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PIANO & CLAVIERS
Piano seul
800
Orgue
200
Piano, Voix
58
Piano Facile
36
Piano, Voix et Guitare
21
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
8
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
3
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2
2 Pianos, 4 mains
2
Piano grosses notes
2
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1
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7
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2
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2
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1
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74
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35
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26
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11
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8
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4
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2
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1
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1
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1
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1
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1
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Flûte traversière et Piano
90
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70
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45
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22
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19
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15
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10
Cor anglais, Piano
10
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10
3 Saxophones (trio)
10
Flûte traversière
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
9
Ensemble de Clarinettes
8
Flûte à bec Soprano
8
Saxophone (partie séparée)
7
Clarinette
6
Flûte à bec Alto
6
Ensemble de Flûtes
5
3 Clarinettes (trio)
5
Flûte, Clarinette, Piano (trio)
5
Clarinette, Harpe (duo)
4
Saxophone Baryton, Piano
4
Flûte, Hautbois, Piano (trio)
3
2 Clarinettes, Piano
3
2 Flûtes traversières, Piano
3
2 Clarinettes (duo)
3
Flûte, Violon et Violoncelle
3
2 Saxophones (duo)
3
Flûte, Violon, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette (partie séparée)
2
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2
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2
Saxophone Alto
2
Flûte et Guitare
2
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2
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2
Hautbois
2
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2
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Ensemble de saxophones
2
2 Flûtes traversières (duo)
1
Flûte, Basson et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Flûte, Alto et Piano
1
Hautbois (partie séparée)
1
Saxophone Soprano
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, trompette et piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte irlandaise
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette, Piano
13
Cor et Piano
13
Trombone et Piano
12
Cor anglais, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
8
Cor
5
Trombone
5
Euphonium, Piano (duo)
4
Tuba et Piano
3
Tuba (partie séparée)
3
Trombone (partie séparée)
3
Tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
2
Instruments en Sib
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
1
Tuba et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
Trompette, Trombone (duo)
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
2 Cors (duo)
1
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CORDES
Violon et Piano
109
Violoncelle, Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
37
Alto, Piano
37
Harpe
20
Trio à Cordes: violon, alto, violoncelle
12
2 Harpes (duo)
11
Violoncelle (partie séparée)
10
Harpe, Flûte (duo)
10
Violon
8
Violon (partie séparée)
5
2 Violons (duo)
5
Violon, Violoncelle (duo)
4
Contre Basse
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
2
Alto (partie séparée)
2
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle
2
2 Violoncelles (duo)
2
2 Altos (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Alto et Basson
1
Violon, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
223
Cloches
66
Orchestre à Cordes
47
Orchestre
43
Ensemble Jazz
14
Orchestre de chambre
11
Ensemble de cuivres
11
Fanfare
9
Batterie (partie séparée)
5
Marimba
3
Ensemble de Percussions
3
Percussion (partie séparée)
2
Vibraphone
1
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AUTRES
Vous avez sélectionné:
In The Quiet
Piano seul
Partitions à imprimer
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Memories Drift Quietly
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1354540 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1354540 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Film/TV,Lent,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #939262. Published by James M Stevens Music ASCAP (A0.1354540). Written January 6, 2024, this is an original piano composition in a quiet, nostalgic and somewhat sad style. This has been a difficult holiday season for me. My father unexpectedly passed away on Christmas Day and my mother unexpectedly passed away on New Years Day. They were great parents and the sorrow of losing them is and will be great. They were always proud and supportive of my music and I hope to somehow in their memory honor them as I continue to write.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Memories Drift Quietly
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James M Stevens Music ASCAP
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SheetMusicPlus
The Raymond Variations for Piano (Set 1)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20t…
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Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99
9.17 €
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Piano seul
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S
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these include a
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The Raymond Variations for Piano
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S. G. Potts
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SheetMusicPlus
Prelude on St. Catherine ('Faith of Our Fathers')
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1341934 Composed by John Burkett. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1341934 Composed by John Burkett. Arranged by John Burkett. Praise & Worship,Romantic Period,Sacred. Score. 5 pages. John Burkett #927445. Published by John Burkett (A0.1341934). My Prelude on the tune St. Catherine (Faith of Our Fathers) is intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. It is written in an overtly late 19th century romantic style with considerable use of chromaticism. A fairly lengthy introduction hints frequently at the tune before the melody proper appears. The chorus concludes in grandiose style followed by a brief postlude that quietly reiterates the opening measures of the piece. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
7.35 €
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Piano seul
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John Burkett
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John Burkett
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Prelude on St. Catherine
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John Burkett
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SheetMusicPlus
A Quiet Place
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1080421 By Take 6. By Ralph Carmich…
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Piano Solo - Level 3 - Digital Download SKU: A0.1080421 By Take 6. By Ralph Carmichael. Arranged by Sharon Wilson and Sharon Wilson Music. 20th Century,Christian,Contemporary,Praise & Worship,Sacred. Score. 5 pages. Sharon Wilson #684656. Published by Sharon Wilson (A0.1080421). This meditative worship song by Ralph Carmichael became popular in the 1970's and has continued to bless listeners through the decades. The lyrics are filled with references to nature and God's restoration through quiet communion with Him. Let this flowing, expressive song inspire heart-felt worship to God as He prepares us to face a new day with love for all mankind.The audio sample begins at measure 21.Lyrics by Ralph Carmichael:There is a quiet place, far from the rapid pace,where God can soothe my troubled mind.Sheltered by tree and flower,There in my quiet hour with Him,My cares are left behind.Whether a garden small or on a mountain tallNew strength and courage there I find; Then from this quiet place I go prepared to face
$4.99
4.58 €
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Piano seul
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Take 6
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A Quiet Place
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Sharon Wilson
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SheetMusicPlus
Whispers on the Wing
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1031354 Composed by Ann Marie Kurra…
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Piano Solo - Level 3 - Digital Download SKU: A0.1031354 Composed by Ann Marie Kurrasch. 20th Century,Contemporary,New Age,Sacred. Score. 5 pages. Ann Marie Kurrasch #3126249. Published by Ann Marie Kurrasch (A0.1031354). Whispers on the Wing is an original piano solo that was composed in 2013. It begins very quietly with a very light touch and then expands into lush melody--a word picture in music to capture the gentle flight and beauty of the tiny hummingbirds flitting outside my window. It is perfect for quiet moments of reflection in a church service or personal moments of quieting and meditation. It offers an opportunity for the pianist to show an emotional range from light and wispy to lush and melodic. It is mostly in the key of C, duration is 3 ½ minutes. It is the first piano solo included in my album Whispers and Meditations that contains 20 such solos for reflection and quieting in today’s busy world. I am a long standing member of ASCAP and live in California.
$3.99
3.66 €
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Piano seul
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Ann Marie Kurrasch
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Whispers on the Wing
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Ann Marie Kurrasch
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Wind in the Wood, Piano Solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.947541 Composed by George Arvola, V…
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Piano Solo - Level 3 - Digital Download SKU: A0.947541 Composed by George Arvola, Virginia Mathews. Contemporary,Instructional,Sacred,Standards,Wedding. Score. 3 pages. George Arvola and Virginia Mathews #2076189. Published by George Arvola and Virginia Mathews (A0.947541). Long flowing arpeggios are the thematic material in this ballad style exercise. The prelude quality might serve as a part of a wedding service or even in quiet contemplation in other church services. Rhythmically straight-forward, this 2 page piano solo takes just under 2 minutes to perform. One of 12 intermediate arpeggio studies from the collection Delicious Licorice.
$3.99
3.66 €
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Piano seul
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George Arvola, Virginia Mathews
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Wind in the Wood, Piano Solo
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George Arvola and Virginia Mathews
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SheetMusicPlus
Dreams under the Moon
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1255166 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1255166 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848731. Published by Max Potseluiev (A0.1255166). Dreams under the Moon is a slowly and contemplative nocturne that invites the listener to embark on a journey through a world of reverie and imagination. With its slow tempo and introspective nature, this piece creates a serene atmosphere, perfectly suited for moments of quiet contemplation.The composition unfolds like a moonlit night, where dreams come alive and emotions stir. The gentle melodies, delicate harmonies, and rich tonal colors blend together to create a soothing and introspective soundscape. Each note carries a sense of longing, evoking a mood of introspection and tranquility.Dreams under the Moon envelops the listener in a world of serenity and invites them to explore the depths of their own thoughts and emotions. The expressive phrasing and subtle dynamics evoke a sense of nostalgia and contemplation, as if gazing at the moon and being transported to a realm where dreams and reality intertwine.As the piece evolves, it paints a vivid musical portrait of a moonlit dreamscape, where the imagination takes flight. The slow and deliberate pace allows for each delicate note to resonate, creating an ethereal ambiance that captivates the senses and invites deep reflection.This nocturne is a testament to the power of music to touch the soul and ignite the imagination. It serves as a gentle lullaby for the mind, guiding the listener through a realm of dreams and introspection. With its evocative melodies and serene atmosphere, Dreams under the Moon offers a moment of respite from the complexities of life, providing solace and an opportunity for self-discovery.Indulge in this enchanting composition, let your thoughts wander, and immerse yourself in the tranquil world of Dreams under the Moon. Allow the music to guide you on a journey of introspection, where the moonlight illuminates the depths of your dreams and aspirations.
$4.99
4.58 €
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Piano seul
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Max Potseluiev
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Dreams under the Moon
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Max Potseluiev
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SheetMusicPlus
Holy Holy Holy (To Thee We Sing)
Piano seul
Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arrang…
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Piano Solo - Digital Download SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
4.58 €
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Piano seul
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John Bacchus Dykes
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April Rundquist
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Holy Holy Holy
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April Ann Rundquist
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SheetMusicPlus
Prelude in F# minor Op. 13 No. 2
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.987698 Composed by E.F.J. Fagan. Co…
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Piano Solo - Level 2 - Digital Download SKU: A0.987698 Composed by E.F.J. Fagan. Contemporary,Romantic Period. Score. 2 pages. Erin Fagan #21201. Published by Erin Fagan (A0.987698). This is the second Prelude from my first set of 24 Preludes for Solo Piano. Attention to dynamic contrast is important in this simple march-like piece as a gradual shift from the quietest to loudest dynamic should be heard each time the theme is heard. No expense should be spared in the final iteration of the theme in terms of dynamics and while there is a metronome marking at the start it is a guideline, the piece should be neither fast nor slow but with a simple adherence to the idea of the 'martellato' direction. This piece is rather simple except for the accel. section at the end which requires some finesse, however for a beginner pianist it should not be too much of a challenge. Performance time should be roughly 2 minutes.
$4.00
3.67 €
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Piano seul
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E
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Prelude in F# minor Op. 13 No. 2
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Erin Fagan
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.59 €
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
Nocturne for My Mother
Piano seul
Piano Solo - Digital Download SKU: A0.1027429 Composed by Walter Saul. Contemporary…
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Piano Solo - Digital Download SKU: A0.1027429 Composed by Walter Saul. Contemporary. Score. 8 pages. Waltersaul.com #5996993. Published by waltersaul.com (A0.1027429). This work was written in honor of my mother, Suzanne M. Saul. The piece is a simple vision of the Lord descending quietly from heaven into the fretfulness she and we all face in life here on earth and the anticipation of life eternal. Quiet repeated quarter notes in the right hand accompany a left hand melodic duet. There is an agitated middle section that melts back into the opening idea, but in yet a higher key. The gentle ending is most comforting. Appropriate for church or school.
$5.00
4.59 €
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Piano seul
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Walter Saul
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Nocturne for My Mother
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waltersaul.com
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SheetMusicPlus
Moments in the Quiet
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1408551 By James Michael Stevens. By Jam…
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Piano - Level 3 - Digital Download SKU: A0.1408551 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Film/TV,New Age,Sacred. Full Performance. Duration 231. James M Stevens Music ASCAP #991145. Published by James M Stevens Music ASCAP (A0.1408551). This is the piano demonstration performance of Stevens' Moments in the Quiet..
$1.99
1.83 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Moments in the Quiet
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James M Stevens Music ASCAP
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SheetMusicPlus
Candles Burn in the Quiet Night
Piano seul
Piano - Digital Download SKU: A0.1062232 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1062232 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Full Performance. Duration 192. James M Stevens Music ASCAP #5739771. Published by James M Stevens Music ASCAP (A0.1062232). This is the piano demonstration performance of Stevens' Candles Burn in the Quiet Night.
$1.99
1.83 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Candles Burn in the Quiet Night
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James M Stevens Music ASCAP
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SheetMusicPlus
Moments in the Quiet
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1408561 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1408561 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Film/TV,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #991156. Published by James M Stevens Music ASCAP (A0.1408561). Written March 29, this is an original piano composition in a ultra quiet, laid back, and never rushed style in F major. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' on streaming platforms worldwide.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Moments in the Quiet
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James M Stevens Music ASCAP
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SheetMusicPlus
Candles Burn in the Quiet Night
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573442 Composed by James Michael St…
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Piano Solo - Level 3 - Digital Download SKU: A0.573442 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #5740113. Published by James M Stevens Music ASCAP (A0.573442). Written May 7, 2020, this is an original piano composition in a soft and reflective style in the key of D minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Candles Burn in the Quiet Night
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James M Stevens Music ASCAP
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SheetMusicPlus
In The Quiet
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.922720 Composed by Holly Jones. Con…
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Piano Solo - Level 2 - Digital Download SKU: A0.922720 Composed by Holly Jones. Contemporary,New Age,Spiritual. Score. 3 pages. StudioJones #6133413. Published by StudioJones (A0.922720). Piano Solo- Early Intermediate-Digital Download Composed by Holly Jones. Contemporary classical, Christian, Spiritual, Worship, Impressionistic, Post-Romantic, Neo-Classical, New Age. Sheet Music Single. 3 pages. Published by StudioJones.Key of C minor, 4/4 time signature. Early Intermediate skill level. Recorded by Holly Jones on her album Art On The Piano, awarded Solo Piano Album of the Year 2019 by One World Music Radio, Best New Artist 2020 by Enlightened Piano Radio. Sounds like George Winston, Stephan Moccio, Chad Lawson, David Nevue, Jim Brickman.
$4.99
4.58 €
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Piano seul
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Holly Jones
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In The Quiet
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StudioJones
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SheetMusicPlus
In the Quiet of Evening - original piano solo prelude
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.701848 Composed by Kevin G. Pace (A…
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Piano Solo - Level 4 - Digital Download SKU: A0.701848 Composed by Kevin G. Pace (ASCAP). 20th Century,Contemporary,Romantic Period,Sacred. Score. 3 pages. Kevin G. Pace #3578403. Published by Kevin G. Pace (A0.701848). A beautiful, peaceful, original piano solo for the moderately advanced pianist.
$3.95
3.63 €
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Piano seul
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Kevin G
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In the Quiet of Evening - original piano solo prelude
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Kevin G. Pace
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SheetMusicPlus
Dreaming by a Quiet Sea
Piano seul
Piano Solo - Elementary - Digital Download SKU: F0.W9089 Composed by Elizabeth W. G…
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Piano Solo - Elementary - Digital Download SKU: F0.W9089 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9089. Published by The FJH Music Company - Digital (F0.W9089). UPC: 674398205585.Peaceful and dreamy, this composition in the key of G features appealing harmonic changes, use of the damper pedal, and accidentals. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
2.3 €
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Piano seul
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Elizabeth W
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Dreaming by a Quiet Sea
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The FJH Music Company - Digital
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SheetMusicPlus
Away in a Manger
Piano seul
(Piano) - Digital Download SKU: H1.C5283PDP Arranged by Joel Raney. Piano Accompani…
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(Piano) - Digital Download SKU: H1.C5283PDP Arranged by Joel Raney. Piano Accompaniment with Optional 4-Hand Piano. Hymntune, Christmas. 4-Hand Piano Part. 8 pages. Hope Publishing - Digital #C5283PDP. Published by Hope Publishing - Digital (H1.C5283PDP). Luke 2:16 - Luke 8:23 - Mark 10:14 - Mark 10:16 - Matthew 19:14 - Matthew 28:20.Christmas lullaby In the same vein as Joel Raney's 2003, top-selling setting of Gentle Mary Laid Her Child, here is a Christmas lullaby with optional four-hand piano accompaniment. The two tunes, CRADLE SONGS and AWAY IN A MANGER, are woven together with lush harmonies that grow to a grand point of intesity and then end in quiet, earnest prayer. The Piano 4-Hand Part and accompaniment CD are available separately.
$22.95
21.07 €
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Piano seul
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Joel Raney
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Away in a Manger
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Hope Publishing - Digital
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SheetMusicPlus
The Peace of Christmas
Piano seul
Piano - Intermediate - Digital Download SKU: LX.70-2261L Quiet Carol Meditations…
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Piano - Intermediate - Digital Download SKU: LX.70-2261L Quiet Carol Meditations for the Holiday Season. Arranged by Larry Shackley. Sacred, Christmas. Church Piano. 32 pages. Lorenz Publishing - Digital Sheet Music #e70/2261L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2261L). ISBN 9780787771263.A glowing candle, the scent of evergreens, and the sound of a distant piano echoing over the snow--that's the scene Larry Shackley evokes in this beautiful collection of carols. Whether you are playing at home or providing a sensitive background to holiday services and get-togethers, these quiet meditations will display the peace of Christmas.
$19.95
18.32 €
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Piano seul
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Larry Shackley
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The Peace of Christmas
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
IN THE QUIETNESS Piano Accompaniment for Choir with Tenor Sax
Piano seul
Piano - Digital Download SKU: A0.1056171 Composed by Gary Lanier. Christian,Gospel,…
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Piano - Digital Download SKU: A0.1056171 Composed by Gary Lanier. Christian,Gospel,Holiday,Praise & Worship,Sacred. Accompaniment. Duration 156. The Lanier Company #4898163. Published by The Lanier Company (A0.1056171). IN THE QUIETNESS is an arrangement for SATB Choir with Tenor Sax & Piano composed and arranged by Gary Lanier. This mp3 is the piano accompaniment for that arrangement.
$3.99
3.66 €
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Piano seul
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Gary Lanier
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IN THE QUIETNESS Piano Accompaniment for Choir with Tenor Sax
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The Lanier Company
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SheetMusicPlus
IN THE QUIETNESS Piano Accompaniment for Choir with Cello
Piano seul
Piano - Digital Download SKU: A0.1056178 Composed by Gary Lanier. Arranged by Gary …
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Piano - Digital Download SKU: A0.1056178 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Holiday,Praise & Worship,Sacred. Accompaniment. Duration 156. The Lanier Company #4898869. Published by The Lanier Company (A0.1056178). IN THE QUIETNESS is an arrangement for SATB Choir with Cello & Piano composed and arranged by Gary Lanier. This mp3 is the piano accompaniment for that arrangement.
$3.99
3.66 €
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Piano seul
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Gary Lanier
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Gary Lanier
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IN THE QUIETNESS Piano Accompaniment for Choir with Cello
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The Lanier Company
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SheetMusicPlus
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