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Vous avez sélectionné:
I Got Rhythm: Piano Accompaniment
Piano seul
Partitions à imprimer
3 partitions trouvées
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Piano Solos for Jazz Standards: Rhythm Changes
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1119535 Composed by L. E. Albright.…
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Piano Solo - Level 4 - Digital Download SKU: A0.1119535 Composed by L. E. Albright. Jazz. Score. 5 pages. L. E. Albright #720935. Published by L. E. Albright (A0.1119535). This is a series of original compositions which are designed to open various genres of jazz to the classically-trained solo pianist. The thousands of lead sheets available today provide only the barest sketch of a composition: melody and chord symbols. What remains for a solo pianist to create a complete ‘realization’ of these pieces are, at minimum, an accompaniment of some kind (e.g. left-hand chords, walking bass) and musical development. Many jazz composers have borrowed the chord progression from Gershwin's I Got Rhythm. Here are two piano solos with accompaniment for these Rhythm Changes. The solos may be played alone, or spliced into jazz tunes such as Anthropology by Charlie Parker. In addition, the left-hand accompaniment in these solos can be used to accompany Parker's original melody: the 'head' in jazz parlance.
$1.99
1.83 €
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Piano seul
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L
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Piano Solos for Jazz Standards: Rhythm Changes
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L. E. Albright
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SheetMusicPlus
What Was I Made For?
Piano seul
Instrumental Solo - Level 2 - Digital Download SKU: A0.1271184 By Billie Eilish. By…
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Instrumental Solo - Level 2 - Digital Download SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
$5.99
5.52 €
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Piano seul
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Billie Eilish
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Thomas Gunther
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What Was I Made For?
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Thomas Gunther Music Productions
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SheetMusicPlus
Thad and Finas - Etude #13
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce D…
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Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Jazz. Score. 7 pages. Bruce Dudley #846791. Published by Bruce Dudley (A0.1253045). Thad and Finas (Etude #13) is based on the harmonic progression used by George Gershwin in his song, I Got Rhythm, widely known as rhythm changes. The form is AABA, divided into 8-measure phrases. The first chorus (mm. 1 -32) consists mostly of two-handed chordal textures with the melody on top in the right hand. This chorus includes harmonizations, chord voicings, and melodic shapes similar to those used by jazz composer and arranger Thad Jones. The second chorus (mm. 33 - 64) consists mainly of single solo melodic lines in the right hand with shell voicings in the left hand that lightly support the melodic lines harmonically and rhythmically. The third chorus (mm. 65 - 96) begins with melodic lines played in unison with both hands two octaves apart, a style of soloing that jazz pianist Phineas Newborn Jr. (Finas) perfected in the 1950s and 60s. In the fourth chorus, beginning in measure 97, the harmonic progression is altered in the A sections, borrowing a clever cycle of fifths progression that was first developed by jazz pianists Art Tatum and Thelonious Monk in the 1940s. Before the piece ends there is a brief moment of stride left hand accompaniment that propels the piece to an exciting conclusion.
$4.49
4.13 €
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Piano seul
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Bruce Dudley
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Bruce Dudley
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Thad and Finas - Etude #13
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Bruce Dudley
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SheetMusicPlus
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