Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.
Piano solo, 80 pages.

About the music:
In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.
In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.
The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).
In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.
All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.
The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).
Szenen für Klavier / Scenes for piano

01 Opener 1:18 
02 Visionen im Wasser ? Water visions 2:33
03 Wellen ? Waves 2:43
04 Fallen Angel 2:36
05 Gradus ad parnassum 2:09
06 Wiegenlied ? Lullaby 2:41
07 Bulgarischer Tanz ? Bulgarian dance 2:02
08 Hommage an Satie ? Hommage to Satie 2:31
09 Just an affair 4:33

Vier Nocturnes / Four Nocturnes

10 Songes de la nuit ? Night muses 2:18
11 Valse pour ? ? Waltz for ? 2:37
12 Une illusion- An illusion 2:25
13 Promenade d?une dame ? Promenade of a lady 3:38

Impresiónes latinas

14 Habanera 2:04
15 Canción triste ? Melancholic song 1:28
16 Impresión brasiliana - Brasilian impression 2:23

Filmmusik ?König der Nacht? / Filmmusic ?Queen of the night?

17 Tanz der Marionetten ? Dance of the marionettes (Piano) 2:06
18 Tanz der Marionetten ? Dance of the marionettes (Celesta) 2:00

Piano Pur

19 Piano reflections 3:16

The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto. Here we offer an arrangement for Violoncello solo and piano based on Bach's transcription.

The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.

Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.



This arrangement was written for Piano Solo.