Finally, the music of Charles Koechlin is no longer an insider tip, but is being discovered for both the concert hall and the CD! With our issue we are now presenting a largely unknown facet of his work. Because hardly anyone knows that Koechlin turned to film at an advanced age. Although Koechlin was aware that there was no prospect of a cinematic implementation, he even designed a film scenario in 20 scenes in which he himself should appear in a double role! At the age of 66 he saw the actress Lilian Harvey as Princess Marie-Christine in Princesse à in a Parisian movie theater . vos ordres. He was so enchanted that he made the little pieces of Le Portrait de Daisy Hamilton for hercomposed & ndash. adorable miniatures that were not written as film music, but triggered by film experiences.
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Of the unfinished compositions Le Portrait de Daisy Hamilton, notated on two to four lines, we publish two volumes of twelve piano pieces each. Further booklets in other instrumentation will follow. With the seven planned issues Le Portrait de Daisy Hamilton , Charles Koechlin's last unpublished works from the field of film will finally be accessible to posterity.

Finally, the music of Charles Koechlin is no longer an insider tip, but is being discovered for both the concert hall and the CD! With our edition we are now presenting a largely unknown facet of his work. Because hardly anyone knows that Koechlin turned to film at an advanced age. Although Koechlin was aware that there was no prospect of a cinematic implementation, he even designed a film scenario in 20 scenes in which he himself should appear in a double role! At the age of 66 he saw the actress Lilian Harvey as Princess Marie-Christine in Princesse a vos ordres in a Parisian movie theater . He was so enchanted that he made the little pieces Le Portrait de Daisy Hamilton for her composed - captivating miniatures that were not written as film music, but drawn from film experiences.
.
Of the unfinished compositions Le Portrait de Daisy Hamilton, notated on two to four lines, we first publish two volumes with twelve piano pieces each. Further booklets in other instrumentation will follow. With the seven planned issues Le Portrait de Daisy Hamilton , Charles Koechlin's last, as yet unpublished works from the field of film will finally be made available to posterity.

Song List: In This Very Room (Ron and Carol Harris) Wedding Song (Noel Paul Stookey) Fairest Lord Jesus AMERICA, THE BEAUTIFUL (SAMUEL WARD) ANOTHER TIME, ANOTHER PLACE (GARY DRISKELL) HEAVEN CAME DOWN, AND GLORY FILLED BY SOUL (JOHN W PETERSON) JESUS, THE VERY THOUGHT OF THEE (JOHN B DYKES) I Have Decided To Follow Jesus All Creatures of Our God and King When I Survey The Wondrous Cross AMAZING GRACE (NEWTON) BATTLE HYMN OF THE REPUBLIC BE STILL AND KNOW (S. CHAPMAN) BLESSED ASSURANCE (FANNY CROSBY) CHRIST THE LORD IS RISEN TODAY (LYRA DAVIDICA) COME SHARE THE LORD (BRYAN JEFFERY LEECH) FATHER, I ADORE YOU (TERRY COELHO) FRIENDS (MICHAEL W SMITH) GIVE THANKS (HENRY SMITH) GREAT IS THE LORD (MICHAEL W SMITH) HE STARTED THE WHOLE WORLD SINGING (WILLIAM J GAITHER) HIS NAME IS WONDERFUL (AUDREY MIEIR) HOLY IS THE LORD (FRANZ SCHUBERT) HOLY, HOLY (JIMMY OWENS) HOLY, HOLY, HOLY (JOHN B DYKES) HOW GREAT THOU ART (STUART K HINE) HOW MAJESTIC IS YOUR NAME (MICHAEL W SMITH) I LOVE YOU, LORD (LAURIE KLEIN) I SING THE GREATNESS OF OUR GOD (FRED BOCK) I'VE JUST SEEN JESUS (DAN DANIELS/WILLIAM GAITHER IF MY PEOPLE (JIMMY OWENS) IT IS WELL WITH MY SOUL (PHILIP BLISS) JESUS, WE JUST WANT TO THANK YOU (WILLIAM GAITHER) JOYFUL, JOYFUL, WE ADORE THEE (LUDWIG VAN BEETHOVEN) JUST AS I AM (WILLIAM B BRADBURY) LEAD ME, LORD (SAMUEL WESLEY) LIFT HIGH THE CROSS (SYDNEY H NICHOLSON) MAJESTY (JACK HAYFORD) NO ROOM (JOHN W PETERSON) O SACRED HEAD, NOW WOUNDED (HANS LEO HASSLER) PEOPLE NEED THE LORD (GREG NELSON, PHILL MCHUGH) SEEK YE FIRST THE KINGDOM OF GOD (KAREN LAFFERTY) SOON AND VERY SOON (ANDRAE CROUCH) THE LONGER I SERVE HIM (WILLIAM J GAITHER) THERE IS STRENGTH IN THE NAME OF THE LORD (PHILL MCHUGH, GLORIA GAITHER, SANDI P HELVERING) THIS OL' HOUSE (STUART HAMBLEN) TO GOD BE THE GLORY (FANNY CROSBY) WE ARE GOD'S PEOPLE (JOHANNES BRAHMS) WE HAVE COME INTO HIS HOUSE (BRUCE BALLINGER) WE WILL GLORIFY (TWILA PARIS)

Lullaby. Composed by Gabriele Filippi. For Piano Solo, Contemporary Music.

This original composition, here edited by the composer with detailed expressive notations to accompany the pianist in the interpretations imagined, desired, and rendered by Filippi, comes as a piece inspired by his grandfather.

A very important presence for Filippi, who in his younger age helped to form him, to make him grow, and with his granite presence, to make him the man he is today until his last days of life.

A delicate lullaby, which does not fail to arouse the ardor of sentiment towards a person who is no longer among us, Lullaby by Gabriele Filippi offers a broad and diversified relatability, in which every listener and every performer can find ample capable imaginative spaces to arouse memories, feelings, reflections.

For a momentary parenthesis, in which to get lost and find yourself again, at each listening, with each performance.