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Canon in D for cello
Non classifié
108
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17
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5
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3
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2
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1
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1
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1
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120
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50
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45
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36
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33
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28
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17
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15
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14
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7
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5
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4
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3
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2
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1
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1
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1
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1
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Vous avez sélectionné:
Canon in D for cello
Piano seul
Partitions à imprimer
3 partitions trouvées
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Pachelbel's Canon (keyboard)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Rachel Wieck
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Pachelbel's Canon
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Evocation Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1013516 Composed by Johann Pachelbel. Arranged by Rachel Wieck. Baroque,Contemporary,Standards,Wedding. Score. 3 pages. E...
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Piano Solo - Level 3 - SKU: A0.1013516 Composed by Johann Pachelbel. Arranged by Rachel Wieck. Baroque,Contemporary,Standards,Wedding. Score. 3 pages. Evocation Music #6247163. Published by Evocation Music (A0.1013516). Pachelbel's Canon in D arranged for keyboard - suitable for piano or pipe organ. The left hand retains the Ground Bass from the original cello part. The right hand merges the three upper string parts. Suitable for weddings and funerals or incidental music prior to any church service.
$9.99
Canon in D for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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J Pachelbel
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Mark Reeves
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Canon in D for piano
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Mark Reeves
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by J Pachelbel. Arranged by Mark Reeves. Classical Period, Baroque Period, European, W...
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Piano Solo - Advanced Intermediate - Digital Download Composed by J Pachelbel. Arranged by Mark Reeves. Classical Period, Baroque Period, European, Wedding, Recital. Sheet Music Single. 6 pages. Published by Mark Reeves
Canon in D by Johann Pachelbel
There are many piano arrangements of this well-known and hugely popular piece of classical music, however this arrangement is actually a transcription for solo piano, based entirely on the original handwritten manuscript. The music was written for three violins and basso continuo (cello and harpsichord accompaniment), which inevitably gives the pianist's fingers plenty of work to do (not unlike a Bach fugue in places) but the end result is very effective. Advanced pianists will have no problem adding their own personal fingering, which has been deliberately omitted for that very reason.
Other piano arrangements by Mark Reeves: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850
For further information email: info@markreeves.co.uk
or follow on Twitter @MarkReeves001
$7.99
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
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