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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
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DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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GUITARE
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HARMONICA
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LIVRES
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XYLOPHONE
At Last: Cello
Non classifié
113
Piano & claviers
Piano Trio: piano, violon, violoncelle
11
Piano seul
4
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3
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3
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2
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1
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1
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1
Piano Quatuor: piano, violon, alto, violoncelle
1
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Guitares
Guitare
1
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1
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6
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1
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4
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4
Clarinette et Piano
3
Hautbois, Piano (duo)
3
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3
Saxophone Soprano et Piano
3
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2
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2
Flûte traversière et Piano
2
Saxophone Baryton, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
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2
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2
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1
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1
Clarinette Basse
1
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Cor et Piano
4
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2
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1
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1
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1
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165
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36
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33
Violoncelle
33
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26
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18
Trio à Cordes: 2 violons, violoncelle
16
2 Violoncelles (duo)
16
Alto, Piano
6
Violon
6
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Violon et Piano
3
Violoncelle (partie séparée)
2
Violon, Alto (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Violon, Violoncelle
1
2 Violons (duo)
1
Trio à cordes: 3 violins
1
Trio à cordes
1
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12
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9
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2
Piano et Orchestre
1
Vibraphone
1
Marimba
1
Orchestre d'harmonie
1
Batterie
1
Ensemble de cuivres
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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At Last: Cello
Piano seul
Partitions à imprimer
4 partitions trouvées
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Bach Cello Suite No. 6 in D Major-Prelude
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Andy Schmidt
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Bach Cello Suite No. 6 in D Ma
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Andy Schmidt
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.890161 Composed by Johann Sebastian Bach (1685–1750). Arranged by Andy Schmidt. Baroque,Classical,Holiday,Standard...
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Piano Solo - Level 3 - SKU: A0.890161 Composed by Johann Sebastian Bach (1685–1750). Arranged by Andy Schmidt. Baroque,Classical,Holiday,Standards,Wedding. Score. 5 pages. Andy Schmidt #6063681. Published by Andy Schmidt (A0.890161). At long last, the wonderful Prelude from the Cello Suite No. 6 in D Major, arranged for piano solo! This is one of the most challenging and dynamic movements from the Bach Cello Suites. The original sheet music changes clefs often, from bass to alto to soprano. I've arranged the music into only bass and treble clef, to make playing and performing easier and more enjoyable. Like my other Bach Cello Suite arrangements, this edition is a 100% faithful piano transcription, featuring thoughtful separation of the cello melody into two staves and helpful fingerings throughout. Now pianists of all levels can enjoy this wonderful music! The audio clip here is a partial recording.
$5.00
Pasajera eterna [piano]
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Piano seul
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Pasajera eterna [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.596505 Composed by Juan MarÃa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Publ...
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Piano Solo - Level 3 - SKU: A0.596505 Composed by Juan MarÃa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505). Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to Belén Rouco. Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6 Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan MarÃa Solare. The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move. The expression 'Pasajera eterna' was invented by the dedicatee of this work, Belén Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', Belén signs and publishes her writings, poems and reflections. Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic. World Premiere: by Juan MarÃa Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan MarÃa Solare on 25/APR/2014 at the Legislatura Porteña (cycle Música Clásica Argentina), Buenos Aires. British premiere: by Juan MarÃa Solare on 23/MAY/2014 at the BolÃvar Hall in London (recital Tango Bar). There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).
$2.50
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Ga
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik ...
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Piano Solo - Level 4 - SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
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At Last: Cello