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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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PIANO & CLAVIERS
Piano seul
378
Piano, Voix
110
Piano Facile
107
Piano, Voix et Guitare
42
Orgue
31
Instruments en Do
22
Piano Trio: piano, violon, violoncelle
14
1 Piano, 4 mains
11
Accompagnement Piano
8
Piano grosses notes
6
2 Pianos, 4 mains
4
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
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1 Piano, 6 mains
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GUITARES
Guitare
26
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20
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16
Basse electrique
3
Guitare (partie séparée)
2
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2
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1
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1
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1
Ukulele
1
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VOIX
Chorale SATB
212
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71
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48
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27
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13
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8
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8
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6
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5
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4
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4
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3
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2
Voix moyenne, Piano
2
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1
Chorale SSATB
1
Chorale
1
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1
Voix haute
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
118
Flûte traversière et Piano
79
Quintette de Saxophone: 5 saxophones
59
Clarinette
57
Hautbois, Piano (duo)
50
2 Saxophones (duo)
43
Clarinette et Piano
38
Saxophone Alto et Piano
35
2 Flûtes traversières (duo)
25
Saxophone Tenor et Piano
24
2 Clarinettes (duo)
21
Saxophone Soprano et Piano
21
Flûte traversière
21
Quatuor de Saxophones: 4 saxophones
18
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Alto
13
Saxophone, Clarinette (duo)
13
Flûte, Hautbois, Clarinette, Basson
12
Clarinette, Trompette (duo)
11
Clarinette, Violon (duo)
10
Trio de Flûtes: 3 flûtes
10
Ensemble de Clarinettes
10
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10
Saxophone Baryton, Piano
9
Saxophone Tenor
9
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8
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8
3 Clarinettes (trio)
8
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8
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7
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7
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6
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6
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6
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6
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5
Hautbois, Clarinette (duo)
5
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5
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5
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5
Quatuor de Flûtes : 4 flûtes
5
Quintette de Flûte : 5 flûtes
4
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4
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4
Clarinette Basse, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
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4
Cor anglais, Piano
4
3 Hautbois
4
3 Saxophones (trio)
3
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3
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3
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Ocarina
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1
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1
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1
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1
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1
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1
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1
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CUIVRES
Trompette
55
Trombone et Piano
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Trompette, Piano
31
Cor et Piano
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Cor
15
Trombone
15
Tuba et Piano
12
Trompette, Saxophone (duo)
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trompette, Trombone (duo)
8
Tuba
8
Trombone (partie séparée)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette (partie séparée)
6
Ensemble de Trombones
6
2 Cors (duo)
5
Euphonium, Piano (duo)
4
Ensemble de Trompettes
4
3 Trombones (trio)
4
Quatuor de Cuivres
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 trombones
4
Tuba (partie séparée)
4
3 Trompettes (trio)
3
Cor et Harpe
3
Trompette, Trombone, Piano
3
2 Tubas (duo)
3
Trompette, Harpe
2
Cor Anglais
1
Clarinette, Cor (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 cors
1
Instruments en Sib
1
Cor, Violoncelle (duo)
1
Cor et Basson (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Cor (partie séparée)
1
Ensemble de Cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
97
Violon et Piano
65
Harpe
58
Violon
47
Violoncelle, Piano
36
Alto, Piano
35
2 Violons (duo)
24
Violon, Violoncelle (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Alto seul
18
Violoncelle
17
2 Altos (duo)
12
2 Violoncelles (duo)
12
Contrebasse, Piano (duo)
10
Trio à Cordes: violon, alto, violoncelle
9
2 Harpes (duo)
7
Contre Basse
6
Violon, Alto (duo)
6
Ensemble de Violons
5
Trio à cordes: 3 violins
5
Ensemble d'Altos
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à cordes: 3 altos
4
Harpe, Flûte (duo)
4
Harpe, Violon (duo)
3
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
3
Violoncelle , Guitare (duo)
3
Violon (partie séparée)
3
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
2
2 Violoncelles, Piano
2
3 Contrebasses
2
4 Violoncelles
2
Alto et Harpe
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
287
Orchestre à Cordes
49
Cloches
35
Orchestre
33
Ensemble Jazz
18
Jazz combo
17
Orchestre de chambre
16
Ensemble de Percussions
6
Ensemble de cuivres
5
Batterie
4
Marimba
2
Orchestre, Violon
1
Fanfare
1
Percussion (partie séparée)
1
Xylophone, Piano
1
Batterie (partie séparée)
1
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AUTRES
Vous avez sélectionné:
In the Spring
Piano seul
Partitions à imprimer
378 partitions trouvées
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376
Some Other Spring
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.931032 Composed by Arthur Herzog Jr…
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Piano Solo - Level 3 - Digital Download SKU: A0.931032 Composed by Arthur Herzog Jr. and Irene Kitchings. Arranged by Jazzsounds. Contemporary. Score. 2 pages. Jazzsounds #6303829. Published by Jazzsounds (A0.931032). A new arrangement of a song most associated with Billie Holiday.  One of several tunes with Spring in the title that I have arranged, the others being Rodgers & Hart's rather sad Spring Is Here, the lesser known There'll Be Another Spring written by Peggy Lee, They Say It's Spring, Spring Can Really Hang You Up The Most and You Must Believe In Spring.  Full arrangement can be heard on Soundcloud.
$4.99
4.56 €
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Piano seul
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Arthur Herzog Jr
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Jazzsounds
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Some Other Spring
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Jazzsounds
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.22 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Then Nature Breathed
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.851198 Composed by Dan Jones. 20th …
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Piano Solo - Level 4 - Digital Download SKU: A0.851198 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 4 pages. DanJonesGuitarist #6478273. Published by DanJonesGuitarist (A0.851198). Then Nature Breathed (For Flo) During the international pandemic lockdown of 2020, I was living in Perthshire, Scotland. I am a keen road and hill runner, and I often find solitude, fitness, and mental rejuvenation in the foothills of the Ochils. Perthshire is a beautiful place to run. Due to the lack of planes and cars, I was amazed at the sudden abundance of animals and plant growth which appeared quite suddenly during that spring and summer. I felt that nature was thanking us for a brief pause in our frantic lifestyles, where we belch emissions and pollute our souls, minds and the planet in a frantic rush to feed our lust for materialism. I feel that many people (myself included) were able to stop, reflect and re-evaluate our roles in our lives. Pause Mere waves on this ocean navigating currents of precious space Do less or more Home a sacred place for some Breathe Breathe the light of this divine time Nature revisits Clear air Silent paths Moments Time for less, for more Movement Space Open creative pause. (Kirsty Jones) I hope you enjoy playing ‘Then Nature Breathed’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
$7.95
7.27 €
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Piano seul
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Dan Jones
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Then Nature Breathed
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DanJonesGuitarist
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SheetMusicPlus
Love Walked In
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345042 Composed by George Gershwin…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345042 Composed by George Gershwin and Ira Gershwin. Arranged by Phyllis Love. Film/TV,Instructional,Jazz,Standards. Score. 2 pages. Phyllis Love #929992. Published by Phyllis Love (A0.1345042). Love Walked In for intermediate pianoThis arrangement has a George Shearing-esque treatment which starts off as a ballad, but then goes into a swing rhythm when the second A section goes into a finger-snapping piano arrangement. Perfect for intermediate students and fans of the American Songbook.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.56 €
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Piano seul
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George Gershwin and Ira Gershwin
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Phyllis Love
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Love Walked In
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Phyllis Love
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SheetMusicPlus
Spring Is Here
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.931031 Composed by Richard Rodgers.…
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Piano Solo - Level 3 - Digital Download SKU: A0.931031 Composed by Richard Rodgers. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6302369. Published by Jazzsounds (A0.931031). A new arrangement of a 1938 tune by Rodgers & Hart, one of the saddest songs written about Spring.This is one of several arrangement that I have done with Spring in the title, the others being Some Other Spring written in 1939 for Billie Holiday, the lesser-known There'll Be Another Spring written by Peggy Lee in 1989, They Say It's Spring, Spring Can Really Hang You Up The Most and You Must Believe In Spring.Full track can be heard on Soundcloud.
$4.99
4.56 €
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Piano seul
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Richard Rodgers
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Den Tuffin
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Spring Is Here
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Jazzsounds
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SheetMusicPlus
It Might As Well Be Spring
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345111 Composed by Oscar Hammerste…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345111 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930045. Published by Phyllis Love (A0.1345111). It Might As Well Be Spring from State Fair for intermediate pianoThis cinematic arrangement evokes a time when orchestras were used to accompany vocalists. Although an intermediate level piece, advanced music students will enjoy the original introduction, which sets up the tune nicely and is also used for the finale.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.56 €
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Piano seul
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Oscar Hammerstein and Richard Rodgers
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Phyllis Love
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It Might As Well Be Spring
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Phyllis Love
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SheetMusicPlus
Symphony of Spring
Piano seul
Piano Solo - Late Intermediate - Digital Download SKU: F0.W9278 Composed by Kevin C…
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Piano Solo - Late Intermediate - Digital Download SKU: F0.W9278 Composed by Kevin Costley. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9278. Published by The FJH Music Company - Digital (F0.W9278). UPC: 674398219742.In the key of E flat major and 4/4 time, this early advanced piano solo is expressively written to depict the different temperaments of springtime weather. From the opening single-note legato line portraying the gentle side of spring, to the next section that develops the RH into playing octaves and octave chords that reproduce the sounds of crashing thunder, students and teachers will enjoy the varying musical descriptions in this springtime symphony. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.95
2.7 €
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Piano seul
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Kevin Costley
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Symphony of Spring
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The FJH Music Company - Digital
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SheetMusicPlus
We'll Be Together Again
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl F…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345130 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930064. Published by Phyllis Love (A0.1345130). We'll Be Together Again for intermediate pianoThis 1945 ballad was written by Carl Fisher and Frankie Lane. Here we have a sentimental treatment of a 40's ballad with a nice bass line accompanying the melody, as well as rich chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.48 €
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Piano seul
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Frankie Laine
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Phyllis Love
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We'll Be Together Again
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Phyllis Love
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Falling In Love With Love
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345117 Composed by Lorenz Hart and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345117 Composed by Lorenz Hart and Richard Rodgers. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 4 pages. Phyllis Love #930051. Published by Phyllis Love (A0.1345117). Falling In Love With Love from The Boys From Syracuse for intermediate pianoA contemplative treatment of a beautiful waltz from 1934, written by Rodgers and Hart. The sweetness of the lyrics are expressed in this arrangement.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.48 €
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Piano seul
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Lorenz Hart and Richard Rodgers
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Phyllis Love
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Falling In Love With Love
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Phyllis Love
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SheetMusicPlus
The Surrey With The Fringe On Top
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345101 By The Oscar Peterson Trio.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345101 By The Oscar Peterson Trio. By Oscar Hammerstein and Richard Rodgers. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 4 pages. Phyllis Love #930037. Published by Phyllis Love (A0.1345101). Surrey With The Fringe On Top from Oklahoma! for intermediate pianoThis classic Broadway show tune is written in 6/8 time and has a lot of movement. The bridge is played in 4/4 time, and is reminiscent of an old time piano piece.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.48 €
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Piano seul
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The Oscar Peterson Trio
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Phyllis Love
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The Surrey With The Fringe On Top
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Phyllis Love
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SheetMusicPlus
A Nightingale Sang In Berkeley Square
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345123 By Manhattan Transfer. By E…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345123 By Manhattan Transfer. By Eric Maschwitz and Manning Sherwin. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #930057. Published by Phyllis Love (A0.1345123). A Nightingale Sang In  Berkeley Square for intermediate pianoA lush harmonic arrangement of this classic WWII ballad by Manning Sherwin and Eric Moscowitz, dreamy and romantic but with a nice bass line and movement throughout.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.56 €
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Piano seul
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Manhattan Transfer
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Phyllis Love
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A Nightingale Sang In Berkeley Square
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Phyllis Love
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SheetMusicPlus
Once In A While
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345036 Composed by Bud Green and M…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345036 Composed by Bud Green and Michael Edwards. Arranged by Phyllis Love. Jazz,Standards. Score. 2 pages. Phyllis Love #929988. Published by Phyllis Love (A0.1345036). Once In A While for intermediate pianoThis 1937 ballad gets a fresh treatment harmonically, and sets up a mood evoking an impressionist painting.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.48 €
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Piano seul
#
Bud Green and Michael Edwards
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Phyllis Love
#
Once In A While
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Phyllis Love
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SheetMusicPlus
You And The Night And The Music
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345121 Composed by Arthur Schwartz…
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Piano Solo - Level 3 - Digital Download SKU: A0.1345121 Composed by Arthur Schwartz and Howard Dietz. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. Phyllis Love #930056. Published by Phyllis Love (A0.1345121). You and the Night and the Music from Revenge With MusicA 1934 romantic Broadway show tune that became a standard in the American Songbook. It's played here with a contrapuntal treatment and Latin flavor, while the bridge has a completely different feel with arpeggiated chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$4.99
4.56 €
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Piano seul
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Arthur Schwartz and Howard Dietz
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Phyllis Love
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You And The Night And The Music
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Phyllis Love
#
SheetMusicPlus
On The Atchison, Topeka And The Santa Fe
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren an…
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Piano Solo - Level 2 - Digital Download SKU: A0.1345127 Composed by Harry Warren and Johnny Mercer. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930061. Published by Phyllis Love (A0.1345127). On the Atchison, Topeka and the Santa Fe from The Harvey GirlsThis delightful arrangement starts off with a rhythm that evokes a train. It's harmonically interesting, with an introduction that sets in motion an exciting beat and sets up the melody nicely.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.48 €
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Piano seul
#
Harry Warren and Johnny Mercer
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Phyllis Love
#
On The Atchison, Topeka And The Santa Fe
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Phyllis Love
#
SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern …
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Piano Solo - Level 3 - Digital Download SKU: A0.1345082 By Various. By Jerome Kern and Oscar Hammerstein. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 2 pages. Phyllis Love #930017. Published by Phyllis Love (A0.1345082). The Last Time I Saw Paris for intermediate pianoThis 1940s lovely ballad has been overlooked. This version offers a rich harmonic arrangement, where the intensity builds as the tune progresses.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
$5.99
5.48 €
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Piano seul
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Various
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Phyllis Love
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The Last Time I Saw Paris
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Phyllis Love
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SheetMusicPlus
Spring (HARD PIANO) from the Four Seasons [Antonio Vivaldi]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1259529 Composed by Antonio Vivaldi…
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Piano Solo - Level 4 - Digital Download SKU: A0.1259529 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music,Traditional. Score. 6 pages. Darek #852834. Published by Darek (A0.1259529). Spring (HARD PIANO) from the Four Seasons [Antonio Vivaldi]Advanced arrangement for pianists of Spring from the Four Seasons by Antonio Vivaldi. Advanced version for pianists / Difficult piano arrangement. Included: Fingering, Dynamics, and video Youtube tutorial. Welcome to the world of classical music mastery with my exceptional creation, the Spring (for piano, difficult version, for advanced pianists). Immerse yourself in the captivating melodies of this timeless composition, derived from the iconic Four Seasons by the legendary Antonio Vivaldi. As an advanced pianist seeking a thrilling musical challenge, this arrangement is tailor-made to showcase your virtuosity and passion. Unlock the full potential of your musical expression with this meticulously crafted sheet music. The advanced difficulty level ensures that every note and passage will push your technical skills to new heights, allowing you to leave a lasting impression on audiences and fellow musicians. Within this remarkable package, you will find Fingering markings meticulously designed to guide your fingers effortlessly through the intricacies of the composition. These markings not only facilitate smooth execution but also promote efficient technique, enabling you to tackle the most demanding passages with precision and ease. To breathe life into your performance, detailed Dynamics markings have been thoughtfully incorporated. These markings serve as your guide to masterfully convey the subtle nuances and emotional depth embedded within Vivaldi's Spring. Elevate your interpretation and captivate audiences with the richness and expressiveness that only an advanced pianist can deliver. To enhance your learning experience and offer guidance throughout your musical journey, I have included a comprehensive video YouTube tutorial. This tutorial serves as your personal mentor, unveiling the secrets behind the interpretation and performance of this beloved classical piece. Immerse yourself in the insightful guidance provided and witness your artistry flourish. Indulge in the endless possibilities of Vivaldi's Spring and experience the thrill of mastering this challenging masterpiece. Whether you aspire to enrapture audiences on grand stages, enrich your personal repertoire, or seek to impart your knowledge through teaching, this advanced sheet music holds unparalleled value. Immerse yourself in the richness of classical music and claim your place among the elite pianists of our time. Elevate your artistry, captivate hearts, and ignite emotions with the Spring (for piano, advanced version, for advanced pianists).
$5.00
4.57 €
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Piano seul
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Antonio Vivaldi
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Darek
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Spring
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Darek
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SheetMusicPlus
You Must Believe In Spring
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.931059 Composed by Michel Legrand. …
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Piano Solo - Level 3 - Digital Download SKU: A0.931059 Composed by Michel Legrand. Arranged by Den Tuffin. Contemporary. Score. 2 pages. Jazzsounds #6559389. Published by Jazzsounds (A0.931059). My solo piano arrangement of an exquisite tune which modulates from D to Eb in the middle of its short 26-bar length. One of many tunes with Spring in the title that I have arranged, such as There'll Be Another Spring, Spring Is Here, Some Other Spring, They Say It's Spring and Spring Can Really Hang You Up The Most.
$4.99
4.56 €
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Piano seul
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Michel Legrand
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Den Tuffin
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You Must Believe In Spring
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Jazzsounds
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SheetMusicPlus
Spring Time Minuet
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.961660 Composed by Kim S. Bean. Con…
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Piano Solo - Level 1 - Digital Download SKU: A0.961660 Composed by Kim S. Bean. Contemporary,Standards. Score. 1 pages. Kim S. Bean #6027627. Published by Kim S. Bean (A0.961660). Spring Time Minuet, a 1 page piece in the key of C major, at the mid to late elementary level, is the first piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. Spring Time Minuet in 3/4 time, uses the tonic and dominant in the bass clef and has a melody that stays within the 5 finger position of C. This is a great piece to use in conjunction with Harvest Time Minuet to teach students transposition. This piece is in the key of C minor. Teachers can also introduce transposing pieces from one 5 finger position to other 5 finger positions, both major and minor.Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, The Trampoline Tango, Reflection on the Water, Lazy Days, Family Gathering, Crunchy Leaves, Winter Fun Suite, The Glistening Woodland Waltz and The Blizzard.
$3.99
3.65 €
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Piano seul
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Kim S
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Spring Time Minuet
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Kim S. Bean
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SheetMusicPlus
Spring's Return
Piano seul
Piano Solo - Intermediate - Digital Download SKU: F0.P2019 Composed by Jeanne Coste…
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Piano Solo - Intermediate - Digital Download SKU: F0.P2019 Composed by Jeanne Costello. Sheet Music. FJH Performance Solos. Solo Sheet. 5 pages. The FJH Music Company - Digital #P2019. Published by The FJH Music Company - Digital (F0.P2019). UPC: 674398233625.A pianistic study in the key of A major, this pretty piece is a study in expression that requires voicing the right hand over the left hand. The left-hand arpeggiated chords fall under the hands and are easy to play. This optimistic, lyrical piece will be a favorite with the girls in your studio. Pedal used throughout.
$3.50
3.2 €
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Piano seul
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Jeanne Costello
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Spring's Return
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The FJH Music Company - Digital
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SheetMusicPlus
Family Gathering
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.961666 Composed by Kim S. Bean. Con…
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Piano Solo - Level 2 - Digital Download SKU: A0.961666 Composed by Kim S. Bean. Contemporary,Holiday,Standards. Score. 1 pages. Kim S. Bean #6027707. Published by Kim S. Bean (A0.961666). Family Gathering, a 1 page piece in the key of C major, at the intermediate level, is the 8th piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. Family Gathering, with lyrics, for the fall season, is in 4/4 time, uses finger shifts, octave position changes, ledger notes, fermatas, root-fifth-root left hand 8th note figures, damper pedal and a rolled chord at the end. Great for Thanksgiving time!Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Crunchy Leaves, Winter Fun Suite, The Glistening Woodland Waltz and The Blizzard.
$3.99
3.65 €
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Piano seul
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Kim S
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Family Gathering
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Kim S. Bean
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SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1408521 Composed by Antonio Vivaldi…
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Piano Solo - Level 2 - Digital Download SKU: A0.1408521 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Classical,Instructional,Wedding. Score. 2 pages. Glauco Fernandes #991115. Published by Glauco Fernandes (A0.1408521). Discover the vivacity of the Baroque era with our exclusive and simplified arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons, meticulously crafted for easy piano. This arrangement is designed to bring the joyful and energetic spirit of spring to life in an accessible manner, making it the perfect choice for beginner pianists or those looking to enjoy a classical piece without the complexity of the original versions.For educators and piano teachers, this simplified sheet music offers a wonderful way to introduce students to Vivaldi's vibrant style and Baroque music. It provides an encouraging approach for students, allowing them to enhance their piano techniques and musical confidence while delighting in the beauty of classical music.Pianists of all levels will appreciate the opportunity to add this arrangement of La Primavera to their repertoire. It is particularly suitable for performances at recitals, school events, or simply as a pleasurable piece to play at home, creating an atmosphere filled with beauty and spring inspiration.This arrangement ensures that the essence and brilliance of Vivaldi's Spring are captured in a way that respects both the composer and beginning performers. It promises a rewarding and accessible musical experience, opening doors to the wonderful world of classical music.Tags: easy piano sheet music, beginner piano, Antonio Vivaldi, The Four Seasons, La Primavera, The Spring, Baroque music, music education, piano arrangement, live performance, music learning, classical music for piano.
$4.99
4.56 €
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Piano seul
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
La Primavera (The Spring) by Vivaldi - Piano Solo with Chord Notations
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1408516 Composed by Antonio Vivaldi…
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Piano Solo - Level 2 - Digital Download SKU: A0.1408516 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Classical,Instructional,Wedding. Score. 2 pages. Glauco Fernandes #991110. Published by Glauco Fernandes (A0.1408516). Discover the vivacity of the Baroque era with our exclusive and simplified arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons, meticulously crafted for easy piano. This arrangement is designed to bring the joyful and energetic spirit of spring to life in an accessible manner, making it the perfect choice for beginner pianists or those looking to enjoy a classical piece without the complexity of the original versions.For educators and piano teachers, this simplified sheet music offers a wonderful way to introduce students to Vivaldi's vibrant style and Baroque music. It provides an encouraging approach for students, allowing them to enhance their piano techniques and musical confidence while delighting in the beauty of classical music.Pianists of all levels will appreciate the opportunity to add this arrangement of La Primavera to their repertoire. It is particularly suitable for performances at recitals, school events, or simply as a pleasurable piece to play at home, creating an atmosphere filled with beauty and spring inspiration.This arrangement ensures that the essence and brilliance of Vivaldi's Spring are captured in a way that respects both the composer and beginning performers. It promises a rewarding and accessible musical experience, opening doors to the wonderful world of classical music.Tags: easy piano sheet music, beginner piano, Antonio Vivaldi, The Four Seasons, La Primavera, The Spring, Baroque music, music education, piano arrangement, live performance, music learning, classical music for piano.
$4.99
4.56 €
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Piano seul
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Antonio Vivaldi
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Glauco Fernandes
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La Primavera
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Glauco Fernandes
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SheetMusicPlus
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