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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Common Phrase
Non classifié
53
Piano & claviers
Instruments en Do
187
Piano seul
13
Piano, Voix et Guitare
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
1
Piano, Voix
1
Orgue
1
Piano Facile
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2
Basse electrique
2
Guitare
2
2 Guitares (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
22
Chorale TTBB
4
Voix seule
4
Chorale Unison
1
Voix haute
1
Chorale SSAA
1
+ 1 instrumentations
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Vents
Ensemble de saxophones
23
Quintette de Saxophone: 5 saxophones
8
Ensemble de Clarinettes
4
Quatuor de Saxophones: 4 saxophones
3
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2
Hautbois, Piano (duo)
1
Saxophone (partie séparée)
1
Flûte traversière et Piano
1
2 Flûtes traversières (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
Saxophone Tenor et Piano
1
Flûte traversière
1
+ 9 instrumentations
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Cuivres
Quatuor de Cuivres
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Ensemble de Trombones
4
Ensemble de Trompettes
4
Trompette
4
Ensemble de Cors
3
Cor et Piano
2
Trombone et Piano
2
Trombone
2
2 Cors (duo)
1
2 Tubas (duo)
1
Tuba et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trombones (duo)
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
2
Alto, Piano
2
Violon (partie séparée)
1
Violon
1
Violoncelle (partie séparée)
1
+ 1 instrumentations
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Orchestre d'harmonie
6
Orchestre à Cordes
6
Ensemble Jazz
3
Orchestre de chambre
2
Ensemble de Percussions
2
Orchestre
2
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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Vous avez sélectionné:
A Common Phrase
Piano seul
Partitions à imprimer
13 partitions trouvées
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1
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Renee Hyche McKee
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Peaceful Measures - Interchang
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. ...
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Piano Solo - Level 4 - SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99
Roadtrip on a Motorway
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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L
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Roadtrip on a Motorway
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L.J Harding
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by...
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Piano Solo - Level 4 - SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by L.J Harding (A0.1028770). This composition is a piano piece written in A major in the common time signature 4/4. The story behind ‘Roadtrip on a Motorway’ is from a personal experience of travelling to Galway from Dundalk to go to Pink Training, a national and life-changing weekend. The original phrase represents the rising hope of what the weekend could become and how exciting it is to be outside of college. This is quickly interrupted as during the journey the car breaks down on the motorway one hour away from Galway city. This is represented by fast, irregular rhythms with counterpoint to represent the disorientation, panic and fear from not knowing where we are or how we are going to get to Galway on time. The return of the original motif symbolises hope coming back to us as a woman stopped on the motorway and offered to drive us to Galway. A sense of panic and disorientation returns in the music as we begin to become stressed about whether we will meet the deadline for registration. The song finally resolves to the original theme, but developed as a nod to the journey that we had while we finally make it to registration on time.
$6.99
A Mexican Lullaby
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Piano seul
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FACILE
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Karen K Almquist
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A Mexican Lullaby
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Karen K. Almquist
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1275410 Composed by Karen K Almquist. Children,Folk,Instructional,Latin,Multicultural,World. Score. 4 pages. Karen K. Alm...
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Piano Solo - Level 2 - SKU: A0.1275410 Composed by Karen K Almquist. Children,Folk,Instructional,Latin,Multicultural,World. Score. 4 pages. Karen K. Almquist #867331. Published by Karen K. Almquist (A0.1275410). This sweet lullaby in ABA form is written in G major. It modulates to E minor in the B section. It features parallel thirds in the right hand with three note rolled chords at the ends of phrases. The meter is in common time. The right hand melodic rhythm imitates the sound of maracas. It is sometimes varied by the use of triplets or ritenuto. The left hand plays a typical Spanish sounding ostinato bass pattern.  The melody is singable and the flow of the rhythm feels like swaying or rocking.  The four page piece can be played as a piano or harp solo. Latin American instruments such as claves, maracas and guiro could be added as a program piece.  It is an early intermediate level.
$3.75
Lares: Dança de roda Casal à luz da Lua Quixote, o boneco aventureiro
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Filipe Bernardo
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Lares: Dança de roda C
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Filipe Bernardo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1143765 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Published by Filipe ...
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Piano Solo - Level 4 - SKU: A0.1143765 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Published by Filipe Bernardo (A0.1143765). Lares is a brief suite of three pieces that present scenes common in Brazilian homes: 1.Dança de roda (Circle dance) 2.Casal à luz da Lua (Couple in the moonlight) 3.Quixote, o boneco aventureiro (Quixote, the adventurous doll).The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed.
$5.00
La Leccata
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Christopher Esther
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La Leccata
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Christopher Esther
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.795838 Composed by Christopher Esther. Contemporary. Score. 3 pages. Christopher Esther #5215871. Published by Christophe...
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Piano Solo - Level 3 - SKU: A0.795838 Composed by Christopher Esther. Contemporary. Score. 3 pages. Christopher Esther #5215871. Published by Christopher Esther (A0.795838). La Leccata (The Lick in Italian) is based on the well-known phrase known as the lick among jazz artists. This piece takes a whimsical spin on the common phrase and turns it into a comical yet entertaining piece. .
$4.99
Three Curios (for solo piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Paul SanGregory
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Three Curios
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant ...
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Piano Solo - Level 4 - SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant Engraver Music (A0.977030). These pieces are like little objects that are simple and direct, yet slightly eccentric. They often seem to be based on traditional notions of harmony or phrasing, but they don’t always get those aspects exactly right. It’s as if what appears to be common little figurines, upon closer inspection, reveal themselves to be more varied, colorful, complex and unpredictable than a quick glance might reveal. I - Mutable Phrase This piece sounds a bit obsessive because all the phrases begin the same way. It almost sounds like somebody repeating a simple one-phrase statement, but constantly changing it with the hope of writing a perfectly nuanced phrase. II - Sparks in Emptiness The use of the sostenuto pedal in this piece creates an effect of reverberating empty space. Within that space, little bursts of energy begin appearing. It sounds like flashes of light in an empty dark space. III - Silent Blue Tides This piece is based on a slowly moving and somewhat unpredictable chord progression. A duo of simple melodies then floats on that chord progression, rising and falling with the moods of that large blue sea.
$6.50
Hymns from Childhood - Set 10 (solo)
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Piano seul
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DÉBUTANT
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curti...
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Vocal Solo,Voice - Level 1 - SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
Eleanor Rigby
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Piano seul
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FACILE
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Rock
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David Cook
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Dan Severino
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Eleanor Rigby
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Piano Teacher Press
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.864795 By David Cook. By John Lennon and Paul McCartney. Arranged by Dan Severino. Rock. Score. 3 pages. Piano Teacher Pr...
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Piano Solo - Level 2 - SKU: A0.864795 By David Cook. By John Lennon and Paul McCartney. Arranged by Dan Severino. Rock. Score. 3 pages. Piano Teacher Press #6075583. Published by Piano Teacher Press (A0.864795). Eleanor Rigby is an example of a song that demonstrates The Beatles evolution of moving from standard rock and roll to more experimental and alternative sounds. A song on the topics of depressing loneliness was not a common topic coming from rock bands in the 1960's. However, being a teenager in the 60's, the minor melody caught my attention and became one of my favorite Beatles songs.All that said, this arrangement features staccato chords and a melody that alternates between staccato and legato phrases. I wrote it at an intermediate level so it would be playable by teen piano students. I think teen students that are beginning to expand emotionally will be attracted to Eleanor Rigby. I see this arrangement being popular for family gatherings, and recitals and well as self-satisfaction. Also, adult students and amateurs would be attracted to this arrangement.
$4.99
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
Six of One
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Piano seul
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AVANCÉ
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Robert A
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Six of One
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.998750 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Film/TV. Score. 7 pages. Robert...
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Piano Solo - Level 5 - SKU: A0.998750 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Film/TV. Score. 7 pages. Robert A. Howard #5722621. Published by Robert A. Howard (A0.998750). These six related piano miniatures take the form of different 'views' of common material. The title is taken from a phrase used in the cult 1960s TV programme 'The Prisoner' (Six of one and half a dozen of the other). The work explores a wide variety of piano textures and techniques, within an angular, post-tonal style. The movements are conceived in the manner of short TV incidental music cues and aim to reflect the austere atmosphere of the TV series. The piece is accessible to the listener and is appropriate for advanced students and professional players.
$5.49
Sonata in the Style of Scarlatti (solo piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Ouper
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Sonata in the Style of Scarlat
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Jeffrey Ouper
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.866229 Composed by Jeffrey Ouper. 20th Century,Baroque,Classical,Contemporary. Score. 9 pages. Jeffrey Ouper #5362761. Pu...
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Piano Solo - Level 4 - SKU: A0.866229 Composed by Jeffrey Ouper. 20th Century,Baroque,Classical,Contemporary. Score. 9 pages. Jeffrey Ouper #5362761. Published by Jeffrey Ouper (A0.866229). Sonata in the style of Scarlatti is an homage to the composer Domenico Scarlatti and is modeled after one of his many piano sonatas, Sonata in E, K. 403. When I first started learning Scarlatti’s piano sonata, I found myself missing notes in the arpeggios in the first phrase, leading to contemporary harmony that I found interesting. I later decided to write my own version of the sonata from my own contemporary perspective. This sonata follows the binary format common with most Scarlatti sonatas, but does not repeat the second half. It also features a contemporary view of harmony and several key changes while keeping trills and melodic figuration similar to Scarlatti’s.
$7.95
Hmm... Interesting... - AWV 10
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Piano seul
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AVANCÉ
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Charles E
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Hmm... Interesting... - AWV 10
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Askew Music Productions
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1314349 By Charles E. Askew. By Charles E. Askew. 21st Century,Classical,Comedy. Score. 3 pages. Askew Music Productions ...
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Piano Solo - Level 5 - SKU: A0.1314349 By Charles E. Askew. By Charles E. Askew. 21st Century,Classical,Comedy. Score. 3 pages. Askew Music Productions #903095. Published by Askew Music Productions (A0.1314349). Hmm... Interesting... AWV 10 was written purely to be satirical and humorous. Titled after a phrase I commonly used myself, it was completed as a project for a composition class I took my sophomore year of college. One of the more notable aspects of the piece is that there are only 3 cadences throughout the entire piece and quite a few more that are denied as well.
$4.99
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
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