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Vous avez sélectionné:
First Cousin
Piano seul
Partitions à imprimer
4 partitions trouvées
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Etude de Concert Op.24
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Piano seul
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AVANCÉ
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Felix Blumenfeld
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Zellev
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Etude de Concert Op.24
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1494322 Composed by Felix Blumenfeld. Arranged by Zellev. 19th Century,Classical,Contemporary,Contest,Festival,Romantic P...
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Piano Solo - Level 5 - SKU: A0.1494322 Composed by Felix Blumenfeld. Arranged by Zellev. 19th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 11 pages. Zellev Music #1070918. Published by Zellev Music (A0.1494322). Key Signature: F♯ MinorTime Signature: 3/4Tempo: Allegro non troppo (not too much, also mind the sustained/connected stacc. melody)Difficulty: Advanced (very)Felix Mikhailovich Blumenfeld (19 April 1863 [O.S. 7 April] – 21 January 1931) was a Russian composer, conductor, pianist, and teacher.He was born in Kovalevka, Kherson Governorate, Russian Empire (today - part of Kropyvnytskyi, Ukraine), the son of Mikhail Frantsevich Blumenfeld and the Polish Marie Szymanowska, and studied composition at the St. Petersburg Conservatory under Nikolai Rimsky-Korsakov and piano under Fedor Stein between 1881 and 1885. He then taught piano there himself from 1885 until 1918, whilst also serving as conductor of the Mariinsky Theatre until 1911.This theatre saw the premieres of the operas composed by his teacher and mentor Rimsky-Korsakov, and he was also the conductor at the Russian premiere of Wagner's opera Tristan und Isolde.In 1908, he conducted the Paris premiere of Modest Mussorgsky's opera Boris Godunov.From 1918 to 1922, he was the director of the Music-drama school of Mykola Lysenko in Kiev, where, amongst others, Vladimir Horowitz was a pupil in his masterclasses. He returned to the Moscow Conservatory in 1922, teaching there until his death. Other famous pupils of his include Simon Barere, Maria Yudina and Maria Grinberg. He died in Moscow.As a pianist, he played many of the compositions of his Russian contemporaries. His compositions, which showed the influence of Frédéric Chopin and Pyotr Ilyich Tchaikovsky, include a symphony, pieces for solo piano, an Allegro de Concert for piano and orchestra, and lieder. His virtuoso pieces for piano in particular are enjoying something of a renaissance in recent years.He was the uncle of Heinrich Neuhaus and first cousin, once removed of Karol Szymanowski (Felix and Karol's father, Stanislaw Szymanowski, were cousins).(Wikipedia).
$6.00
Smoke Gets In Your Eyes
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Piano seul
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AVANCÉ
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,...
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Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
$8.99
Elegy for Sandy
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Piano seul
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INTERMÉDIAIRE
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Richard E Brown
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Grade: 3
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Elegy for Sandy
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Dacker Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.814650 Composed by Richard E Brown. Concert,Contemporary,Standards. Score. 3 pages. Dacker Music #2950343. Published by D...
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Piano Solo - Level 3 - SKU: A0.814650 Composed by Richard E Brown. Concert,Contemporary,Standards. Score. 3 pages. Dacker Music #2950343. Published by Dacker Music (A0.814650). Written as a memorial for my cousin, Elegy for Sandy uses an arch form where the second half of the piece exactly mirrors the notes of the first half, but not the rhythms. Good recital repertoire for grade 3 piano students. Can also be played at memorial services. Grade: 3 - Duration: 1:40To hear a complete recording of this and all my piano music, go to: http://dackermusic.com/solo-piano.html
$2.50
Etude 0.5 + 1.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Etude 0.5 + 1.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862538 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2034191. ...
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Piano Solo - Level 4 - SKU: A0.862538 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2034191. Published by Michael Butkus-Bomier (A0.862538). Here is the first in the sequence of dual-interval selections. The half-step and the whole-step, close cousins, but, Do They Get Along? Sure! The traditional musical element that uses both these intervals is the octotonic or diminished scale. So, this material figures prominently in the first section, accompanied by alternating major and minor sevenths. The piece uses mirrored and symmetrical passages in 7ths next, followed by the opposite smaller intervals. Rolled mirrored clusters, symmetrical open chords, every possibility is explored here, each aspect showing its own identity. The intervallic unity gives the piece, and ALL the pieces in this series, a continuity that binds the disparate pianistic applications together into unified and identifiable musics. Running time is approx. 3 mins 30 secs. at suggested tempo. Any piece in this series can go slower, if the player needs the time, or faster, if the player feels like gunning it! MBB.
$2.50
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