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--INSTRUMENTS--
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Non classifié
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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Block M:
Piano seul
Partitions à imprimer
5 partitions trouvées
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A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
Long Hast Thou Stood, O Church of God
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Ludvig M
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Elizabeth Ragsdale
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Long Hast Thou Stood, O Church
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Elizabeth Ragsdale
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.947812 Composed by Ludvig M. Lindeman, Traditional. Arranged by Elizabeth Ragsdale. Christian,Sacred. Score. 9 pages. Eli...
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Piano Solo - Level 3 - SKU: A0.947812 Composed by Ludvig M. Lindeman, Traditional. Arranged by Elizabeth Ragsdale. Christian,Sacred. Score. 9 pages. Elizabeth Ragsdale #2545095. Published by Elizabeth Ragsdale (A0.947812). Medley: Long Hast Thou Stood, O Church of God and Many and Great, O God, Are Thy Things. This extended hymn medley in a minor mode features a wide range of styles with strong pianistic appeal. The melodies are accompanied by walking bass, repeated block chords, syncopated arpeggios, or pedal point. Duration: 6:05.
$4.79
Morgen kommt der Weihnachtsmann
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Piano seul
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DÉBUTANT
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Morgen kommt der Weihnachtsman
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Schott Music - Digital
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SheetMusicPlus
Piano - very easy - SKU: S9.Q40699 33 Christmas Songs (very easy). Arranged by Marianne Magolt and Willi Draths. This edition: Sheet music. Adven...
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Piano - very easy - SKU: S9.Q40699 33 Christmas Songs (very easy). Arranged by Marianne Magolt and Willi Draths. This edition: Sheet music. Advent - piano - christmas. Morgen kommt der Weihnachtsmann. Die bekanntesten Weihnachtslieder in sehr leichten Sätzen für Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Downloadable. Schott Music - Digital #Q40699. Published by Schott Music - Digital (S9.Q40699). German.Die bekanntesten Weihnachtslieder in leichten Sätzen für Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Zusätzliche Harmonie-Symbole ermöglichen auch eine Begleitung mit Gitarre (ad lib.). Folgende Besetzungsmöglichkeiten sind möglich: 1. Stimme (Melodie): Querflöte I, Sopranblockflöte I, Violine I, Viola I, Violoncello I, Gesang - 2. Stimme: Querflöte II, Sopranblockflöte II, Violine II, Viola II, Violoncello II - dazu: Klavier, Gitarre ad lib.
$11.99
My Shepherd Will Supply My Need
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Southern Harmony
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Paul Thurmond
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My Shepherd Will Supply My Nee
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmo...
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Piano Solo - Level 3 - SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?
$4.99
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