A Summer Place is a 1959 American romantic drama film based on Sloan Wilson's 1958 novel of the same name, about teenaged lovers from different social classes who get back together 20 years later, and then must deal with the passionate love affair of their own teenaged children by previous marriages. The film contains this memorable instrumental theme composed by Max Steiner, which spent nine weeks at number one on the Billboard Hot 100 singles chart in 1960. This Piano arrangement makes an attractive solo of an easy intermediate standard.

Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.

"I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."

The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.

In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.

Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.

Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.

Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."

Christoph Schluren

Translation: John Patrick Thomas and W. Richard Rieves

With this piano sheet music, you can play "Home" by Michael Bubl�. It's an accurate transcription of the whole piece, not too hard to play, and it sounds fantastic!

The whole melody is included in the piano part, so it sounds great as an instrumental solo version - but of course, you can also use these sheets to accompany a singer, or sing along yourself!

"Home" is a song from Michael Buble's fourth studio album "It's Time" (released in February 2005).

The song served as the album's first single and became one of Michael Bubl�'s most popular songs.
"Home" is a beautiful ballad, and great for piano!

Here are the full lyrics to "Home" by Michael Buble:

Another summer day
Has come and gone away
In Paris and Rome
But I wanna go home, mmm

May be surrounded by
A million people I
Still feel all alone
I just wanna go home
Oh, I miss you, you know

And I've been keeping all the letters
That I wrote to you
Each one a line or two
I'm fine baby, how are you?

Well I would send them but I know
That it's just not enough
My words were cold and flat
And you deserve more than that

Another aeroplane
Another sunny place
I'm lucky I know
But I wanna go home
Mmm, I got to go home

Let me go home
I'm just too far
From where you are
I wanna come home

And I feel just like
I'm living someone else's life
It's like I just stepped outside
When everything was going right

And I know just why you could not
Come along with me
That this was not your dream
But you always believed in me

Another winter day
Has come and gone away
In even Paris and Rome
And I wanna go home
Let me go home

And I'm surrounded by
A million people I
I still feel alone
Oh, let me go home
Oh, I miss you, you know

Let me go home
I've had my run
Baby, I'm done
I gotta go home
Let me go home
It'll all be all right
I'll be home tonight
I'm coming back home

Recorded by Nicolas Horvath on Grand Piano records (GP822)

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph B�dier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because B�dier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Robert Orledge