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--INSTRUMENTS--
ACCORDEON
ALTO
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LIVRES
LUTH
MANDOLINE
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SYNTHETISEUR
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D Mixolydian Mode
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
D Mixolydian Mode
Piano seul
Partitions à imprimer
8 partitions trouvées
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1
The Modal Piano No. 5 - D Mixolydian
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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The Modal Piano No. 5 - D Mixo
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.529341 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Inst...
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Piano Solo - Level 3 - SKU: A0.529341 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Instructional,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #139741. Published by James M Stevens Music ASCAP (A0.529341). Written January 11, 2022, this is a an original piano composition in the mode of D Mixolydian. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99
Prelude 21 in D Major Mixolydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydi
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 14 in D# Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
What Can Wash Away My Sin?
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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What Can Wash Away My Sin?
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1171750 By Stephen R Dalrymple. By Robert Lowry, John Hart Stockton, & Ira D Sankey. Arranged by Stephen R Dalrymple. Chr...
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Piano Solo - Level 3 - SKU: A0.1171750 By Stephen R Dalrymple. By Robert Lowry, John Hart Stockton, & Ira D Sankey. Arranged by Stephen R Dalrymple. Christian,Sacred. Score. 11 pages. Stephen R Dalrymple #772028. Published by Stephen R Dalrymple (A0.1171750). What Can Wash Away My Sin?♫ piano solo arrangement by Stephen R Dalrymple♫ Based on the public domain hymns What Can Wash Away My Sin? by Robert Lowry (1826-1899)♫ and Only Trust Him by John Hart Stockton (1813-1877) & Ira D Sankey (1840-1908)♫ arranged by Stephen R. Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ music © 2023 Stephen R Dalrymple♫ recording ℗ 2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ performed by the arranger♫ Resetting the first hymn in the G Mixolydian mode and the second in F Lydian mode, this arrangement uses only the white keys of the piano. Since the G Mixolydian uses F natural and the F Lydian uses B natural, both mode scales use the same notes (in a different sequence) and the result creates a tension between the G chord and the F chord througout the arrangement.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
Ripples
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Piano seul
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DÉBUTANT
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Lorraine Milne
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Ripples
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.972750 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine ...
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Piano Solo - Level 1 - SKU: A0.972750 Composed by Lorraine Milne. Children,Contemporary,Instructional,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3222559. Published by Pucblished by Lorraine Milne (A0.972750). Ripples is from a series of 24 piano pieces called The Emerging Pianist. It is for piano students ready to move from beginners stage and looking for something a little more challenging. There are two versions Ripples, an Abridged version (single page) and a Full version (double page). The Abridged version could also be used by more advanced pianists for sight-reading practice. The Full version of this piece is in two distinct sections. The first is based on the Mixolydian mode on A moving into the opening motive in D Mixolydian. This heralds the second section which is firmly based in D major concluding with a simple ascending D major scale. An E7b9 chord brings the return of the first rippling section. The accompanying mp3 file is a demo version only.
$5.00
Prelude on Mit Freuden Zart ('Sing Praise to God, Who Reigns Above')
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Mit Freuden Zart
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John Burkett
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1367649 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 5 page...
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Piano Solo - Level 3 - SKU: A0.1367649 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 5 pages. John Burkett #952023. Published by John Burkett (A0.1367649). My Prelude on the hymn tune Mit Freuden Zart (Sing Praise to God, Who Reigns Above) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. My arrangement consists of two sections. The first hints strongly at the Mixolydian mode in the key of D, while the second employs the Aeolian mode in C-sharp. The piece begins with a 14-bar introduction before the hymn tune appears, accompanied by a rhythmically energetic combination of rests and parallel triads. Then the melody moves to the bass, accompanied by a spurt of eighth-notes in the key of B major, creating a short bitonal passage. After brief references to other keys, the main key of D returns. The second section presents the melody harmonized with parallel triads and accompanied by a constantly moving stream of octaves in the left hand. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$7.50
Wexford Carol
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Piano seul
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AVANCÉ
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Noël
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'Good Christians all, This Chr
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Samuel Wellman
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Wexford Carol
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882146 Composed by 'Good Christians all, This Christmas carol comes from County Wexford in Ireland, hence the title. The ...
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Piano Solo - Level 5 - SKU: A0.882146 Composed by 'Good Christians all, This Christmas carol comes from County Wexford in Ireland, hence the title. The text begins, inviting us to celebrate the birth of Jesus Christ., and this Christmas time...'. Arranged by Samuel Wellman. Christian,Christmas,Contemporary. Score. 4 pages. Samuel Wellman #6645683. Published by Samuel Wellman (A0.882146). The tune is unusual in having a flat seventh degree in several phrases, implying the mixolydian mode (actually, natural minor in the third phrase). This lends a special character to the music. In the second verse, and again in the last, I fashioned a florid LH accompaniment for the tune. In keeping with the flat seven, I use it again in the last measure (ending on a D-flat 9). Sorry, no resolution.
$6.00
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D Mixolydian Mode
