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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Final Fugue
Non classifié
38
Piano & claviers
Orgue
17
Piano seul
14
Piano Facile
1
Piano Trio: piano, violon, violoncelle
1
Guitares
4 Guitares (Quatuor)
1
Voix
Chorale SATB
5
Vents
Flûte traversière et Piano
10
Hautbois, Piano (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette et Piano
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
5
Saxophone Baryton, Piano
5
Quatuor de Saxophones: 4 saxophones
5
Cor anglais, Piano
4
Saxophone Soprano et Piano
4
Clarinette Basse, Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de Flûtes
2
Clarinette
2
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Flûte, Clarinette et Basson
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Basson
1
2 Clarinettes (duo)
1
+ 17 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone et Piano
5
Cor et Piano
4
Cor anglais, Piano
4
Trompette, Piano
2
Trompette
2
Ensemble de Trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon et Piano
5
Alto, Piano
4
Violoncelle, Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Harpe
1
Piano Trio: Violon, Alto, Piano
1
Violon
1
Trio à Cordes: violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
11
Ensemble de cuivres
9
Orchestre
8
Orchestre d'harmonie
3
Orchestre de chambre
3
Cloches
1
Ensemble Jazz
1
+ 2 instrumentations
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Autres
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Final Fugue
Piano seul
Partitions à imprimer
14 partitions trouvées
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1
Fugue No.3
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.3
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.4
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.4
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.2
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.2
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David ...
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Piano Solo - Level 5 - SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Fugue No.1
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Piano seul
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AVANCÉ
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Contemporain
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David Tsvariani
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Fugue No.1
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David Tsvariani
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Publishe...
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Piano Solo - Level 5 - SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
$1.99
Six Preludes
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Piano seul
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INTERMÉDIAIRE
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Ho Jie Rong
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Six Preludes
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Ho Jie Rong
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong ...
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Piano Solo - Level 3 - SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.
$6.00
Handel - Fuga (Sonatina) in G Major - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Piacere Music Sheets
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Handel - Fuga
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1117609 Composed by George Frideric Handel. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 p...
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Piano Solo - Level 3 - SKU: A0.1117609 Composed by George Frideric Handel. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 pages. Piacere Music Sheets #719151. Published by Piacere Music Sheets (A0.1117609). Opus/Catalog Number: HWV 582 Key/Tone: G Major Movements/Sections: Sonatina Year/Date of Composition: 1721-1722 Difficulty: Grade 5/12 (Intermediate) Obs.: This piece is part of the Aylesford manuscript, where it is entitled Fuga. The Italian word fuga means an escape, or a flight. Although this is not a strictly formed fugue (in the style of Bach's fugues, for instance), it does feature imitation, fleeing and chasing between the two hands. Although Handel's manuscript does not contain any ornaments, cadential trills are suggested to measures 6, 8, 12, 16 and 18. Our edition thus contains suggestions for realizing these trills in accordance with the performance practice of the Baroque period. Namely, such trills begin ON the beat, on the upper auxiliary note. More on less repercussions may be played depending on the player's taste and ability. Please note finally that some editions show an E in measure 5 (7th note, left hand). This could be justified by what is done in measure 7. Handel's manuscript however clearly shows a G.
$4.95
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
Capriccio on the Departure of a Beloved Brother
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Piano seul
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AVANCÉ
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Johann Sebastian Bach
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Thomas Ling
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Capriccio on the Departure of
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Tho...
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Piano Solo - Level 5 - SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.
$8.00
Homage to Beethoven
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Piano seul
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AVANCÉ
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Contemporain
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Theresa Koon
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Homage to Beethoven
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Theresa Koon
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1023436 Composed by Theresa Koon. 20th Century,Contemporary. Score. 8 pages. Theresa Koon #5730993. Published by Theresa ...
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Piano Solo - Level 5 - SKU: A0.1023436 Composed by Theresa Koon. 20th Century,Contemporary. Score. 8 pages. Theresa Koon #5730993. Published by Theresa Koon (A0.1023436). Homage to Beethoven includes five main themes which overlap fugally to some degree, however this music is not intended to directly reflect the tantot recherchée elements of Beethoven’s composition. It is more specifically inspired by the tantot libre angularity, the exquisitely controlled chaos, and the agonized outrage apparent in Beethoven’s controversial Fugue. The final Lento section is intended to express uneasy grief over the price of Beethoven’s newfound independence: the death of innocence. (Detailed program notes available.)
$4.99
"Liebesschmerz Fuge" for piano Op. 95
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"Liebesschmerz Fuge"
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Publi...
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Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Published by Freeland Publications (A0.980449). Duration: ca. 15-20 minutes. Lush extended tonal language. Highly chromatic and contrapuntal. An innovative fugue unlike any other in the literature. This work was begun in 1981 and underwent revisions on and off for 28 years until it was finally completed in 2009. This piece is intended only for first-rate virtuoso pianists. Written comments: Gary, this is wonderful! I am a Bach freak ... clearly you are as well (meant as a big compliment smile emoticon ). Love the title too heart emoticon.-Kurt Werderman. Completely charming. I get the Liebes part, but the other half seems entirely too much tongue-in-cheek fun for Schmerz. smile emoticon You wrote a brilliant piece that sounds so spontaneous it is hard to believe it had such a long gestation period as 28 years.-Rodney Punt. Here is to me really deep music of very high quality. I listened three times. The fugue has the kind of complexity and positive ambiguity which awakens my curiosity to listen again and again. The episodes are for me personally something of the most beautiful modern music written for piano I remember just now.-Frank David. Here is a link to a MIDI realization thereof: https://www.youtube.com/watch?v=3MGGAgzu4Xk
$14.99
Oh, Happiness
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Crowder*Band
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Firth
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Oh, Happiness
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Gregory Kyle Klug
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.999692 By David Crowder*Band. By David Crowder and Jack Parker. Arranged by Firth. Contemporary. Score. 8 pages. Gregory ...
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Piano Solo - Level 4 - SKU: A0.999692 By David Crowder*Band. By David Crowder and Jack Parker. Arranged by Firth. Contemporary. Score. 8 pages. Gregory Kyle Klug #6019343. Published by Gregory Kyle Klug (A0.999692). This piece for solo piano develops the main themes in Oh Happiness by the David Crowder*Band (recorded in 2009) using fugal technique. The fugue may serve as a recital finale or postlude for a semi-traditional liturgical service. Advanced high-school students and professional pianists will find it challenging but accessible. The four parts of the fugue are kept virtually distinct throughout, in the manner of J.S. Bach. It involves some challenging leaps, particularly in the left hand, as well as tenths which the performer may play as broken or solid. The piece is about 3.5 minutes in length and, as the title suggests, has a very positive and uplifting affect. For more information about the composer, visit gregorykyle.com
$4.99
Drei Fugen fur Klavier, Opus 7
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Piano seul
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Johann Nepomuk Hummel
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Drei Fugen fur Klavier, Opus 7
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Bisel Classics - Digital
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SheetMusicPlus
Piano solo - SKU: BQ.979-0-50179-029-6 Composed by Johann Nepomuk Hummel. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With...
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Piano solo - SKU: BQ.979-0-50179-029-6 Composed by Johann Nepomuk Hummel. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 7. 26 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-029-6). ISBN 9790501790296.A prodigious musical talent as a child who grew up to be regarded as one of the most loved of Classical composers, Hummel was already a seasoned international concert artist when he composed these three fugues at the tender age of 16. Written at a time when he commenced his studies of counterpoint with Johann Albrechtsberger, they are miniature masterpieces of style and form that prefigure the final flowering of the Classical period.
$14.95
Rainy Day
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Piano seul
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Classique
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Edgars Samorodovs
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Rainy Day
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Edgars Samorodovs
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SheetMusicPlus
Piano Solo - SKU: A0.1033148 Composed by Edgars Samorodovs. Baroque,Classical,Romantic Period. Score. 6 pages. Edgars Samorodovs #6114915. Published by ...
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Piano Solo - SKU: A0.1033148 Composed by Edgars Samorodovs. Baroque,Classical,Romantic Period. Score. 6 pages. Edgars Samorodovs #6114915. Published by Edgars Samorodovs (A0.1033148). This piece portrays one miraculous day out in nature with the weather, as well as the tunes and moods changing constantly. Here I used every piano register to create contrasts. It begins with the sun rising over the horizon with piano tremolo in a high register almost as a dew dripping from the grass, impressionistic melody in the middle register, and more forceful intervals in the lower register as a sign, that something majestic awaits. The next part is an innocent, lightsome fugue with baroque elements, that ends on a minor scale, creating suspense and uncertainty. After a little melancholic section in Largo (slow tempo), the storm has finally started. Thunder - Dramatic octaves in the lower register with glimpses of melody from the intro turn into a tempestuous dance with arpeggios in the left hand and somewhat sweet melody in the right hand. The last section is a calm after the storm. Little raindrops falling from the roofs in the upper register create the melody from the intro as if reminiscing of how joyful was the beginning of the day. The piece finishes with a feeling of unfulfillment and expectation of what surprises the new day will bring.
$6.99
Twinkle Twinkle Little Star Variations
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Steve Locks
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Twinkle Twinkle Little Star Va
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Mr Stephen M Locks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1035293 Composed by Steve Locks. Concert,Romantic Period. Score. 9 pages. Mr Stephen M Locks #6050029. Published by Mr St...
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Piano Solo - Level 4 - SKU: A0.1035293 Composed by Steve Locks. Concert,Romantic Period. Score. 9 pages. Mr Stephen M Locks #6050029. Published by Mr Stephen M Locks (A0.1035293). 8 Variations for piano. Theme (can't wait to start twiddling...)WilderScrunchyOom chaLaid backFugue-ishReposeFinale - Jazzy
$2.00
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