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A Distant Memory
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Vous avez sélectionné:
A Distant Memory
SheetMusicPlus
Partitions à imprimer
11 partitions trouvées
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1
And They Were Friends From That Day On
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Damien Gauci
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And They Were Friends From Tha
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Dam...
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Piano Solo - Level 4 - SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Damien Gauci (A0.1495488). Whiskers and Pippin had left the abandoned house behind, but they carried with them something far more valuable than anything they could have found within its dusty walls—a new friendship. As they journeyed through the woods, they discovered that they had more in common than just their fur colour. Their shared curiosity led them to explore new paths, while their cautious natures kept them safe from danger. Every rustle of the leaves, every flicker of movement in the underbrush, became an adventure when they were together.Day after day, Whiskers and Pippin would meet at the edge of the forest, eager to explore each other’s favourite spots. Whether it was a hidden grove full of the sweetest acorns or a quiet stream perfect for reflection, they found joy in sharing these special places with each other. The once lonely woods now felt alive with the warmth of their companionship. They would chase each other up trees, playfully darting between branches, and when the day grew late, they would sit side by side, watching the sun dip below the horizon.The fear and hesitation that once filled their first encounter was now just a distant memory. In its place was a deep bond, forged through shared experiences and a mutual understanding. Whiskers and Pippin might have been cautious, but together, they found the courage to explore a world that felt much less daunting with a friend by their side. And so, from that day on, they were inseparable—two squirrels who had found in each other a lifelong companion, proving that sometimes, the best adventures begin when you least expect them.
$6.00
Some Things Don't Always Last
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Piano seul
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FACILE
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Damien Gauci
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Some Things Don't Always Last
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damie...
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Piano Solo - Level 2 - SKU: A0.1468149 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1030402. Published by Damien Gauci (A0.1468149). I always enjoy writing something simple but pretty and this piece is exactly that. As with many of my other piano compositions, I enjoy writing them in the style of “soft piano” pieces which you can listen to while you study, work, relax, or anything else. I initially came up with the original motif at the start of the piece which I really liked and expanded it into a full piece. When coming up to the B section I made it too dramatic and it would probably be too distracting for the listener if they were working or studying so I decided to start over with the B section and write something that expanded upon the original motif in a subtle and sweet way.I am quite pleased with the finished composition, it turned out in a way that I was aiming for from the beginning. As for the title, I sat down after I had finished writing the piece and listened to it a few times and brainstormed some names. I eventually settled on the name that it is now: ‘Some Things Don’t Always Last’ which has a bitter-sweet quality to it. I think it fits quite well with the piece as it’s like a lullaby that comes and goes. A distant memory that is recalled because of an old toy you found or because you drove past your childhood home that you grew up in.
$1.99
Peg O' My Heart
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Alfred Bryan and Fred Fisher
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Timothy Stapay
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Peg O' My Heart
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Irish,Musical/Show,...
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Piano Solo - Level 4 - SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Irish,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #982786. Published by Timothy Stapay (A0.1399497). Peg o' My Heart was written in 1912 by Alfred Bryan and was based on a musical comedy by the same name. While it was first performed in New York City, the song has long been associated with St. Patrick's Day because of the Irish connections in the musical.The beauty of this song lies in its ability to transcend time and connect with listeners on a personal level. Its simple yet profound lyrics capture the essence of love and longing, allowing listeners to reflect on their own experiences and emotions. Whether it reminds you of a lost love, a distant memory, or a cherished moment, “Peg O’ My Heart†has a way of evoking raw emotions and stirring the soul.Lyrics: Peg O' My Heart, I love you, We'll never part, I love you, hear little girl, Sweet little girl, Sweeter than the rose of Erin, are your winning smiles endearin', Peg O' My Heart, Your glances with Irish art entrance us, Come, be my own, Come, make your home in my heart.
$6.99
100 days of You & Me
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Piano seul
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INTERMÉDIAIRE
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Helen Park
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100 days of You & Me
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HELEN PARK
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.957995 By Helen Park. By Helen Park. Classical,Contemporary,Film/TV,Holiday,Multicultural,World. Score. 7 pages. HELEN PA...
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Piano Solo - Level 3 - SKU: A0.957995 By Helen Park. By Helen Park. Classical,Contemporary,Film/TV,Holiday,Multicultural,World. Score. 7 pages. HELEN PARK #1984463. Published by HELEN PARK (A0.957995). Play this for your partner on your 100th day together. Do you remember the butterflies around in your stomach? Are those days already a distant memory? If so, recall in your mind those happy days. Time may have flown past and many things may have changed. Try to remember, the sweet and the precious times you shared with each other.
$4.99
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
Naturszenen Op. 3, No. 16 "Die Verwüstung der Feuersbrunst"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michael Swedberg
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Naturszenen Op. 3, No. 16 &quo
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1073972 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishi...
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Piano Solo - Level 4 - SKU: A0.1073972 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #678238. Published by Niska Music Publishing (A0.1073972). Fire is one of nature’s deadliest forces: a simple spark can ignite a blaze that devours everything in its path with an all-consuming hunger. In this scene, the blaze has passed and we are witness to the devastation left behind. There is a powerful sense of loss in the music as the melody rises and falls amidst the rich chords of harmony…the distant memory of what was once a vibrant wood teeming with with life. Now all that is left is ash and smoldering ember. As the piece comes to a close, one can hear the mournful cry of a bird in the right hand as the smoke rises from the barren landscape.
$3.99
A Distant Memory (from Echoes)
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Piano seul
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Contemporain
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Richard P John
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A Distant Memory
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Richard P John
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SheetMusicPlus
Composed by Richard P John. 21st Century. Score. 3 pages. Published by Richard P John (S0.57627). - Score - 21st Century - Richard P John...
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Composed by Richard P John. 21st Century. Score. 3 pages. Published by Richard P John (S0.57627). - Score - 21st Century - Richard P John
$3.00
Carson Cooman: Nine Preludes for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Nine Preludes f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601...
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Piano Solo - Level 4 - SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
33 Tears (for piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.977039 Composed by Paul SanGregory. Contemporary. Score. 6 pages. Distant Engraver Music #3539857. Published by Distant E...
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Piano Solo - Level 4 - SKU: A0.977039 Composed by Paul SanGregory. Contemporary. Score. 6 pages. Distant Engraver Music #3539857. Published by Distant Engraver Music (A0.977039). This quiet, sparse and beautiful music was composed in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color, balance, phrasing and creating a sense of natural open space. There are also places where listening to and coordinating balance and phrasing between competing rhythmic layers needs careful attention. (Performance time ca. 4 minutes, or longer.)
$2.50
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A Distant Memory
