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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Believe In One
Non classifié
322
Piano & claviers
Piano seul
109
Piano, Voix
49
Piano, Voix et Guitare
24
Accompagnement Piano
23
Piano Facile
19
Instruments en Do
9
Orgue
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
Accordéon
2
Piano grosses notes
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
11
Guitare (partie séparée)
4
2 Guitares (duo)
4
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
2
Ensemble de Ukulélés
1
Mandoline, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
109
Chorale 3 parties
18
Chorale TTBB
18
Chorale SSAA
7
Chorale 2 parties
6
Voix Soprano, Piano
5
Voix seule
5
Voix Baryton, Piano
4
Voix duo
3
Chorale Unison
3
Chorale
3
Chorale SSATTB
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
43
Saxophone (partie séparée)
22
Saxophone Alto et Piano
18
2 Saxophones (duo)
17
Saxophone Alto
17
Saxophone Tenor
15
2 Flûtes traversières (duo)
15
Saxophone Tenor et Piano
14
Hautbois (partie séparée)
13
Clarinette
13
Flûte traversière et Piano
13
Quintette de Saxophone: 5 saxophones
12
2 Clarinettes (duo)
10
Flûte, Hautbois, Clarinette, Basson
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Clarinette et Piano
10
Saxophone Soprano et Piano
8
Hautbois, Piano (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Clarinette (duo)
6
3 Saxophones (trio)
6
Flûte et Guitare
6
Saxophone Baryton, Piano
5
Flûte traversière
4
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
3
Saxophone, Clarinette (duo)
3
Clarinette (partie séparée)
3
Clarinette, Guitare (duo)
3
Flute (partie séparée)
2
Harmonica
2
Saxophone Soprano
2
5 Flûtes à bec
1
Flûte, Saxophone (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Clarinette, Violon (duo)
1
Ensemble de saxophones
1
Clarinette Basse, Piano
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Cor anglais, Guitare (duo)
1
Clarinette et Alto
1
Ensemble De Flûte à bec
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trombone (partie séparée)
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone
15
Trombone et Piano
12
Trompette
10
Trompette (partie séparée)
8
Quatuor de Cuivres
8
Cor et Piano
7
2 Trombones (duo)
6
2 Trompettes (duo)
6
Trompette, Piano
6
Trio de Cuivres
5
Trompette, Trombone (duo)
5
Tuba et Piano
4
Tuba
4
Cor
3
Trompette, Cor (duo)
3
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
1
Ensemble de Trombones
1
Euphonium, Piano (duo)
1
Instruments en Sib
1
3 Trombones (trio)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon et Piano
24
2 Violons (duo)
18
Violon, Violoncelle (duo)
13
Harpe
12
Violoncelle, Piano
11
Violon
9
Alto, Piano
8
2 Violoncelles (duo)
6
Violon, Alto (duo)
6
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Piano Trio: Violon, Alto, Piano
4
Violon (partie séparée)
3
Alto (partie séparée)
3
Contrebasse, Piano (duo)
3
Harpe, Voix
3
Contrebasse (partie séparée)
3
Contre Basse
2
Alto seul
2
Alto, Guitare (duo)
2
2 Altos (duo)
2
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77
Orchestre
38
Marimba
17
Ensemble de cuivres
14
Ensemble Jazz
13
Jazz combo
10
Orchestre à Cordes
8
Percussion (partie séparée)
3
Fanfare
2
Cloches
2
Batterie (partie séparée)
2
Ensemble de Percussions
1
Xylophone
1
Orchestre de chambre
1
Batterie
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Believe In One
Piano seul
Partitions à imprimer
109 partitions trouvées
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101
You Must Believe In Spring
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Michel Legrand
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Den Tuffin
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You Must Believe In Spring
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Jazzsounds
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.931059 Composed by Michel Legrand. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6559389. Published b...
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Piano Solo - Level 3 - SKU: A0.931059 Composed by Michel Legrand. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6559389. Published by Jazzsounds (A0.931059). My solo piano arrangement of an exquisite tune which modulates from D to Eb in the middle of its short 26-bar length. One of many tunes with Spring in the title that I have arranged, such as There'll Be Another Spring, Spring Is Here, Some Other Spring, They Say It's Spring and Spring Can Really Hang You Up The Most.
$4.99
Amazing Grace (My Chains Are Gone)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Chris Tomlin
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FUNtastic Music World
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Amazing Grace
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FUNtastic Music World
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1485526 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged by FUNtastic Mu...
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Piano - Level 4 - SKU: A0.1485526 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged by FUNtastic Music World. Christian,Contemporary,Praise & Worship,Spiritual,Traditional. Score (Chords/Lyrics). 6 pages. FUNtastic Music World #1062584. Published by FUNtastic Music World (A0.1485526). Amazing Grace, one of the most well-loved hymn written by John Newton hundreds of years ago, continues to leave profound meaning of God's grace. With our sins forgiven when we believe, indeed, our chains are gone, I've been set FREE! Blessed is the one whose transgressions are forgiven, whose sins are covered. Blessed is the one whose sin the Lord does not count against them and in whose spirit is no deceit. Psalm 32:1-2This piano lead sheet is in the key of C major.
$6.99
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hark the Herald Angels Sing wi
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Adv...
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Piano Solo - Level 3 - SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Advent,Sacred. Score. 17 pages. Stephen R Dalrymple #913719. Published by Stephen R Dalrymple (A0.1325492). Hark the Herald Angels Sing♫ by Charles Wesley (1739) and Felix Mendelsohn (adapted by W H Cummings (1857) ♫ with  Δόξα á¼Î½ ὑψίστοις θεῷ (Glory to God in the Highest) ♫ original song © 2023 Stephen R Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 2023 Stephen R Dalrymple ♫ recording â„—  2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Charles Wesley started his poem with ‘Listen to the angels !’ This started me wondering, what did the angels’ voices sound like ? ♫ Prosody is study of the intonation, stress, and rhythm of the speech of a language (contrasted with the sounds of the vowels and consonants.) Could I replicate the angel’s basic speech patterns? My study of Greek in seminary has given me a pretty good idea of how to pronounce the consonants and vowels of the Greek language. But I would want to listen to someone who actually speaks Greek as their mother tongue to have an idea of the prosody. After further study, I have rewritten the angels’ music; this update represents my latest understanding.♫ Although Latin was the language of the Roman conquerors, Greek was the lingua franca of the Mediterranean world of the first century. Some scholars want us to believe that most of the Jews were not erudite enough to speak Greek. ♫ Yet those of us who have travelled to countries like Haiti, are not surprised that many people there speak Kreyòl, French, English and Spanish!♫ I began searching for someone who actually spoke Greek conversationally to pronounce Luke 2 :14 in Greek. After I found a reliable source, I reduced the rhythm and the accented sylables to simpified music notation. I pulled from my knowledge of ancient modes and used my imagination to add pitches and repetitions of phrases. The melodic and harmonic result is completely inventive, but I believe the basic rhythm of the speech is fairly accurate.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube Video is available in French (Écoutez le chant des anges) https://youtu.be/9_equasuWR4YouTube Channel: @DalrympleDesigns.
$4.50
Ballade No. 4 in F minor Op. 58 No. 4
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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E
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Ballade No. 4 in F minor Op. 5
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Erin Fagan
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987696 Composed by E.F.J. Fagan. Contemporary,Romantic Period. Score. 13 pages. Erin Fagan #19217. Published by Erin Faga...
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Piano Solo - Level 4 - SKU: A0.987696 Composed by E.F.J. Fagan. Contemporary,Romantic Period. Score. 13 pages. Erin Fagan #19217. Published by Erin Fagan (A0.987696). My Ballade in F minor remains one of my largest works for piano in terms of scope. A single theme dominates the work in a Romantic style which returns throughout the work amid other sub themes that bolster the piece and heighten the Romantic flair I tried to capture throughout. The work is a 13 pages in length and around 9-10mins in performance. All directions on the score are in standard Italian but I leave the pedaling open to the performer's interpretation, it is however a rather heavy work so do not worry about over indulging in the sustain pedal. I give no metronome marks as I believe strongly in the artistic licence one can take with the Italian directions, also that if one follows them well enough that they will be more than adequate.
$10.00
Preludio e Fantasia in LA [Italian]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Guido Umberto Sacco
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Guido Umberto Sacco
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Preludio e Fantasia in LA [Ita
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Stefano Barzan
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1512571 By Guido Umberto Sacco. By William Byrd. Arranged by Guido Umberto Sacco. Renaissance. Score. 35 pages. Stefano B...
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Piano Solo - Level 4 - SKU: A0.1512571 By Guido Umberto Sacco. By William Byrd. Arranged by Guido Umberto Sacco. Renaissance. Score. 35 pages. Stefano Barzan #1065113. Published by Stefano Barzan (A0.1512571). L'edizione critica del Preludio e Fantasia di William Byrd, curata da Guido Umberto Sacco, si propone di rendere accessibile la musica del compositore inglese nel contesto del pianoforte moderno, adattandola dagli antichi strumenti a tastiera al pianoforte. Rivolta agli studenti di scuole di musica e conservatori, quest'opera si basa su uno studio approfondito delle fonti storiche e musicali per offrire soluzioni interpretative autentiche.Non è necessario conoscere le informazioni riguardanti la genesi delle opere di Byrd per poterne godere, né tantomeno appartenere alla Chiesa Cattolica o essere cristiani o, più in generale, credenti.Qualcosa di universale emerge da questa vicenda particolare, così come da altre analoghe: la forza espressiva del canto dei deboli e degli oppressi.Questa edizione cerca di celebrare la profondità emotiva e la complessità formale della musica di Byrd, rendendola accessibile e significativa per un pubblico più ampio.The critical edition of William Byrd's Prelude and Fantasia, edited by Guido Umberto Sacco, aims to make the English composer's music accessible in the modern piano context, transforming it from ancient keyboards to the piano. Targeted at students of music schools and conservatories, this work is based on an in-depth study of historical and musical sources to offer authentic interpretative solutions.One does not need to know any background information regarding the genesis of Byrd’s works to enjoy them, nor is it necessary to belong to the Catholic Church, to be Christian, or, more generally, to be a believer. Something universal emerges from this particular story, as from others like it: the expressive power of the song of the weak and the oppressed.This edition seeks to celebrate the emotional depth and formal complexity of Byrd's music, making it accessible and meaningful to a broader audience.English Editon available on Sheet Music Plus and Sheet Music Direct
$19.99
Haydn - Divertimento (Sonata No. 1) in G Major - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Piacere Music Sheets
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Haydn - Divertimento
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.847837 Composed by Franz Joseph Haydn. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 page...
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Piano Solo - Level 3 - SKU: A0.847837 Composed by Franz Joseph Haydn. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #6623947. Published by Piacere Music Sheets (A0.847837). Opus/Catalog Number: Hob. XVI:8 Key/Tone: G Major Movements/Sections: Allegro - Minuet - Andante - Allegro Year/Date of Composition: 1766 or before Difficulty: Grade 5/12 (Intermediate) Obs.: In Piano Trio in F major, Hob.XV:39, the first Allegro is used as Movement 1 transposed to F major. As each one of Haydn's first keyboard sonatas, this particular Sonata Hob. XVI:8 is written in the light, galant style which was very popular in the mid-18th century. As the Classical sonata takes its origin in the Baroque suite, Haydn named his first sonatas Divertimenti or Partitas. It is believed that this Sonata Hob. XVI:8 was intended as a teaching piece for Haydn's students. There exists no autograph version of this sonata, rather, this sonata has survived in the form of manuscript copies made by pupils of Haydn or by his copyists.
$8.95
Believe In One
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Piano seul
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INTERMÉDIAIRE
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Gary Farr
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Believe In One
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GF Creative Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.983461 Composed by Gary Farr. 20th Century,New Age,Spiritual. Score. 2 pages. GF Creative Music #3056435. Published by GF...
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Piano Solo - Level 3 - SKU: A0.983461 Composed by Gary Farr. 20th Century,New Age,Spiritual. Score. 2 pages. GF Creative Music #3056435. Published by GF Creative Music (A0.983461). Solo piano sheet music from the CD To Be Free. App. time: 4:07.
$3.99
Nocturne in C Sharp Major
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ethan Lazarus
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Nocturne in C Sharp Major
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Ethan Lazarus
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1076513 By Ethan Lazarus. By Ethan Lazarus. Classical,Contemporary,Jazz. Score. 6 pages. Ethan Lazarus #680671. Published...
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Piano Solo - Level 4 - SKU: A0.1076513 By Ethan Lazarus. By Ethan Lazarus. Classical,Contemporary,Jazz. Score. 6 pages. Ethan Lazarus #680671. Published by Ethan Lazarus (A0.1076513). I have always been a huge fan of Frédéric Chopin, and in particular, his Nocturnes for solo piano. I believe these redefined what classical piano was capable of. However, he never wrote one in the key of C Sharp Major. While I realize I will never possess the skill of one of the best composers of all time, I intended this piece to be reminiscent of his style. It starts with a beautiful flowing left hand in triplets, with lots of modal changes and jazzy chord substitutions before transitioning to a middle passage in 3/4. You will love this beautiful Nocturne in C# Major.
$6.00
I Know Whom I Have Believed
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Piano seul
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AVANCÉ
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Musique Sacrée
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Daniel W
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Grace Floyd
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I Know Whom I Have Believed
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Grace Floyd
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1091322 By Daniel W. Whittle. By James McGranahan. Arranged by Grace Floyd. Sacred,Traditional. Score. 5 pages. Grace Flo...
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Piano Solo - Level 5 - SKU: A0.1091322 By Daniel W. Whittle. By James McGranahan. Arranged by Grace Floyd. Sacred,Traditional. Score. 5 pages. Grace Floyd #695496. Published by Grace Floyd (A0.1091322). Floating between calm reflection and declarative boldness, the two styles presented in this arrangement echo the honest wonderings of the lyricist in the stanzas and the confidence of Paul in 2 Timothy 1:12 as quoted in the refrain: I know whom I have believed. This hymn reminds the listener that though life may be full of unanswered questions, our ultimate security is found in Christ.
$3.99
Anointed in hell
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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Anointed in hell
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066655 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 200. THEMIS KOUTRAS #4799635. P...
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Piano - SKU: A0.1066655 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 200. THEMIS KOUTRAS #4799635. Published by THEMIS KOUTRAS (A0.1066655). I KNOW CHRISTIAN people by now would know people got to be anointed here on earth but what if i was to tell you that i had been killed long ago and entered hell fire as i prayed i was anointed by the holy spirit there in hell fire so everyone was preached there that is the people then followed me and they 2 where anointed by the holy spirit as we made the great escape to heaven i was sent back here on earth to help all people as i was then risen again like my father JESUS CHRIST was long before me would you believe me? or doubt me now? hear the song to understand this better
$4.99
March in D Major - BWV Anh. 122
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Piano seul
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FACILE
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Classique
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Jose Valladares
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Jose Valladares
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March in D Major - BWV Anh. 12
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1368455 By Jose Valladares. By Johann Sebastian Bach. Arranged by Jose Valladares. Baroque. Score. 1 pages. Circlesquare ...
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Piano Solo - Level 2 - SKU: A0.1368455 By Jose Valladares. By Johann Sebastian Bach. Arranged by Jose Valladares. Baroque. Score. 1 pages. Circlesquare Music #952801. Published by Circlesquare Music (A0.1368455). The March in D Major, BWV Anh. 122 is attributed to Johann Sebastian Bach, one of the most influential composers of the Baroque era. However, it's important to note that BWV Anh. 122 is part of the Anhang (Anh.), a section of the Bach-Werke-Verzeichnis (Bach Works Catalogue) that includes works of dubious authenticity or those once attributed to Bach but later found to be composed by other composers. In the case of BWV Anh. 122, it's generally believed that the piece was not composed by J.S. Bach himself but rather by one of his contemporaries or successors.Despite the uncertainty regarding its true composer, the March in D Major, BWV Anh. 122 is a delightful and spirited composition that exhibits the stylistic characteristics of the Baroque period. Here are some key aspects of the piece:Baroque Style: The piece reflects the Baroque style, known for its emphasis on contrast, movement, and clear, structured forms. The march is typically characterized by a steady, processional rhythm, and BWV Anh. 122 exemplifies this with its clear, marching tempo.D Major Key: Being in D Major, the piece likely has a bright and jubilant character. D Major is often associated with grandeur and triumph, making it a popular choice for celebratory and ceremonial music during the Baroque period.Keyboard Composition: Like many of Bach's (or his contemporaries') compositions, this march is likely composed for the keyboard, which during Bach's time would have included instruments like the harpsichord or the clavichord. It might also be adaptable for performance on the modern piano.Structure and Texture: The piece probably features a contrapuntal texture, a hallmark of Baroque music, where two or more melodic lines are woven together harmoniously. The structure of the march is likely to be straightforward and symmetrical, reflecting the order and balance prized in the Baroque era.Pedagogical Use: Pieces like the March in D Major, BWV Anh. 122 are often used for educational purposes, helping students develop a sense of rhythm, form, and Baroque style. They are suitable for intermediate-level students who are exploring the stylistic features of Baroque keyboard music.
$8.99
Silent Night (Accompaniment Track in C)
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Piano seul
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Musique Sacrée
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Rebecca Belliston
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Rebecca Belliston
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Silent Night
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Rebecca Belliston
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SheetMusicPlus
Piano - SKU: A0.1067944 Composed by Rebecca Belliston. Arranged by Rebecca Belliston. Christian,Christmas,Religious,Sacred,Spiritual. Accompaniment. Dur...
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Piano - SKU: A0.1067944 Composed by Rebecca Belliston. Arranged by Rebecca Belliston. Christian,Christmas,Religious,Sacred,Spiritual. Accompaniment. Duration 203. Rebecca Belliston #6198143. Published by Rebecca Belliston (A0.1067944). â–º Accompaniment Track: for Vocal Solo High, Vocal Duet, and C Inst. https://tinyurl.com/silentnightsmpAbout the Arranger: Rebecca Lund Belliston has been immersed in music since she was a child. She wrote her first song at six and taught her first piano lesson at sixteen. She believes that music can and should tell a story, and as such, she has composed and arranged over one hundred piano and vocal pieces. In addition, she also writes romantic suspense novels. She and her husband have five children and live in the beautiful state of Michigan. Find her online at RebeccaBelliston.com.
$1.99
Minuet in G
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Piano seul
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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Jose Valladares
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Minuet in G
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368463 Composed by Henry Purcell. Arranged by Jose Valladares. Baroque. Score. 1 pages. Circlesquare Music #952809. Publ...
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Piano Solo - Level 3 - SKU: A0.1368463 Composed by Henry Purcell. Arranged by Jose Valladares. Baroque. Score. 1 pages. Circlesquare Music #952809. Published by Circlesquare Music (A0.1368463). Henry Purcell, one of the greatest English composers of the Baroque era, is known for his significant contributions to the development of English music. His works span a wide range of styles and forms, including opera, sacred music, chamber music, and keyboard compositions. While Purcell is primarily recognized for his vocal and choral works, his instrumental pieces, including keyboard works like the Minuet in G, also hold a special place in the repertoire.Here's more information about the Minuet in G by Henry Purcell:Baroque Style: As a composition by Purcell, the Minuet in G would embody the characteristics of the Baroque period. This includes intricate melodic lines, rich harmonies, and a certain degree of ornamentation that adds to the expressive quality of the music.G Major Key: The piece is in G Major, a key often associated with a cheerful and soothing character. In the Baroque era, different keys were believed to convey specific emotions or atmospheres, and G Major was typically used for music that was pleasant and uplifting.Dance Form: The minuet was a popular dance form during the Baroque period, known for its elegance and measured pace. Purcell's Minuet in G would likely follow the traditional structure of the dance, with a steady triple meter and a balanced, graceful melody.Keyboard Technique: Purcell's keyboard compositions often require a nuanced touch and a sense of stylistic understanding. The Minuet in G would be no exception, offering keyboardists the opportunity to explore the expressive potential of the instrument through Purcell's distinctive musical language.Harmonic Ingenuity: Purcell was renowned for his harmonic inventiveness and his ability to create music with rich emotional depth. The Minuet in G would likely feature interesting harmonic progressions and modulations that are characteristic of Purcell's compositional style.Historical and Educational Value: For students and enthusiasts of Baroque music, Purcell's Minuet in G offers not just an opportunity to enjoy a beautiful piece of music but also to delve into the historical context and performance practices of the Baroque era.
$8.99
Prélude in e minor
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Piano seul
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Classique
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J
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Prélude in e minor
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J. Randolph Hall
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SheetMusicPlus
Piano and Keyboard - Interactive Download SKU: A0.482538 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 2 pages. Dur...
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Piano and Keyboard - Interactive Download SKU: A0.482538 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 2 pages. Duration 96. Published by J. Randolph Hall (A0.482538). While my high school band director believed that minor keys sounded bad, my music theory prof said that minor keys afforded him more opportunity for harmonic colors. I was in a Baroque mood and I decided to experiment but you can be the judge of who is right. After having so much fun with my Prélude in c, I had to do another in the key of e. More colorful experiments are applied here. Again, this is a piece one can play on harpsichord or piano.
$3.00
BLESSED REDEEMER (Piano Accompaniment for Horn in F)
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Piano seul
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Musique Sacrée
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Harry Dixon Loes
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Gary Lanier
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BLESSED REDEEMER
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The Lanier Company
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SheetMusicPlus
Piano - SKU: A0.1054576 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 140. The Lanier Company ...
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Piano - SKU: A0.1054576 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 140. The Lanier Company #2945821. Published by The Lanier Company (A0.1054576). I KNOW WHOM I HAVE BELIEVED is a duet arrangement for Horn in F and Piano of one of our most cherished Hymns. This mp3 is the Piano Accompaniment for that arrangement by Gary Lanier.
$4.99
BLESSED REDEEMER (Piano Accompaniment for Violin, Horn in F)
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Piano seul
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Musique Sacrée
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Harry Dixon Loes
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Gary Lanier
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BLESSED REDEEMER
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The Lanier Company
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SheetMusicPlus
Piano - SKU: A0.1054647 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 141. The Lanier Company ...
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Piano - SKU: A0.1054647 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 141. The Lanier Company #2959481. Published by The Lanier Company (A0.1054647). I KNOW WHOM I HAVE BELIEVED is a trio arrangement for Violin, Horn in F & Piano of one of our most cherished Hymns. This mp3 is the Piano Accompaniment for that arrangement by Gary Lanier.
$4.99
BLESSED REDEEMER (Piano Accompaniment for Alto Sax, Horn in F)
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Piano seul
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Musique Sacrée
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Harry Dixon Loes
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Gary Lanier
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BLESSED REDEEMER
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The Lanier Company
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SheetMusicPlus
Piano - SKU: A0.1054620 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 140. The Lanier Company ...
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Piano - SKU: A0.1054620 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Accompaniment. Duration 140. The Lanier Company #2951975. Published by The Lanier Company (A0.1054620). I KNOW WHOM I HAVE BELIEVED is a trio arrangement for Alto Sax, Horn in F and Piano of one of our most cherished Hymns. This mp3 is the Piano Accompaniment for that arrangement by Gary Lanier.
$4.99
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
Stephen Gately: Believe In Me for piano solo
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Stephen Gately
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Virtualsheetmusic
Instantly printable sheet music by Boyzone for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop
Instantly printable sheet music by Boyzone for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop
$3.97
Bock's Best - Volume 1
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Piano seul
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Fred Bock
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Bock's Best - Volume 1
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Fred Bock Music Company
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SheetMusicPlus
Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, S...
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Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, Sacred. 152 pages. Fred Bock Music Company #BG0557. Published by Fred Bock Music Company (HL.8738352). ISBN 9781934596159. UPC: 073999726527. 9.0x12.0x0.374 inches.This tremendous piano collection features 50 of Fred Bock's very best arrangements, including: I Am Loved * Jesus Loves Me (a classic arrangements based on Claude Debussy's Clair De Lune) * A Mighty Fortress Is Our God * My Tribute * Sweet, Sweet Spirit * and more. Spiral bound.This title has selections that range in difficulty from SMP Level 6-7. About SMP Level 7 (Late Intermediate) 4 to 5-note chords in both hands and scales in octaves in both hands.
Song List
: All for Jesus (Stainer-Crucifixion) He Lifted Me Great Is Thy Faithfulness Now I Belong To Jesus We Are One In The Bond Of Love Safe Am I Surely Goodness And Mercy The Bell Carol He Is The Way I Believe In Miracles I'll Tell The World One Solitary Life Open Up Your Heart And Let The Sun Shine In Tell All The World About Love To Be Free There Is A Balm In Gilead Because He Lives Christ Of Every Crisis God Gave The Song He's Everything To Me Ivory Palaces A Mighty Fortress Is Our God Precious Lord, Take My Hand (Take My Hand, Precious Lord) Teach Me, Lord, To Wait Jesus Loves Me In Times Like These My Faith Looks Up To Thee Ten Thousand Angels Sweet, Sweet Spirit My Tribute Thou Art Worthy Something Beautiful Room At The Cross For You There's Something About That Name Wondrous Love Revive Us Again Jesus Is Coming Again Even So, Lord Jesus, Come Mansion Over The Hilltop I Will Serve Thee Gentle Shepherd How Long Has It Been Redeeming Love I Just Feel Like Something Good Is About To Happen I Am Loved The Church Triumphant How Big Is God? Were You There? What A Friend We Have In Jesus Oh How He Loves You And Me
$29.95
Spring Is Here
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Richard Rodgers
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Den Tuffin
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Spring Is Here
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Jazzsounds
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.931031 Composed by Richard Rodgers. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6302369. Published ...
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Piano Solo - Level 3 - SKU: A0.931031 Composed by Richard Rodgers. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6302369. Published by Jazzsounds (A0.931031). A new arrangement of a 1938 tune by Rodgers & Hart, one of the saddest songs written about Spring.This is one of several arrangement that I have done with Spring in the title, the others being Some Other Spring written in 1939 for Billie Holiday, the lesser-known There'll Be Another Spring written by Peggy Lee in 1989, They Say It's Spring, Spring Can Really Hang You Up The Most and You Must Believe In Spring.Full track can be heard on Soundcloud.
$4.99
Prelude
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Piano seul
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FACILE
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Vaggelis Xatzimanolakis
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Prelude
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Vaggelis Xatzimanolakis
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1400559 Composed by Vaggelis Xatzimanolakis (E.M.Xatz). 21st Century. Score. 2 pages. Vaggelis Xatzimanolakis #983755. Pu...
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Piano Solo - Level 2 - SKU: A0.1400559 Composed by Vaggelis Xatzimanolakis (E.M.Xatz). 21st Century. Score. 2 pages. Vaggelis Xatzimanolakis #983755. Published by Vaggelis Xatzimanolakis (A0.1400559). Hello everyone, this little piece of mine has been sitting idle in a corner for almost a year, it was the second composed piece of mine, composed during a time when I was starting to learn how to use the various music notation programs. Anyway, this piece of mine is obviously very experimental with a very loose structure, it was meant to be performed by people of the intermediate level of mastery and above, but with enough patience and time I believe that anyone can manage it without any issue. So, have fun!
$4.00
LITTLE DOVE 4
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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LITTLE DOVE 4
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066542 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 248. THEMIS KOUTRAS #4764083. P...
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Piano - SKU: A0.1066542 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 248. THEMIS KOUTRAS #4764083. Published by THEMIS KOUTRAS (A0.1066542). This song is you got to know the holy bible well to understand this so i will explain the dove in Christianity represents the holy spirit it is also how they believed in the old days to communicate with people like a post office of doves doves where known as pigeons in those days if you know your history the 1st post office was done using pigeons they put a message on it;s foot and let it go it will always return home so they will have a whole post office like that transporting pigeons to places they will then let them go with a message on there feet thus it would fly home so when JESUS CHRIST was baptize it writes the holy spirit came upon him in the form of a dove as GOD SPOKE OUT OF HEAVEN saying this is my beloved son listen to him thus everyone herd that so they only new how to explain it that the communication came to JESUS CHRIST communicating with GOD as they all herd it they told this expressing it how they understood it as the holy spirit came upon JESUS CHRIST as a dove thus what i am singing is very much that at the same time i am communicating with GOD just as the song says OK that is its meaning that i am communicating with GOD as sung
$4.99
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Believe In One