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TRI ET FILTRES
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Tri et filtres :
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Vous avez sélectionné:
B Dorian
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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Rondo in G Dorian
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.992762 Composed by Julia Proleiko. …
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Piano Solo - Level 3 - Digital Download SKU: A0.992762 Composed by Julia Proleiko. 20th Century,Instructional,Standards. Score. 3 pages. Fox Park Music #3529943. Published by Fox Park Music (A0.992762). This was written mostly to give my students a fun left hand technique practice piece in jumping the octave to root triads (A sections) as well as use of finger pedaling (B sections). It is written in G Dorian and harmonically influenced by Bartok. foxparkmusic.com/compositions.
$1.99
1.81 €
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Piano seul
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Julia Proleiko
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Rondo in G Dorian
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Fox Park Music
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 15 in B Major Mixolydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572). Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 15 in B Major Mixolydian
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Brian Golden
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SheetMusicPlus
5 Valentine's Hymns - Boundless Love
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1373611 Composed by Adoniram J. Gor…
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Piano Solo - Level 2 - Digital Download SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Tero. Christian,Holiday,Religious,Sacred,Traditional. Score. 29 pages. Amanda Tero #957915. Published by Amanda Tero (A0.1373611). Do you need Valentine's Hymns for church services in February? These 5 hymns cover God's love to us, Jesus's love to us, and our love to Him.Written in the key of C, these 5 early intermediate piano solos have simple patterns that are easy for the intermediate pianist to sightread.These early intermediate hymn solos are equivalent to most Level 2 and 3 curricula.Ideal for church services (especially in February), Valentine’s banquets, conferences, recitals, and more!Arranged to be simple yet tasteful in style.Here is all the information you’ll need to decide if this collection of early intermediate sheet music is the level you’re looking for:·     All in the Key of C (What Wondrous Love is This? is in A Dorian—no accidentals in key signature)·     No key changes·     Basic format: intro, verse/chorus, interlude, verse/chorus, ending·     2 verses each·     Single-note melody in the right hand (brief LH melody in The Love of God)·     Mostly broken 5ths and triads in the left hand·     Repetitive patterns for easy learning·     Similar chords between verses·     Note reading up to 2 ledger lines·     Rhythm not faster than eighth notes·     Just 1 page turn each (exception: Oh, How I Love Jesus has 2) Jesus Loves Me is an old favorite, often seen as a “children’s song.†However, the words to this hymn of love are just as important for adults as for children. While a simple arrangement, this is not a childish sounding arrangement.·     Features an “echo†melody written 8va·     Left hand in treble clef for portions·     Ends with hand crossing My Jesus, I Love Thee begins unexpectedly with colorful chords that finally release tension into a calm first verse. There are slight jazz textures in this arrangement but also classical elements with scales and Alberti bass.·     Rich chord textures (just a hint of jazz/dissonance)·     Accidentals·     Right hand scales (ascending & descending) Oh, How I Love Jesus is a cheerful arrangement with just a hint of cinematic-style melodies. The chords are very similar between verse 1 and 2 in this arrangement, making it especially easy for the pianist to learn.·     6/8 meter·     Cinematic elements·     Chords repeat: open 5ths and 6ths or filled in triads/chords The Love of God starts with left hand melody, making this different from all the other arrangements. The goal is for this to be a seamless melody transition between the hands while the non-melody hand supports at a slightly lower volume.·     Left hand melody for part·     Right hand chords for part·     Left hand repeats in different octaves for broader sound What Wondrous Love is This? is a haunting conclusion to the collection. It is predominantly arranged with open 5ths in the left hand and repeating patterns in the right hand. It ends with slow, four-note chords that are very hymn-like.·     A Dorian mode·     Very easy left hand (repeating open 5ths)·     Sounds harder than it really is.
$14.99
13.65 €
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Piano seul
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Adoniram J
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Amanda Tero
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5 Valentine's Hymns - Boundless Love
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Amanda Tero
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SheetMusicPlus
Dhá le Duine
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1465285 By Beka Wilson. By Beka Wil…
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Piano Solo - Level 3 - Digital Download SKU: A0.1465285 By Beka Wilson. By Beka Wilson. Arranged by Beka Wilson. Celtic,Contemporary,Irish,Medieval. Score. 3 pages. Beka Wilson #1043984. Published by Beka Wilson (A0.1465285). I had a burr under my saddle to write a Celtic-sounding wedding song using the familiar fourth interval we hear at the beginning of Here Comes the Bride. Of course, playing with this in Dorian produced a lovely, rich melody and harmony, but further experimentation led me to a lighter-toned version of that same melody in Mixolydian. Thus, the idea of separating the song into Groom and Bride sections was born. Each section is ABA format, with the same A part in the respective modes, but their B part differs slightly. The third section (the Couple) utilizes the Groom's A part and the Bride's B part, symbolizing how a man and woman unite their lives as part of their wedding vows.Level: intermediateLength: 3 to 3.5 minutes, depending on tempo.
$7.99
7.28 €
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Piano seul
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Beka Wilson
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Beka Wilson
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Dhá le Duine
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Beka Wilson
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SheetMusicPlus
Built on the Rock
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1397566 Composed by Ludwig M. Linde…
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Piano Solo - Level 3 - Digital Download SKU: A0.1397566 Composed by Ludwig M. Lindeman. Arranged by Sandy McIntire. Christian,Historic,Multicultural,Traditional,World. Score. 6 pages. Sandy McIntire #980866. Published by Sandy McIntire (A0.1397566). The music for Built on the Rock (KIRKEN) by Ludwig M. Lindeman (b. Trondheim, Norway, 1812; d. Oslo, Norway, 1887), was published in Wilhelm A. Wexel's Christelige Psalmer. The tune is in the Dorian mode with an AAB format. Published in 1840, it has continued growing in popularity, finding its greatest interest and availability in hymnals in this century. This arrangement is an Intermediate Piano Solo suitable for all worship services and programs.
$4.99
4.54 €
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Piano seul
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Ludwig M
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Sandy McIntire
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d
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Built on the Rock
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Sandy McIntire
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SheetMusicPlus
Bach - Fugue in D minor BWV 538b - Piano version
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1343780 By Santino Cara. By Johann …
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Piano Solo - Level 3 - Digital Download SKU: A0.1343780 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 10 pages. Santino Cara #929287. Published by Santino Cara (A0.1343780). Fugue in D minor BWV 538b for Piano. Composed for organ by Johann Sebastian Bach between 1712 and 1717. Transcribed for Piano in Rome in 1994 by Santino Cara from Toccata and Fugue in the D Dorian mode.AllegrettoNote: BWV 538 (we have inserted the b referring to the Fugue to indicate the second movement of the Toccata and Fugue).
$4.40
4.01 €
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Piano seul
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Santino Cara
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Santino Cara
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Bach - Fugue in D minor BWV 538b - Piano version
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Santino Cara
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SheetMusicPlus
Bach - Fugue in D minor BWV 549b - Piano version
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1343785 By Santino Cara. By Johann …
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Piano Solo - Level 3 - Digital Download SKU: A0.1343785 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 4 pages. Santino Cara #929292. Published by Santino Cara (A0.1343785). Fugue in D minor BWV 549b for Piano. Composed by Johann Sebastian Bach, around 1703. Transcribed in Rome in 2012 by Santino Cara from Prelude and Fugue in D Dorian mode BWV 549.Adagio ma non molto, quasi andanteNote: BWV 549 (we have inserted the b referring to the Fugue to indicate the second movement of the Prelude and Fugue).
$4.40
4.01 €
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Piano seul
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Santino Cara
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Johann Sebastian Bach, around 1703
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Santino Cara
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Bach - Fugue in D minor BWV 549b - Piano version
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Santino Cara
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SheetMusicPlus
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