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Piano seul
8404
Piano Facile
5251
Piano, Voix
3597
Piano, Voix et Guitare
1978
Orgue
1153
1 Piano, 4 mains
348
Piano grosses notes
294
2 Pianos, 4 mains
229
Accompagnement Piano
185
Accordéon
152
Piano Trio: piano, violon, violoncelle
119
Instruments en Do
98
Piano Quatuor: piano, 2 violons, violoncelle
50
Piano Quintette: piano, 2 violons, alto, violoncelle
46
Piano Quatuor: piano, violon, alto, violoncelle
45
Clavecin
20
Orgue, Trompette (duo)
15
Clavier
12
2 Pianos, 8 mains
12
Orgue, Piano (duo)
11
1 Piano, 6 mains
11
Piano (partie séparée)
9
Accordéon, Piano
4
2 Accordéons
3
Ensemble d'Accordéons
2
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GUITARES
Basse electrique
364
Ukulele
319
Guitare
267
Guitare notes et tablatures
162
2 Guitares (duo)
159
Piano, Guitare (duo)
95
Ligne De Mélodie, (Paroles) et Accords
64
4 Guitares (Quatuor)
31
Mandoline
26
Guitare (partie séparée)
24
Ensemble de guitares
19
Banjo
15
3 Guitares (trio)
13
2 Ukuleles
6
Mandoline, Guitare (duo)
4
Dulcimer
3
Basse électrique (partie séparée)
3
Paroles et Accords
2
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1
2 Mandolines (duo)
1
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VOIX
Chorale 2 parties
1344
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939
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513
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339
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254
Voix seule
145
Voix duo
87
Chorale TTBB
74
Chorale
61
Chorale SSAA
38
Voix Soprano, Piano
22
Chorale SSAATTBB
4
Voix Tenor, Piano
4
Voix haute
4
Voix moyenne, Piano
3
Soli, choeur mixte et accompagnement
3
Voix basse
3
Chorale SSATTB
3
Chorale SSATB
2
Voix, Guitare
2
Voix Tenor
2
Voix Baryton
1
Voix basse, Piano
1
Voix Alto, Piano
1
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VENTS
2 Saxophones (duo)
2141
2 Flûtes traversières (duo)
1333
Flûte traversière et Piano
1287
2 Clarinettes (duo)
1259
Clarinette et Piano
924
Saxophone Alto et Piano
766
Hautbois, Piano (duo)
747
Saxophone Tenor et Piano
605
Saxophone
595
Clarinette
525
Saxophone Soprano et Piano
506
2 Hautbois (duo)
506
Flûte traversière
387
Flûte, Hautbois, Clarinette, Basson
384
Quatuor de Saxophones: 4 saxophones
363
Quatuor de Clarinettes: 4 clarinettes
344
2 Flûte à bec (duo)
282
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
276
Saxophone Baryton, Piano
276
Saxophone (partie séparée)
243
Quintette de Saxophone: 5 saxophones
211
Harmonica
211
Flûte, Clarinette (duo)
162
Cor anglais, Piano
151
Quatuor de Flûtes : 4 flûtes
106
Saxophone Alto
101
Flûte et Guitare
97
3 Clarinettes (trio)
97
Ensemble de Flûtes
90
Hautbois, Basson (duo)
84
3 Saxophones (trio)
83
Saxophone, Clarinette (duo)
81
Trio de Flûtes: 3 flûtes
77
Ensemble de saxophones
76
Clarinette, Violon (duo)
75
Ensemble de Clarinettes
74
Hautbois (partie séparée)
74
Clarinette (partie séparée)
73
Quintette de Clarinettes: 5 clarinettes
64
Clarinette Basse, Piano
59
2 Flûtes traversières, Piano
58
Hautbois, Clarinette (duo)
56
Quatuor de Flûtes à bec
56
Clarinette, Basson (duo)
48
Clarinette, Trompette (duo)
47
Flûte, Violon
47
Hautbois, Flûte
46
Hautbois
38
Clarinette et Alto
36
Flûte à Bec
36
2 Saxophones, Piano
33
Flûte, Violoncelle
33
Flûte, Alto (duo)
32
Saxophone Tenor
31
Quintette de Flûte : 5 flûtes
31
Flûte, Trompette (duo)
29
2 Clarinettes, Piano
28
Flute (partie séparée)
28
3 Flûtes à bec (trio)
27
Flûte, Saxophone (duo)
27
Flûte à bec Soprano
24
Clarinette, Guitare (duo)
24
Clarinette, Violoncelle (duo)
21
Flûte à Bec, Piano
19
Flûte à bec Soprano, Piano
17
Saxophone Baryton
17
Piccolo, Piano
17
Flûte, Clarinette et Basson
17
Cor Anglais
17
Flûte, Hautbois, Clarinette (trio)
16
Saxophone Soprano
16
Hautbois, Violoncelle
15
Flûte à bec Alto
15
Flûte, Violon, Piano
15
Flûte, Trombone (duo)
14
Flûte à bec Alto, Piano
13
Clarinette, Trombone (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte, Violoncelle, Piano (trio)
12
Flûte, Violon et Violoncelle
12
Hautbois, Guitare (duo)
12
Saxophone et Orgue
11
Flûte à bec Tenor
11
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Clarinette, Piano (trio)
11
Saxophone et Guitare
11
Flûte, Hautbois (duo)
10
5 Flûtes à bec
10
Flûte, Violon, Violoncelle et Piano
9
Hautbois et alto (duo)
9
2 Cors Anglais Et Pianoforte
8
Flûte, Tuba (duo)
8
Flûte, Basson et Piano
8
2 Hautbois, Piano
7
Clarinette, Harpe (duo)
6
Flute, harpe et violon
6
Flûte, Hautbois, Basson
6
Clarinette, Tuba
6
Flûte, Harpe et Violoncelle
5
Cor anglais, Guitare (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Clarinette, Orgue
5
Ensemble à vent
5
Hautbois, trombone (duo)
4
Ensemble De Flûte à bec
4
Piccolo
4
Flûte et Trio à cordes
4
2 Flûtes à bec, Piano
4
Flûte traversière, Orgue (duo)
3
Hautbois, Harpe
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte, Clarinette, Violon (trio)
2
2 Clarinettes, Basson
2
Clarinette, Orchestre
2
Ocarina
2
4 Hautbois
2
Flûte, Violoncelle, Guitare
2
Cornemuse
2
Flûte, Hautbois, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
2 Hautbois et Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Saxophone et Harpe
1
Flûte à bec, Guitare (duo)
1
3 Hautbois
1
2 Hautbois, 2 Cors et 2 Bassons
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Flûte irlandaise
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, violon (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
2 Flûtes à bec, Guitare
1
Hautbois, Violoncelle et Piano
1
Hautbois, Violon, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1455
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90
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87
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75
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73
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72
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71
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61
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47
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47
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36
Quatuor de cuivres: 4 cors
34
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24
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23
Trio de Cuivres
19
Cor Anglais
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16
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16
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16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
14
Euphonium
14
4 Tubas
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12
Trompette, Tuba (duo)
11
Cor, Trompette, Trombone (trio)
10
Euphonium, Tuba (duo)
9
Quatuor de cuivres: 2 trompettes, 2 trombones
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2 Cors Anglais Et Pianoforte
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Trombone, Violon (duo)
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Trombone basse et Piano
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2 Cors, Piano
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Ensemble de Cors
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Tuba et Orgue
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Cor anglais, Guitare (duo)
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Trombone et orchestre
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3 Cors (trio)
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Cor et Orgue
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Cor et Harpe
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Trombone basse
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Cor, Tuba (duo)
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3 Euphoniums
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Clarinette, Cor (duo)
2
Cor, Violoncelle (duo)
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Trompette, Harpe
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Trompette, Trombone, Piano
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2
3 Tubas (trio)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
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Cor et Basson (duo)
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Cor anglais et Harpe (duo)
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Ensemble de Tubas
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Cornet et orchestre
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2 Trombones, Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
5234
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992
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928
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558
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547
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531
Violon
505
Harpe
446
Quintette à cordes: 2 violons, alto, violoncelle, basse
369
Contrebasse, Piano (duo)
256
Trio à Cordes: 2 violons, violoncelle
224
Violon, Alto (duo)
224
2 Harpes (duo)
204
Alto seul
198
Violoncelle
152
Violoncelle (partie séparée)
116
Alto, Violoncelle (duo)
100
Contre Basse
92
4 Violoncelles
76
Piano Trio: Violon, Alto, Piano
63
Violon (partie séparée)
61
2 Contrebasses (duo)
58
Trio à Cordes: 2 violons, alto
49
Violon, Guitare (duo)
45
Trio à cordes: 3 violins
40
Alto (partie séparée)
35
Contrebasse (partie séparée)
30
Trio à Cordes: 3 violoncelles
30
Violoncelle, Contrebasse (duo)
29
Quatuor à cordes: 4 violons
28
Quintette à cordes: 2 violons, 2 altos, violoncelle
28
Violoncelle , Guitare (duo)
24
Harpe, Flûte (duo)
19
2 Violons, Piano
17
Harpe, Violon (duo)
15
Violon, Basson (duo)
13
Quintette à cordes : 2 violons, alto et 2 violoncelles
13
Harpe, Violoncelle (duo)
9
Trio à cordes: 3 altos
9
Alto, Guitare (duo)
9
Quatuor à cordes : 4 altos
9
Alto et Harpe
8
Violon, Tuba (duo)
8
2 Violoncelles, Piano
7
Flûte, Contrebasse (duo)
6
Harpe, Voix
6
Violoncelle, Orgue
5
Violoncelle, Orchestre
5
Trio à cordes
3
2 Altos, Piano
3
3 Harpes
2
Alto, Orgue
2
5 Harpes
2
Harpe (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Basse continue
1
Ensemble de Violons
1
Harpe, Violon, Violoncelle
1
Violon, Orgue
1
4 Contrebasses
1
Ensemble d'Altos
1
Harpe et Piano
1
Alto et Basson
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2497
Orchestre à Cordes
1125
Cloches
1034
Orchestre
891
Ensemble de cuivres
637
Ensemble Jazz
616
Orchestre de chambre
380
Jazz combo
345
Batterie
343
Fanfare
177
Ensemble de Percussions
163
Percussion (partie séparée)
78
Batterie (partie séparée)
26
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Piano et Orchestre
6
Instrumentation Flexible
6
Ensemble d'École
5
Orchestre, Violon
5
Vibraphone et Marimba
4
Percussion
3
Marimba
2
Timbales (partie séparée)
1
2 Caisses Claires (duo)
1
Xylophone, Piano
1
2 Xylophones
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Xylophone ou Marimba ou Vibraphone
1
Marimba, Piano (duo)
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
4
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Piano seul
Partitions à imprimer
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8401
Hymns from Childhood - Set 2 (piano solo)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.719720 Composed by Various. Arrange…
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Piano Solo - Level 2 - Digital Download SKU: A0.719720 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 8 pages. Curtis Hanson #4357393. Published by Curtis Hanson (A0.719720). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers.
$4.99
4.58 €
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Piano seul
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.5 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By F…
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Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the “Father of our Countryâ€, yet had no children, Haydn is known as the “Father of the Symphony.†and the “Father of the string Quartet.†♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.66 €
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Piano seul
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Stephen R Dalrymple
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Haydn Piano Sonata 40.2 Presto
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Stephen R Dalrymple
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
3 Pieces for the Piano - Opus 1
Piano seul
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Conte…
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Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Contemporary. Score. 31 pages. Eamon Mukhopadhyay #692177. Published by Eamon Mukhopadhyay (A0.1087984). These three pieces are to mimic studies of voicing and touch through lyrical forms. Each specific BPM marking in the tempo is intentionally preceded with ossia rather than ca.. This is to emphasize complete tempo freedom for the performer. The BPM markings are simply given as an initial baseline, showing the general tempo that the composer would perform these pieces at. Neither of the three pieces finish with a triad. Instead, they end with some form of extended harmony, whether it be through a chord or arpeggio. Neither the specific meaning of the piece nor the method to play the piece is included in the piece descriptions following this sentence, as those choices are specific to the performer. Nocturne in A Major (Op. 1 No. 1) uses both contemporary and traditional harmonic concepts, with add9 chords and extended harmonies integrating further color into the piece. Much material of Winter Landscapes in E-Flat Minor (Op. 1 No. 2) is built upon a simple four-note motif (in regards to scale degrees, the motif follows the pattern of 1-7-2-1). To note - this piece never resolves to the traditional E-Flat minor triad. Lastly, Tribute in D major (Op. 1 No. 3), similar to the other two pieces (of the Op. 1 set), uses multiple forms of extended harmonies through chords and arpeggios, such as add9 and dominant thirteenth harmony.
$1.99
1.83 €
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Piano seul
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Eamon Mukhopadhyay
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3 Pieces for the Piano - Opus 1
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Eamon Mukhopadhyay
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SheetMusicPlus
The Bare Necessities
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
4.58 €
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Piano seul
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the way, there are a few bars where you hear me playing straight eighths on the recording
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Consciousness 2.0
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Con…
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Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49
3.2 €
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Piano seul
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Variations on Gordon ('My Jesus, I Love Thee')
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1352800 Composed by John Burkett. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1352800 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 11 pages. John Burkett #937604. Published by John Burkett (A0.1352800). My Variations on the hymn tune Gordon (My Jesus, I Love Thee) are intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The four variations in this set display increasing rhythmic complexity as one plays them from beginning to end, ranging from continuous streams of eighth notes to eighth-note triplets to sixteenths. The first, and simplest, variation can be played alone. Variations 2-4 are written as a continuous group, though they too can be played individually if desired, by adding a conclusive tonic note in the bass. For the most part the pitches of the hymn tune are presented without ornamentation, though there are occasional exceptions. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
11.02 €
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Piano seul
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John Burkett
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John Burkett
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Variations on Gordon
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John Burkett
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SheetMusicPlus
Songs and Dances from Another Time (Suite 1) (Elementary piano solos)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatric…
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Piano Solo - Level 1 - Digital Download SKU: A0.522203 Composed by Colin Kirkpatrick. Concert,Instructional,Standards. Score. 12 pages. Colin Kirkpatrick Publications #3410943. Published by Colin Kirkpatrick Publications (A0.522203). Youngsters are sure to enjoy these tuneful pieces, crafted especially for the young learner. The music follows on from the much easier pieces in The River at the End of Day. They are ideal for elementary pianists, but of course could be used with beginners of all ages. More experienced students will find them ideal and enjoyable sight-reading exercises or to develop the useful skill of transposing at sight. The colorful pieces are arranged in approximate order of difficulty, so you can feel free to pick and mix according to the needs of the students. Most of the pieces use eighth notes (quavers), quarter notes (crotchets), half notes (minims) and whole notes (semibreves). Each piece takes up just one page. With attractive melodies and interesting harmonies several of them could be strung together to create a suite for a student recital. Many of the fingerings are provided but sometimes the choice of fingering is left for the teacher and student to decide. For more advanced students, these pieces can serve a useful function either as sight-reading exercises or for transposing at sight, a skill that is sometimes neglected. The sample audio clip contains the following pieces from the collection: (1) Dance to the Rising Sun; (2) Song of the Tree Spirits; (3) Mountain Dance; (9) Hymn to the Stars and (10) Night Dance.
$3.99
3.66 €
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Piano seul
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Colin Kirkpatrick
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(2) Song of the Tree Spirits
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Songs and Dances from Another Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
George Frideric Friedrich Handel Haendel : Theodora, HWV 68 - As With Rosy Steps the Morn (piano d'accompagnement en do majeur), Vol.2
Piano seul
Téléchargez la partition Piano Theodora, HWV 68 - As With Rosy Steps the Mor…
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Téléchargez la partition Piano Theodora, HWV 68 - As With Rosy Steps the Morn (piano d'accompagnement en do majeur), Vol.2 de Händel. Partition pour Duo -- Classique
7.99 €
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Piano seul
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George Frideric Friedrich Hand
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Theodora, HWV 68
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Tomplay
The Wonderful Season Of Love
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1298554 Composed by Franz Waxman an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1298554 Composed by Franz Waxman and Paul Francis Webster. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. Score. 6 pages. Timothy Stapay #888449. Published by Timothy Stapay (A0.1298554). The Wonderful Season Of Love is better known as the Theme from Peyton Place, written by Franx Waxman.  In 2005, the American Film Institute recognized the score in its 100 Years of Film Scores, for which it received a nomination.Peyton Place was an American prime-time soap opera that aired on ABC in half-hour episodes from September 15, 1964, to June 2, 1969.  The movie of the same name  was a 1957 American drama film starring Lana Turner, Hope Lange, Lee Philips, Lloyd Nolan, Diane Varsi, Arthur Kennedy, Russ Tamblyn, and Terry Moore..  It was based partly on Grace Metalious's bestselling 1956 novel of the same name. Lyrics:Where I was born time was told, Not by the clock nor the calendar, But by the seasons.  Summer was carefree contentment,Autumn was that bittersweet time of regret, And then Winter fell with a cold mantle of caution and chill.  Spring was promise, But there was a fifth season, Of love, and only the wise knew where to find it!They say that the seasons are four,They come and they go by my door;From April's first roseTo the day that it snows,Same moon is smiling above.They say that the seasons are four,But you and I know there are more!And best of them allIs the one that we callThe wonderful season of love!They say that the seasons are four,But you and I know there are more!And best of them allIs the one that we callThe wonderful season of love!
$6.99
6.42 €
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Piano seul
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Franz Waxman and Paul Francis Webster
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Timothy Stapay
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The Wonderful Season Of Love
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Timothy Stapay
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SheetMusicPlus
We'll Be Together Again
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl F…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930064. Published by Phyllis Love (A0.1345130). We'll Be Together Again for intermediate pianoThis 1945 ballad was written by Carl Fisher and Frankie Lane. Here we have a sentimental treatment of a 40's ballad with a nice bass line accompanying the melody, as well as rich chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.58 €
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Piano seul
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Frankie Laine
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Phyllis Love
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We'll Be Together Again
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Phyllis Love
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SheetMusicPlus
We Gather Together - Vol. 2 - Bradley Sowash
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1153721 By Bradley Sowash. By Bradl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1153721 By Bradley Sowash. By Bradley Sowash. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Religious,Spiritual. Score. 53 pages. Bradley Sowash #753982. Published by Bradley Sowash (A0.1153721). Best loved hymns and spirituals transformed Arranger’s description The songs in this collection represent some of the best-loved hymns and spirituals in America. Their durability is intriguing. Generations of handing down new renditions have reduced them to their essential qualities. This ‘essence’ offers a composer and musician plenty of room for interpretation and improvisation. Memorable melodies such as these make great material for variations since the listener, knowing the tune so well, can appreciate its changing directions. I also find new vitality by underpinning old songs with modern rhythmic textures: what jazz musicians call the groove. Shorter songs call for original but stylistically similar additional sections. The addition of blue notes, favorite licks, alternative harmonies and improvisations helps me reinterpret this familiar music into nearly original compositions. Having sought to make them my own, I now invite you to do the same. Publisher's description In his unique, rhythmic style, Sowash transforms some of the best-loved hymns and spiritual songs of all time into nearly original selections for solo jazz piano. Chord symbols are included to encourage improvisation and ensemble arrangements. - Augsburg Fortress.
$19.95
18.32 €
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Piano seul
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Bradley Sowash
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Bradley Sowash
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We Gather Together - Vol. 2 - Bradley Sowash
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Bradley Sowash
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SheetMusicPlus
On The Atchison, Topeka And The Santa Fe
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren an…
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Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren and Johnny Mercer. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930061. Published by Phyllis Love (A0.1345127). On the Atchison, Topeka and the Santa Fe from The Harvey GirlsThis delightful arrangement starts off with a rhythm that evokes a train. It's harmonically interesting, with an introduction that sets in motion an exciting beat and sets up the melody nicely.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.5 €
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Piano seul
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Harry Warren and Johnny Mercer
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Phyllis Love
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On The Atchison, Topeka And The Santa Fe
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Phyllis Love
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern …
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Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern and Oscar Hammerstein. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 2 pages. Phyllis Love #930017. Published by Phyllis Love (A0.1345082). The Last Time I Saw Paris for intermediate pianoThis 1940s lovely ballad has been overlooked. This version offers a rich harmonic arrangement, where the intensity builds as the tune progresses.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.58 €
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Piano seul
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Various
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Phyllis Love
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The Last Time I Saw Paris
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Phyllis Love
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SheetMusicPlus
The Key Signature Trainer for Piano (2 Flats)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.934565 Composed by Regina Pratley. …
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Piano Solo - Level 2 - Digital Download SKU: A0.934565 Composed by Regina Pratley. Instructional. Score. 32 pages. Regina Collier #6489693. Published by Regina Collier (A0.934565). This book is written for students who are in grade 2 to grade 3.The exercises in this book start from easy ones like single-hand exercises and exercises in 5-finger positions to normal and more difficult both-hands exercises. The aim of this book is to train students’ ability to read the score of a particular key signature precisely. As learning a new key signature needs time, the exercises in this book give students more than enough chances to familiarize themselves with a particular key signature.The exercises in this book are mostly short so that students can play them with ease and have stronger feeling of success. When they can read the score more fluently, they will be more confident and interested to play more.Enjoy the process and your abilities will be strengthened!
$9.99
9.17 €
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Piano seul
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Regina Pratley
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The Key Signature Trainer for Piano
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Regina Collier
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SheetMusicPlus
Eric To The Rescue
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1464125 Composed by Alan Menken. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1464125 Composed by Alan Menken. Arranged by Eric. R. Broadway,Contemporary,Film/TV,Musical/Show. Score. 10 pages. Overture & Storybook Musical Arrangements #1042839. Published by Overture & Storybook Musical Arrangements (A0.1464125). 'Eric to the Rescue' is the score for the climax scene from The Little Mermaid (1989), in which Eric battles Ursula. This is the first villain battle score from Alan Menken's extensive repertoire of Disney animated film scores. 'Eric to the Rescue' includes musical motifs from Poor Unfortunate Souls, Part of Your World, Flotsam and Jetsam, as well as The Storm, and weaves them all together in Menken's signature thematic style. The Little Mermaid (1989) score garnered Alan Menken his first 2 Academy Awards (best original score and best original song), with many more Oscar winnings to follow. This arrangement for solo piano is a reduction of the full orchestra, and is suited for intermediate pianists. It has some extended versions of certain themes, and fewer time signature changes than the final recording - making it more natural to play as a solo on the piano.
$6.00
5.51 €
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Piano seul
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Alan Menken
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Eric
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Eric To The Rescue
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Overture & Storybook Musical Arrangements
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SheetMusicPlus
The Key Signature Trainer for Piano (2 Sharps)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.934564 Composed by Regina Pratley. …
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Piano Solo - Level 2 - Digital Download SKU: A0.934564 Composed by Regina Pratley. Instructional. Score. 30 pages. Regina Collier #6489689. Published by Regina Collier (A0.934564). This book is written for students who are in grade 1 to grade 3.The exercises in this book start from easy ones like single-hand exercises and exercises in 5-finger positions to normal and more difficult both-hands exercises. The aim of this book is to train students’ ability to read the score of a particular key signature precisely. As learning a new key signature needs time, the exercises in this book give students more than enough chances to familiarize themselves with a particular key signature.The exercises in this book are mostly short so that students can play them with ease and have stronger feeling of success. When they can read the score more fluently, they will be more confident and interested to play more.Enjoy the process and your abilities will be strengthened!
$9.99
9.17 €
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Piano seul
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Regina Pratley
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The Key Signature Trainer for Piano
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Regina Collier
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SheetMusicPlus
The Brandenburg Piano Solo Collection - 1. Torturme der Altstadt
Piano seul
Composed by Johann Sebastian Bach (1685-1750). Arranged by R. L. Ummel. Baroque, Ins…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by R. L. Ummel. Baroque, Instructional. Score. 2 pages. Ronald Ummel #3885577. Published by Ronald Ummel
This is a solo piano piece for intermediate piano students taken from the larger collection of 22 pieces based upon the thematic material from Bach's six Brandenburg concertos. These piano solos are a great introduction for the early students to the rich melodic content of the Brandenburg Concertos. Each piece is relative brief in its musical structure and are ideal for grouping together for recitals and performance.
$1.99
1.83 €
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Piano seul
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Johann Sebastian Bach
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R
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The Brandenburg Piano Solo Collection - 1. Torturme der Altstadt
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Ronald Ummel
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SheetMusicPlus
I'm Trying to Be Like Jesus
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Per…
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Piano Solo - Level 4 - Digital Download SKU: A0.1307229 Composed by Janice Kapp Perry. Arranged by Mark Gubler. Children,Christian,New Age,Religious,Sacred. Score. 5 pages. Mark Gubler #896486. Published by Mark Gubler (A0.1307229). The gospel of Jesus Christ is simple. We are commanded to love God and everyone around us. All the other commandments are given to point us to these two great commandments. In this arrangement the music surrounding the lyrics love one another as Jesus loves you keeps coming back throughout. It represents that though we may get distracted by all the things that we feel we should be doing, there is power in always returning and centering our lives around loving as Jesus loves.Song Lyrics 1. I’m trying to be like Jesus; I’m following in his ways. I’m trying to love as he did, in all that I do and say. At times I am tempted to make a wrong choice, But I try to listen as the still small voice whispers, “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.†2. I’m trying to love my neighbor; I’m learning to serve my friends. I watch for the day of gladness when Jesus will come again. I try to remember the lessons he taught. Then the Holy Spirit enters into my thoughts, saying: “Love one another as Jesus loves you. Try to show kindness in all that you do. Be gentle and loving in deed and in thought, For these are the things Jesus taught.â€.
$4.99
4.58 €
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Piano seul
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Janice Kapp Perry
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Mark Gubler
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I'm Trying to Be Like Jesus
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Mark Gubler
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SheetMusicPlus
Tropical Dance 2 (Classical Music for Tablet Series)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By J…
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Piano Solo - Level 3 - Digital Download SKU: A0.818294 By Stephen R Dalrymple. By Justin Elie. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Score. 10 pages. Stephen R Dalrymple #4994299. Published by Stephen R Dalrymple (A0.818294). Tropical Dance 2 by Justin Elie (Classical Music for Tablet Series) ♫ Justin Elie 1883-1931 was one of the few Haitian composers whose works were published outside Haiti and enjoyed an international reputation for his works. He received his early education in Haiti, studying with pianist Ermine Faubert from 1889 to 1894 and enrolling briefly at the prestigious institution de Saint Louis de Gonzague in Port-au-Prince. ♫ In 1895, at the age of 12 he traveled to France and enrolled at the Cours Masset, a preparatory school for the Paris Conservatory. In 1901 at the age of 17 he entered the Paris Conservatoire. Elie returned to Haiti in 1905. ♫ He undertook a concert tour in 1909 and 1910, featuring works by European composers, and visited Jamaica, Puerto Rico, St. Thomas, Curaçao, Venezuela, and Cuba. Elie's concerts were especially well received in Jamaica. Justin Elie enjoyed the most prominent international reputation of all the Haitian composers. ♫ Justin Elie drew on Native American music for his creative inspiration. Elie wrote several pieces that used Native American (Haitian, and Central and South American) musical motifs and descriptive programs that put these native cultures at the center of Haitian musical life. Unlike Lamothe, whose audience was primarily drawn from Haiti, Elie developed his career in the United States. ♫ Eager to make a career of music composition, Justin Elie emigrated to the US in 1922 moving to New York City. His wife, Lily, joined him in New York in 1923 and the two of them performed frequently in recitals that included Elie's compositions. (based on http://chevalierdesaintgeorges.homestead.com/Elie.html) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.66 €
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Piano seul
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Stephen R Dalrymple
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Tropical Dance 2
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Stephen R Dalrymple
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SheetMusicPlus
The Sorcerer's Apprentice theme
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1323362 Composed by Paul Dukas. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1323362 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score. 2 pages. Rodrigo Faleiros #911591. Published by Rodrigo Faleiros (A0.1323362). Embark on a musical journey with our unique piano solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this piano solo arrangement thoughtfully transposed to enhance readability. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this piano solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$2.99
2.75 €
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Piano seul
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Paul Dukas
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Rodrigo Faleiros
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The Sorcerer's Apprentice theme
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Rodrigo Faleiros
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SheetMusicPlus
The Sorcerer's Apprentice theme
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1323360 Composed by Paul Dukas. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1323360 Composed by Paul Dukas. Arranged by Rodrigo Faleiros. 19th Century,Classical,Film/TV. Score. 2 pages. Rodrigo Faleiros #911588. Published by Rodrigo Faleiros (A0.1323360). Embark on a musical journey with our unique piano solo arrangement of The Sorcerer's Apprentice theme by Paul Dukas. Crafted for intermediate players seeking to refine their staccato technique, this arrangement not only captures the magic and excitement of the original composition but also ensures easy reading with a thoughtful transposition to the key of D minor.Key Features: Staccato Mastery: Elevate your staccato technique with the dynamic and engaging phrases of The Sorcerer's Apprentice theme. Intermediate Level: Perfect for players looking to expand their skills and add a touch of virtuosity to their repertoire. Transposed to D Minor for Easy Reading: Enjoy a smoother reading experience with this piano solo arrangement thoughtfully transposed to enhance readability. Whether you're preparing for a recital, looking to challenge yourself, or simply captivated by the magic of the original composition, this piano solo arrangement in D minor offers a delightful exploration of Dukas' timeless work.Check out my other arrangements for classics transposed and adapted to several instruments by clicking here!
$2.99
2.75 €
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Piano seul
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Paul Dukas
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Rodrigo Faleiros
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The Sorcerer's Apprentice theme
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Rodrigo Faleiros
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SheetMusicPlus
Prelude in F# minor Op. 13 No. 2
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.987698 Composed by E.F.J. Fagan. Co…
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Piano Solo - Level 2 - Digital Download SKU: A0.987698 Composed by E.F.J. Fagan. Contemporary,Romantic Period. Score. 2 pages. Erin Fagan #21201. Published by Erin Fagan (A0.987698). This is the second Prelude from my first set of 24 Preludes for Solo Piano. Attention to dynamic contrast is important in this simple march-like piece as a gradual shift from the quietest to loudest dynamic should be heard each time the theme is heard. No expense should be spared in the final iteration of the theme in terms of dynamics and while there is a metronome marking at the start it is a guideline, the piece should be neither fast nor slow but with a simple adherence to the idea of the 'martellato' direction. This piece is rather simple except for the accel. section at the end which requires some finesse, however for a beginner pianist it should not be too much of a challenge. Performance time should be roughly 2 minutes.
$4.00
3.67 €
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Piano seul
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E
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Prelude in F# minor Op. 13 No. 2
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Erin Fagan
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SheetMusicPlus
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