English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
540
Partitions
Numériques
3 708
Librairie
Musicale
4 017
Matériel
de Musique
11 882
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
20125
PIANO & CLAVIERS
Piano seul
3708
Piano, Voix
1981
Piano Facile
1285
Piano, Voix et Guitare
1209
Instruments en Do
445
Orgue
385
Accompagnement Piano
333
Piano grosses notes
170
1 Piano, 4 mains
156
Piano Trio: piano, violon, violoncelle
94
Piano (partie séparée)
91
2 Pianos, 4 mains
71
Accordéon
68
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
24
1 Piano, 6 mains
13
Piano Quatuor: piano, 2 violons, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
9
Clavier
8
2 Pianos, 8 mains
7
Clavecin
7
2 Accordéons
2
Concertina
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
625
Guitare
467
Basse electrique
395
Ligne De Mélodie, (Paroles) et Accords
241
Guitare (partie séparée)
185
Ukulele
166
Paroles et Accords
72
2 Guitares (duo)
55
4 Guitares (Quatuor)
33
Mandoline
28
Piano, Guitare (duo)
27
Dulcimer
24
3 Guitares (trio)
22
Banjo
21
Ukulele Baryton
14
Ensemble de guitares
12
Guitare, Violon, Violoncelle (trio)
7
Basse électrique (partie séparée)
5
Mandoline, Guitare (duo)
4
2 Mandolines (duo)
3
2 Dulcimers (duo)
3
Ensemble de Ukulélés
2
Mandoline, Piano (duo)
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
2 Ukuleles
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
2583
Chorale 3 parties
780
Chorale TTBB
622
Chorale 2 parties
537
Chorale Unison
324
Chorale SSAA
303
Voix duo, Piano
120
Voix seule
113
Voix duo
98
Voix Soprano, Piano
67
Chorale
27
Voix Tenor, Piano
26
Voix haute
24
Voix Alto, Piano
21
Voix moyenne, Piano
15
Voix Tenor
9
Chorale SSAATTBB
9
Voix basse, Piano
8
Voix Baryton, Piano
8
Voix Soprano
8
Chorale SSATTB
6
Chorale SSATB
5
Soli, choeur mixte et accompagnement
4
Voix d'Enfants
4
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
3
Voix Baryton
1
Voix basse
1
Voix Soprano, Orchestre
1
Voix, Guitare
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
2601
Quatuor de Saxophones: 4 saxophones
2182
2 Saxophones (duo)
2007
Saxophone Alto et Piano
1278
Saxophone Alto
1262
Saxophone Tenor et Piano
1051
Quintette de Saxophone: 5 saxophones
912
Saxophone Soprano et Piano
734
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
702
Saxophone
684
Flûte traversière et Piano
663
Flûte, Hautbois, Clarinette, Basson
618
3 Saxophones (trio)
506
Clarinette et Piano
466
2 Clarinettes (duo)
451
Hautbois, Piano (duo)
451
Saxophone Tenor
429
Saxophone Baryton, Piano
428
Clarinette
421
Quatuor de Clarinettes: 4 clarinettes
388
2 Flûtes traversières (duo)
385
Saxophone, Clarinette (duo)
342
Flûte traversière
342
Ensemble de saxophones
323
Clarinette, Violon (duo)
230
Flûte, Clarinette (duo)
211
Hautbois (partie séparée)
176
Clarinette, Trompette (duo)
175
Saxophone Soprano
164
2 Hautbois (duo)
161
Quatuor de Flûtes : 4 flûtes
157
Ensemble de Clarinettes
150
Hautbois, Basson (duo)
148
Hautbois, Clarinette (duo)
143
Flûte, Saxophone (duo)
126
3 Clarinettes (trio)
120
Clarinette et Alto
118
Ensemble de Flûtes
116
Flûte, Violon
115
Quintette de Clarinettes: 5 clarinettes
109
Hautbois, Flûte
99
2 Flûte à bec (duo)
97
Flûte, Alto (duo)
93
Saxophone Baryton
89
Flûte, Trompette (duo)
88
Clarinette (partie séparée)
87
Hautbois
84
Cor anglais, Piano
84
Trio de Flûtes: 3 flûtes
73
Flute (partie séparée)
73
Flûte à bec Soprano
72
Flûte et Guitare
72
Clarinette Basse, Piano
71
Quatuor de Flûtes à bec
60
Quintette de Flûte : 5 flûtes
47
2 Saxophones, Piano
40
Flûte à Bec
39
Clarinette, Basson (duo)
36
Flûte, Hautbois (duo)
34
Instruments en Mib
30
Clarinette, Guitare (duo)
29
Hautbois, Clarinette, Basson (trio d'anches)
29
2 Flûtes traversières, Piano
28
Flûte, Violoncelle
26
Flûte, Hautbois, Clarinette (trio)
26
Flûte à bec Alto
25
Clarinette, Violoncelle (duo)
24
5 Flûtes à bec
22
3 Flûtes à bec (trio)
20
Ensemble De Flûte à bec
20
Flûte, Trombone (duo)
20
Harmonica
20
Cor Anglais
19
Clarinette, Trombone (duo)
18
Flûte, Violon, Piano
18
Hautbois, violon (duo)
18
Hautbois, Violoncelle
17
Flûte, Clarinette et Basson
15
Saxophone et Guitare
15
Flûte, Violon et Violoncelle
14
Saxophone et Orgue
13
Flûte, Hautbois, Basson
13
4 Hautbois
13
Saxophone, Violon (duo)
12
Hautbois, Guitare (duo)
12
Flûte à bec Soprano, Piano
12
Piccolo, Piano
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Clarinette, Piano (trio)
10
3 Hautbois
10
Piccolo
9
Flute, harpe et violon
9
Flûte, Violoncelle, Piano (trio)
8
Saxophone et Harpe
8
Cor anglais, Guitare (duo)
7
Flûte à bec Alto, Piano
7
Clarinette, Violoncelle, Piano (trio)
6
Ensemble à vent
6
Saxophone et Piano
6
Flûte et Trio à cordes
5
Hautbois et alto (duo)
5
Hautbois, trombone (duo)
5
2 Clarinettes, Piano
5
Clarinette Basse
4
Flûte, Violon, Violoncelle et Piano
4
Flûte irlandaise
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Ocarina
4
Flûte, Harpe et Violoncelle
3
Flûte, Basson et Piano
3
Flûte, Clarinette, Violon (trio)
3
2 Cors Anglais Et Pianoforte
3
Flûte à bec Tenor
3
Flûte, Alto et Piano
3
Clarinette, Harpe (duo)
3
Flûte, trombone et piano
3
Clarinette, trompette et piano
2
Saxophone, Tuba (duo)
2
Flûte traversière, Basse continue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois, Violon, Piano
2
Flûte, alto et harpe
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Orchestre
1
Saxophone, Basson (duo)
1
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Violon
1
Hautbois, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Flûte à bec, Guitare (duo)
1
Flûte, Tuba (duo)
1
Flûte à Bec, Piano
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2194
Trombone (partie séparée)
1347
Trombone et Piano
1251
Trombone
1251
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1181
2 Trombones (duo)
650
Quatuor de Cuivres: 2 trompettes, Cor, trombone
539
Quatuor de Cuivres
393
Trompette
372
Trompette (partie séparée)
356
Trompette, Trombone (duo)
355
Trompette, Piano
351
Quatuor de cuivres: 4 trombones
311
Cor et Piano
296
Trompette, Saxophone (duo)
254
2 Trompettes (duo)
199
Ensemble de Trombones
198
Cor
184
Tuba
170
Tuba et Piano
148
Euphonium, Piano (duo)
127
Ensemble de Trompettes
104
Cor (partie séparée)
101
2 Cors (duo)
91
3 Trombones (trio)
85
Cor anglais, Piano
84
Tuba (partie séparée)
75
Trio de Cuivres
66
2 Tubas (duo)
44
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
38
Instruments en Sib
36
Bass Clef Instruments
36
Euphonium
32
Trombone, Tuba (duo)
31
2 Euphoniums et 2 Tubas
30
2 Euphoniums (duo)
28
Trombone basse
26
Ensemble de Cors
25
Quatuor de cuivres: 2 trompettes, 2 trombones
25
4 Tubas
20
Cor Anglais
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 4 trompettes
17
Trombone basse et Piano
17
Trombone, Orgue
16
Euphonium, Tuba (duo)
16
Trombone, Cor (duo)
16
Trompette, Trombone, Piano
15
Trompette, Basson (duo)
13
Trombone, Violon (duo)
10
Cor, Violoncelle (duo)
9
Trompette, Violoncelle (duo)
8
Cor anglais, Guitare (duo)
7
Cor et Basson (duo)
7
Tuba et Orgue
7
3 Tubas (trio)
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Trombones, Piano
4
Trompette, Tuba (duo)
4
3 Trompettes (trio)
4
3 Cors (trio)
4
Trombone et orchestre
3
2 Cors Anglais Et Pianoforte
3
Cor, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Cor et Orgue
2
3 Euphoniums
2
Cor, Trompette, Trombone (trio)
2
Trompette, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Trompette et Guitare
1
2 Cors, Piano
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1707
Violon et Piano
733
Violon
712
Violon, Violoncelle (duo)
597
Violoncelle, Piano
539
Harpe
443
Trio à Cordes: violon, alto, violoncelle
408
Alto, Piano
402
Violoncelle (partie séparée)
282
2 Violons (duo)
281
Quintette à cordes: 2 violons, alto, violoncelle, basse
277
Violon, Alto (duo)
239
2 Violoncelles (duo)
232
Alto seul
222
2 Altos (duo)
200
Violoncelle
183
Contre Basse
148
Contrebasse (partie séparée)
140
Contrebasse, Piano (duo)
127
Trio à Cordes: 2 violons, violoncelle
120
Violon (partie séparée)
87
Alto (partie séparée)
74
Alto, Violoncelle (duo)
67
4 Violoncelles
53
2 Harpes (duo)
40
2 Contrebasses (duo)
36
Violoncelle, Contrebasse (duo)
32
Violon, Guitare (duo)
32
Piano Trio: Violon, Alto, Piano
31
Trio à Cordes: 3 violoncelles
26
Ensemble de Violons
23
Quatuor à cordes: 4 violons
22
Trio à cordes: 3 violins
20
Ensemble d'Altos
20
Violoncelle , Guitare (duo)
20
Quatuor à cordes : 4 altos
19
Trio à cordes: 3 altos
14
Harpe, Voix
13
Harpe, Flûte (duo)
12
Trio à Cordes: 2 violons, alto
11
Violon, Basson (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto et Basson
10
Alto, Guitare (duo)
9
Flûte, Contrebasse (duo)
7
Trio à cordes
6
Harpe, Violon (duo)
6
Harpe, Trombone (duo)
5
Violoncelle, Orgue
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
4
4 Contrebasses
4
Violon, Clarinette, Piano (trio)
3
Alto et Harpe
3
3 Harpes
3
Ensemble de Violoncelles
3
2 Violons, Piano
3
Harpe et Piano
2
Harpe, Violoncelle (duo)
2
Alto et orchestre
2
5 Harpes
2
Harpe (partie séparée)
1
3 Contrebasses
1
4 Harpes
1
Harpe et mandoline
1
Violon, Basse continue
1
2 Violoncelles, Piano
1
Violon, Tuba (duo)
1
Harpe, Quatuor à cordes
1
Autoharp
1
Violoncelle, Orchestre
1
Violoncelle, Basse continue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4261
Ensemble Jazz
1105
Orchestre
929
Orchestre à Cordes
808
Ensemble de cuivres
745
Orchestre de chambre
312
Cloches
307
Jazz combo
234
Fanfare
200
Ensemble de Percussions
165
Batterie (partie séparée)
118
Batterie
110
Percussion (partie séparée)
69
Xylophone
58
Marimba
51
Xylophone, Piano
50
Percussion
25
2 Xylophones
21
Vibraphone
17
Ensemble d'École
8
Instrumentation Flexible
5
Xylophone ou Marimba ou Vibraphone
4
Orchestre, Violon
3
Vibraphone et Marimba
3
Piano et Orchestre
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
2
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Bongos
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Marimba ou Xylophone et Piano
1
Quintette à Vent
1
Big band
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
4
Vous avez sélectionné:
All For One
Piano seul
Partitions à imprimer
3 708 partitions trouvées
<
1
26
51
....
3701
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.57 €
#
Piano seul
#
John Hatton
#
Paul Thurmond
#
Jesus Shall Reign Where'er the Sun
#
Paul Thurmond
#
SheetMusicPlus
Audacious Binary Forms for Pianist (one or two pianos)
Piano seul
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Centur…
(+)
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00
18.32 €
#
Piano seul
#
Paul Copeland
#
Audacious Binary Forms for Pianist
#
Paul Copeland
#
SheetMusicPlus
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Ha…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
5.49 €
#
Piano seul
#
Charles-Louis Hanon
#
Martin Woodward
#
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
#
Martin Woodward
#
SheetMusicPlus
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach an…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by VÃkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso VÃkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1ï¸âƒ£ **Masterful Interpretation:** VÃkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2ï¸âƒ£ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3ï¸âƒ£ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀🎠Limited-Time Offer:Order now and receive exclusive access to a video tutorial by VÃkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$6.99
6.4 €
#
Piano seul
#
Johann Sebastian Bach and VÃkingur Ólafsson
#
Flavio Regis Cunha
#
J.S. Bach: Goldberg Variations, BWV 988: Var. 15
#
Flavio Regis Cunha
#
SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.66 €
#
Piano seul
#
Heidi Savoie
#
Heidi Savoie
#
Almost May for Piano Solo
#
Heidi Savoie
#
SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
10.99 €
#
Piano seul
#
Joseph Dillon Ford
#
Three Chromicons for piano solo
#
David Warin Solomons
#
SheetMusicPlus
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa So…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
1.83 €
#
Piano seul
#
Juan MarÃa Solare
#
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
#
Juan Maria Solare
#
SheetMusicPlus
Embracing the Comfort Zone [piano solo]
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.1270300 By Iannis Eralos. By Juan M…
(+)
Easy Piano - Level 2 - Digital Download SKU: A0.1270300 By Iannis Eralos. By Juan MarÃa Solare. 21st Century,Classical,Contemporary,Instructional,New Age. Score. 5 pages. Juan Maria Solare #862734. Published by Juan Maria Solare (A0.1270300). Juan MarÃa Solare: Embracing the Comfort Zone, for piano solo [en Castellano debajo]Tons of motivational speeches suggest, or rather order, to leave the comfort zone in order to achieve success. I dare to relativize this idea. In the comfort zone, one feels safe and in control. It is the realm of mastery, the place where we perform at our best. When in your comfort zone we can carry out tasks with ease and precision. Discomfort is not a measure of growth. Stress hampers creativity. While stress might be necessary in some situations to combat stagnation, life itself constantly pushes us outside our comfort zone.The comfort zone is not the enemy, it's not a trap. Instead, it can be our ally, a place where we can safely build with a solid foundation. And if you have the feeling it's not large enough, you can expand it.Oh, I forgot to mention that this is a quiet piano piece! In neoclassical style.Find the audio here: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Germany, 25 July 2023Montones de discursos motivacionales sugieren, o más bien ordenan, abandonar la zona de confort para alcanzar el éxito. Me atrevo a relativizar esta idea. En la zona de confort uno se siente seguro y en control. Es la región de la maestrÃa, el lugar donde rendimos al máximo. En la zona de confort podemos realizar tareas con facilidad y precisión. La incomodidad no es un baremo del crecimiento. El estrés obstaculiza la creatividad. Aunque el estrés pueda ser necesario en algunas situaciones para combatir el estancamiento, ya la vida misma nos empuja constantemente fuera de nuestra zona de confort.La zona de confort no es el enemigo, no es una trampa. En cambio, puede ser tu aliada, un lugar donde se puede construir en seguridad y con bases sólidas. Y si uno siente que no es lo suficientemente grande, se la puede expandir.¡Ah, se me olvidó mencionar que esta es una calma pieza para piano! En estilo neoclásico.Hallen la música aquÃ: https://gyro.to/EmbracingtheComfortZoneJuan MarÃa SolareWorpswede, Alemania, 25 de julio de 2023.
$2.00
1.83 €
#
Piano seul
#
Iannis Eralos
#
composer href=http://www
#
Embracing the Comfort Zone [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Carson Cooman: Biblicals: Concerto for Solo Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95
15.53 €
#
Piano seul
#
Carson Cooman
#
Carson Cooman: Biblicals: Concerto for Solo Piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Cornus - A Fantasy Ballade for Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.942946 Composed by Aris Antoniades.…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris Antoniades (A0.942946). Cornus - A Fantasy Ballade for Piano, composed by Aris Antoniades.Cornus is the name of the forest that surrounds the Army Unit I was stationed at, during the first year of my military service back in my homeland, Cyprus. The magical sounds of nature and the myths surrounding this forest were what kept me company during many cold, endless nights of sentry guard duty. On such nights, I would often let my imagination soar, making up stories and music. It was during one of those moments of spontaneous inspiration that I came up with the opening motif for this piece.The piece tries to musically depict the different feelings a questing knight experiences when he sets off into the depths of the forest and back. Just like all typical chivalric romances, the hero discovers something remarkable while he travels - something that has the power to change him forever. Although by the end of the story the hero returns back to where he started, he is now a different person since the adventure forced him to undergo a catharsis.
$12.95
11.86 €
#
Piano seul
#
Aris Antoniades
#
Cornus - A Fantasy Ballade for Piano
#
Aris Antoniades
#
SheetMusicPlus
Misfortune
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1024623 Composed by Reed Benson. Co…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1024623 Composed by Reed Benson. Contemporary. Score. 2 pages. Reed Benson #4613629. Published by Reed Benson (A0.1024623). Misfortune is my final theory project of my community college experience, and honestly, I had fun in community college but I can't wait for the future opportunities that will come to me. Anyways, about the piece, This piece is my second project out of three and unfortunately you guys won't be able to see the third project unless if I figure out how to write it in Finale. This project is all a Twelve-Tone composition written in Piano while my third project is an Indeterminacy. I never really been a fan of Twelve-Tone music because I always thinks it sounds really ugly so that is why I had the idea to call it Misfortune, symbolizing depression or bad luck. Misfortune can be a good solo piece and in my opinion, it is an easy piece to practice. The total length of the piece is 2:48 and this is open for anyone to purchase and perform.Anyways, that is really all I have to say about the piece. If you all enjoyed this, please make sure to let me know. All feedback of any kind is greatly appreciated. Thank you all so much and have a great night.Written in Finale V25 Email Me: reedbensoncompositions@gmail.com SoundCloud: https://soundcloud.com/reed-bensonFacebook: www.facebook.com/reedbensoncompositions/ Instagram: www.instagram.com/reed_benson_compositions/?hl=en Twitter: twitter.com/reedbenson2015.
$4.00
3.66 €
#
Piano seul
#
Reed Benson
#
Misfortune
#
Reed Benson
#
SheetMusicPlus
alt.Callahans Reel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
6.87 €
#
Piano seul
#
Tim Fatchen
#
alt.Callahans Reel
#
Flying Tadpole Productions
#
SheetMusicPlus
Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson (for Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Classical,Easter,Wedding. Score. 4 pages. Flavio Regis Cunha #6671021. Published by Flavio Regis Cunha (A0.597593). Bach: Aria from Goldberg Variations, BWV 988 as played by VÃkingur Ólafsson (for Piano).AdvancedFormat: Concert, 9 x 12 inches4 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Acclaimed for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, a leading pianist and contemporary musical genius, now takes on the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is dedicated entirely to a global tour across six continents, with the eagerly awaited album slated for release in October 2023 on Deutsche Grammophon. Ólafsson shares, I have harbored the dream of recording this piece for 25 years.This album follows the resounding success of Ólafsson’s 2018 DG recording of Johann Sebastian Bach's works, which not only clinched BBC Music magazine’s Album of the Year but also secured Opus Klassik’s Solo Recital award and several other recording of the year accolades. Such achievements led to his well-deserved recognition as Gramophone magazine’s Artist of the Year. Now, Ólafsson directs his distinctive musical vision and meticulous recording finesse toward Bach’s masterpiece, embarking on his first complete work recording, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson sets forth on a Goldberg Variations world tour, gracing renowned concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, to name a few.Reflecting on the profound impact of the Goldberg Variations, Ólafsson comments, “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, brilliantly employ counterpoint, and evoke exalted poetry, abstract contemplation, and deep pathos – all within meticulously crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.â€This score has been painstakingly reedited. We offer here a clear edition, with indications of ornaments based on the edition by Bärenheiter, 1977.Listen to VÃkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/.
$5.99
5.49 €
#
Piano seul
#
Johann Sebastian Bach and VÃkingur Ólafsson
#
Flavio Regis Cunha
#
Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson
#
Flavio Regis Cunha
#
SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.57 €
#
Piano seul
#
Ludwig van Beethoven, Cees Nieuwenhuizen
#
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
#
Upstream Music
#
SheetMusicPlus
Jacques Leguerney: Fantaisie in g minor for piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerne…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #2343073. Published by Musik Fabrik Music Publishing (A0.533316). Fantaisie en sol mineur pour pianoI. GraveII. ScherzandoIII. Bien allantDate de composition : 17 septembre 1945In 1945 Leguerney finished composition of the Fantaisie en sol mineur pour piano, written in three movements. He felt an â??extraordinary enthusiasmâ? for this piece, which he felt represented a departure from the current writing style for piano. He said in an interview with Patrick Choukroun in 1994 that â??I wanted to show that one could write lyrically for the piano. The piano music of Francis Poulenc lacked strength.â? The work was immediately performed in a private concert at the home of the Countess Jean de Polignac by the French pianist Monique Haas (1909-1987) in December 1945. The fact that she waschosen to perform Leguerneyâ??s Fantaisie is a key to the style of this work which Leguerney felt emulated the expressive force of Cesar Franckâ??s works. Haas was a distinguished concert artist, especially known for her performances of 20th century music, with which she toured worldwide. French pianists of her generation tried to avoid the excess of the â??romanticâ? school and strove for cleanness and precision with a warm tone color reflecting the influence of Alfred Cortot.Leguerney remembers that both Poulenc and Henri Sauguet were present at this private concert, but he noted that they did not comment about his piece. He felt it was obvious that his Fantaisie was â??far from the habitual level of piano musicâ? being composed at that time. These post-war years were Leguerneyâ??s most productive period. In addition to the Fantaisie, hecomposed the Sonatine pour violin et piano, the Quatuor à cordes, and many fine songs including the cycle Sept Poèmes de François Maynard. The 1940s finished with the composition of his first ballet, Endymion. The first public performance of the Fantaisie was given by Stéphane Petit-Jean in the Cloître Saint-Sauveur at the Festival of Aix-en-Provence on July 28, 1988 during a recital for Radio France that included songs of Leguerney interpreted by Nathalie Stutzmann. The concert was laterbroadcast as Une heure avec . . . Jacques Leguerney and also included the song cycles Sept Poèmes de François Maynard, La Nuit and Le Carnaval.The work is dedicated to Jean Fonda, the stage name of Jean-Pierre Fournier. He was the son of the famed French cellist Pierre Fournier. Before the performance at Aix-en-Provence, Leguerney showed the score of the Fantaisie to Fonda, who encouraged him to have it performed. It is possible that the dedication was made at this time.
$23.95
21.94 €
#
Piano seul
#
Jacques Leguerney
#
Jacques Leguerney: Fantaisie in g minor for piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1258165 Composed by Wolfgang Amadeu…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1258165 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Score. 1 pages. Darek #851411. Published by Darek (A0.1258165). Rondo Alla Turca (MEDIUM PIANO) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Intermediate arrangement for pianists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. Intermediate version / Intermadiate arrangement for pianists. Included: Fingering, Dynamics and video youtube tutorial. Â Immerse yourself in the captivating world of classical piano with our meticulously crafted sheet music for Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331. Tailored for intermediate pianists, this sheet music edition presents a thrilling challenge that will elevate your skills and expand your repertoire. Experience the brilliance of Mozart as you navigate through this iconic composition from the Classical era. Our carefully annotated sheet music includes precise fingering instructions, providing you with expert guidance on hand placement and technique. With our comprehensive notation of dynamics, you'll be able to bring out the subtle nuances and expressive qualities that define this captivating piece. To enhance your learning experience, we offer an invaluable YouTube tutorial accompanying our sheet music. Delivered by a seasoned pianist, this video tutorial offers in-depth insights and techniques that will help you refine your interpretation and master the challenges presented by Rondo Alla Turca. Embrace the opportunity to explore the depths of Mozart's genius and immerse yourself in the rhythmic allure of this renowned composition. Our sheet music package is meticulously curated to cater specifically to intermediate pianists, striking the perfect balance between challenge and accessibility. Expand your musical horizons as you conquer the technical demands and interpretive choices within Rondo Alla Turca. Delve into the intricacies of Mozart's composition, honing your skills and experiencing the profound beauty of his music firsthand. Position yourself as an accomplished pianist by embracing the challenge of mastering Rondo Alla Turca at an intermediate level. With our exceptional sheet music, you'll embark on a fulfilling journey of growth and refinement, unlocking new dimensions of musical expression. Discover the joy of performing one of Mozart's most beloved compositions, carefully arranged for intermediate pianists. Our sheet music provides the ideal platform for you to showcase your skill and artistry, paying homage to the genius of Mozart and the timeless beauty of classical music. Don't miss the chance to elevate your piano playing to new heights. Embrace the complexity, the beauty, and the artistry of Mozart's Rondo Alla Turca with our expertly crafted sheet music package, complete with fingering, dynamics, and an enlightening YouTube tutorial. Start your musical journey today and unlock the hidden treasures of this extraordinary composition.
$2.00
1.83 €
#
Piano seul
#
Wolfgang Amadeus Mozart
#
Darek
#
Rondo Alla Turca
#
Darek
#
SheetMusicPlus
J.S. Bach: Goldberg Variations, BWV 988: Var. 30 (as played by Víkingur Ólafsson) for Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1370060 By Johann Sebastian Bach an…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1370060 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954434. Published by Flavio Regis Cunha (A0.1370060). J.S. Bach: Goldberg Variations, BWV 988: Var. 30 (as played by VÃkingur Ólafsson) for PianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 2 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$5.99
5.49 €
#
Piano seul
#
Johann Sebastian Bach and VÃkingur Ólafsson
#
Flavio Regis Cunha
#
J.S. Bach: Goldberg Variations, BWV 988: Var. 30
#
Flavio Regis Cunha
#
SheetMusicPlus
Glide Zone
Piano seul
Piano - Level 5 - Digital Download SKU: A0.1233950 By Bradley Sowash. By Bradley So…
(+)
Piano - Level 5 - Digital Download SKU: A0.1233950 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 225. Bradley Sowash #829509. Published by Bradley Sowash (A0.1233950). From Bradley Sowash’s “In the Moment†solo piano recorded album and associated sheet music (also available here).Two steps forward, one backThis one was inspired by my love of sailing. Glide zone is a nautical term referring to a sweet spot where the boat achieves maximum forward motion with minimum side slippage. Like most anything worth doing, there is an elusive delicacy to finding it. To get at this fact of life musically, I built in several false starts before it really gets going.Learn more about this artist at https://bradleysowash.com.
$1.99
1.82 €
#
Piano seul
#
Bradley Sowash
#
Glide Zone
#
Bradley Sowash
#
SheetMusicPlus
In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1257927 Composed by Edvard Grieg. A…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1257927 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 4 pages. Darek #851163. Published by Darek (A0.1257927). In The Hall Of The Mountain King (HARD PIANO) from Peer Gynt [Edvard Grieg]Advanced arrangement for pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Difficult arrangement of music song / advanced verison for pianists. Included: Fingering, Dynamics, video youtube tutorial. Embark on a thrilling musical journey with our advanced-level piano sheet music for Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt. Designed for seasoned pianists seeking a formidable challenge, this sheet music will push the boundaries of your technique and musicality.This masterpiece from the Romantic era showcases Grieg's genius in crafting intense and dramatic compositions. As you delve into this advanced-level arrangement, you'll experience the full power and intricacy of In The Hall Of The Mountain King.Our meticulously crafted sheet music includes detailed fingering suggestions and dynamic markings, providing invaluable guidance to navigate the complex passages and expressively interpret the music. These elements are crucial in capturing the essence of Grieg's composition and conveying the hauntingly suspenseful atmosphere.To support your musical growth and ensure a comprehensive learning experience, we provide a high-quality video YouTube tutorial alongside the sheet music. This tutorial, led by an expert pianist, dissects the piece into manageable sections and offers invaluable insights into interpretation and technique.By offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience. In The Hall Of The Mountain King is an ideal choice for those seeking to expand their repertoire with a demanding yet captivating composition.As an advanced pianist, you understand the importance of investing in high-quality resources. Our advanced-level sheet music is meticulously crafted to meet the demands of virtuoso performers, ensuring a seamless and authentic rendition of Grieg's masterpiece.Elevate your playing and captivate your audience with the complexity and grandeur of In The Hall Of The Mountain King. This advanced-level sheet music opens the door to a world of musical expression, allowing you to showcase your technical prowess and artistic interpretation.The era of Romantic music holds a special place in the hearts of music enthusiasts worldwide, and Grieg's In The Hall Of The Mountain King is a timeless gem from this period. As you delve into this composition, you'll become immersed in the rich harmonies and emotional depth that define the Romantic era.To position yourself for success as an advanced pianist, it's crucial to challenge yourself with repertoire that showcases your skills and musical maturity. Our advanced-level sheet music for In The Hall Of The Mountain King provides the perfect platform for you to demonstrate your virtuosity and command over the instrument.Choose our advanced-level sheet music for In The Hall Of The Mountain King to embark on an extraordinary musical journey. With its meticulous attention to detail, including fingering suggestions, dynamic markings, and a video YouTube tutorial, this sheet music equips you with the tools to conquer the challenges of Grieg's iconic composition.Invest in your musical growth and artistic expression today. Purchase our advanced-level sheet music for In The Hall Of The Mountain King and discover the satisfaction of mastering a truly remarkable piece. Unleash your full potential as an advanced pianist and immerse yourself in the majesty of Grieg's timeless composition.
$5.00
4.58 €
#
Piano seul
#
offering advanced-level sheet music, we cater to the needs of accomplished pianists who crave a challenging and rewarding musical experience
#
Edvard Grieg
#
Darek
#
In The Hall Of The Mountain King
#
Darek
#
SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
(+)
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
10.08 €
#
Piano seul
#
Juan María Solare
#
Numbered Places [11 pieces for piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Ren…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99
7.32 €
#
Piano seul
#
Renee Hyche McKee
#
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
#
Renee H. McKee
#
SheetMusicPlus
Round Me Falls the Night [Piano Accompaniment in E Minor]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1374095 By Stacey Plays Hymns. By S…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1374095 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Anastace #958669. Published by Anastace (A0.1374095). Here is the full piano accompaniment version in an easier key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking the artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in F Minor [original key]Lead sheet in F MinorLead sheet in E Minor Easy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.66 €
#
Piano seul
#
Stacey Plays Hymns
#
Anastace
#
Round Me Falls the Night [Piano Accompaniment in E Minor]
#
Anastace
#
SheetMusicPlus
Round Me Falls the Night [Piano Accompaniment F Minor]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1374089 By Stacey Plays Hymns. By S…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1374089 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Early Music,Praise & Worship,Religious,Sacred. Score. 3 pages. Anastace #958661. Published by Anastace (A0.1374089). Here is the full piano accompaniment version in the original key of my arrangement of Round Me Falls the Night, as heard on YouTube. This beautiful evening hymn is a perfect pairing of a solemn, contemplative melody with uplifting, scriptural lyrics that remind us of the hope we have in Christ, in this life and the next. I found this song in a very old hymnbook, so old that you could feel the raised print on the page, and loved the lyrics so much! However, I felt that a minor melody would suit it in a really special way, so I rewrote it with new choral harmonization using a mixture of minor modes to match the evening mood of the song. This piece works well as a choir anthem for evensong, funerals, or for any more contemplative, low-key service, and is written in a comfortable, singable range for everyday singers. It works well either with a soft organ or keyboard/pad accompaniment or a capella, to showcase the rich vocal harmony reminiscent of Elaine Hagenburg or John Rutter.Also available, by clicking the artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano accompaniment in E Minor [easier key]Lead sheet in F MinorLead sheet in E Minor Easy Lead sheet in E Minor [for guitar or more beginner pianists]For other formats including large print or organ versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.66 €
#
Piano seul
#
Stacey Plays Hymns
#
Anastace
#
Round Me Falls the Night [Piano Accompaniment F Minor]
#
Anastace
#
SheetMusicPlus
Finally what s remain is only ma blues
Piano seul
Piano - Digital Download SKU: A0.1072499 Composed by Valerio Luciano Bagarella. Blu…
(+)
Piano - Digital Download SKU: A0.1072499 Composed by Valerio Luciano Bagarella. Blues. Full Performance. Duration 216. Valerio Bagarella #3141459. Published by Valerio Bagarella (A0.1072499). Finally ... what s remain is only my blues.There are things we can have, things that we can obtain,Efforts done for something and efforts done for nothing.This it s what happen with you sweety girl...All my rushing for nothing.....And after this , really I feel to growin older.it remain only a taste of you, the good souvenir of good times spent together and my usual bastard bluesstill jumping on my sholdersand knocking hard my head......
$3.00
2.75 €
#
Piano seul
#
Valerio Luciano Bagarella
#
Finally what s remain is only ma blues
#
Valerio Bagarella
#
SheetMusicPlus
Prélude for Left Hand Alone
Piano seul
Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrympl…
(+)
Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.66 €
#
Piano seul
#
Stephen R Dalrymple
#
Edited by Stephen R Dalrymple
#
Prélude for Left Hand Alone
#
Stephen R Dalrymple
#
SheetMusicPlus
<
1
26
51
....
3701
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
