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As Summer Calls - Violin
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ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CLOCHES
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CORNET
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
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Vous avez sélectionné:
As Summer Calls - Violin
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
As Summer Calls Accompaniment Track
Piano seul
Piano - Digital Download SKU: A0.1063585 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1063585 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Latin,Pop,Wedding. Full Performance. Duration 150. James M Stevens Music ASCAP #6922285. Published by James M Stevens Music ASCAP (A0.1063585). This is the accompaniment track for Stevens' As Summer Calls which may be used for various instrumental solos.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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As Summer Calls Accompaniment Track
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James M Stevens Music ASCAP
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SheetMusicPlus
As Summer Calls - Piano with added orchestration
Piano seul
Piano - Digital Download SKU: A0.1063583 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1063583 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Latin,Pop,Wedding. Full Performance. Duration 150. James M Stevens Music ASCAP #6921877. Published by James M Stevens Music ASCAP (A0.1063583). This is the piano and added orchestration demonstration recording of Stevens' As Summer Calls.
$2.99
2.74 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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As Summer Calls - Piano with added orchestration
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James M Stevens Music ASCAP
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SheetMusicPlus
As Summer Calls
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1042186 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1042186 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Film/TV,New Age,Pop,Wedding. Score. 4 pages. James M Stevens Music ASCAP #646988. Published by James M Stevens Music ASCAP (A0.1042186). Written May 30, 2022, this is an original piano composition with added orchestration on the recording. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide on platforms such as Spotify, Pandora, Amazon, Apple, and others.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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As Summer Calls
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James M Stevens Music ASCAP
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SheetMusicPlus
All Things Bright and Beautiful Intermediate Piano Solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1417986 Composed by Louis Spohr. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1417986 Composed by Louis Spohr. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #999537. Published by Amanda Tero (A0.1417986). Experience a new take on the classic All Things Bright and Beautiful with this intermediate piano solo sheet music. Great for church performances or recitals, this piece includes vibrant chords and a touch of Impressionistic flair.The intermediate piano solo of All Things Bright and Beautiful starts with a gentle and reflective first verse, transitions into a fuller second verse, and then moves to a rich third verse that echoes the style of Impressionist music.I arranged All Things Bright and Beautiful intermediate piano solo in a modern style with a lot of seventh chords and hints of dissonance to add depth instead of being simplistic. It progresses from a rhythmically simple first verse into a more developed second verse then builds with a modulation and sixteenth notes for the third verse before returning to a serene setting similar to the introduction.For church services, recitals, and spring/summer music events, All Things Bright and Beautiful intermediate piano solo will capture the listeners and give them a new experience with a beloved favorite.Similar in level to most Level 3-4 piano curricula and ABRSM Level 4.The basic format of All Things Bright and Beautiful intermediate piano solo is: introduction, verse, interlude, verse, modulation, verse ending.5 pages. Keys of F major and G major.Approx. 3:45 performance time. Musical Elements In All Things Bright and Beautiful intermediate piano solo Sheet Music Keys of F major, G major Time signature: 6/8 Tempo: slow, reflective Tempo change midway Note values: dotted half notes, dotted quarter notes, dotted eighth notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef D2 to F5, treble clef B3 to B4 Ledger lines (up to 3 lines) Left hand in treble clef (4 measures) Fermatas Ties Practice Tips for All Things Bright and Beautiful intermediate piano solo Sheet Music Remember that 6/8 has 2 beats (6 pulses). This will help the music from sounding plodding and flow smoother. This arrangement calls for a lot of expression and fluctuation in tempo and dynamics. Add a lot of feeling as you play.The tempo change at m46 needs to be prepared in mm 44-45. While there is a crescendo, I like to think of it more as adding depth and broadness than volume alone in preparation for the left hand jumping to sixteenth notes. While I like the sixteenth notes to sound rushing, don’t “rush†them. Play them at a tempo that is comfortable under your fingers.
$4.99
4.58 €
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Piano seul
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Louis Spohr
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Amanda Tero
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All Things Bright and Beautiful Intermediate Piano Solo
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Amanda Tero
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SheetMusicPlus
Autumn Sky for Solo Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1000888 Composed by Jane Stave-Viem…
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Piano Solo - Level 2 - Digital Download SKU: A0.1000888 Composed by Jane Stave-Viemeister. Contemporary,Standards. Score. 3 pages. Stave-Viemeister #6616189. Published by Stave-Viemeister (A0.1000888). The end of summer was weeks ago and geese are flying overhead. You can almost hear their wings andcan hear their calls as leaves whirl in the chilly breeze. Be careful of repeated notes-not bangy butgentle wings! The B section, measures 17-35 is a duet between two geese.
$4.00
3.67 €
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Piano seul
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Jane Stave-Viemeister
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Autumn Sky for Solo Piano
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Stave-Viemeister
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert OrledgeRecorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.5 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
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