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James Siddons Music and Writings
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Vous avez sélectionné:
James Siddons Music and Writings
Piano seul
Partitions à imprimer
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Earliest Piano Pieces of James Siddons
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Earliest Piano Pieces of James
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972665 Composed by James Siddons. 20th Century,Blues,Contemporary,Jazz. Score. 20 pages. James Siddons Music and Writings...
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Piano Solo - Level 3 - SKU: A0.972665 Composed by James Siddons. 20th Century,Blues,Contemporary,Jazz. Score. 20 pages. James Siddons Music and Writings #5753473. Published by James Siddons Music and Writings (A0.972665). This album features the earliest finished compositions by composer-pianist James Siddons. These five works were composed in 1965-66, when the composer was 16 and 17 years old, and scored in manuscript notation then, except Improvisation in Blues, which was improvised on the composer's piano at home and recorded on a 1964 Sony tape deck using 7-inch tape reels and the tape deck's own microphone. This tape recording, and the manuscript scores, were placed in storage for over fifty years, at which time the tape recording was found to have good enough quality to be converted to digital format. This digital recording and the manuscript scores were scored in Sibelius in 2020.
$8.99
Title Page Art for 'Raphael's Angels Sing and Dance Around the Mountain of the Lord'
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Piano seul
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Contemporain
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James Siddons
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Title Page Art for 'Raphael's
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - SKU: A0.972649 Composed by James Siddons. Contemporary. Score. 1 pages. James Siddons Music and Writings #4822809. Published by James Siddo...
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Piano Solo - SKU: A0.972649 Composed by James Siddons. Contemporary. Score. 1 pages. James Siddons Music and Writings #4822809. Published by James Siddons Music and Writings (A0.972649). This item is the title page art (title and illustration) for the piano solo Raphael's Angels Sing and Dance Around the Mountain of the Lord. Purchasing this art work and the sheet music (see separate item in SMP catalogue for James Siddons) will provide the pianist with a complete edition. This music is the soundtrack for the video Raphael's Angels Sing and Dance Around the Mountain of the Lord, and makes a zesty recital piece when played alone.
$1.99
Raphael's Angels Sing and Dance Around the Mountain of the Lord
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Raphael's Angels Sing and Danc
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972648 Composed by James Siddons. Children,Film/TV,Ragtime,Sacred,Spiritual. Score. 8 pages. James Siddons Music and Writ...
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Piano Solo - Level 3 - SKU: A0.972648 Composed by James Siddons. Children,Film/TV,Ragtime,Sacred,Spiritual. Score. 8 pages. James Siddons Music and Writings #4822605. Published by James Siddons Music and Writings (A0.972648). This sheet music is the exact piano solo score of the soundtrack of the James Siddons video Raphael's Angels Sing and Dance Around the Mountain of the Lord. The music works well as a piano recital piece, and may be used to accompany the video (with sound muted) to create a silent-movie effect --- project the video from YouTube onto a projection screen, with piano placed near the screen (foot of the stage). The two hymn tunes heard in the music are Holy! Holy! Holy! and Every Time I Feel the Spirit.
$4.99
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 4
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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James Siddons
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Sonata Hymnica No. 4
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James Siddons Music and Writings
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SheetMusicPlus
Composed by James Siddons. 20th Century, Christian, Concert, Gospel, Traditional. Score. 24 pages. James Siddons Music and Writings #6135401. Publishe...
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Composed by James Siddons. 20th Century, Christian, Concert, Gospel, Traditional. Score. 24 pages. James Siddons Music and Writings #6135401. Published by James Siddons Music and Writings
$9.50
Christmas Beside an Old Piano
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Piano seul
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INTERMÉDIAIRE
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Noël
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James Siddons
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Christmas Beside an Old Piano
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James Siddons Music and Writings
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SheetMusicPlus
Composed by James Siddons. Post-Romantic, Christian, Jazz, Smooth Jazz, Christmas. Score. 38 pages. Published by James Siddons Music and Writings...
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Composed by James Siddons. Post-Romantic, Christian, Jazz, Smooth Jazz, Christmas. Score. 38 pages. Published by James Siddons Music and Writings
$14.99
Sonata Hymnica No. 5
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writing...
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Piano Solo - Level 3 - SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
When I Survey the Wondrous Cross
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Piano seul
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INTERMÉDIAIRE
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Traditional
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James Siddons
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When I Survey the Wondrous Cro
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1369552 Composed by Traditional. Arranged by James Siddons. Christian,Easter,Lent,Religious,Sacred. Score. 6 pages. James...
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Piano Solo - Level 3 - SKU: A0.1369552 Composed by Traditional. Arranged by James Siddons. Christian,Easter,Lent,Religious,Sacred. Score. 6 pages. James Siddons Music and Writings #953917. Published by James Siddons Music and Writings (A0.1369552). This piano solo requires a grand piano to achieve its full effect. A dramatic interpretation of When I Survey the Wondrous Cross (HAMBURG Tune) flows into a tranquil setting of the tune NEAR THE CROSS (the melody of Jesus, Keep Me Near the Cross), interpreting the stanza that describes rest beyond the river. Suitable for recital or worship in Lent, especially the week before Easter. Duration: 4 mins, 30 secs. Difficulty: moderate, including ability to play octaves and rapid arpeggios. Â A similar interpretation of HAMBURG Tune is found in James Siddons' Sonata Hymnica No. 5, Scenes of Calvary..
$5.00
Do You Want To Know A Secret?
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Piano seul
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INTERMÉDIAIRE
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Rock
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The Beatles
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James Siddons
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Do You Want To Know A Secret?
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972659 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Siddons. Rock. Score. 4 pages. James Siddons ...
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Piano Solo - Level 3 - SKU: A0.972659 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Siddons. Rock. Score. 4 pages. James Siddons Music and Writings #5304159. Published by James Siddons Music and Writings (A0.972659). Composer-pianist James Siddons presents a jazz-piano interpretation of a classic Lennon-McCartney song.
$5.99
Girl
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Piano seul
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INTERMÉDIAIRE
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Rock
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The Beatles
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James Siddons
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Girl
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972658 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Siddons. Rock. Score. 7 pages. James Siddons ...
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Piano Solo - Level 3 - SKU: A0.972658 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Siddons. Rock. Score. 7 pages. James Siddons Music and Writings #5304165. Published by James Siddons Music and Writings (A0.972658). Composer-pianist James Siddons presents a jazz-piano interpretation of the Lennon-McCartney song Girl that moves from smooth jazz to nostalgia for friends happily singing together.
$5.99
Yesterday
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Piano seul
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INTERMÉDIAIRE
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Rock
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The Beatles
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James Siddons
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Yesterday
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972657 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Siddons. Contemporary. Score. 4 pages. James ...
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Piano Solo - Level 3 - SKU: A0.972657 By The Beatles. By John Lennon and Paul McCartney. Arranged by James Siddons. Contemporary. Score. 4 pages. James Siddons Music and Writings #5304125. Published by James Siddons Music and Writings (A0.972657). Composer-pianist James Siddons sets the beautiful melody of Paul McCartney's Yesterday to smooth piano-jazz harmony.
$5.99
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James Siddons Music and Writings
