: A0.911088 Composed by Henry Barraclough Claude D…
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Piano Solo - Digital Download SKU: A0.911088 Composed by Henry Barraclough Claude Debussy. Arranged by Donna Mitchell. 20th Century,Christian,Concert,Sacred. Score. 6 pages. Donna Mitchell Studio #6271613. Published by Donna Mitchell Studio (A0.911088). For early advanced pianists, this piece combines a well loved hymn with a composition by Claude Debussy. Flowing arpeggios, time signature shifts, and polyrhythms (2 against 3) help to create the ebb and flow of the water music that was so indicative of the Impressionistic Era. Key of E Major, 5 pages
$4.99
4.58 €
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Piano seul
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Henry Barraclough Claude Debussy
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Donna Mitchell
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Ivory Palaces with First Arabesque by Claude Debussy
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Donna Mitchell Studio
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SheetMusicPlus
Fétes de trois Nocturnes by Debussy
Piano seul
Piano Solo - Digital Download SKU: A0.998604 Composed by Claude Debussy. Arranged b…
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Piano Solo - Digital Download SKU: A0.998604 Composed by Claude Debussy. Arranged by Steven Costa. 20th Century,Concert. Score. 23 pages. Steven Costa #5789605. Published by Steven Costa (A0.998604). A very difficult transcription for piano solo of the famous orchestral piece the Fétes from Debussy.
$11.99
11.01 €
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Piano seul
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Claude Debussy
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Steven Costa
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Fétes de trois Nocturnes by Debussy
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Steven Costa
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SheetMusicPlus
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