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ACCORDEON
ALTO
AUTOHARPE
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136
PIANO & CLAVIERS
Piano, Voix
23
Piano seul
19
Piano, Voix et Guitare
9
Piano Facile
5
Instruments en Do
1
Orgue
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
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GUITARES
Guitare
3
VOIX
Chorale SATB
31
Chorale 2 parties
6
Voix duo, Piano
5
Chorale 3 parties
5
Voix duo
2
Voix basse, Piano
2
Voix haute
2
Voix moyenne, Piano
1
Voix Soprano, Piano
1
Voix Tenor
1
Chorale Unison
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Clarinettes: 4 clarinettes
10
2 Saxophones (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Alto et Piano
7
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de saxophones
4
2 Flûtes traversières (duo)
4
Saxophone Tenor et Piano
4
Clarinette et Piano
4
Flûte traversière
4
Saxophone Alto
4
Flûte traversière et Piano
4
Saxophone (partie séparée)
3
Ensemble de Clarinettes
3
Hautbois, Piano (duo)
3
Clarinette
3
2 Clarinettes, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
Clarinette Basse, Piano
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
2 Clarinettes (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Quintette de Saxophone: 5 saxophones
1
Quintette de Flûte : 5 flûtes
1
2 Hautbois (duo)
1
2 Flûtes à bec, Guitare
1
Cor anglais, Piano
1
Flûte, Clarinette et Basson
1
3 Clarinettes (trio)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
4
Trompette
3
2 Trompettes (duo)
2
Tuba et Piano
2
2 Cors (duo)
2
Euphonium, Piano (duo)
2
Cor et Piano
2
2 Trombones (duo)
1
Trombone
1
2 Euphoniums (duo)
1
Cor anglais, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon et Piano
10
Violoncelle, Piano
5
Violon
5
Violoncelle (partie séparée)
4
2 Violons (duo)
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Alto, Piano
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre
30
Orchestre d'harmonie
19
Orchestre de chambre
12
Orchestre à Cordes
8
Ensemble de cuivres
2
Ensemble de Percussions
1
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AUTRES
Vous avez sélectionné:
Libretto
Piano seul
Partitions à imprimer
19 partitions trouvées
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1
PETER PAN (a new & original music album)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.999338 Composed by Dennis A. Westga…
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Piano Solo - Level 4 - Digital Download SKU: A0.999338 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Score. 48 pages. Tyne Music #5820845. Published by Tyne Music (A0.999338). PETER PAN is the 4th in this series of 'Bespoke Music Albums' (https://www.tynemusic.com) I wrote by request for my friends Charlotte & Donna, the Producer/Directors of 'We Are Theatre.(http://www.wearetheatre.co.uk) - Each songbook was composed from their own libretto and based on well known classical children's stories. Each of the songs is based around the story and main characters. (Pinocchio is a ready-made album of new & original songs, tailor-made for you to add your own libretto)These are the song titles:- 1) Neverland 2) Make it So 3) I Wish I Could Fly 4) Another Boy Like Me 5) A Pirate’s Life 6) Captain Hooj’s Lament 7) All Play - No Work 8) With Angel’s Wings 9) The Finale SongPLEASE NOTE: If you wish to use the actual book to produce PETER PAN, you must first contact:-
$14.00
12.87 €
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Piano seul
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Dennis A
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PETER PAN
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Tyne Music
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SheetMusicPlus
The Mikado Overture
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1421898 Composed by Sir Arthur Seym…
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Piano Solo - Level 4 - Digital Download SKU: A0.1421898 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Broadway,Musical/Show,Opera. Score. 11 pages. Cornelius Edition (uk) #1003230. Published by Cornelius Edition (uk) (A0.1421898). The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances. The popular overture contains several themes from the opera and makes an attractive piano solo lasting about 8 minutes.
$5.99
5.5 €
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Piano seul
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Sir Arthur Seymour Sullivan
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Marcus Martin
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The Mikado Overture
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Cornelius Edition
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SheetMusicPlus
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Piano seul
Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1134097 By Johann Seba…
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Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Wedding. Score and individual part. 12 pages. Flavio Regis Cunha #734195. Published by Flavio Regis Cunha (A0.1134097). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
$4.99
4.59 €
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Piano seul
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Johann Sebastian Bach
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Flavio Regis Cunha
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Bach: Erbarme dich mein Gott - Matthäuspassion -
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Flavio Regis Cunha
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SheetMusicPlus
Intermezzo from 'Fedora'
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1366904 Composed by Giodano. Arrang…
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Piano Solo - Level 4 - Digital Download SKU: A0.1366904 Composed by Giodano. Arranged by Marcus Martin. 19th Century,Opera,Romantic Period. Score. 2 pages. Cornelius Edition (uk) #951241. Published by Cornelius Edition (uk) (A0.1366904). Along with the opera’s ‘Andrea Chénier’ and ‘Siberia’, ‘Fedora’ is one of the most notable works of Italian composer Umberto  Giordano. ‘Fedora’ is an opera in three acts to an Italian libretto by Arturo Colautti, based on the 1882 play ‘Fédora’ by Victorien Sardou. The wonderful ‘Intermezzo’ from the 2nd act became well known in itself and is recorded many times. This arrangement is for piano solo.
$3.99
3.67 €
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Piano seul
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Giodano
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Marcus Martin
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Intermezzo from 'Fedora'
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Cornelius Edition
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SheetMusicPlus
Evening Prayer
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.918272 Arranged by Brenda Dillon. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.918272 Arranged by Brenda Dillon. Classical,Standards. Score. 3 pages. Dillon's Music Group #6052645. Published by Dillon's Music Group (A0.918272). Evening Prayer is included in Classical Interpretations Collection. It was written by Engelbert Humperdinck from his opera, Hansel and Gretel. The idea for this opera came from his sister who wrote the libretto. Evening Prayer is also known as The Children's Prayer. The bravery of two scared children lost in a forest being comforted by fourteen angels surrounding them evokes a powerful emotion.About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred Music listed on her website (www.brendadillon.com).
$3.00
2.76 €
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Piano seul
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Brenda Dillon
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Evening Prayer
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Dillon's Music Group
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SheetMusicPlus
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. B…
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Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - Matthäuspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.
$4.99
4.59 €
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Piano seul
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Johann Sebastian Bach
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Flavio Regis Cunha
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J.S. Bach - "Erbarme dich" from "Matthäus-Passion"
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Flavio Regis Cunha
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SheetMusicPlus
I Dreamt I Dwelt in Marble Halls
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1236790 Composed by Michael Balfe. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1236790 Composed by Michael Balfe. Arranged by Tom Horton. 19th Century,Classical,Opera. Score. 2 pages. Tom Horton #832320. Published by Tom Horton (A0.1236790). I Dreamt I Dwelt in Marble Halls – a lovely arrangement of the popular aria by Michael Balfe from his operatta 'The Bohemian Girl'The Bohemian Girl is an Irish Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes' tale, La gitanilla. The best-known aria from the piece is I Dreamt I Dwelt in Marble Halls in which the main character, Arline, describes her vague memories of her childhood of a nobler upbringing having been kidknapped by Gypsy's as a very young girl. The best-known version of the operatta is undoubtedly the 1936 full-length Laurel and Hardy film, described in the opening credits as A Comedy Version of The Bohemian Girl. The characters played by Laurel and Hardy do not appear in the stage opera.This piece is a single sheet extract from Tom's piano book Pianistic 1 which you can purchase in full via this website.
$4.95
4.55 €
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Piano seul
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Michael Balfe
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Tom Horton
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I Dreamt I Dwelt in Marble Halls
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Tom Horton
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SheetMusicPlus
HMS Pinafore Overture for Piano Solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1232189 Composed by Sir Arthur Seym…
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Piano Solo - Level 3 - Digital Download SKU: A0.1232189 Composed by Sir Arthur Seymour Sullivan. Arranged by Berthold Tours. Opera,Romantic Period. Score. 6 pages. Cornelius Edition (uk) #827873. Published by Cornelius Edition (uk) (A0.1232189). H.M.S. Pinafore; or, The Lass That Loved a Sailor, Â is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and was their first major sucess. The overture arranged for solo piano is useful for many occasions.
$4.99
4.59 €
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Piano seul
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Sir Arthur Seymour Sullivan
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Berthold Tours
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HMS Pinafore Overture for Piano Solo
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Cornelius Edition
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SheetMusicPlus
The Pirates of Penzance Overture
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1224342 Composed by Sir Arthur Seym…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224342 Composed by Sir Arthur Seymour Sullivan. Arranged by Berthold Tours. 19th Century,Opera. Score. 9 pages. Cornelius Edition (uk) #820446. Published by Cornelius Edition (uk) (A0.1224342). The Pirates of Penzance (or The Slave of Duty) is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879. The overture makes an attractive piano solo.
$4.99
4.59 €
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Piano seul
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Sir Arthur Seymour Sullivan
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Berthold Tours
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The Pirates of Penzance Overture
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Cornelius Edition
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SheetMusicPlus
Waltzes From The Wizard of the Nile. Comic Opera in 3 Acts
Piano seul
Piano - Digital Download SKU: LV.20855 Composed by Victor Herbert. Egypt, Symbols. …
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Piano - Digital Download SKU: LV.20855 Composed by Victor Herbert. Egypt, Symbols. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20855). Waltzes From The Wizard of the Nile. Comic Opera in 3 Acts. Libretto by Harry B. Smith. Music by Victor Herbert. Published 1895 by Edward Schuberth & Co. in New York. Composition of three sectional waltzes, intro and coda with piano instrumentation. Subject headings for this piece include Egypt, Symbols. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano seul
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Victor Herbert
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Waltzes From The Wizard of the Nile. Comic Opera in 3 Acts
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Serenade. Comic Opera. Waltzes
Piano seul
Piano - Digital Download SKU: LV.20972 Composed by Victor Herbert. Monks, Singing, …
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Piano - Digital Download SKU: LV.20972 Composed by Victor Herbert. Monks, Singing, Castles & palaces. Lester S. Levy Collection. 11 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20972). The Serenade. Comic Opera. Waltzes. Libretto by Harry B. Smith. Music by Victor Herbert. Published 1897 by Edward Schuberth & Co. in New York. Composition of three sectional waltzes, intro. and coda with piano instrumentation. Subject headings for this piece include Monks, Singing, Castles & palaces. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano seul
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Victor Herbert
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The Serenade. Comic Opera. Waltzes
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.9 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Mikado Overture for solo piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1232205 Composed by Sir Arthur Seym…
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Piano Solo - Level 3 - Digital Download SKU: A0.1232205 Composed by Sir Arthur Seymour Sullivan. Arranged by George Lowell Tracy. Opera,Romantic Period. Score. 12 pages. Cornelius Edition (uk) #827889. Published by Cornelius Edition (uk) (A0.1232205). The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances. The overture arranged for solo piano is a useful recital item and useful for many occasions.
$4.99
4.59 €
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Piano seul
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Sir Arthur Seymour Sullivan
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George Lowell Tracy
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The Mikado Overture for solo piano
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Cornelius Edition
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.51 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas. 'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99
6.42 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2Clw
$6.99
6.42 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99
6.42 €
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Piano seul
#
Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99
6.42 €
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Piano seul
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
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