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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Been There, Done That
Non classifié
76
Piano & claviers
Piano seul
14
Piano, Voix et Guitare
8
Piano, Voix
3
Piano Facile
2
Instruments en Do
1
Guitares
Guitare
5
Basse electrique
1
Voix
Chorale SATB
2
Chorale 2 parties
1
Chorale 3 parties
1
Chorale SSAA
1
Chorale Unison
1
Vents
Ensemble de saxophones
23
Quintette de Saxophone: 5 saxophones
8
Ensemble de Clarinettes
5
2 Saxophones (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Alto et Piano
2
Clarinette, Trompette (duo)
1
Hautbois, Piano (duo)
1
Flûte traversière et Piano
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
Saxophone, Clarinette (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Tenor et Piano
1
Flûte, Violon
1
Saxophone Soprano et Piano
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
Clarinette et Piano
1
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Cuivres
Quatuor de Cuivres
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Ensemble de Trombones
4
Ensemble de Trompettes
4
Ensemble de Cors
3
Trompette, Piano
2
4 Tubas
1
Trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Trombone (duo)
1
Trombone et Piano
1
Trompette, Saxophone (duo)
1
Tuba
1
Trompette
1
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 11 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
7
Quatuor à cordes: 2 violons, alto, violoncelle
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violoncelles (duo)
1
2 Violons (duo)
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Piano
1
Violon et Piano
1
4 Contrebasses
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Alto, Piano
1
Violon, Violoncelle (duo)
1
Ensemble d'Altos
1
Violon, Alto (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
2
Ensemble Jazz
2
Orchestre à Cordes
2
Ensemble de cuivres
2
Orchestre
1
Orchestre d'harmonie
1
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Autres
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FLUTE A DIX…
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LUTH, THEOR…
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OUD
PARTITIONS …
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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COMEDIES MUSICALES -…
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METHODE : TECHNIQUES
NOËL
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Vous avez sélectionné:
Been There, Done That
Piano seul
Partitions à imprimer
14 partitions trouvées
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Un angelo hippie
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Piano seul
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INTERMÉDIAIRE
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Monica Bergo
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Un angelo hippie
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976834 Composed by Monica Bergo. Children,Christmas,Spiritual. Score. 4 pages. Monica Bergo #3235417. Published by Monica...
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Piano Solo - Level 3 - SKU: A0.976834 Composed by Monica Bergo. Children,Christmas,Spiritual. Score. 4 pages. Monica Bergo #3235417. Published by Monica Bergo (A0.976834). 2017 Holiday Contest Entry AN ANGEL HIPPIE It was there abandoned sad not fly more Around us mud and horror If you seek love there is not... Come here, close to me, you're scared , I know, here the faith will not save you But you can fly away I do not understand why dirty your beautiful colors down here . I'm here is because I was looking for you , just here where it all began I'm here to appease the evil that Christmas gives birth to you.... Search , search in the past face everything that has been destroy all ghosts Defeat your fears remove dark areas walk all the way returns, with me close , at that time now passed , are you ready? now we fly you and I. Around us screams and greyness Tell me where is the love ... you feel it too ? Today is Christmas but here there is no peace away from here, away from here I want my reality I open my eyes and you are not there more as I try to grab your memory that disappears in my hands I have your feather….. Monica Bergo
$3.99
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Piano seul
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FACILE
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Methodes
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercis
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Martin Woodward
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #651...
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Piano Solo - Level 2 - SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
Etude in D# minor of Scriabin, Edited and Arranged for the "average hand and technique".
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Piano seul
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AVANCÉ
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Scriabin, Alexander
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Michael Bomier
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Etude in D# minor of Scriabin,
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862661 Composed by Scriabin, Alexander. Arranged by Michael Bomier. 20th Century,Concert,Instructional,Standards. Score. ...
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Piano Solo - Level 5 - SKU: A0.862661 Composed by Scriabin, Alexander. Arranged by Michael Bomier. 20th Century,Concert,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #3603893. Published by Michael Butkus-Bomier (A0.862661). There just is no denying the virtuostic demands of this Horowitz showpiece. What editing HAS been done is to remove and replace most of the flying LH octaves, using just the low or the high note, leaving the shape of the line intact, but eliminating all the leaping about. There are both American and European editions of this piece which are so laden with graphic information outside the realm of pitch initiation such that it is nigh onto impossible just to read this thing, given its key signature, which would NOT, as some might feel, have benefited from being transliterated into Eb minor. So, this is the best GateWay can do to make this WAY COOL piece at least accessible. Note that there are ZERO 10ths in the piece, and the octaves, whilst persistent, are as wide as you will have to span. Pedal it like a wild horse! MBB.
$4.50
Lead Me to Calvary
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Lead Me to Calvary
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 3 - SKU: A0.818230 By Stephen R Dalrymple. By William Kirkpatrick and Jennie E Hussey. Arranged by Stephen R Dalrymple (Dalrym...
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Instrumental Solo - Level 3 - SKU: A0.818230 By Stephen R Dalrymple. By William Kirkpatrick and Jennie E Hussey. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 11 pages. Stephen R Dalrymple #3087663. Published by Stephen R Dalrymple (A0.818230). Lead me to Calvary â?« by William Kirkpatrick (music) and Jennie E Hussey (lyrics) first published in 1921 â?« arranged for piano solo by Stephen R Dalrymple â?« the melody has been reset in Dorian Mode with the opening theme of What Wondrous Love is This? (also in the Dorian Mode). Were You There? Also makes an appearance. â?« Although the main theme of the hymn is to remember what Christ has done for us at Calvary, the opening line â??King of my life I crown You now,â? is often in my mind. â?« This arrangement was designed to be quiet, reflective, and somewhat moody in contemplating Calvary. It is one I often play in private meditative worship to remind me of the sacrifice that could never be duplicated nor ever assessed for value. â?« music © 2017 (copyright registered in 'I See your Gloryâ?? collection) â?« recording â?? 2020 Stephen R Dalrymple â?« presentation © 2022 Stephen R Dalrymple â?« performed by the arranger â?« This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet â?« (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
Clair de Lune (with piano fingering as needed)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Scott Camp
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Clair de Lune
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Scott Camp
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 p...
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Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.
$1.99
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
An Ode to the Stars
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gavin Koh
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An Ode to the Stars
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Gavin Koh
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.874522 Composed by Gavin Koh. Concert,Contemporary,New Age,Standards. Score. 6 pages. Gavin Koh #5987207. Published by Ga...
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Piano Solo - Level 4 - SKU: A0.874522 Composed by Gavin Koh. Concert,Contemporary,New Age,Standards. Score. 6 pages. Gavin Koh #5987207. Published by Gavin Koh (A0.874522). We have been singing Twinkle Twinkle Little Star for centuries, but not once has there been a dedication to them for their eternal service to us. So, here's an inspirational piece that shouts out a hearty Thank You! to the stars for all they've done to keep our imaginations flowing. I hope you love this piece as much as I enjoyed composing it. Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99
Grassy Hills under the Starlight Sky v2
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Piano seul
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Kyle Robert Balitz
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Grassy Hills under the Starlig
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Kyle Balitz
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SheetMusicPlus
Piano Solo - SKU: A0.933358 Composed by Kyle Robert Balitz. Classical,Contemporary,Romantic Period,Spiritual. Score. 4 pages. Kyle Balitz #54899. Publis...
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Piano Solo - SKU: A0.933358 Composed by Kyle Robert Balitz. Classical,Contemporary,Romantic Period,Spiritual. Score. 4 pages. Kyle Balitz #54899. Published by Kyle Balitz (A0.933358). Grassy Hills Under the Starlight Sky v 2 DISCOGRAPHY: 2uo7rax releases two albums: 1.) The Rule to 2.u0 and 2.) Brother 2u.0. And the third album: 3.) Spiri7rax is still in progress. 2uo8eats first album: 1.) Heavy Rain is still in progress. REALGroupStation's first album 1.) Servitude is available. LINKS: 2uo7rax Download 2uo7rax's FREE Instrumental Albums Here: http://2uo7rax.bandcamp.com http://www.reverbnation.com/2uo7rax 2uo7rax's YouTube Channel: http://www.youtube.com/2uo7rax 2uo7rax's Social Links: http://www.facebook.com/2uo7rax http://www.twitter.com/2uo7rax 2uo8eats Download 2uo8eat's FREE Beat Albums Here: http://2uo8eats.bandcamp.com http://www.reverbnation.com/2uo8eats 2uo8eat's YouTube Channel: http://www.youtube.com/2uo8eats 2uo8eat's Social Links: http://www.facebook.com/2uo8eats http://www.twitter.com/2uo8eats REALGroupStation Download REALGroupStation's FREE Vocal Albums Here: http://REALGroupStation.bandcamp.com http://www.reverbnation.com/REALGroupStation REALGroupStation's YouTube Channel: http://www.youtube.com/REALGroupStation REALGroupStation's Social Links: http://www.facebook.com/REALGroupStation http://www.twitter.com/REALGroupS BIOGRAPHY: 2uo7rax is an orchestral/piano/instrumental music production company founded by Travis Balitz & Kyle Balitz. 2uo7rax is also an affiliate with 2uo8eats, which specialize in high quality beats. 2uo8eats is a beat production company founded by Travis Balitz & Kyle Balitz. 2uo8eats is also an affiliate with 2uo7rax, which specialize in high quality instrumentals. REALGroupStation is a vocal music production company funded by TraVisT & KyoTicK. WARNING: It is recognized that various programs may be used to copy, and distribute music from 2uo7rax without a given consent. 2uo7rax is well aware of this and would appreciate and restrict any use of copyright infringement. There is no set date on an album release, however, please subscribe and add 2uo7rax as a contact so you may be notified in the near future. Thank you for the support. RECORD INFORMATION: Producer: 2uo7rax If you are interested in orchestral scores, instrumentals, piano compositions, sound engineering and or sound production services, feel free to leave a message via YouTube or email. To request rates, terms, conditions, and to discuss business/freelancing opportunities, please contact us by email at 2uo7rax (at) Gmail [dot] com. *Only serious, business-related inquiries will be read and answered. Please replace the space and brackets with an @. This has been done to avoid spam. Copyright © 2015 2uo7rax. All Rights Reserved. Creative Directors: TraVisT (Travis Balitz) & KyoTicK (Kyle Balitz) Our YouTube Affiliate Links: http://www.youtube.com/2uo7rax http://www.youtube.com/2uo8eats http://www.youtube.com/TheArtworkAddicts http://www.youtube.com/TheAirbrushAddicts http://www.youtube.com/RabbitatHabbitat http://www.youtube.com/MaintaincServices http://www.youtube.com/REALGroupStation http://www.youtube.com/ManHoPark http://www.youtube.com/CheonHoPark http://www.youtube.com/TraVisTRecords http://www.youtube.com/KyoTicKRecords http://www.youtube.com/TheAZNjoKeRhaha Copyright © 2015 Revival Entertainment Association Legacy Group. All Rights Reserved.
$3.99
The Miller's Waltz
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Dan Jones
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The Miller's Waltz
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DanJonesGuitarist
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.851196 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 5 pages. DanJonesGuitarist #6478271. Published by...
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Piano Solo - Level 4 - SKU: A0.851196 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 5 pages. DanJonesGuitarist #6478271. Published by DanJonesGuitarist (A0.851196). The Miller’s Waltz Dan Jones At the time of composing, I was living in Perthshire, Scotland. Near to our family home is an abandoned water mill called Dron Mill. All that remains today is the shell of a building, spaces where wheels and axles once stood, and a babbling burn which has been reclaimed by nature. In centuries past, this would have been a place of activity and prosperity. I imagined a miller living in this idyllic corner, concealed by the hillside. Maybe he and his wife danced in the garden. The Miller’s Waltz reflects the indescribable magic which some places possess. A poet in the 19th century also felt this magic when he/she wrote anonymously: At the fit o’ Balmanno, a whin-covered hill, Nestlin’ mang trees, there you’ll find the auld mill; If wi’ peace and contentment your mind you wad fill, Gae up to Dron Mill by the Ochils. I hope you enjoy playing ‘The Miller’s Waltz’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
$7.95
God Hates Rags
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Piano seul
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J
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God Hates Rags
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J. Randolph Hall
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.482485 Composed by J. Randolph Hall. This edition: Interactive Download. World. Indiv...
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Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.482485 Composed by J. Randolph Hall. This edition: Interactive Download. World. Individual part. 2 pages. Duration 96. Published by J. Randolph Hall (A0.482485). This is a ragtime piece that makes fun of the infamous Westboro Baptist Church slogan, God hates F**s. The introduction (section A) starts off with the congregation's own short song, God hates f**s. This is followed by the verse (section B) and refrain (section C) of the classic hymn, Faith is the Victory which WBC hijacked. The key changes and we go into Dies Irae or Day of Wrath (section D) as Phelps would talk about Hell as if he had )been born and raised there. Finally , the original key returns with the first song (section E). PLEASE READ & UNDERSTAND: I in NO form or fashion support nor condone most of Westboro Baptist Church's appalling behavior. THIS IS A SATIRE.
$4.00
Tammy
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Debbie Reynolds, The Ames Br
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Timothy Stapay
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Tammy
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Intermediate - By Debbie Reynolds, The Ames Brothers. Arranged by Timothy Stapay. 6 pages. Published by Timothy Stapay ...
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Piano Solo - Intermediate - By Debbie Reynolds, The Ames Brothers. Arranged by Timothy Stapay. 6 pages. Published by Timothy Stapay
"Tammy" is a popular song with music by Jay Livingston and lyrics by Ray Evans. It was published in 1957 and made its debut in the film Tammy and the Bachelor. It was nominated for the 1957 Academy Award for Best Original Song. "Tammy" is heard in the film in two versions. The one that became a number one hit single for Debbie Reynolds in 1957 is heard midway through the film, and was a UK No. 2 hit single in the same year. The version that used for the film's main titles was a hit for the Ames Brothers; there have also been several other cover versions of the song.
The most popular version, by actress and singer Debbie Reynolds, was released by Coral Records as catalog number 61851. The backing orchestrations were done by Joseph Gershinson. It first reached the Billboard charts on July 22, 1957, and peaked at No. 1 on all the US charts: the Disk Jockey chart, the Best Seller chart, and the composite chart of the top 100 songs. The single "Tammy" earned her a gold record. It is featured in the films The Long Day Closes, The Big Lebowski, and Fear and Loathing in Las Vegas, and was sampled in the song "A Different Feeling" by Australian electronic band The Avalanches on their 2000 album "Since I Left You".
This arrangement was written as a Tribute to the late Debbie Reynolds. 6 pages.
$7.99
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