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Vous avez sélectionné:
Diptych
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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Nocturne as eventide falls of Diptych of the love of Dante and Beatrice op. 23
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sally Wave
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Nocturne as eventide falls of
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Sally Wave
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.936219 Composed by Sally Wave. Concert,Contemporary. Score. 6 pages. Sally Wave #6189159. Published by Sally Wave (A0.936...
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Piano Solo - Level 4 - SKU: A0.936219 Composed by Sally Wave. Concert,Contemporary. Score. 6 pages. Sally Wave #6189159. Published by Sally Wave (A0.936219). The 1st from the Diptych, calm and with nice melody in a romantic style. .
$4.99
[Van de Vate] Balinese Diptych
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Piano seul
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Contemporain
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Nancy Van de vate
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[Van de Vate] Balinese Diptych
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American Composers Alliance Inc.
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SheetMusicPlus
Piano Solo - SKU: A0.952742 Composed by Nancy Van de vate. Contemporary. Score. 11 pages. American Composers Alliance Inc. #4622113. Published by Americ...
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Piano Solo - SKU: A0.952742 Composed by Nancy Van de vate. Contemporary. Score. 11 pages. American Composers Alliance Inc. #4622113. Published by American Composers Alliance Inc. (A0.952742). Scored for solo piano - PDF download includes score.
$8.95
Prelude & Aria para Piano Opus 8
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Piano seul
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FACILE
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Marcos Pablo Dalmacio
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Prelude & Aria para Piano
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Marcos Pablo Dalmacio
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.987223 Composed by Marcos Pablo Dalmacio. Baroque,Contemporary. Score. 6 pages. Marcos Pablo Dalmacio #2021743. Published...
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Piano Solo - Level 2 - SKU: A0.987223 Composed by Marcos Pablo Dalmacio. Baroque,Contemporary. Score. 6 pages. Marcos Pablo Dalmacio #2021743. Published by Marcos Pablo Dalmacio (A0.987223). Prelude & Aria is a small diptych in Baroque style; both pieces were composed in two parts counterpoint but there are very different. The Prelude, serious and austere in character, chromatic and metrical ambiguous, starts in the tonality of A minor and concludes in the remotes tonality of A flat minor. The second piece, Aria, is lyrical and with ornamented melody, whose serenity of expression do not exclude moments of melancholic reflection.
$8.00
Preludio & Aria para Piano (Spanish Edition)
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Piano seul
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FACILE
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Marcos Pablo Dalmacio
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Preludio & Aria para Piano
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Marcos Pablo Dalmacio
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.987224 Composed by Marcos Pablo Dalmacio. Baroque,Contemporary. Score. 6 pages. Marcos Pablo Dalmacio #2021729. Published...
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Piano Solo - Level 2 - SKU: A0.987224 Composed by Marcos Pablo Dalmacio. Baroque,Contemporary. Score. 6 pages. Marcos Pablo Dalmacio #2021729. Published by Marcos Pablo Dalmacio (A0.987224). This is the Spanish edition from Prelude & Aria Opus 8, with comments and titles in Spanish. Prelude & Aria is a small diptych in Baroque style; both pieces were composed in two parts counterpoint but there are very different. The Prelude, serious and austere in character, chromatic and metrical ambiguous, starts in the tonality of A minor and concludes in the remotes tonality of A flat minor. The second piece, Aria in A major, is lyrical and with ornamented melody, whose serenity of expression do not exclude moments of melancholic reflection.
$8.00
Weep And Smile [piano solo]
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Piano seul
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FACILE
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the way, these words are somet
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Juan MarÃa Solare
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Weep And Smile [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5...
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Easy Piano - Level 2 - SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs. By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.
$3.33
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