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Heinrich Bach
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Vous avez sélectionné:
Heinrich Bach
Piano seul
Partitions à imprimer
4 partitions trouvées
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Heinrich Schenker - Four Two Voice Inventions, op. 5
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Piano seul
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Contemporain
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Heinrich Schenker
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Benjamin Ayotte
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Heinrich Schenker - Four Two V
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Piano Solo - SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical...
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Piano Solo - SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical Engravings #3424921. Published by Ayotte Custom Musical Engravings (A0.733166). Schenker is known to have sent Julius Röntgen a copy of his Zweistimmige Inventionen. He seems to have been particularly fond on no. 2 of the set of four. He wrote to Röntgen on 13 April 1901, I hope that Invention No. 2, of which I am very proud, interests you. It is indeed rather quick-I mean passionate, deliberate, very expressive! It is here, primarily, where I’ve breached modernism. It would make me very happy if this invention pleased you. Patrick Miller offers this assessment of these works vis-à -vis Scheker’s other published output:The four pieces in this set seemingly mark a departure from the dense harmonic and rhythmic textures of Schenker’s previously published piano compositions. The intricate melodic lines of these pieces, however, imply a texture rich with harmonic and rhythmic details. … The first invention is a delicate chromatic study, while the second invention is an intense chromatic piece based on the B–A–C–H motive, Bb–A–C–B. With regard to thematic material and texture, the third invention is the most transparent of the set and is an exacting study in finger articulation. The fourth invention is a canon and, according to a printed footnote, is ‘a study after JS Bach’s Invention no. 2 (C minor) .
$29.99
pianocafe collection vol.42
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Piano seul
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FACILE
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Classique
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pianocafe Kumi
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pianocafe Kumi
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pianocafe collection vol.42
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pianocafe Kumi
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1448252 By pianocafe Kumi. By Heinrich Ignaz Franz von Biber, Johann Sebastian Bach, Takashi Miki, and pianocafe Kumi. Ar...
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Piano Solo - Level 2 - SKU: A0.1448252 By pianocafe Kumi. By Heinrich Ignaz Franz von Biber, Johann Sebastian Bach, Takashi Miki, and pianocafe Kumi. Arranged by pianocafe Kumi. Baroque,Early Music,New Age. Score. 27 pages. Pianocafe Kumi #1028192. Published by pianocafe Kumi (A0.1448252). Pianocafe collection vol.42piano album.
$30.00
Feu follet
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Piano seul
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AVANCÉ
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Contemporain
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...
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Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79
Christmas Sonatina, Op. 251/3
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Piano seul
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INTERMÉDIAIRE
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Noël
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Carl Heinrich Carsten Reinecke
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Christmas Sonatina, Op. 251/3
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - SKU: S9.Q6713 Composed by Carl Heinrich Carsten Reinecke. Edited by Hans Musch. This edition: Sheet music. Edition Schott - Singl...
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Piano - intermediate - SKU: S9.Q6713 Composed by Carl Heinrich Carsten Reinecke. Edited by Hans Musch. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2008 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 251/3. Schott Music - Digital #Q6713. Published by Schott Music - Digital (S9.Q6713). In the 19th century, the Christmas celebrations increasingly moved from the church to the family home. The delicately woven Christmas Sonatina by Carl Reinecke (1824-1910) testifies to that. Motifs from Bach's Sinfonia from the Christmas Oratorio or from Handel's Messiah blend with melodies of popular Christmas carols such as 'Silent Night, Holy Night', 'Vom Himmel hoch' or 'O du fröhliche'. Due to its moderate difficulty, the Sonatina by this sensitive and in those days highly esteemed composer is suitable for both pupils' concerts and for private music-making in the Advent and Christmas season.
$5.99
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