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Can Gregorian
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Vous avez sélectionné:
Can Gregorian
Piano seul
Partitions à imprimer
5 partitions trouvées
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Gloria in excelsis Deo
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Piano seul
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FACILE
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Various
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Sérgio Matias da Cunha
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Gloria in excelsis Deo
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1292774 By Various. By Canto gregoriano - Tradicional Francês. Arranged by Sérgio Matias da Cunha. Christian,Christ...
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Piano Solo - Level 2 - SKU: A0.1292774 By Various. By Canto gregoriano - Tradicional Francês. Arranged by Sérgio Matias da Cunha. Christian,Christmas,Religious,Traditional. Score. 1 pages. Sérgio Matias da Cunha #883340. Published by Sérgio Matias da Cunha (A0.1292774). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, sinais de intensidade, sinais de expressão e ornamentos, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com simplicidade e harmonia. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos que melhor se integram com os diferentes momentos rÃtmicos e demais intensões. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
Gloria in excelsis Deo - Surgem anjos proclamando
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Piano seul
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FACILE
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Various
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Sérgio Matias da Cunha
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Gloria in excelsis Deo - Surge
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1267800 By Various. By Canto gregoriano - Tradicional Francês. Arranged by Sérgio Matias da Cunha. Christian,Christ...
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Piano Solo - Level 2 - SKU: A0.1267800 By Various. By Canto gregoriano - Tradicional Francês. Arranged by Sérgio Matias da Cunha. Christian,Christmas,Instructional,Religious,Traditional. Score. 1 pages. Sérgio Matias da Cunha #860348. Published by Sérgio Matias da Cunha (A0.1267800). Arranjo claro, objetivo, conciso e acessÃvel apresentando marcações de cifra e dedilhado. Presença de célula rÃtmica envolvendo quarto de tempo, além de figuras pontuadas e contratempo. Acompanhamento diversificado, utilizando-se de notas dos acordes harmonicamente executadas ocupando as unidades de tempo, notas de passagem em contraponto ao discurso melódico. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$2.99
The Etherea Suite, Volume 1 for Solo Piano (Complete)
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Piano seul
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INTERMÉDIAIRE
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JohnWillard Utuk
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The Etherea Suite, Volume 1 fo
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JohnWillard Utuk
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. Jo...
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Piano Solo - Level 3 - SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00
Easy Piano
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Piano seul
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DÉBUTANT
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Drake Mabry
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Easy Piano
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Drake Mabry
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.799452 Composed by Drake Mabry. Blues,Classical,Jazz,Standards,World. Score. 13 pages. Drake Mabry #1779463. Published by...
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Piano Solo - Level 1 - SKU: A0.799452 Composed by Drake Mabry. Blues,Classical,Jazz,Standards,World. Score. 13 pages. Drake Mabry #1779463. Published by Drake Mabry (A0.799452). These six pieces provide a diverse selection of moods and characters. Gregorian – meditative and somewhat like a Gregorian plainchant, The Term – a medium blues, B flat – a tricky work with an intruding Bb, Meditation – as the title suggests, Mexican Siesta – a memory of the hot afternoons in Mexico and finally, Stuck key Boogie – a boogie woogie with a stuck key. The total duration is about 6 minutes.
$5.99
Sonata Hymnica No. 5
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writing...
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Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
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