English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
J.S. Bach: Prelude
Non classifié
219
Piano & claviers
Piano seul
133
Orgue
24
Piano Facile
15
Piano Trio: piano, violon, violoncelle
6
Piano, Voix
5
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
11
2 Guitares (duo)
6
Banjo
2
2 Mandolines (duo)
1
Voix
Chorale SATB
9
Chorale 3 parties
4
Voix Soprano, Piano
1
Chorale 2 parties
1
Vents
Quatuor de Saxophones: 4 saxophones
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Quintette de Clarinettes: 5 clarinettes
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Clarinettes: 4 clarinettes
17
Flûte traversière et Piano
11
Quatuor de Flûtes : 4 flûtes
9
Ensemble de Flûtes
9
Saxophone Alto et Piano
8
Flûte traversière
7
Clarinette et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
2 Clarinettes (duo)
5
2 Saxophones (duo)
5
Clarinette
5
2 Flûtes traversières (duo)
5
Quintette de Saxophone: 5 saxophones
5
Flûte, Clarinette (duo)
3
Saxophone Alto
3
Cor anglais, Piano
3
Saxophone (partie séparée)
3
Saxophone Tenor et Piano
3
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Flûte, Clarinette et Basson
2
3 Saxophones (trio)
2
Saxophone Tenor
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
1
Ensemble De Flûte à bec
1
2 Flûtes traversières, Piano
1
4 Hautbois
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Saxophone Soprano et Piano
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Ensemble de Clarinettes
1
Flûte à bec Alto
1
Clarinette Basse
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Ensemble de Trombones
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quatuor de cuivres: 4 trombones
6
Ensemble de Trompettes
6
Trombone
5
Trompette, Piano
4
Euphonium, Piano (duo)
3
Tuba
3
Cor et Piano
3
Trombone et Piano
3
Trompette, Trombone (duo)
3
Cor anglais, Piano
3
Trompette
3
2 Trombones (duo)
2
Euphonium
2
2 Trompettes (duo)
2
Trombone basse
2
Quatuor de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 cors
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Cor
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle
13
Violon et Piano
10
Violon
10
Harpe
8
Violoncelle, Piano
8
Violon, Violoncelle (duo)
5
Alto, Piano
5
Alto seul
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
2 Altos (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Violons (duo)
2
4 Violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
23
Ensemble de cuivres
14
Orchestre d'harmonie
5
Cloches
2
Orchestre de chambre
1
Ensemble Jazz
1
Orchestre
1
Marimba
1
+ 3 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
J.S. Bach: Prelude
Piano seul
Partitions à imprimer
133 partitions trouvées
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J.S. Bach - Prelude in C Major (BWV 846) - Intermediate
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1142466 Composed by Johann Sebastia…
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Piano Solo - Level 3 - Digital Download SKU: A0.1142466 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. Score. 4 pages. Piacere Music Sheets #742833. Published by Piacere Music Sheets (A0.1142466). Opus/Catalog Number: BWV 846Key/Tone: C MajorMovements/Sections: 1/2 (Prelude)Year/Date of Composition: 1722 in Das wohltemperierte Klavier I (No.1)Difficulty: Grade 7/12 (Intermediate)Obs.: This piece is probably the easiest composition in Bach's Well-Tempered Klavier.The Prelude appears also in the Notebook for Anna Magdalena Bach (1725). This notebook was filled with favorite selections of the members of the Bach family.There is also a slightly different version of this prelude, known as Prelude BWV 846A, in the Klavierbüchlein für Wilhelm Friedemann Bach. Bach's Prelude BWV 846 consists of a simple progression of arpeggiated chords. It is one of Johann Sebastian Bach's most famous compositions for the keyboard.Some sources show a trill of the last E of measure 34. If playing this trill, be sure to start it on the upper auxiliary note.This piece served as the inspiration for Gounod's Ave Maria.
$5.95
5.49 €
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Piano seul
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Johann Sebastian Bach
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Piacere Music Sheets
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J.S. Bach - Prelude in C Major
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Piacere Music Sheets
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SheetMusicPlus
J.S. BACH - Prelude in B minor - BWV 855 - For Piano Solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1262824 Composed by Johann Sebastia…
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Piano Solo - Level 3 - Digital Download SKU: A0.1262824 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Score. 3 pages. Poon #855832. Published by poon (A0.1262824). J.S. BACH - Prelude in B minor - BWV 855 - For Piano Solo.
$1.99
1.83 €
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Piano seul
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Johann Sebastian Bach
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poon
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J.S. BACH - Prelude in B minor - BWV 855 - For Piano Solo
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poon
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SheetMusicPlus
O Holy Night in the style of J.S. Bach Prelude in C Major
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.914307 Composed by Adolphe-Charles …
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Piano Solo - Level 3 - Digital Download SKU: A0.914307 Composed by Adolphe-Charles Adam. Arranged by Heather Knezevich. Baroque,Christian,Christmas,Concert,Sacred. Score. 3 pages. Songs of Praise #3892861. Published by Songs of Praise (A0.914307). A piano solo arrangement of O Holy Night in the style of J.S. Bach Prelude in C Major. Intermediate level. Includes fingerings. A simple, beautiful arrangement of a favorite Christmas carol. Click the YouTube link to watch the composer play this arrangement herself.
$3.99
3.68 €
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Piano seul
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Adolphe-Charles Adam
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Heather Knezevich
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O Holy Night in the style of J.S. Bach Prelude in C Major
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Songs of Praise
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SheetMusicPlus
J. S. Bach - Prelude in C Major (BWV 846)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1470950 Composed by Johann Sebastia…
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Piano Solo - Level 3 - Digital Download SKU: A0.1470950 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Advent,Baroque,Religious,Wedding. Score. 3 pages. Cadenza Editions #1048575. Published by Cadenza Editions (A0.1470950).
$3.99
3.68 €
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Piano seul
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Johann Sebastian Bach
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Cadenza Editions
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J. S. Bach - Prelude in C Major
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Cadenza Editions
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SheetMusicPlus
J. S. Bach-Prelude and Fugue No.21,BWV 866,for Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1367876 Composed by Johann Sebastia…
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Piano Solo - Level 3 - Digital Download SKU: A0.1367876 Composed by Johann Sebastian Bach. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #952252. Published by Open Cloud (A0.1367876).
$3.99
3.68 €
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Piano seul
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Johann Sebastian Bach
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OSM Press
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J. S. Bach-Prelude and Fugue No.21,BWV 866,for Piano
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Open Cloud
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SheetMusicPlus
J.S. Bach - Prelude No. 1 in C Major (Wohltemperierte Klavier I No. 1, BWV 846)
Piano seul
Composed by Johann Sebastian Bach (1685-1750). Arranged by poon. Classical. Score. 3 …
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Composed by Johann Sebastian Bach (1685-1750). Arranged by poon. Classical. Score. 3 pages. Poon #789182. Published by poon
$1.99
1.83 €
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Piano seul
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Johann Sebastian Bach
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poon
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J.S. Bach - Prelude No. 1 in C Major
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SheetMusicPlus
Prelude In C Major
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1087102 Composed by Johann Sebastia…
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Piano Solo - Level 2 - Digital Download SKU: A0.1087102 Composed by Johann Sebastian Bach. Arranged by Gianluca Giovannetti. Classical. Score. 3 pages. Gianluca Giovannetti #691300. Published by Gianluca Giovannetti (A0.1087102). J.S. Bach - Prelude in C Major.
$5.78
5.33 €
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Piano seul
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Johann Sebastian Bach
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Gianluca Giovannetti
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Prelude In C Major
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Gianluca Giovannetti
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SheetMusicPlus
Prelude B minor
Piano seul
Piano - Digital Download SKU: S9.Q21779 Composed by Johann Sebastian Bach. Arranged…
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Piano - Digital Download SKU: S9.Q21779 Composed by Johann Sebastian Bach. Arranged by Alexander Iljitsch Siloti. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21779. Published by Schott Music - Digital (S9.Q21779). Key: B minor.After J.S. Bach, Prelude E minor, BWV 855a.
$2.99
2.76 €
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Piano seul
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Johann Sebastian Bach
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Alexander Iljitsch Siloti
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Prelude B minor
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Schott Music - Digital
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SheetMusicPlus
Prelude WTK, Book II, No.1
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.710760 Composed by Johann Sebastian…
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Piano Solo - Level 4 - Digital Download SKU: A0.710760 Composed by Johann Sebastian Bach. Arranged by Thomas Jancso. Baroque. Score. 3 pages. Thomas Jancso #6077489. Published by Thomas Jancso (A0.710760). J.S. Bach: Prelude in C (WTK, Book II, No.1) , BWV 870.
$3.99
3.68 €
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Piano seul
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Johann Sebastian Bach
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Thomas Jancso
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Prelude WTK, Book II, No.1
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Thomas Jancso
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SheetMusicPlus
Jesu, Joy of Man's Desiring - J. S. Bach (For Solo Piano)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.963128 Composed by Johann Sebastian…
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Piano Solo - Level 2 - Digital Download SKU: A0.963128 Composed by Johann Sebastian Bach. Arranged by Matheus Viana. Baroque,Christmas,Easter,Sacred. Score. 4 pages. Matheus Viana #6372157. Published by Matheus Viana (A0.963128). Jesu, Joy of Man's Desiring, Johann Sebastian Bach, Baroque music, Piano arrangement, Chorale Prelude, Sheet music, Inspirational melody, Sacred tune, Baroque composer, Keyboard rendition, Musical masterpiece, Chorale prelude piano cover, Chords and counterpoint, Devotional atmosphere, Classical piano, Spiritual joy, Bach's brilliance, Keyboard performance, Ornate melody, Divine inspiration, Baroque elegance, Polyphonic texture, Baroque counterpoint, Sacred composition, Jesu, joyous piano, Musical devotion, Counterpoint beauty, Chorale melody, Religious expression, Heavenly piano, Keyboard virtuosity, Bachian grace, Expressive piano, Joyful resonance, Inspirational composition, Religious fervor, Devotional music, Baroque artistry, Bach's genius, Sacred keyboard, Jesu, Joy of Man's Desiring interpretation, Ornamental piano, Musical spirituality, Spiritual piano, Counterpoint mastery, Classical devotional, Baroque finesse, Divine piano, Keyboard expressiveness, Bachian counterpoint, Chorale beauty, Baroque brilliance, Inspirational piano magic, Sacred serenity, Jesu, Joyous interpretation, Baroque devotion, Ornate piano arrangement, Polyphonic splendor, Classical sacred music, Keyboard dynamics, Spiritual expression, Jesu, Joyous piano rendition, Counterpoint precision, Baroque inspiration, Ornamental keys, Bachian subtlety, Sacred piano arrangement, Classical spiritual beauty, Devotional piano performance, Bachian gracefulness, Ornate keyboard, Jesu, Joy of Man's Desiring on piano, Baroque serenade, Inspirational finesse, Divine keys, Keyboard brilliance, Chorale Prelude magic, Sacred counterpoint, Jesu, Joyous piano expressiveness.
$7.00
6.45 €
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Piano seul
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Johann Sebastian Bach
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Matheus Viana
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Jesu, Joy of Man's Desiring - J. S. Bach
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Matheus Viana
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SheetMusicPlus
J.S. Bach: Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes - As played by Víkingur Ólafsson
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1121730 By Johann Sebastian Bach an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1121730 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Festival,Instructional,Sacred. Score. 4 pages. Flavio Regis Cunha #722917. Published by Flavio Regis Cunha (A0.1121730). Do you want to learn the fascinating Prelude in E major of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619' composed by the legendary Johann Sebastian Bach?  Well, now you can! With the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', you can learn how to play this magnificent piece as performed by VÃkingur Ólafsson.  This is the first time this version of the prelude has been available. Get your hands on it now and unlock the mysterious beauty of Bach's prelude! You don't want to miss out on this chance! Get the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', as played by VÃkingur Ólafsson, today!J.S. Bach: Das Orgelbüchlein, BWV 599-644 - Christe, du Lamm Gottes, BWV 619 As played by VÃkingur Ólafsson in his new album From afar Intermediate level Format: Concert 9 x 12 inches 3 pagesProgram notesThe Orgelbüchlein, BWV 599-644 is a collection of chorale preludes composed for organ by Johann Sebastian Bach. Central to the collection is the chorale prelude Christe, du Lamm Gottes, BWV 619 composed by Bach in 1714.  Christe, du Lamm Gottes, BWV 619 is a unique and melodious composition that combines complex rhythmic elements with a beautiful harmonic progressions. The structure of the composition is highly advanced and Bach uses counterpoint masterfully.  Bach uses the chorale melody to provide a vocal line over rich harmonic progressions. The vocal line is layered over a series of organ chords, which serve as an accompaniment. The combination of both melodic and harmonic elements gives the piece great depth and complexity.  By providing a powerful vocal component to the composition Bach also creates an emotional connection with the listener. The beauty of Bach's composition lies in its ability to transport the listener to a spiritual realm that is only achieved through contemplation and devotion.  Bach also incorporates more traditional elements of musical composition such as tempo and dynamic contrast. This adds a great amount of variety and creates a variety that holds the listener's interest throughout the piece.  There is no doubt that Christe, du Lamm Gottes, BWV 619 is one of Bach's greatest masterpieces and it is a timeless musical tribute to God.
$5.99
5.52 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Cunha
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J.S. Bach: Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes - As played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
Prelude and Fugue No.1 in C Major from The Well-Tempered Clavier Book 1 BWV 846- J.S. Bach - Piano
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.790207 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert. Score and parts. 9 pages. Diamond S Music #5853963. Published by Diamond S Music (A0.790207). Prelude and Fugue No.1 in C Major from The Well-Tempered Clavier Book 1 BWV 846- J.S. Bach - Piano Solo. This is the beautiful and most well-known of the preludes from the Well-Tempered Clavier Book I. The Prelude is not too terribly difficult to play and is as soothing to play as it is to listen to. The Fugue, is rather tricky and required much skill to get all four voices of the Fugue to function separately and as a unit. The prelude was also written down in the 1725 Notebook for Anna Magdalena Bach. This Collection also includes a short essay about The Well-Tempered Clavier and a biography of Johann Sebastian Bach. The Prelude and 25 other of the little keyboard pieces of the Notebook can also be purchased in this collection here at sheetmusicplus: (S0.819079) Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.95
4.56 €
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Piano seul
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Johann Sebastian Bach
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Diamond S Music
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Prelude and Fugue No.1 in C Major from The Well-Tempered Clavier Book 1 BWV 846- J.S. Bach - Piano
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Diamond S Music
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 21 in D Major Mixolydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.52 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
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Compositeurs
Mentions légales
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Version intégrale
J.S. Bach: Prelude
