This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner and Johannes Brahms.

All the pieces are presented in simplified version for the beginner.

Includes:

1812 Overture, Op. 49
An der sch�nen blauen Donau, Op. 314
Bourr�e, BWV 996
Dance of the Flowers, Op. 71a
Eine kleine Nachtmusik, K.525
F�r Elise, WoO 59
Greensleeves
Guten Abend, gut? Nacht
I Dovregubbens hall
Jesus bleibet meine Freude, BWV 147
Kanon in D-Dur
La Donna � Mobile
la Primavera, RV. 269
Menuett, BWV Anh 114
Ode an die Freude, Op. 125
Pomp and Circumstance March N�1, Op. 39
Treulich gef�hrt
Water Music, HWV 349

Pachelbel?s famous Canon was popular during his lifetime, but then slipped into obscurity for centuries before making a comeback in the 1970s and '80s. Since then it has frequently been used for weddings and funerals and has led to a variety of pop song adaptations. This early intermediate piano solo remix starts out with the classic slow chord progression of the original, then shifts gears to a driving rock beat that would certainly liven up a funeral. 4 pages. Performance time: approximately 2:10.

"Jesu, Joy of Man's Desiring" (or simply "Joy") is the most common English title of a piece of music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 ("Heart and Mouth and Deed and Life"), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata.

A transcription by the English pianist Myra Hess (1890?1965) was published in 1926 for piano solo and in 1934 for piano duet. It is often performed slowly and reverently at wedding ceremonies, as well as during Christian festive seasons like Christmas and Easter.Jesus joy of men (Jesus bleibet meine Freude, in German) is the final choir of the cantata "Herz und Mund und Tat und Leben" ("Heart and Mouth and Actions and Life", in a free translation), written by Johann Sebastian Bach in Leipzig, Germany in the year 1716.

Although it is the 32nd cantata composed by Bach, of those that survived, it was given the number BWV 147 in the complete catalog of his works. Contrary to what is supposed, Johann Schop (1590-1664), and not Bach, composed the melodic line of the choir Werde munter, mein Gem�the (1641), which gave rise to the sixth and tenth movements of Cantata 147, being the tenth Jesus bleibet meine Freude. Bach gave him harmonization and an instrumental accompaniment. In this composition, the choir is superimposed on a great succession of triplets, "one of the Bachian symbols to indicate the Trinity.

The organ sonatas, BWV 525?530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a pedal clavichord.

The collection of sonatas is generally regarded as one of Bach's masterpieces for organ. The sonatas are also considered to be amongst his most difficult compositions for the instrument.