Finally, the music of Charles Koechlin is no longer an insider tip, but is being discovered for both the concert hall and the CD! With our edition we are now presenting a largely unknown facet of his work. Because hardly anyone knows that Koechlin turned to film at an advanced age. Although Koechlin was aware that there was no prospect of a cinematic implementation, he even designed a film scenario in 20 scenes in which he himself should appear in a double role! At the age of 66 he saw the actress Lilian Harvey as Princess Marie-Christine in Princesse a vos ordres in a Parisian movie theater . He was so enchanted that he made the little pieces Le Portrait de Daisy Hamilton for her composed - captivating miniatures that were not written as film music, but drawn from film experiences.
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Of the unfinished compositions Le Portrait de Daisy Hamilton, notated on two to four lines, we first publish two volumes with twelve piano pieces each. Further booklets in other instrumentation will follow. With the seven planned issues Le Portrait de Daisy Hamilton , Charles Koechlin's last, as yet unpublished works from the field of film will finally be made available to posterity.

Finally, the music of Charles Koechlin is no longer an insider tip, but is being discovered for both the concert hall and the CD! With our issue we are now presenting a largely unknown facet of his work. Because hardly anyone knows that Koechlin turned to film at an advanced age. Although Koechlin was aware that there was no prospect of a cinematic implementation, he even designed a film scenario in 20 scenes in which he himself should appear in a double role! At the age of 66 he saw the actress Lilian Harvey as Princess Marie-Christine in Princesse � in a Parisian movie theater . vos ordres. He was so enchanted that he made the little pieces of Le Portrait de Daisy Hamilton for hercomposed & ndash. adorable miniatures that were not written as film music, but triggered by film experiences.
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Of the unfinished compositions Le Portrait de Daisy Hamilton, notated on two to four lines, we publish two volumes of twelve piano pieces each. Further booklets in other instrumentation will follow. With the seven planned issues Le Portrait de Daisy Hamilton , Charles Koechlin's last unpublished works from the field of film will finally be accessible to posterity.