Los ?12 estudios flamencos para piano? son una s�ntesis entre el pianismo virtuoso rom�ntico y las sonoridades y armon�as flamencas y espa�olas. Su objetivo va m�s all� de las aproximaciones basadas en copiar los estereotipos propios de la guitarra flamenca y sus patrones t�picos, pues musicalmente no se trata ni de flamenco puro, ni de simples estudios t�cnicos de mecanismo: se trata m�s bien hablar a trav�s del lenguaje flamenco y espa�ol para dar libertad a las dificultades t�picas del piano: octavas, arpegios, notas dobles, escalas, acordes y figuraciones varias, pretendiendo crear un lenguaje propio, natural, adaptado al piano y a sus posibilidades. Se pueden considerar pues, 12 estudios de concierto, cada uno con su propia personalidad, su sonoridad particular y su car�cter diferenciado.

The ?12 flamenco studies for piano? are a synthesis between romantic virtuoso pianism and flamenco and Spanish sounds and harmonies. Its objective goes beyond the approaches based on copying the stereotypes typical of flamenco guitar and its typical patterns, since musically it is not about pure flamenco, nor about simple technical studies of mechanism: it is rather about speaking through language. flamenco and Spanish to give freedom to the typical difficulties of the piano: octaves, arpeggios, double notes, scales, chords and various figurations, trying to create their own, natural language, adapted to the piano and its possibilities. Thus, 12 concert studios can be considered, each one with its own personality, its particular sound and its distinctive character.

Este segundo libro de estudios flamencos para piano sigue la estela del primer volumen, siendo una s�ntesis entre el pianismo virtuoso rom�ntico y las sonoridades y armon�as flamencas y espa�olas, "hablando" a trav�s del lenguaje flamenco y espa�ol para dar libertad a las dificultades t�picas del piano: octavas, arpegios, etc., pretendiendo crear un lenguaje propio, natural, adaptado al piano y a sus posibilidades. Se pueden considerar pues, 12 estudios de concierto, cada uno con su propia personalidad, su sonoridad particular y su car�cter diferenciado.
Nivel de dificultad alto.
40 min. aprox.


This second book of flamenco studies for piano follows the wake of the first volume, being a synthesis between romantic virtuoso pianism and flamenco and Spanish sounds and harmonies, "speaking" through the flamenco and Spanish language to give freedom to the typical difficulties of the piano: octaves, arpeggios, etc., trying to create its own natural language, adapted to the piano and its possibilities. Thus, 12 concert studios can be considered, each with its own personality, its particular sound and its differentiated character.High difficulty level.40 min. approx.

12 breves piezas pintorescas para piano solo a la manera rom�ntica inspiradas en el estilo flamenco espa�ol. Dificultad media/alta.

12 short picturesque pieces for solo piano in the romantic way inspired by the spanish flamenco style. Intermediate/high difficulty.

As an accompaniment in the home of people's lives during the 50's onwards, music between the stoves was a common activity and made the task of cooking more enjoyable, adding culinary art to the musical art. Even in the flamenco melodies, some secret recipes or ingredients were noted, perhaps to perpetuate the tradition and passing between generations of culinary ideas, thus preserving the essence of typical stews in musical styles such as tanguillo, tango, rumba or rancheras. In this album, as a continuation of the previous one, we present the transcription for piano of seven flamenco songs with gastronomic content.

This piano flamenco technique exercise is clearly notated example of the 12 beat compas or rhythm, is set in all 12 keys. A technique training basic and is a must for any pianist learning about Spanish and flamenco music in general. .