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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert OrledgeRecorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.42 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Daily Reading Level 3 - music reading comprehension for piano students
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1173900 Composed by Christine Donki…
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Piano Solo - Level 2 - Digital Download SKU: A0.1173900 Composed by Christine Donkin. Instructional. Score. 159 pages. Chrisitne Donkin #774054. Published by Chrisitne Donkin (A0.1173900). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 3:Key signatures: up to 3 sharps/flats Time signatures: 2/4, 3/4, 4/4, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to 5th Symbols: articulations, dynamics, ottava indicationsTerms: allegretto, allegro, andante, andantino, largo, lento, moderato.
$22.99
20.93 €
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Piano seul
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Christine Donkin
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Daily Reading Level 3 - music reading comprehension for piano students
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Chrisitne Donkin
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SheetMusicPlus
Daily Reading Level 4 - music reading comprehension for piano students
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1173902 Composed by Christine Donki…
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Piano Solo - Level 2 - Digital Download SKU: A0.1173902 Composed by Christine Donkin. Instructional. Score. 171 pages. Chrisitne Donkin #774056. Published by Chrisitne Donkin (A0.1173902). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experienceSuggested Pre-Requisite Knowledge for Level 4:Key signatures: up to 3 sharps/flatsTime signatures: 2/4, 3/4, 4/4, 2/2, 3/2, 6/8Pitches: up to 2 ledger linesNote/rest values: 16th to wholeChords: 2-note chords up to octave; triads with inversionsSymbols: articulations, dynamics, ottava indicationsTerms: adagio, allegretto, allegro, andante, andantino, larghetto, largo, lento, moderato, presto.
$22.99
20.93 €
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Piano seul
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Christine Donkin
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Daily Reading Level 4 - music reading comprehension for piano students
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Chrisitne Donkin
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SheetMusicPlus
Daily Reading Level 5 - music reading comprehension for piano students
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1407341 Composed by Christine Donki…
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Piano Solo - Level 3 - Digital Download SKU: A0.1407341 Composed by Christine Donkin. Instructional. Score. 195 pages. Chrisitne Donkin #990017. Published by Chrisitne Donkin (A0.1407341). The Daily Reading Series is a six-volume reading comprehension supplement for piano students. The books:- strengthen students’ music reading skills in order to promote independent learning;- reinforce concepts that they have learned previously (through method books and theory books, for example) and ensure that those concepts become ingrained through continual use;- are designed to be used concurrently and in cooperation with the study of repertoire, technique, ear training, and theory;- begin by focusing on developing the fundamental skill of recognizing and executing writtenpitches and rhythms; once the fundamentals are in place, the focus gradually evolves into the more complex challenge of transforming a visual representation into a musical experience.Suggested Pre-Requisite Knowledge for Level 5:Key signatures: up to 4 sharps/flatsTime signatures: anyPitches: anyNote/rest values: 16th to whole, tripletsChords: anySymbols: articulation, dynamics, ottava signs, root/quality chord symbolsTerms: adagio, allegretto, allegro, andante, andantino, cantabile, dolce, grazioso, larghetto, largo, lento, maestoso, marcato, moderato, prestissimo, presto.
$22.99
20.93 €
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Piano seul
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Christine Donkin
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Daily Reading Level 5 - music reading comprehension for piano students
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Chrisitne Donkin
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SheetMusicPlus
Were You There?
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1110548 Composed by African-America…
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Piano Solo - Level 3 - Digital Download SKU: A0.1110548 Composed by African-American Spiritual. Arranged by John Lehrack. Folk,Historic,Religious,Sacred,Spiritual. Score. 4 pages. GGLS Publishing #712849. Published by GGLS Publishing (A0.1110548). This arrangement of the African-American spiritual, Were You There, takes us through the crucifixion of Jesus, his entombment and resurrection. After the plaintive introduction, the first verse is a modified arrangement of the standard hymn and asks Were you there when they crucified my Lord? Verse 2 begins with a little hope that quickly turns to disbelief at watching nails being driven into the Christ: Were you there when they nailed him to a tree?. The left hand simulates the hammer and slowly, slowly, Jesus dies. The key of the third verse is lower than the first two, minor and dissonant and symbolic of Christ being lowered into a tomb. Were you there when they laid him in the tomb? The opening motif returns now, full of quiet despair but gradually evolves into light shining from the tomb and bringing forth hope. Finally, the last verse Were you there when he rose up from the grave? is in an entirely new key from the first three verses and moves with more excitement. Joy builds and the left hand never stays down for long, constantly rising again and again as Christ is raised from the dead in triumph. We conclude with a softening and slowly into contented joy, secure in our faith and knowledge of rebirth.
$4.99
4.54 €
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Piano seul
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African-American Spiritual
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John Lehrack
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Were You There?
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GGLS Publishing
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SheetMusicPlus
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