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An Die Musik - Voice and Piano - D Major
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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GUITARE LAP ST…
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HARPE
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LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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An Die Musik - Voice and Piano - D Major
Piano seul
Partitions à imprimer
7 partitions trouvées
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1
Hélène de Montgeroult : Piano Sonata in F major, opus 1 no. 1
Piano seul
Piano Solo - Digital Download SKU: A0.507108 By Nicolas Horvath. By Hélènede …
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Piano Solo - Digital Download SKU: A0.507108 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical. Score. 17 pages. Published by Musik Fabrik Music Publishing (A0.507108). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romatnic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$11.95
11.02 €
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Piano seul
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montgeroult : Piano Sonata in F major, opus 1 no. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hélène de Montgeroult : Piano Sonata in Eb major, opus 1 no. 2
Piano seul
Piano Solo - Digital Download SKU: A0.507111 By Nicolas Horvath. By Hélènede …
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Piano Solo - Digital Download SKU: A0.507111 By Nicolas Horvath. By Hélènede Monteroult. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score. 18 pages. Published by Musik Fabrik Music Publishing (A0.507111). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romantic styles. She died in 1836 in Florence, Italy. Recorded for Grand Piano by Nicolas Horvath.
$11.95
11.02 €
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Piano seul
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Nicolas Horvath
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Paul Wehage (editor)
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Hélène de Montgeroult : Piano Sonata in Eb major, opus 1 no. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Biblicals: Concerto for Solo Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95
15.63 €
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Piano seul
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Carson Cooman
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Carson Cooman: Biblicals: Concerto for Solo Piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hélène de Montgeroult : Piece in Eb Major, Opus 3
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1365942 Composed by Helene de Montg…
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Piano Solo - Level 3 - Digital Download SKU: A0.1365942 Composed by Helene de Montgeroult. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score. 23 pages. Musik Fabrik Music Publishing #950280. Published by Musik Fabrik Music Publishing (A0.1365942). Hélène de Montgeroult was born into an aristocratic family in Lyon and studied piano with Nicolas Joseph Hüllmandel and Jan Ladislav Dussek. She married the Marquis de Montgeroult who died as an Austrian prisoner in 1793. Reportedly it was respect for her compositions that allowed her to survive the French Reign of Terror. A set of improvisations on La Marseillaise, performed for the Committee of Public Safety, earned her her freedom after she was imprisoned in the Revolution due to her aristocratic background. After her husband's death, Montgeroult took a position at the new Paris Conservatoire in 1795, the first female professor ever to be appointed there and taught for two years. She is considered to be an important bridge between the Classical and Romantic styles. She died in 1836 in Florence, Italy.
$12.95
11.94 €
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Piano seul
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Helene de Montgeroult
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Paul Wehage (édition)
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Hélène de Montgeroult : Piece in Eb Major, Opus 3
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Nine Preludes for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. C…
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Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95
23.92 €
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Piano seul
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Carson Cooman
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Carson Cooman: Nine Preludes for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gavotte en Rondeau
Piano seul
Piano - difficult - Digital Download SKU: S9.Q21932 Paraphrase of the 3 movement…
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Piano - difficult - Digital Download SKU: S9.Q21932 Paraphrase of the 3 movements from the Partita in E Major for Violin solo. Composed by Johann Sebastian Bach and Olli Mustonen. This edition: Sheet music. Hommage - piano - paraphrase. The Virtuoso Piano Transcription Series. Der finnische Pianist und Komponist Olli Mustonen nimmt das Bachsche Anfangsmotiv und formt daraus ein knappes, harmonisch stark verfremdetes, brillantes und hoch virtuoses Kabinettstück. Downloadable. Op. 8. Duration 1' 15. Schott Music - Digital #Q21932. Published by Schott Music - Digital (S9.Q21932). Key: E major.Ich schrieb diese kleine Paraphrase der Gavotte aus Bachs Partita in E-dur vor zwanzig Jahren. Eigentlich ist sie eine Art doppelte Hommage: auf der einen Seite ist es natürlich ein Tribut an J. S. Bach, dessen wundervolle, geniale Musik sicherlich als eine der höchsten Errungenschaften der Menschheit gelten muss. Auf der anderen Seite – etwas näher zu unserer Zeit hin – wollte ich meine Bewunderung für die virtuosen Pianisten des frühen 20. Jahrhunderts zeigen, deren unglaubliche Aufnahmen mich in den Bann gezogen hatten. Diese Meister der Tastatur – Josef Lhevinne, Sergej Rachmaninov and Josef Hofmann, um nur einige zu nennen – waren Magier und Hexenmeister, die ihr Publikum mit einer nicht enden wollenden Vielfalt an Zaubertricks in Staunen versetzen konnten, zuweilen als wenn sie die Zeit zwischen ihren Fingerspitzen anhielten und dabei die Zuhörer in eine andere Realität hinführten. (Olli Mustonen).
$11.99
11.05 €
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Piano seul
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Johann Sebastian Bach and Olli Mustonen
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Gavotte en Rondeau
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Schott Music - Digital
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SheetMusicPlus
Alles Aus Liebe
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1394803 By Die Toten Hosen. By Andr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1394803 By Die Toten Hosen. By Andreas Frege. Arranged by Adam Kempshall. Punk,Rock. Score. 5 pages. Adam Kempshall #978293. Published by Adam Kempshall (A0.1394803). Alles aus Liebe (All for Love) is a song by the German punk rock band Die Toten Hosen. It is the third single and the twelfth track from the album Kauf MICH!.This piano arrangement is of an intermediate level, in the key of C Major and containing some tricky 12/8 rhythms. About 4 and a half minutes in length and great for your next punk rock performance!„Alles aus Liebe“ ist ein Lied der deutschen Punkrockband Die Toten Hosen. Es ist die dritte Single und der 12. Titel des Albums „Kauf MICH!“.Dieses Arrangement für Klavier eignet sich für Musiker mit etwas Erfahrung. Das Stück ist in C-Dur geschrieben und einigen Stellen kann der 12/8-Takt jedoch knifflig sein. Länge: ca. 4:30 Minuten. Perfekt für dein nächstes Punk-Konzert!
$4.99
4.6 €
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Piano seul
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Die Toten Hosen
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Adam Kempshall
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Alles Aus Liebe
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Adam Kempshall
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SheetMusicPlus
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An Die Musik - Voice and Piano - D Major
