Jazz Method for Kids (Piano)
* An exciting study of jazz, blues, and improvisation for piano students, teens, and kids!
* Supplemental method for students wanting an introduction to jazz chords, blues, and improvisation
* Method is all music (instruction or theory explanation not included)
* For the intermediate piano student
* Blues exercises
* Includes ii-V-I progressions in the key of C
* Includes root chords for 6th chords, M7th chords, m6th chords, m7th chords, and dominant 9th chords!
* Once the student can memorize some of the chords and bass lines, then they can create their own music!
* www.kathrynleecarpenter.com

Includes jazz bass lines:
Walking bass line
Bossa nova bass line
Boogie woogie bass
Blues bass line

Includes kids songs:
"Twinkle, Twinkle, Little Star" (jazz style & title)
"Ten Little Indians" (jazz style & title)
"Mary Had a Little Lamb" (jazz style & title)

Employs other original jazz study pieces:
"Jazzy Cat"
"Seaside Breeze
"Jazz Time"

English.

Finger Fitness 3 is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13536). It contains easy to intermediate technical exercises, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break. This book includes 44 elementary finger exercises, studies and etudes for developing finger strength and independence, evenness, accuracy and speed of playing, as well as articulation and general musicality. The pieces are presented in a progressively graded format, providing you with relevant repertoire as your playing develops.

Moonlight Sonata, arranged for intermediates in the key of E minor, by Francesca Marzolino.

"Intermediate Classical Favorites" is a collection of 10 famous classical works arranged for early to mid-intermediate pianists (pianists in level 3-4 of most piano method books). See the companion video for a sheet music and audio sample of the first page of each piece in the collection.

Included in this collection:Jesu, Joy of Man's Desiring (J. S. Bach), Canon in D (Pachelbel), Rondo alla Turca (Mozart), Theme from Sonata in A Major (Mozart), F�r Elise (Beethoven), Moonlight Sonata (Beethoven), Opening Theme from Concerto in A Minor (Grieg), Reverie (Debussy), Clair de Lune (Debussy), and The Entertainer (Joplin).

Like this collection but need something easier? Check out my "Easy Classical Favorites" and "More Easy Classical Favorites" collections here at Sheet Music Plus by clicking on my publisher name above!

About the arranger: Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com

This updated arrangement of Pachelbel's "Canon in D" puts a fresh spin on the traditional piece. This modern Romantic-style arrangement would be perfect for weddings, church services, or recitals. It is late intermediate level (around level 5-6 of most piano method books).

About the arranger: Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com

Drill & Excel On the Piano Book 3 is a 145-page book for the early intermediate student. This includes everything a student will need for their lesson and learning the skill and concepts of playing the piano. It starts with 2 assignment pages for the week?s assignments. Followed by note pages for the student or the instructor to make. The first chapter starts with a recap for books 1 and 2, so no important foundational steps are missed if the intermediate student starts with this book. Then starting with chapter 2, Drill & Excel On the Piano Book 3 introduces new rhythms, the 16th notes and rests, and triplets. The exercises get more challenging for the intermediate student, with lots of special exercises for skills needed. Special exercises include dynamic training, finger independence, finger pedaling, and more. For the scales, playing them in multiple octaves are introduced, along with the 2 new scales, A and F. What?s new in Drill & Excel On the Piano book 3 is TONS of new theory! Diatonic intervals were introduced in the 3rd chapter of book 2, so chromatic (altered) intervals are introduced in the 2nd chapter, along with triads and triad numbers in the 3rd chapter. It doesn?t stop there; it also includes plenty of assignment worksheets, so the student has a repetitive written assignment for deeper learning! And the best part, 60 original songs beautifully written to teach what is taught in each chapter. Songs are melodic and fun to play, introducing a new style of music with each song. The author gives commentary for each song. Most method books merely offer songs with little information, but the ?Drill & Excel On the Piano? book series offers not only plenty of songs, but everything the student needs for all concepts, information, and skill needed to take the early intermediate student to the next level.

3 suites in 1 compilation. The Easy Fun & Games- Intermediate, A Gauche and more advanced, 1 Hand 4 Cakes. 11 pieces of left hand only music, including Hopscotch, Tag, Leapfrog, Basically Bass, Double Chocolate, Distant Prayer, Lazy Waltz, Lemon Drizzle, Bakewell Tart, Rocky Road and Coffee & Walnut. A complete Bass clef bonanaza!

Drill & Excel On the Piano ? Read Music Like a Pro book 4 is for the late intermediate student. This 165 book has everything from the previous 3 books, with the first chapter being a recap of the previous books. Starting with chapter 2 it includes many new rhythms with odd meters with new bottom numbers. And there are tons of new theory, including altered intervals, triads and triad numbers, and 7th chords, with multiple worksheets to fully understand the student. Of course, there are more exercises and special exercises for specific skills included in the songs. The scales are the keys of C, G, D, A, and F to recap, then B flat and E flat is added. Best of all, 60 songs, written beautifully and specifically for what is taught in each chapter. By the end of this book, a student is ready for a college degree or a performance career!

You want to know how modern songs in old church modes could sound? Let yourself be enchanted by these 7 wonderful & characteristic pieces in ionian \| dorian \| phrygian \| lydian \| mixolydian \| aeolian \| locrian.

For the intermediate pianist and jazz piano lover.

As a bonus and present from me, you will get a quick explanation about how to use these scales for your own modern sounding songs in old modes!

Hear all 7 songs on Spotify or YouTube:
https://spoti.fi/2X3xfnq
https://bit.ly/2RB2rtt

Check out my social media for more!
https://facebook.com/sebastianfreisleben
https://instagram.com/sebfreis

German.

This volume contains popular original pieces of classical piano music in progressive order. It can be used .alongside volume 3 of the piano method 'Piano Kids' (ED 8303) and, after completion, serves as a basis for further lessons, although it can also be used as a practical supplement to any other piano method.

?�vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.

These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.

Evocation I ? The Harvest

The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.

Evocation II ? The Sepia photograph

Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.

Evocation III ? The dead soldier

The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.

Evocation IV ? The composer

The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.

Evocation V ? The Glowing Sun

The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.

Evocation VI ? The Far

Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...

Evocation VII ? The Queen of Spades

The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.

Evocation VIII ? The Poem

A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?

Evocation IX ? The Thinker

A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.

Evocation X ? The Island of the Hydrangeas.

A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.

Evocation XI ? The Near

When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.

Evocation XII ?Saffron rice

The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.

The nature of jazz has its roots in improvisation. The Jazz Sonata contains written-out pieces which correspond with improvised figures and formulae of jazz, while at the same time combining specific technical practice material with formal structures borrowed from 'art music'. With these features, the pieces are intended not only for practising jazz musicians but, perhaps even more-for pianists and teachers who, to complement their involvement with popular music, are looking for information and connections with jazz and its practice methods. The pieces are valid as individual pieces for teaching purposes or for use in a programme.