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Anthony Bannach Music
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Vous avez sélectionné:
Anthony Bannach Music
Piano seul
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Prelude in g minor Op. 3
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Piano seul
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Classique
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Anthony Bannach
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Prelude in g minor Op. 3
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Anthony Bannach Music
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SheetMusicPlus
Composed by Anthony Bannach. 21st Century, 20th Century, Romantic Period. Score. 7 pages. Published by Anthony Bannach Music (S0.41047). - Score - 21st Century...
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Composed by Anthony Bannach. 21st Century, 20th Century, Romantic Period. Score. 7 pages. Published by Anthony Bannach Music (S0.41047). - Score - 21st Century,20th Century,Romantic Period - Anthony Bannach Music
$2.00
3 Preludes for a Quarantine for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published...
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Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00
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