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Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.51 €
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Piano seul
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Hommages IV. L'océan {The Ocean}
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. David Fraser #968434. Published by David Fraser (A0.1384073). The fourth piece David Fraser wrote, â??L'océan' {The Ocean}, dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.This is the full version of â??L'océan' which is the fourth piece from 'Hommages: Suite pour le Piano'. 40 pages. ISMN 979-0-800277-00-9.
$9.99
9.16 €
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Piano seul
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David Fraser
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Hommages IV. L'océan {The Ocean}
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David Fraser
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SheetMusicPlus
Three Homages [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare 
$3.00
2.75 €
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Piano seul
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Juan MarÃa Solare
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Three Homages [piano solo]
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Juan Maria Solare
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SheetMusicPlus
2020
Piano seul
Piano Solo - Digital Download SKU: A0.818506 Composed by Thomas Ling Swee Chin. 20t…
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Piano Solo - Digital Download SKU: A0.818506 Composed by Thomas Ling Swee Chin. 20th Century,Contemporary. Score. 3 pages. Thomas Swee Chin #6212083. Published by Thomas Swee Chin (A0.818506). A piece to remember the strange year 2020, when the whole world is brought to its knee by an invisible virus. It starts with slightly dissonant chords held for full bars. Hold the damper pedal for the intended effect - suspenseful and mysterious. The main body is tonal in nature with occasion interruptions of the opening dissonant chords. It ends in a major chord nonetheless with the allusion to the Hallelujah chorus at the end. All is not lost. We shall yet overcome. The almighty works his mysterious way through it all, as in the past. .
$4.99
4.58 €
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Piano seul
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Thomas Ling Swee Chin
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2020
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Thomas Swee Chin
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SheetMusicPlus
The Antarctic Also Exists [piano]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596531 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596531 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Latin. Score. 6 pages. Juan Maria Solare #3682611. Published by Juan Maria Solare (A0.596531). If you are interested in this piece, consider purchasing instead the whole album From a Window (10 piano pieces) for 7 dollars: https://www.sheetmusicplus.com/title/21308489?aff_id=565049The Antarctic Also Exists is a neoclassical piano prelude composed in Bremen, Germany, on 19 and 20 October 2017. Its duration is about 2'10, at a relatively middle-fast pace of 130 bpm. Resist the temptation of playing this piece much faster, you might lose control quite soon. The title is an allusion to Ludovico Einaudi's Elegy for the Arctic - no musical quotations and of course no derision. Just a reminder that the South also exists. After all, Yours Truly was born in Argentina. This piece has not been yet premiered at concert, however there is a studio recording (by the composer): The Antarctic Also Exists is part of the album From a window, on Spotify and all major (and some minor) streaming platforms and online shops.https://open.spotify.com/track/1c86QMgcND0PtVbVp1BGUd?si=TRw811U0Q0SO4Q_HLcPrNg Alternatively, listen on BandCamp: https://juanmariasolare.bandcamp.com/track/the-antarctic-also-exists
$2.00
1.83 €
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Piano seul
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Juan MarÃa Solare
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The Antarctic Also Exists [piano]
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Juan Maria Solare
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SheetMusicPlus
A Minor Blues
Piano seul
Piano - difficult - Digital Download SKU: S9.Q19871 (Rue du Sentier, 1778). …
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Piano - difficult - Digital Download SKU: S9.Q19871 (Rue du Sentier, 1778). Composed by Benjamin Schweitzer. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q19871. Published by Schott Music - Digital (S9.Q19871). The title may be read as an indication of the key and genre, on the one hand, but also as an allusion to a slightly depressive mood, on the other hand. Mozart's Piano Sonata in A minor which may have been created in the Parisian street mentioned in the subtitle virtually serves as background for this little, yet somewhat tricky piano piece. There are no direct quotations, but the dissonant chord from bar 2 of the sonata in A minor hovers in the background. Mosaic-like, slightly dabbed sound elements are regularly interrupted by brief, strong beats. Ambitious performers who want to explore new playing techniques will enjoy this piece as much as the audience.
$6.99
6.41 €
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Piano seul
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Benjamin Schweitzer
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A Minor Blues
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Schott Music - Digital
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SheetMusicPlus
Acuarelas junto al río inmóvil [5 piano pieces]
Piano seul
Piano Solo - Digital Download SKU: A0.596506 Composed by Juan MarÃa Solare. 20th…
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Piano Solo - Digital Download SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan Maria Solare #3363803. Published by Juan Maria Solare (A0.596506). Juan MarÃa Solare: Acuarelas junto al rÃo inmóvil (Watercolours alongside the still river) five nocturnes for piano solo The still river is the River Plate; the novelist Eduardo Mallea (1902-1982) refers to Buenos Aires as the city next to the still river, an allusion to its lack of haste. This cycle of piano pieces is a collection of five short nocturnes. The first four Acuarelas were composed in Buenos Aires between 9th and 12th April 2007, the fifth piece was conceived on 4th May and written down on 6th May 2007. All five pieces have practically the same formal structure. Concerning the musical language or style, I would classify this work under contemporary classical with interferences from modern jazz and new tango (imagine Astor Piazzolla listening to a recording of Thelonious Monk playing preludes of Alexander Scriabin). Single titles and approximate durations I - Bruma matinal (Morning Mist) [1'10] II - Flecha flotante (Floating Arrow) [1'00] III - Vaivén de los juncos (Sawying Reeds) [1'15] IV - Orilla urbana (Urban Shore) [2'00] V - Incandescencia estática (Static Incandescence) [0'45] ISWC (International Standard Musical Work Code): T-802.466.008-1 The Acuarelas were recorded by Juan MarÃa Solare in London on Friday 23rd May 2014. Recorded and Mixed by Eduard Muhaxheri Assistant Engineer: Matteo Dessi Grand piano Wendl & Lung Cover Art: Alban Low Label Janus Music & Sound (Bremen, Germany), JMS-004 More about the piece, also sound examples: http://www.juanmariasolare.com/CD_acuarelas_junto_al_rio_inmovil.html The recording of Acuarelas is on Spotify, Deezer, iTunes, amazon mp3, etc. https://open.spotify.com/album/1kVamUJLLSqbQnFURSpxYAVideo of the fourth piece,Orilla urbana: https://www.youtube.com/watch?v=usiEGpImyco
$4.00
3.67 €
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Piano seul
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Juan MarÃa Solare
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Acuarelas junto al río inmóvil [5 piano pieces]
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Juan Maria Solare
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SheetMusicPlus
Nocturne No. 2 - The night wasn't made for sleep
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1026386 Composed by Ramon Fernandes…
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Piano Solo - Level 3 - Digital Download SKU: A0.1026386 Composed by Ramon Fernandes. Contemporary,Instructional,Romantic Period. Score. 6 pages. Ramon Fernandes #6092605. Published by Ramon Fernandes (A0.1026386). This brief piano piece was made for those who love the night. Inspired by Chopin, it's great for anyone who wants to study their repertoire, but it's just beginning. Its title is an allusion to the phrase of a great Brazilian writer: Clarice Lispector, who says: 'the night was made to sleep'. But not for those who love a lovely nocturne. I hope you like it. My instagram is: @ramonmichelotto Hugs! (:
$3.99
3.66 €
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Piano seul
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Ramon Fernandes
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Nocturne No. 2 - The night wasn't made for sleep
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Ramon Fernandes
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SheetMusicPlus
León protegiendo a su cría [piano solo]
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.596632 Composed by Juan MarÃa So…
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Piano Solo - Level 2 - Digital Download SKU: A0.596632 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional. Score. 7 pages. Juan Maria Solare #6625865. Published by Juan Maria Solare (A0.596632). Juan MarÃa Solare León protegiendo a su crÃa (Lion protecting its cub) This short minimalist prelude for piano was composed in Bremen on 9 and 10 November 2021. It is minimalist in the aesthetic sense of the word: few elements, many repetitions, minimal variations. But not in the historical sense: traditional minimalism abounds in consonance, in quiet sonorities; this prelude is rather arid, not particularly consonant, and only a step away from irritation or fury. The work emerged as an elaboration of an improvisation for the Digitaler Adventskalender 2021 project of the Landesmusikrat Bremen. And the title is inspired by the doll of a lion with its cub that was given to me many years ago. This complements an allusion to the unique minimalism of Charlemagne Palestine, who tends to play his concerts surrounded by stuffed animals. Of course, the doll's innocent appearance is deceptive. See here for a video of the piece León protegiendo a su crÃa: https://www.youtube.com/watch?v=qXcmuibDpbo Juan MarÃa Solare Bremen, 22 November 2021
$2.00
1.83 €
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Piano seul
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Juan MarÃa Solare
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León protegiendo a su cría [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Sonata No. 5, op. 81
Piano seul
Instrumental Solo - Level 5 - Digital Download SKU: A0.1091262 Composed by Adrian G…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262). Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.
$12.99
11.91 €
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Piano seul
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Adrian Gagiu
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Piano Sonata No. 5, op. 81
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Adrian Gagiu
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SheetMusicPlus
Variations on a theme by Bach, op. 67
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1004687 Composed by Adrian Gagiu. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1004687 Composed by Adrian Gagiu. 20th Century,Baroque,Contemporary. Score. 20 pages. Adrian Gagiu #4297891. Published by Adrian Gagiu (A0.1004687). Ten Variations for piano in G major on the bass of the Aria from J. S. Bach's Goldberg Variations, beginning directly with the first variation, which includes the theme in the bass. Neoclassical composition, with some Neo-baroque hints due to the theme, and some subtle allusions to the other great variation cycle, Beethoven's Diabelli Variations. Most of the variations are treated in invertible counterpoint (of course made easier by a more relaxed harmonic language) and, while including all the notes of the theme, transform it a lot through various moods.
$10.95
10.04 €
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Piano seul
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Adrian Gagiu
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Variations on a theme by Bach, op. 67
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Adrian Gagiu
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SheetMusicPlus
Sonata Hymnica No. 5
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
8.71 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Claude Debussy: Petite Valse for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.534655 Composed by Claude Debuss /R…
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Piano Solo - Level 3 - Digital Download SKU: A0.534655 Composed by Claude Debuss /Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 4 pages. Musik Fabrik Music Publishing #5727025. Published by Musik Fabrik Music Publishing (A0.534655). Recorded by Nicolas Horvath for Grand Piano records (GP822)Together with other manuscript sketches from Debussy’s last productive summer of 1915, the Hotel Drouot sale in Paris, on 7 December 2004 included the start of an unknown piano piece. The 18-bar outline suggested a Petite Valse (‘Little Waltz’) in the accessible style of Debussy’s La Plus que lente of 1910, to which astute pianists will recognise passing allusions both during and at the end of my completion. The waltz is simply meant to be enjoyed by pianists seeking what might be termed a novelty by a great composer, as well as by its audience.
$7.95
7.29 €
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Piano seul
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Claude Debuss /Robert Orledge
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Claude Debussy: Petite Valse for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Capriccio Noir
Piano seul
Chamber Orchestra with Piano Solo - Digital Download SKU: IZ.OMW228 Composed by Dan…
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Chamber Orchestra with Piano Solo - Digital Download SKU: IZ.OMW228 Composed by Daniel Baldwin. Score and Parts. 68 pages. Imagine Music - Digital #OMW228. Published by Imagine Music - Digital (IZ.OMW228). 9 x 12 inches.Contours II is one possible continuation of the journey through a dream-scape, that started with Contours I - concrete, flash-like contrasting images merging into shadows, vague allusions and fragments of archetypes ….
$60.00
55.03 €
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Piano seul
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Daniel Baldwin
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Capriccio Noir
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Imagine Music - Digital
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SheetMusicPlus
Trayectoria [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596577 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596577 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. Score. 7 pages. Juan Maria Solare #4845611. Published by Juan Maria Solare (A0.596577). Trayectoria is the Spanish word for trajectory in the double sense of the flight path of a projectile or planet, or a person's life achievements. This 4-minute piece is a contemporary milonga (a musical genre strongly related to the tango). However, it has a harmonic peculiarity: the whole piece is based on a single chord (F sharp minor) from the beginning to the end. When the harmonic components are frozen, the melodic and rhythmical ones come easier to foreground. Connoisseurs will recognize some allusions to Sergei Prokofiev, Thelonious Monk, Alexander Scriabin & Co. Some advice for the performance: pay particular attention to the articulation. Generally speaking, articulation is disregarded as a secondary parameter, however it is as important as a correct diction and a clear pronunciation in theater or in movies. And particularly in Trayectoria ... some pieces can easily survive with an approximate articulation. This one wouldn't. Juan MarÃa Solare Trayectoria (Trajectory)contemporary milonga by Juan MarÃa Solare, performed by the composer (piano) at the church Vor Frue Kirke in Svendborg, Denmark, on 23 October 2015: https://www.youtube.com/watch?v=Q2VBYd5NE6U(more music on Spotify: https://play.spotify.com/artist/0sr00YxbHKRAruzYrJ6PEg )
$3.50
3.21 €
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Piano seul
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Juan MarÃa Solare
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Co.
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Trayectoria [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Five Piano Pieces
Piano seul
Piano - Digital Download SKU: S9.Q581437 Taken from the collection Twelve Clavie…
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Piano - Digital Download SKU: S9.Q581437 Taken from the collection Twelve Clavier pieces by Fanny Hensel née. Mendelssohn Bartholdy (first edition) (Hellwig-Unruh). Composed by Fanny Cecile Mendelssohn. Downloadable. Musikverlag Robert Lienau - Digital #Q581437. Published by Musikverlag Robert Lienau - Digital (S9.Q581437). German • English • French.It was Schlesinger, the publisher, predecessor of Robert Lienau, who was among the first to edit some of Fanny Hensel's compositions in her lifetime (op. 4 and 5 among others). The volume presented here takes up this tradition: it contains 5 pieces (plus critical commentary) - previously unpublished - taken from an album which Fanny Hensel had compiled for her brother, Felix Mendelssohn Bartholdy, and which she had copied by a writer. Fanny Hensel herself was an outstanding pianist. Her piano pieces are characterized by lyric and virtuoso moments as well as biographical hints and allusions. She is a composer worth discovering! Another first print containing 5 of her late piano pieces, dated 1843 and 1844, can be ordered with the number RL 40400.
$13.99
12.83 €
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Piano seul
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Fanny Cecile Mendelssohn
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Five Piano Pieces
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Toccata tangabile [piano]
Piano seul
Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st C…
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Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Graduation. Score. 9 pages. Published by Juan Maria Solare
This composition was born in order to be used as obligatory piece in a piano competition.As such, it has to have very specific characteristics: not to be too long, to presenta minimum degree of technical and aesthetic difficulty, but also achieving thatdelicate sweet spot in which the technical difficulty is musically justified; i.e.,that no pianist feels that they are wasting their time while studying it (oreven worse: that they have the impression of being studying an exercise).<br> <br> The piano competition involved was the Segundo concurso nacional de piano 'festival de pianistas', basedin the city of Mar del Plata, Argentina.<br> <br> In the adjective "tangabile" (a neologism that resembles "cantabile")is a hidden allusion to Astor Piazzolla's pieces Allegro tangabile or Moderatotangabile. Of course, tangabile implies "related to tango"<br> <br> This is a video of the presentation of Daniel Álvarez Veizaga during that competition. The event tookplace at the Centro Cultural Victoria Ocampo “Villa Victoria”, Mar del Plata,Provincia de Buenos Aires, Argentina. Piano Kawaii RX5.<br> <br> https://www.youtube.com/watch?v=BfClIaFgBBIThis composition was born in order to be used as obligatory piece in a piano competition.As such, it has to have very specific characteristics: not to be too long, to presenta minimum degree of technical and aesthetic difficulty, but also achieving thatdelicate sweet spot in which the technical difficulty is musically justified; i.e.,that no pianist feels that they are wasting their time while studying it (oreven worse: that they have the impression of being studying an exercise).<br> <br> The piano competition involved was the Segundo concurso nacional de piano 'festival de pianistas', basedin the city of Mar del Plata, Argentina.<br> <br> In the adjective "tangabile" (a neologism that resembles "cantabile")is a hidden allusion to Astor Piazzolla's pieces Allegro tangabile or Moderatotangabile. Of course, tangabile implies "related to tango"<br> <br> This is a video of the presentation of Daniel Álvarez Veizaga during that competition. The event tookplace at the Centro Cultural Victoria Ocampo “Villa Victoria”, Mar del Plata,Provincia de Buenos Aires, Argentina. Piano Kawaii RX5.<br> <br> https://www.youtube.com/watch?v=BfClIaFgBBI
$2.50
2.29 €
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Piano seul
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Juan María Solare
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Toccata tangabile [piano]
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Juan Maria Solare
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SheetMusicPlus
Desvaríos sobre "La botijuela" (Variations on "La botijuela")
Piano seul
Piano Solo - Advanced - Digital Download Composed by Manuel Matarrita. 21st Century, …
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Piano Solo - Advanced - Digital Download Composed by Manuel Matarrita. 21st Century, World, Folk, Latin. 18 pages. Published by Manuel Matarrita
Desvaríos sobre "La botijuela" - a set of variations of a Costa Rica song through Latin American dance rhythms.<br> Performance time: 13 mins aprox.<br> <br> Legend has it that the gamonales (landlords) used to keep their money in botijuelas (earthen jars) with the purpose of insuring it against the thieves. These jars were hidden in the thick walls or floors of the houses. As time went by, it so happened that the owners of the money usually forgot the place where they had hidden it and died without finding it. According to popular imagination, the soul of every person who dies having their money buried did not rest in peace until it was found. But on other occasions the owner of the money had been so greedy in life that, even after death, his spirit was still taking care of its capital, and lashed out against the person who dared to find it and take it away. To appease the spirit, it was necessary to invoke the sound of the dance "La botijuela", so that it would not take revenge and reveal the hiding place with the booty.<br> The work “Desvaríos sobre La botijuela" (Deliriums on “La Botijuela”) was inspired by this popular Costa Rican dance and legend. It is a really divertimento for solo piano, consisting of ten variations (or rather free reconstructions) of this Costa Rican folk dance. This musical theme is a danza criolla (creole dance), a rhythm that in Costa Rica is clearly related to other international dances such as habanera and contradanza. Some of the variations of this work make direct musical allusions to the style of composition of important figures of Latin American pianism, namely: Heitor Villa-Lobos, Manuel M. Ponce, Ignacio Cervantes, Astor Piazzolla, Ernesto Nazareth and Alberto Ginastera. Other variations, on the other hand, set rhythms present in the traditional musical imaginary of Costa Rica, even though they are not unique to the country. Such are the cases of rhythms such as pasillo, calypso, swing criollo (cumbia) and tambito. All these adaptations of the original theme are always made from a traditional tonal scheme. In this way, it demonstrates how a melody can be framed with extreme versatility in different rhythmic and stylistic patterns of the continent. That is why it is accurate to affirm that “Desvaríos on La botijuela" is a composition eminently Latin American.Desvaríos sobre "La botijuela" - a set of variations of a Costa Rica song through Latin American dance rhythms.<br> Performance time: 13 mins aprox.<br> <br> Legend has it that the gamonales (landlords) used to keep their money in botijuelas (earthen jars) with the purpose of insuring it against the thieves. These jars were hidden in the thick walls or floors of the houses. As time went by, it so happened that the owners of the money usually forgot the place where they had hidden it and died without finding it. According to popular imagination, the soul of every person who dies having their money buried did not rest in peace until it was found. But on other occasions the owner of the money had been so greedy in life that, even after death, his spirit was still taking care of its capital, and lashed out against the person who dared to find it and take it away. To appease the spirit, it was necessary to invoke the sound of the dance "La botijuela", so that it would not take revenge and reveal the hiding place with the booty.<br> The work “Desvaríos sobre La botijuela" (Deliriums on “La Botijuela”) was inspired by this popular Costa Rican dance and legend. It is a really divertimento for solo piano, consisting of ten variations (or rather free reconstructions) of this Costa Rican folk dance. This musical theme is a danza criolla (creole dance), a rhythm that in Costa Rica is clearly related to other international dances such as habanera and contradanza. Some of the variations of this work make direct musical allusions to the style of composition of important figures of Latin American pianism, namely: Heitor Villa-Lobos, Manuel M. Ponce, Ignacio Cervantes, Astor Piazzolla, Ernesto Nazareth and Alberto Ginastera. Other variations, on the other hand, set rhythms present in the traditional musical imaginary of Costa Rica, even though they are not unique to the country. Such are the cases of rhythms such as pasillo, calypso, swing criollo (cumbia) and tambito. All these adaptations of the original theme are always made from a traditional tonal scheme. In this way, it demonstrates how a melody can be framed with extreme versatility in different rhythmic and stylistic patterns of the continent. That is why it is accurate to affirm that “Desvaríos on La botijuela" is a composition eminently Latin American.
$10.95
10.04 €
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Piano seul
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Manuel Matarrita
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Desvaríos sobre "La botijuela"
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Manuel Matarrita
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SheetMusicPlus
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