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Fuga del son
Piano seul
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6 partitions trouvées
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Bach : Capriccio sur le départ de son frère bien-aimé, BWV 992 - VI. Fuga all'imitazione della cornetta di postiglione
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bach
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Capriccio sur le départ de so
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Tomplay
Telechargez la partition Piano Capriccio sur le depart de son frère bien-aime, BWV 992 - VI. Fuga all'imitazione della cornetta di postiglione de Ba...
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Telechargez la partition Piano Capriccio sur le depart de son frère bien-aime, BWV 992 - VI. Fuga all'imitazione della cornetta di postiglione de Bach. Partition pour Piano seul -- Classique
3.99€
Handel - Fuga (Sonatina) in G Major - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Piacere Music Sheets
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Handel - Fuga
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1117609 Composed by George Frideric Handel. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 p...
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Piano Solo - Level 3 - SKU: A0.1117609 Composed by George Frideric Handel. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score. 3 pages. Piacere Music Sheets #719151. Published by Piacere Music Sheets (A0.1117609). Opus/Catalog Number: HWV 582 Key/Tone: G Major Movements/Sections: Sonatina Year/Date of Composition: 1721-1722 Difficulty: Grade 5/12 (Intermediate) Obs.: This piece is part of the Aylesford manuscript, where it is entitled Fuga. The Italian word fuga means an escape, or a flight. Although this is not a strictly formed fugue (in the style of Bach's fugues, for instance), it does feature imitation, fleeing and chasing between the two hands. Although Handel's manuscript does not contain any ornaments, cadential trills are suggested to measures 6, 8, 12, 16 and 18. Our edition thus contains suggestions for realizing these trills in accordance with the performance practice of the Baroque period. Namely, such trills begin ON the beat, on the upper auxiliary note. More on less repercussions may be played depending on the player's taste and ability. Please note finally that some editions show an E in measure 5 (7th note, left hand). This could be justified by what is done in measure 7. Handel's manuscript however clearly shows a G.
$4.95
Chanson D'amour
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Piano seul
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FACILE
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Mariage/Ballade
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Paul Mauriat
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Kaiserin Rebecca
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Chanson D'amour
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Kaiserin Rebecca
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SheetMusicPlus
By Paul Mauriat. By Fred Combuse, Michel Paul Fugain, Pierre Delanoe, and Wayne Shanklin. Arranged by Kaiserin Rebecca. Holiday, Instructional, Pop, W...
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By Paul Mauriat. By Fred Combuse, Michel Paul Fugain, Pierre Delanoe, and Wayne Shanklin. Arranged by Kaiserin Rebecca. Holiday, Instructional, Pop, Wedding. Score. 2 pages. Kaiserin Rebecca #697164. Published by Kaiserin Rebecca
$6.99
Tokuno Toccata (2010) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Thomas Oboe Lee
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Tokuno Toccata
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869117 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio âÃ...
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Piano Solo - Level 4 - SKU: A0.869117 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio … molto cantabile! 3). 18 pages. Thomas Oboe Lee #3871. Published by Thomas Oboe Lee (A0.869117). Program note: I met Mana Tokuno last spring at a concert in Montpelier, Vermont. The Montpelier Chamber Orchestra, under the direction of Victor Rosenbaum, did the Beethoven Piano Concerto No. 3 with Mana as soloist. My work, Seven Steps To Heaven, for string orchestra was also on the program. After the concert we all went to a local restaurant for a bite to eat, and Mana asked me if I would be interested in writing her a piano piece. I said, Sure!!! For years I have been a fan of Glenn Gould’s recordings of the music by J.S. Bach. I am also a fan of the keyboard sonatas of Bach’s son, Carl Philipp Emanuel Bach. To prepare myself for this work for Mana, I delved into the scores and recordings of these two awe-inspiring musicians/composers, in particular the Toccatas and Partitas of J.S. Bach. I wrote the entire work during a three-week stay at the American Academy in Rome, 2009-10. Tokuno Toccata is in five sections. 1) Prelude … Fantasia!!! 2) Adagio … molto cantabile! 3) Allegro molto … 4) Largo … molto cantabile!!! 5) Allegro … Fuga a tre voci. Enjoy!!!Audio link. Copy and paste the URL link to your browser.https://thomasoboelee.bandcamp.com/album/tokuno-toccata-2010Video link: https://youtu.be/avzu0m_4bqs
$9.99
Tokuno Toccata (2010) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Thomas Oboe Lee
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Tokuno Toccata
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869205 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio âÃ...
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Piano Solo - Level 4 - SKU: A0.869205 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio … molto cantabile! 3). 18 pages. Thomas Oboe Lee #3903. Published by Thomas Oboe Lee (A0.869205). Program note: I met Mana Tokuno last spring at a concert in Montpelier, Vermont. The Montpelier Chamber Orchestra, under the direction of Victor Rosenbaum, did the Beethoven Piano Concerto No. 3 with Mana as soloist. My work, Seven Steps To Heaven, for string orchestra was also on the program. After the concert we all went to a local restaurant for a bite to eat, and Mana asked me if I would be interested in writing her a piano piece. I said, Sure!!! For years I have been a fan of Glenn Gould’s recordings of the music by J.S. Bach. I am also a fan of the keyboard sonatas of Bach’s son, Carl Philipp Emanuel Bach. To prepare myself for this work for Mana, I delved into the scores and recordings of these two awe-inspiring musicians/composers, in particular the Toccatas and Partitas of J.S. Bach. I wrote the entire work during a three-week stay at the American Academy in Rome, 2009-10. Tokuno Toccata is in five sections. 1) Prelude … Fantasia!!! 2) Adagio … molto cantabile! 3) Allegro molto … 4) Largo … molto cantabile!!! 5) Allegro … Fuga a tre voci. Enjoy!!!Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/tokuno-toccata-2010Video link: https://youtu.be/avzu0m_4bqs
$9.99
Capriccio on the Departure of a Beloved Brother
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Piano seul
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AVANCÉ
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Johann Sebastian Bach
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Thomas Ling
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Capriccio on the Departure of
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Tho...
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Piano Solo - Level 5 - SKU: A0.1504747 Composed by Johann Sebastian Bach. Arranged by Thomas Ling. Baroque,Classical,Instructional. Score. 11 pages. Thomas Swee Chin #1080174. Published by Thomas Swee Chin (A0.1504747). Capriccio on the Departure of a Beloved Brother, BWV 992 is an early keyboard work by Johann Sebastian Bach, composed in 1704 when Bach was still a teenager. It is considered one of his few programmatic compositions, telling a specific story through music. The piece was likely written to bid farewell to Bach’s brother, Johann Jacob, who was leaving to serve as an oboist in the military.Structure and Programmatic Elements:The Capriccio is divided into six short movements, each with a descriptive title, narrating the emotional journey of the departure:Arioso: Adagio – A friend tries to dissuade him from leavingA gentle, expressive movement representing a friend’s attempt to persuade Johann Jacob to stay.Andante – They picture the dangers that may befall himThis section evokes the imagined dangers and perils of travel, characterized by ominous, foreboding musical gestures.Adagissimo – A lament of the friendsA sorrowful, slow lament, capturing the grief and sadness of those bidding farewell to the brother.Aria di Postiglione – The postillion’s horn is heardThis movement imitates the sound of a post horn, as if signaling the brother’s imminent departure by coach, a common mode of travel in that period.Fuga all’imitazione della cornetta di postiglioneA lively fugue that continues the imitation of the post horn, showcasing Bach’s contrapuntal skills even at this young age.Aria – The friends’ farewellThe final movement brings the capriccio to a touching close as the friends say their last goodbye.Style and Significance:Musical Innovation: While Bach is typically known for abstract works, this early piece is unique for its use of vivid musical storytelling. Each movement serves a narrative function, making it one of the earliest examples of program music, where the music is designed to evoke specific images or emotions outside of purely musical ideas.Youthful Playfulness: The Capriccio reveals the young Bach’s ability to blend humor, drama, and emotion. It also shows his developing mastery of counterpoint, which would later define his mature works.Historical Context: Bach composed this piece at the beginning of his career, before his major positions in Weimar, Köthen, or Leipzig, making it an important insight into his early stylistic development.This capriccio is an expressive and inventive work that balances emotional depth with technical brilliance. It stands out as a unique, personal piece within Bach’s extensive oeuvre, reflecting both a sense of farewell and a joyful exploration of musical ideas.
$8.00
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Fuga del son